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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC66CA it is the complementary color #539935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC66CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC66CA shade: #B166C5, #C278D8, #D38AEB, #E49CFE and #F5AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC66CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC66CA shade: #AC66CA, #9B54B7, #8A42A4, #793091 and #681E7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC66CA shade: #AD67CB, #C867CB, #CB67B3, #CB6798 and #CB677D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC66CA shade: #AD67CB, #9267CB, #7767CB and #6767CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC66CA shade matches the following richer shades: #AD67CB, #B457DB, #BA46EC and #C136FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC66CA shade: #AD67CB, #A678BA, #A088AA, #999999 and #93A989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC66CA shade: #7867CB, #9267CB, #AD67CB, #C867CB and #CB67B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC66CA shade: #8639A6, #9C48C0, #AD67CB, #BE86D6 and #CEA4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC66CA shade: #AC66CA, #CB6771 and #67CB85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC66CA shade: #AC66CA, #CBAD67 and #67CBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC66CA shade: #AC66CA, #CB6771, #85CB67 and #67CBC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC66CA shade: #AC66CA, #CB7B67, #85CB67 and #67B7CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

Complementary color

CMYK 46 / 0 / 65 / 40

HEX #539935

RGB 83 153 53

HSL 102, 0.49%, 0.4%

LAB 56.96, -40.71, 44.36

 

CMYK 10 / 48 / 0 / 23

HEX #B166C5

RGB 177 102 197

HSL 287.37, 0.45%, 0.59%

LAB 54.95, 45.47, -37.44

 

CMYK 10 / 44 / 0 / 15

HEX #C278D8

RGB 194 120 216

HSL 286.25, 0.55%, 0.66%

LAB 61.53, 44.7, -37.74

 

CMYK 10 / 41 / 0 / 8

HEX #D38AEB

RGB 211 138 235

HSL 285.15, 0.71%, 0.73%

LAB 68.04, 43.93, -37.99

 

CMYK 10 / 39 / 0 / 0

HEX #E49CFE

RGB 228 156 254

HSL 284.08, 0.98%, 0.8%

LAB 74.46, 43.18, -38.22

 

CMYK 4 / 32 / 0 / 0

HEX #F5AEFF

RGB 245 174 255

HSL 292.59, 1%, 0.84%

LAB 80.13, 39, -29.87

 

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

CMYK 15 / 54 / 0 / 28

HEX #9B54B7

RGB 155 84 183

HSL 283.03, 0.41%, 0.52%

LAB 47.92, 45.86, -40.63

 

CMYK 16 / 60 / 0 / 36

HEX #8A42A4

RGB 138 66 164

HSL 284.08, 0.43%, 0.45%

LAB 41.18, 46.54, -40.25

 

CMYK 17 / 67 / 0 / 43

HEX #793091

RGB 121 48 145

HSL 285.15, 0.5%, 0.38%

LAB 34.44, 46.96, -39.66

 

CMYK 17 / 76 / 0 / 51

HEX #681E7E

RGB 104 30 126

HSL 286.25, 0.62%, 0.31%

LAB 27.79, 46.83, -38.67

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 1 / 49 / 0 / 20

HEX #C867CB

RGB 200 103 203

HSL 298.2, 0.49%, 0.6%

LAB 58.31, 52.65, -35.38

 

CMYK 0 / 49 / 12 / 20

HEX #CB67B3

RGB 203 103 179

HSL 314.4, 0.49%, 0.6%

LAB 57.7, 49.4, -22.58

 

CMYK 0 / 49 / 25 / 20

HEX #CB6798

RGB 203 103 152

HSL 330.6, 0.49%, 0.6%

LAB 56.75, 45.32, -8.39

 

CMYK 0 / 49 / 38 / 20

HEX #CB677D

RGB 203 103 125

HSL 346.8, 0.49%, 0.6%

LAB 55.97, 41.87, 6.25

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 28 / 49 / 0 / 20

HEX #9267CB

RGB 146 103 203

HSL 265.8, 0.49%, 0.6%

LAB 51.98, 37.63, -45.79

 

CMYK 41 / 49 / 0 / 20

HEX #7767CB

RGB 119 103 203

HSL 249.6, 0.49%, 0.6%

LAB 49.42, 30.68, -50.02

 

CMYK 49 / 49 / 0 / 20

HEX #6767CB

RGB 103 103 203

HSL 240, 0.49%, 0.6%

LAB 48.13, 26.92, -52.16

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 18 / 60 / 0 / 14

HEX #B457DB

RGB 180 87 219

HSL 282.27, 0.65%, 0.6%

LAB 53.64, 58.28, -52.01

 

CMYK 21 / 70 / 0 / 7

HEX #BA46EC

RGB 186 70 236

HSL 281.93, 0.81%, 0.6%

LAB 52.81, 70.37, -62.88

 

