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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6582 it is the complementary color #539A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6582 shade: #B1657D, #C27790, #D389A3, #E49BB6 and #F5ADC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6582 shade: #AC6582, #9B536F, #8A415C, #792F49 and #681D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6582 shade: #AD6783, #AD6770 and #AD6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6582 shade: #AD6783, #AD6796, #AD67A9, #9E67AD and #8B67AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6582 shade matches the following richer shades: #AD6783, #C05480, #D3417C, #E62E79 and #F91B75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6582 shade: #AD6783, #9A7987, #878C8A, #749F8E and #61B291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6582 shade: #AD67A9, #AD6797, #AD6784, #AD6771 and #AD6F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6582 shade: #7D445B, #98526F, #AD6783, #BB8199 and #CA9CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6582 shade: #AC6582, #AD9E67 and #67A0AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6582 shade: #AC6582, #84AD67 and #6784AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6582 shade: #AC6582, #AD9E67, #67AD90 and #6776AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6582 shade: #AC6582, #A7AD67, #67AD90 and #6C67AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

Complementary color

CMYK 46 / 0 / 19 / 40

HEX #539A7D

RGB 83 154 125

HSL 155.49, 0.3%, 0.46%

LAB 58.44, -29.43, 8.36

 

CMYK 0 / 43 / 29 / 31

HEX #B1657D

RGB 177 101 125

HSL 341.05, 0.33%, 0.55%

LAB 51.99, 33.53, 0.06

 

CMYK 0 / 39 / 26 / 24

HEX #C27790

RGB 194 119 144

HSL 340, 0.38%, 0.61%

LAB 58.67, 32.64, -1.03

 

CMYK 0 / 35 / 23 / 17

HEX #D389A3

RGB 211 137 163

HSL 338.92, 0.46%, 0.68%

LAB 65.27, 31.82, -1.98

 

CMYK 0 / 32 / 20 / 11

HEX #E49BB6

RGB 228 155 182

HSL 337.81, 0.57%, 0.75%

LAB 71.77, 31.05, -2.84

 

CMYK 0 / 29 / 18 / 4

HEX #F5ADC9

RGB 245 173 201

HSL 336.67, 0.78%, 0.82%

LAB 78.18, 30.33, -3.62

 

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

CMYK 0 / 46 / 28 / 39

HEX #9B536F

RGB 155 83 111

HSL 336.67, 0.3%, 0.47%

LAB 44.66, 33.31, -2.62

 

CMYK 0 / 53 / 33 / 46

HEX #8A415C

RGB 138 65 92

HSL 337.81, 0.36%, 0.4%

LAB 37.76, 34.21, -1.27

 

CMYK 0 / 61 / 40 / 53

HEX #792F49

RGB 121 47 73

HSL 338.92, 0.44%, 0.33%

LAB 30.83, 35.01, 0.46

 

CMYK 0 / 72 / 48 / 59

HEX #681D36

RGB 104 29 54

HSL 340, 0.56%, 0.26%

LAB 23.96, 35.47, 2.86

 

CMYK 0 / 40 / 24 / 32

HEX #AD6783

RGB 173 103 131

HSL 336, 0.3%, 0.54%

LAB 52.09, 31.84, -3.41

 

CMYK 0 / 40 / 35 / 32

HEX #AD6770

RGB 173 103 112

HSL 352.29, 0.3%, 0.54%

LAB 51.56, 29.19, 7.07

 

CMYK 0 / 40 / 40 / 32

HEX #AD6767

RGB 173 103 103

HSL 0, 0.3%, 0.54%

LAB 51.34, 28.09, 12.09

 

CMYK 0 / 40 / 24 / 32

HEX #AD6783

RGB 173 103 131

HSL 336, 0.3%, 0.54%

LAB 52.09, 31.84, -3.41

 

CMYK 0 / 40 / 13 / 32

HEX #AD6796

RGB 173 103 150

HSL 319.71, 0.3%, 0.54%

LAB 52.72, 34.87, -13.68

 

CMYK 0 / 40 / 2 / 32

HEX #AD67A9

RGB 173 103 169

HSL 303.43, 0.3%, 0.54%

LAB 53.44, 38.25, -23.68

 

CMYK 9 / 40 / 0 / 32

HEX #9E67AD

RGB 158 103 173

HSL 287.14, 0.3%, 0.54%

LAB 51.82, 34.28, -28.65

 

CMYK 20 / 40 / 0 / 32

HEX #8B67AD

RGB 139 103 173

HSL 270.86, 0.3%, 0.54%

LAB 49.75, 28.37, -32.04

 

CMYK 0 / 40 / 24 / 32

HEX #AD6783

RGB 173 103 131

HSL 336, 0.3%, 0.54%

LAB 52.09, 31.84, -3.41

 

CMYK 0 / 56 / 33 / 25

HEX #C05480

RGB 192 84 128

HSL 335.56, 0.46%, 0.54%

LAB 50.81, 47.87, -3.21

 

CMYK 0 / 69 / 41 / 17

HEX #D3417C

RGB 211 65 124

HSL 335.75, 0.62%, 0.54%

LAB 50.79, 61.38, -0.49

 

CMYK 0 / 80 / 47 / 10

HEX #E62E79

RGB 230 46 121

HSL 335.54, 0.79%, 0.54%

LAB 52.01, 72.12, 3.53

 

