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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6B3E it is the complementary color #5394C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6B3E shade: #B16B39, #C27D4C, #D38F5F, #E4A172 and #F5B385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6B3E shade: #AC6B3E, #9B592B, #8A4718, #793505 and #682300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6B3E shade: #AC6B3E, #AC4D3E and #AC3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6B3E shade: #AC6B3E, #AC893E, #ACA63E, #94AC3E and #76AC3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6B3E shade matches the following richer shades: #AC6B3E, #BF672B, #D26418 and #E56005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6B3E shade: #AC6B3E, #996E51, #867264, #737577 and #60798A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6B3E shade: #AC3E4C, #AC4C3E, #AC6A3E, #AC873E and #ACA53E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6B3E shade: #6F4528, #8E5833, #AC6B3E, #C07F52 and #CB9671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6B3E shade: #AC6B3E, #6AAC3E and #3E3EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6B3E shade: #AC6B3E, #3EAC6A and #6A3EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6B3E shade: #AC6B3E, #6AAC3E, #3E80AC and #803EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6B3E shade: #AC6B3E, #49AC3E, #3E80AC and #A13EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

Complementary color

CMYK 57 / 23 / 0 / 24

HEX #5394C1

RGB 83 148 193

HSL 204.55, 0.47%, 0.54%

LAB 58.85, -7.57, -29.63

 

CMYK 0 / 40 / 68 / 31

HEX #B16B39

RGB 177 107 57

HSL 25, 0.51%, 0.46%

LAB 52.02, 23.42, 39.14

 

CMYK 0 / 36 / 61 / 24

HEX #C27D4C

RGB 194 125 76

HSL 24.92, 0.49%, 0.53%

LAB 58.66, 21.96, 37.43

 

CMYK 0 / 32 / 55 / 17

HEX #D38F5F

RGB 211 143 95

HSL 24.83, 0.57%, 0.6%

LAB 65.22, 20.69, 35.8

 

CMYK 0 / 29 / 50 / 11

HEX #E4A172

RGB 228 161 114

HSL 24.74, 0.68%, 0.67%

LAB 71.69, 19.58, 34.29

 

CMYK 0 / 27 / 46 / 4

HEX #F5B385

RGB 245 179 133

HSL 24.64, 0.85%, 0.74%

LAB 78.08, 18.61, 32.89

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 43 / 72 / 39

HEX #9B592B

RGB 155 89 43

HSL 24.64, 0.57%, 0.39%

LAB 44.64, 23.2, 37.41

 

CMYK 0 / 49 / 83 / 46

HEX #8A4718

RGB 138 71 24

HSL 24.74, 0.7%, 0.32%

LAB 37.8, 25.06, 39.04

 

CMYK 0 / 56 / 96 / 53

HEX #793505

RGB 121 53 5

HSL 24.83, 0.92%, 0.25%

LAB 30.93, 27.17, 39.92

 

CMYK 0 / 66 / 100 / 59

HEX #682300

RGB 104 35 0

HSL 20.19, 1%, 0.2%

LAB 24.15, 29.42, 34.94

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 55 / 64 / 33

HEX #AC4D3E

RGB 172 77 62

HSL 8.18, 0.47%, 0.46%

LAB 44.84, 37.8, 27.7

 

CMYK 0 / 64 / 64 / 33

HEX #AC3E3E

RGB 172 62 62

HSL 0, 0.47%, 0.46%

LAB 42.1, 45, 24.28

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 20 / 64 / 33

HEX #AC893E

RGB 172 137 62

HSL 40.91, 0.47%, 0.46%

LAB 58.98, 4.78, 44.29

 

CMYK 0 / 3 / 64 / 33

HEX #ACA63E

RGB 172 166 62

HSL 56.73, 0.47%, 0.46%

LAB 66.82, -10.89, 52.79

 

CMYK 14 / 0 / 64 / 33

HEX #94AC3E

RGB 148 172 62

HSL 73.09, 0.47%, 0.46%

LAB 66.63, -24.14, 52.03

 

CMYK 31 / 0 / 64 / 33

HEX #76AC3E

RGB 118 172 62

HSL 89.45, 0.47%, 0.46%

LAB 64.73, -35.96, 49.42

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 46 / 77 / 25

HEX #BF672B

RGB 191 103 43

HSL 24.32, 0.63%, 0.46%

LAB 52.9, 30.79, 47.56

 

CMYK 0 / 52 / 89 / 18

HEX #D26418

RGB 210 100 24

HSL 24.52, 0.79%, 0.46%

LAB 54.95, 39.46, 57.95

 

