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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC64D8 it is the complementary color #539B27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC64D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC64D8 shade: #B164D3, #C276E6, #D388F9, #E49AFF and #F5ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC64D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC64D8 shade: #AC64D8, #9B52C5, #8A40B2, #792E9F and #681C8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC64D8 shade: #AC64D8, #CB64D8, #D864C6, #D864A6 and #D86487

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC64D8 shade: #AC64D8, #8D64D8, #6D64D8 and #6464D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC64D8 shade matches the following richer shades: #AC64D8, #B054E8 and #B445F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC64D8 shade: #AC64D8, #A874C9, #A583B9, #A193A9 and #9DA39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC64D8 shade: #6E64D8, #8D64D8, #AC64D8, #CB64D8 and #D864C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC64D8 shade: #862FBB, #9A43D0, #AC64D8, #BE85E0 and #CFA6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC64D8 shade: #AC64D8, #D86479 and #64D87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC64D8 shade: #AC64D8, #D8AC64 and #64D8AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC64D8 shade: #AC64D8, #D86479, #91D864 and #64D8C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC64D8 shade: #AC64D8, #D87264, #91D864 and #64CBD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

Complementary color

CMYK 46 / 0 / 75 / 39

HEX #539B27

RGB 83 155 39

HSL 97.24, 0.6%, 0.38%

LAB 57.49, -42.69, 50.59

 

CMYK 16 / 53 / 0 / 17

HEX #B164D3

RGB 177 100 211

HSL 281.62, 0.56%, 0.61%

LAB 55.24, 49.41, -44.95

 

CMYK 16 / 49 / 0 / 10

HEX #C276E6

RGB 194 118 230

HSL 280.71, 0.69%, 0.68%

LAB 61.77, 48.63, -45.18

 

CMYK 15 / 45 / 0 / 2

HEX #D388F9

RGB 211 136 249

HSL 279.82, 0.9%, 0.75%

LAB 68.24, 47.84, -45.36

 

CMYK 11 / 40 / 0 / 0

HEX #E49AFF

RGB 228 154 255

HSL 283.96, 1%, 0.8%

LAB 74.08, 44.43, -39.36

 

CMYK 4 / 33 / 0 / 0

HEX #F5ACFF

RGB 245 172 255

HSL 292.77, 1%, 0.84%

LAB 79.69, 40.05, -30.53

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 21 / 58 / 0 / 23

HEX #9B52C5

RGB 155 82 197

HSL 278.09, 0.5%, 0.55%

LAB 48.3, 49.94, -48.13

 

CMYK 22 / 64 / 0 / 30

HEX #8A40B2

RGB 138 64 178

HSL 278.95, 0.47%, 0.47%

LAB 41.66, 50.57, -47.79

 

CMYK 24 / 71 / 0 / 38

HEX #792E9F

RGB 121 46 159

HSL 279.82, 0.55%, 0.4%

LAB 35.05, 50.89, -47.2

 

CMYK 26 / 80 / 0 / 45

HEX #681C8C

RGB 104 28 140

HSL 280.71, 0.67%, 0.33%

LAB 28.56, 50.55, -46.19

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 6 / 54 / 0 / 15

HEX #CB64D8

RGB 203 100 216

HSL 293.28, 0.6%, 0.62%

LAB 58.76, 57.33, -42.01

 

CMYK 0 / 54 / 8 / 15

HEX #D864C6

RGB 216 100 198

HSL 309.31, 0.6%, 0.62%

LAB 59.7, 57.75, -30.22

 

CMYK 0 / 54 / 23 / 15

HEX #D864A6

RGB 216 100 166

HSL 325.86, 0.6%, 0.62%

LAB 58.48, 52.92, -13.74

 

CMYK 0 / 54 / 38 / 15

HEX #D86487

RGB 216 100 135

HSL 341.9, 0.6%, 0.62%

LAB 57.52, 48.99, 2.89

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 35 / 54 / 0 / 15

HEX #8D64D8

RGB 141 100 216

HSL 261.21, 0.6%, 0.62%

LAB 51.54, 41.34, -53.93

 

CMYK 50 / 54 / 0 / 15

HEX #6D64D8

RGB 109 100 216

HSL 244.66, 0.6%, 0.62%

LAB 48.66, 34.01, -58.69

 

CMYK 54 / 54 / 0 / 15

HEX #6464D8

RGB 100 100 216

HSL 240, 0.6%, 0.62%

LAB 47.98, 32.17, -59.82

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 24 / 64 / 0 / 9

HEX #B054E8

RGB 176 84 232

HSL 277.3, 0.76%, 0.62%

LAB 53.38, 61.5, -59.79

 