CMYK 0 / 89 / 53 / 2

HEX #F91B75

RGB 249 27 117

HSL 335.68, 0.95%, 0.54%

LAB 54.25, 80.06, 9.61

 

CMYK 0 / 40 / 24 / 32

HEX #AD6783

RGB 173 103 131

HSL 336, 0.3%, 0.54%

LAB 52.09, 31.84, -3.41

 

CMYK 0 / 21 / 12 / 40

HEX #9A7987

RGB 154 121 135

HSL 334.55, 0.14%, 0.54%

LAB 54.34, 15.19, -2.7

 

CMYK 4 / 0 / 1 / 45

HEX #878C8A

RGB 135 140 138

HSL 156, 0.02%, 0.54%

LAB 57.79, -2.22, 0.42

 

CMYK 27 / 0 / 11 / 38

HEX #749F8E

RGB 116 159 142

HSL 156.28, 0.18%, 0.54%

LAB 62.05, -18.29, 4.17

 

CMYK 46 / 0 / 19 / 30

HEX #61B291

RGB 97 178 145

HSL 155.56, 0.34%, 0.54%

LAB 66.84, -32.68, 9.24

 

CMYK 0 / 40 / 2 / 32

HEX #AD67A9

RGB 173 103 169

HSL 303.43, 0.3%, 0.54%

LAB 53.44, 38.25, -23.68

 

CMYK 0 / 40 / 13 / 32

HEX #AD6797

RGB 173 103 151

HSL 318.86, 0.3%, 0.54%

LAB 52.75, 35.04, -14.21

 

CMYK 0 / 40 / 24 / 32

HEX #AD6784

RGB 173 103 132

HSL 335.14, 0.3%, 0.54%

LAB 52.12, 31.99, -3.96

 

CMYK 0 / 40 / 35 / 32

HEX #AD6771

RGB 173 103 113

HSL 351.43, 0.3%, 0.54%

LAB 51.58, 29.32, 6.52

 

CMYK 0 / 36 / 40 / 32

HEX #AD6F67

RGB 173 111 103

HSL 6.86, 0.3%, 0.54%

LAB 53.2, 23.63, 14.68

 

CMYK 0 / 46 / 27 / 51

HEX #7D445B

RGB 125 68 91

HSL 335.79, 0.3%, 0.38%

LAB 36.46, 27.55, -2.78

 

CMYK 0 / 46 / 27 / 40

HEX #98526F

RGB 152 82 111

HSL 335.14, 0.3%, 0.46%

LAB 44.03, 32.77, -3.61

 

CMYK 0 / 40 / 24 / 32

HEX #AD6783

RGB 173 103 131

HSL 336, 0.3%, 0.54%

LAB 52.09, 31.84, -3.41

 

CMYK 0 / 31 / 18 / 27

HEX #BB8199

RGB 187 129 153

HSL 335.17, 0.3%, 0.62%

LAB 60.4, 25.97, -3.77

 

CMYK 0 / 23 / 13 / 21

HEX #CA9CAF

RGB 202 156 175

HSL 335.22, 0.3%, 0.7%

LAB 69.06, 20.1, -3.25

 

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

CMYK 0 / 9 / 40 / 32

HEX #AD9E67

RGB 173 158 103

HSL 47.14, 0.3%, 0.54%

LAB 65.21, -2.55, 30.72

 

CMYK 40 / 8 / 0 / 32

HEX #67A0AD

RGB 103 160 173

HSL 191.14, 0.3%, 0.54%

LAB 62.54, -15.2, -12.64

 

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

CMYK 24 / 0 / 40 / 32

HEX #84AD67

RGB 132 173 103

HSL 95.14, 0.3%, 0.54%

LAB 66.35, -26.63, 31.57

 

CMYK 40 / 24 / 0 / 32

HEX #6784AD

RGB 103 132 173

HSL 215.14, 0.3%, 0.54%

LAB 54.45, 0.45, -24.96

 

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

CMYK 0 / 9 / 40 / 32

HEX #AD9E67

RGB 173 158 103

HSL 47.14, 0.3%, 0.54%

LAB 65.21, -2.55, 30.72

 

CMYK 40 / 0 / 17 / 32

HEX #67AD90

RGB 103 173 144

HSL 155.14, 0.3%, 0.54%

LAB 65.58, -28.86, 8.03

 

CMYK 40 / 32 / 0 / 32

HEX #6776AD

RGB 103 118 173

HSL 227.14, 0.3%, 0.54%

LAB 50.52, 8.75, -31.06

 

CMYK 0 / 41 / 24 / 33

HEX #AC6582

RGB 172 101 130

HSL 335.49, 0.3%, 0.54%

LAB 51.48, 32.42, -3.73

 

CMYK 3 / 0 / 40 / 32

HEX #A7AD67

RGB 167 173 103

HSL 65.14, 0.3%, 0.54%

LAB 68.81, -12.98, 35.22

 

CMYK 40 / 0 / 17 / 32

HEX #67AD90

RGB 103 173 144

HSL 155.14, 0.3%, 0.54%

LAB 65.58, -28.86, 8.03

 

CMYK 38 / 40 / 0 / 32

HEX #6C67AD

RGB 108 103 173

HSL 244.29, 0.3%, 0.54%

LAB 46.85, 19.26, -36.79

 

Description

Color code: HEX #AC6582 | qconv.com Color code: HEX #AC6582 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 101 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 101 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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