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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC67EC it is the complementary color #539813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC67EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC67EC shade: #B167E7, #C279FA, #D38BFF, #E49DFF and #F5AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC67EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC67EC shade: #AC67EC, #9B55D9, #8A43C6, #7931B3 and #681FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC67EC shade: #AB65EC, #CF65EC, #EC65E4, #EC65C0 and #EC659B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC67EC shade: #AB65EC, #8665EC and #6565EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC67EC shade matches the following richer shades: #AB65EC and #AB57FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC67EC shade: #AB65EC, #AA73DE, #AA81D0, #A98FC2 and #A99DB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC67EC shade: #6567EC, #8665EC, #AB65EC, #CF65EC and #EC65E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC67EC shade: #831CE2, #9740E7, #AB65EC, #BF89F0 and #D3AEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC67EC shade: #AC67EC, #EC658B and #65EC74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC67EC shade: #AC67EC, #ECAB65 and #65ECAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC67EC shade: #AC67EC, #EC658B, #A6EC65 and #65ECC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC67EC shade: #AC67EC, #EC6765, #A6EC65 and #65EAEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

Complementary color

CMYK 45 / 0 / 88 / 40

HEX #539813

RGB 83 152 19

HSL 91.13, 0.78%, 0.34%

LAB 56.43, -42.52, 55.58

 

CMYK 23 / 55 / 0 / 9

HEX #B167E7

RGB 177 103 231

HSL 274.69, 0.73%, 0.65%

LAB 56.9, 52.2, -53.59

 

CMYK 22 / 52 / 0 / 2

HEX #C279FA

RGB 194 121 250

HSL 273.95, 0.93%, 0.73%

LAB 63.38, 51.37, -53.7

 

CMYK 17 / 45 / 0 / 0

HEX #D38BFF

RGB 211 139 255

HSL 277.24, 1%, 0.77%

LAB 69.14, 47.52, -47.22

 

CMYK 11 / 38 / 0 / 0

HEX #E49DFF

RGB 228 157 255

HSL 283.47, 1%, 0.81%

LAB 74.72, 42.85, -38.37

 

CMYK 4 / 31 / 0 / 0

HEX #F5AFFF

RGB 245 175 255

HSL 292.5, 1%, 0.84%

LAB 80.34, 38.48, -29.53

 

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

CMYK 29 / 61 / 0 / 15

HEX #9B55D9

RGB 155 85 217

HSL 271.82, 0.63%, 0.59%

LAB 50.07, 52.95, -56.77

 

CMYK 30 / 66 / 0 / 22

HEX #8A43C6

RGB 138 67 198

HSL 272.52, 0.53%, 0.52%

LAB 43.5, 53.67, -56.54

 

CMYK 32 / 73 / 0 / 30

HEX #7931B3

RGB 121 49 179

HSL 273.23, 0.57%, 0.45%

LAB 36.96, 54.1, -56.08

 

CMYK 35 / 81 / 0 / 37

HEX #681FA0

RGB 104 31 160

HSL 273.95, 0.68%, 0.37%

LAB 30.55, 53.93, -55.22

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 12 / 57 / 0 / 7

HEX #CF65EC

RGB 207 101 236

HSL 287.11, 0.78%, 0.66%

LAB 60.45, 61.67, -50.5

 

CMYK 0 / 57 / 3 / 7

HEX #EC65E4

RGB 236 101 228

HSL 303.56, 0.78%, 0.66%

LAB 63.95, 67.57, -40.27

 

CMYK 0 / 57 / 19 / 7

HEX #EC65C0

RGB 236 101 192

HSL 319.56, 0.78%, 0.66%

LAB 62.46, 62.06, -22.32

 

CMYK 0 / 57 / 34 / 7

HEX #EC659B

RGB 236 101 155

HSL 336, 0.78%, 0.66%

LAB 61.23, 57.29, -2.97

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 43 / 57 / 0 / 7

HEX #8665EC

RGB 134 101 236

HSL 254.67, 0.78%, 0.66%

LAB 52.32, 44.52, -63.97

 

CMYK 57 / 57 / 0 / 7

HEX #6565EC

RGB 101 101 236

HSL 240, 0.78%, 0.66%

LAB 49.65, 38.05, -68.42

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 32 / 65 / 0 / 2

HEX #AB57FA

RGB 171 87 250

HSL 270.92, 0.94%, 0.66%

LAB 54.42, 63.03, -68.19

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 23 / 48 / 0 / 13

HEX #AA73DE

RGB 170 115 222

HSL 270.84, 0.62%, 0.66%

LAB 58.11, 41.95, -46.66

 