CMYK 0 / 58 / 98 / 10

HEX #E56005

RGB 229 96 5

HSL 24.38, 0.96%, 0.46%

LAB 57.11, 48.38, 65.31

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 28 / 47 / 40

HEX #996E51

RGB 153 110 81

HSL 24.17, 0.31%, 0.46%

LAB 50.12, 13.38, 22.89

 

CMYK 0 / 15 / 25 / 47

HEX #867264

RGB 134 114 100

HSL 24.71, 0.15%, 0.46%

LAB 49.52, 5.49, 10.65

 

CMYK 3 / 2 / 0 / 53

HEX #737577

RGB 115 117 119

HSL 210, 0.02%, 0.46%

LAB 49.13, -0.34, -1.37

 

CMYK 30 / 12 / 0 / 46

HEX #60798A

RGB 96 121 138

HSL 204.29, 0.18%, 0.46%

LAB 49.49, -4.79, -12.21

 

CMYK 0 / 64 / 56 / 33

HEX #AC3E4C

RGB 172 62 76

HSL 352.36, 0.47%, 0.46%

LAB 42.37, 46.02, 16.03

 

CMYK 0 / 56 / 64 / 33

HEX #AC4C3E

RGB 172 76 62

HSL 7.64, 0.47%, 0.46%

LAB 44.64, 38.3, 27.46

 

CMYK 0 / 38 / 64 / 33

HEX #AC6A3E

RGB 172 106 62

HSL 24, 0.47%, 0.46%

LAB 51.18, 22.16, 35.36

 

CMYK 0 / 22 / 64 / 33

HEX #AC873E

RGB 172 135 62

HSL 39.82, 0.47%, 0.46%

LAB 58.46, 5.89, 43.7

 

CMYK 0 / 4 / 64 / 33

HEX #ACA53E

RGB 172 165 62

HSL 56.18, 0.47%, 0.46%

LAB 66.54, -10.36, 52.5

 

CMYK 0 / 38 / 64 / 56

HEX #6F4528

RGB 111 69 40

HSL 24.51, 0.47%, 0.3%

LAB 33.54, 14.93, 24.79

 

CMYK 0 / 38 / 64 / 44

HEX #8E5833

RGB 142 88 51

HSL 24.4, 0.47%, 0.38%

LAB 42.72, 18.56, 30.43

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 0 / 34 / 57 / 25

HEX #C07F52

RGB 192 127 82

HSL 24.55, 0.47%, 0.54%

LAB 58.97, 20.48, 34.54

 

CMYK 0 / 26 / 44 / 20

HEX #CB9671

RGB 203 150 113

HSL 24.67, 0.46%, 0.62%

LAB 66.29, 15.3, 27.28

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 38 / 0 / 64 / 33

HEX #6AAC3E

RGB 106 172 62

HSL 96, 0.47%, 0.46%

LAB 64.09, -40.27, 48.54

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 64 / 0 / 38 / 33

HEX #3EAC6A

RGB 62 172 106

HSL 144, 0.47%, 0.46%

LAB 62.99, -46.37, 24.99

 

CMYK 38 / 64 / 0 / 33

HEX #6A3EAC

RGB 106 62 172

HSL 264, 0.47%, 0.46%

LAB 36.91, 42.83, -52.1

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 38 / 0 / 64 / 33

HEX #6AAC3E

RGB 106 172 62

HSL 96, 0.47%, 0.46%

LAB 64.09, -40.27, 48.54

 

CMYK 64 / 26 / 0 / 33

HEX #3E80AC

RGB 62 128 172

HSL 204, 0.47%, 0.46%

LAB 51.2, -7.1, -29.59

 

CMYK 26 / 64 / 0 / 33

HEX #803EAC

RGB 128 62 172

HSL 276, 0.47%, 0.46%

LAB 39.6, 47.84, -47.62

 

CMYK 0 / 38 / 64 / 33

HEX #AC6B3E

RGB 172 107 62

HSL 24.55, 0.47%, 0.46%

LAB 51.42, 21.6, 35.64

 

CMYK 58 / 0 / 64 / 33

HEX #49AC3E

RGB 73 172 62

HSL 114, 0.47%, 0.46%

LAB 62.73, -50.29, 46.66

 

CMYK 64 / 26 / 0 / 33

HEX #3E80AC

RGB 62 128 172

HSL 204, 0.47%, 0.46%

LAB 51.2, -7.1, -29.59

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAC

RGB 161 62 172

HSL 294, 0.47%, 0.46%

LAB 44.23, 55.81, -39.95

 

Description

Color code: HEX #AC6B3E | qconv.com Color code: HEX #AC6B3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 107 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 107 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 64% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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