CMYK 23 / 79 / 0 / 1

HEX #C136FC

RGB 193 54 252

HSL 282.12, 0.97%, 0.6%

LAB 52.95, 80.21, -71.55

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 11 / 35 / 0 / 27

HEX #A678BA

RGB 166 120 186

HSL 281.82, 0.32%, 0.6%

LAB 57.16, 29.96, -27.8

 

CMYK 6 / 20 / 0 / 33

HEX #A088AA

RGB 160 136 170

HSL 282.35, 0.17%, 0.6%

LAB 59.87, 15.48, -14.56

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 13 / 0 / 19 / 34

HEX #93A989

RGB 147 169 137

HSL 101.25, 0.16%, 0.6%

LAB 66.81, -13.76, 14

 

CMYK 41 / 49 / 0 / 20

HEX #7867CB

RGB 120 103 203

HSL 250.2, 0.49%, 0.6%

LAB 49.5, 30.93, -49.88

 

CMYK 28 / 49 / 0 / 20

HEX #9267CB

RGB 146 103 203

HSL 265.8, 0.49%, 0.6%

LAB 51.98, 37.63, -45.79

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 1 / 49 / 0 / 20

HEX #C867CB

RGB 200 103 203

HSL 298.2, 0.49%, 0.6%

LAB 58.31, 52.65, -35.38

 

CMYK 0 / 49 / 11 / 20

HEX #CB67B4

RGB 203 103 180

HSL 313.8, 0.49%, 0.6%

LAB 57.74, 49.56, -23.09

 

CMYK 19 / 66 / 0 / 35

HEX #8639A6

RGB 134 57 166

HSL 282.39, 0.49%, 0.44%

LAB 39.15, 50.35, -44.72

 

CMYK 19 / 63 / 0 / 25

HEX #9C48C0

RGB 156 72 192

HSL 282, 0.49%, 0.52%

LAB 46.32, 54.03, -48.39

 

CMYK 15 / 49 / 0 / 20

HEX #AD67CB

RGB 173 103 203

HSL 282, 0.49%, 0.6%

LAB 54.97, 45.05, -40.87

 

CMYK 11 / 37 / 0 / 16

HEX #BE86D6

RGB 190 134 214

HSL 282, 0.49%, 0.68%

LAB 64.04, 35.52, -32.74

 

CMYK 8 / 27 / 0 / 12

HEX #CEA4E0

RGB 206 164 224

HSL 282, 0.49%, 0.76%

LAB 72.93, 26.11, -24.45

 

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

CMYK 0 / 49 / 44 / 20

HEX #CB6771

RGB 203 103 113

HSL 354, 0.49%, 0.6%

LAB 55.67, 40.55, 12.87

 

CMYK 49 / 0 / 34 / 20

HEX #67CB85

RGB 103 203 133

HSL 138, 0.49%, 0.6%

LAB 74.37, -44.69, 26.15

 

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

CMYK 0 / 15 / 49 / 20

HEX #CBAD67

RGB 203 173 103

HSL 42, 0.49%, 0.6%

LAB 71.94, 1.87, 39.8

 

CMYK 49 / 0 / 15 / 20

HEX #67CBAD

RGB 103 203 173

HSL 162, 0.49%, 0.6%

LAB 75.21, -36.5, 6

 

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

CMYK 0 / 49 / 44 / 20

HEX #CB6771

RGB 203 103 113

HSL 354, 0.49%, 0.6%

LAB 55.67, 40.55, 12.87

 

CMYK 34 / 0 / 49 / 20

HEX #85CB67

RGB 133 203 103

HSL 102, 0.49%, 0.6%

LAB 75.25, -40.21, 42.77

 

CMYK 49 / 0 / 5 / 20

HEX #67CBC1

RGB 103 203 193

HSL 174, 0.49%, 0.6%

LAB 75.73, -31.7, -4.04

 

CMYK 15 / 50 / 0 / 21

HEX #AC66CA

RGB 172 102 202

HSL 282, 0.49%, 0.6%

LAB 54.59, 45.09, -40.9

 

CMYK 0 / 39 / 49 / 20

HEX #CB7B67

RGB 203 123 103

HSL 12, 0.49%, 0.6%

LAB 59.75, 29, 24.17

 

CMYK 34 / 0 / 49 / 20

HEX #85CB67

RGB 133 203 103

HSL 102, 0.49%, 0.6%

LAB 75.25, -40.21, 42.77

 

CMYK 49 / 10 / 0 / 20

HEX #67B7CB

RGB 103 183 203

HSL 192, 0.49%, 0.6%

LAB 70.22, -19.13, -17.71

 

Description

Color code: HEX #AC66CA | qconv.com Color code: HEX #AC66CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 102 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 102 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 50 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 50% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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