CMYK 27 / 72 / 0 / 3

HEX #B445F8

RGB 180 69 248

HSL 277.21, 0.93%, 0.62%

LAB 52.66, 72.05, -69.88

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 16 / 42 / 0 / 21

HEX #A874C9

RGB 168 116 201

HSL 276.71, 0.44%, 0.62%

LAB 57.11, 36.08, -36.41

 

CMYK 11 / 29 / 0 / 27

HEX #A583B9

RGB 165 131 185

HSL 277.78, 0.28%, 0.62%

LAB 59.65, 23.17, -23.4

 

CMYK 5 / 13 / 0 / 34

HEX #A193A9

RGB 161 147 169

HSL 278.18, 0.11%, 0.62%

LAB 62.77, 9.38, -9.64

 

CMYK 4 / 0 / 6 / 36

HEX #9DA39A

RGB 157 163 154

HSL 100, 0.05%, 0.62%

LAB 66.29, -3.85, 3.92

 

CMYK 49 / 54 / 0 / 15

HEX #6E64D8

RGB 110 100 216

HSL 245.17, 0.6%, 0.62%

LAB 48.74, 34.22, -58.56

 

CMYK 35 / 54 / 0 / 15

HEX #8D64D8

RGB 141 100 216

HSL 261.21, 0.6%, 0.62%

LAB 51.54, 41.34, -53.93

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 6 / 54 / 0 / 15

HEX #CB64D8

RGB 203 100 216

HSL 293.28, 0.6%, 0.62%

LAB 58.76, 57.33, -42.01

 

CMYK 0 / 54 / 8 / 15

HEX #D864C7

RGB 216 100 199

HSL 308.79, 0.6%, 0.62%

LAB 59.74, 57.92, -30.72

 

CMYK 28 / 75 / 0 / 27

HEX #862FBB

RGB 134 47 187

HSL 277.29, 0.6%, 0.46%

LAB 39.05, 59.2, -57.33

 

CMYK 26 / 68 / 0 / 18

HEX #9A43D0

RGB 154 67 208

HSL 277.02, 0.6%, 0.54%

LAB 46.23, 59.31, -57.8

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 15 / 41 / 0 / 12

HEX #BE85E0

RGB 190 133 224

HSL 277.58, 0.59%, 0.7%

LAB 64.25, 38.18, -37.99

 

CMYK 11 / 29 / 0 / 9

HEX #CFA6E9

RGB 207 166 233

HSL 276.72, 0.6%, 0.78%

LAB 73.82, 27.16, -27.99

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 0 / 54 / 44 / 15

HEX #D86479

RGB 216 100 121

HSL 349.14, 0.6%, 0.62%

LAB 57.17, 47.48, 10.56

 

CMYK 54 / 0 / 42 / 15

HEX #64D87D

RGB 100 216 125

HSL 132.93, 0.6%, 0.62%

LAB 78.05, -52.17, 35.09

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 0 / 20 / 54 / 15

HEX #D8AC64

RGB 216 172 100

HSL 37.24, 0.6%, 0.62%

LAB 72.91, 7.54, 42.8

 

CMYK 54 / 0 / 20 / 15

HEX #64D8AC

RGB 100 216 172

HSL 157.24, 0.6%, 0.62%

LAB 78.93, -43.23, 11.83

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 0 / 54 / 44 / 15

HEX #D86479

RGB 216 100 121

HSL 349.14, 0.6%, 0.62%

LAB 57.17, 47.48, 10.56

 

CMYK 33 / 0 / 54 / 15

HEX #91D864

RGB 145 216 100

HSL 96.72, 0.6%, 0.62%

LAB 79.64, -42.2, 49.63

 

CMYK 54 / 0 / 10 / 15

HEX #64D8C3

RGB 100 216 195

HSL 169.14, 0.6%, 0.62%

LAB 79.48, -37.91, 0.37

 

CMYK 20 / 54 / 0 / 15

HEX #AC64D8

RGB 172 100 216

HSL 277.24, 0.6%, 0.62%

LAB 54.91, 49.17, -48.35

 

CMYK 0 / 47 / 54 / 15

HEX #D87264

RGB 216 114 100

HSL 7.24, 0.6%, 0.62%

LAB 59.48, 38.52, 25.84

 

CMYK 33 / 0 / 54 / 15

HEX #91D864

RGB 145 216 100

HSL 96.72, 0.6%, 0.62%

LAB 79.64, -42.2, 49.63

 

CMYK 54 / 6 / 0 / 15

HEX #64CBD8

RGB 100 203 216

HSL 186.72, 0.6%, 0.62%

LAB 76.3, -26.29, -15.61

 

Description

Color code: HEX #AC64D8 | qconv.com Color code: HEX #AC64D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 100 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 100 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 54 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 54% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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