CMYK 18 / 38 / 0 / 18

HEX #AA81D0

RGB 170 129 208

HSL 271.14, 0.46%, 0.66%

LAB 60.61, 30.94, -34.88

 

CMYK 13 / 26 / 0 / 24

HEX #A98FC2

RGB 169 143 194

HSL 270.59, 0.29%, 0.66%

LAB 63.32, 19.6, -22.82

 

CMYK 6 / 13 / 0 / 29

HEX #A99DB4

RGB 169 157 180

HSL 271.3, 0.13%, 0.66%

LAB 66.4, 8.78, -10.32

 

CMYK 57 / 56 / 0 / 7

HEX #6567EC

RGB 101 103 236

HSL 239.11, 0.78%, 0.66%

LAB 50.12, 36.86, -67.65

 

CMYK 43 / 57 / 0 / 7

HEX #8665EC

RGB 134 101 236

HSL 254.67, 0.78%, 0.66%

LAB 52.32, 44.52, -63.97

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 12 / 57 / 0 / 7

HEX #CF65EC

RGB 207 101 236

HSL 287.11, 0.78%, 0.66%

LAB 60.45, 61.67, -50.5

 

CMYK 0 / 57 / 3 / 7

HEX #EC65E5

RGB 236 101 229

HSL 303.11, 0.78%, 0.66%

LAB 64, 67.73, -40.76

 

CMYK 42 / 88 / 0 / 11

HEX #831CE2

RGB 131 28 226

HSL 271.21, 0.78%, 0.5%

LAB 39.83, 73.2, -78.68

 

CMYK 35 / 72 / 0 / 9

HEX #9740E7

RGB 151 64 231

HSL 271.26, 0.78%, 0.58%

LAB 46.99, 65.15, -69.7

 

CMYK 28 / 57 / 0 / 7

HEX #AB65EC

RGB 171 101 236

HSL 271.11, 0.78%, 0.66%

LAB 56.11, 52.91, -57.68

 

CMYK 20 / 43 / 0 / 6

HEX #BF89F0

RGB 191 137 240

HSL 271.46, 0.77%, 0.74%

LAB 65.95, 39.79, -44.16

 

CMYK 14 / 29 / 0 / 4

HEX #D3AEF5

RGB 211 174 245

HSL 271.27, 0.78%, 0.82%

LAB 76.51, 26.54, -30.33

 

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

CMYK 0 / 57 / 41 / 7

HEX #EC658B

RGB 236 101 139

HSL 343.11, 0.78%, 0.66%

LAB 60.79, 55.54, 5.65

 

CMYK 57 / 0 / 51 / 7

HEX #65EC74

RGB 101 236 116

HSL 126.67, 0.78%, 0.66%

LAB 83.98, -60.93, 46.95

 

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

CMYK 0 / 28 / 57 / 7

HEX #ECAB65

RGB 236 171 101

HSL 31.11, 0.78%, 0.66%

LAB 74.76, 16.42, 45.03

 

CMYK 57 / 0 / 28 / 7

HEX #65ECAB

RGB 101 236 171

HSL 151.11, 0.78%, 0.66%

LAB 84.84, -51.68, 20.64

 

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

CMYK 0 / 57 / 41 / 7

HEX #EC658B

RGB 236 101 139

HSL 343.11, 0.78%, 0.66%

LAB 60.79, 55.54, 5.65

 

CMYK 30 / 0 / 57 / 7

HEX #A6EC65

RGB 166 236 101

HSL 91.11, 0.78%, 0.66%

LAB 86.52, -43.54, 57.47

 

CMYK 57 / 0 / 16 / 7

HEX #65ECC6

RGB 101 236 198

HSL 163.11, 0.78%, 0.66%

LAB 85.42, -45.86, 7.39

 

CMYK 27 / 56 / 0 / 7

HEX #AC67EC

RGB 172 103 236

HSL 271.13, 0.78%, 0.66%

LAB 56.61, 52.11, -56.87

 

CMYK 0 / 56 / 57 / 7

HEX #EC6765

RGB 236 103 101

HSL 0.89, 0.78%, 0.66%

LAB 60.31, 51.27, 26.91

 

CMYK 30 / 0 / 57 / 7

HEX #A6EC65

RGB 166 236 101

HSL 91.11, 0.78%, 0.66%

LAB 86.52, -43.54, 57.47

 

CMYK 57 / 1 / 0 / 7

HEX #65EAEC

RGB 101 234 236

HSL 180.89, 0.78%, 0.66%

LAB 85.84, -35.53, -11.96

 

Description

Color code: HEX #AC67EC | qconv.com Color code: HEX #AC67EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 103 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 103 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 56 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 56% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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