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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6422 it is the complementary color #539BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6422 shade: #B1641D, #C27630, #D38843, #E49A56 and #F5AC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6422 shade: #AC6422, #9B520F, #8A4000, #792E00 and #681C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6422 shade: #AA6322, #AA3E22 and #AA2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6422 shade: #AA6322, #AA8822, #A8AA22, #83AA22 and #5EAA22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6422 shade matches the following richer shades: #AA6322, #BB6211 and #CB6201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6422 shade: #AA6322, #9A6432, #896443, #796553 and #686664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6422 shade: #AA222B, #AA3D22, #AA6122, #AA8622 and #AAAA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6422 shade: #653B14, #884F1B, #AA6322, #CD7728 and #DA8C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6422 shade: #AC6422, #4FAA22 and #2B22AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6422 shade: #AC6422, #22AA61 and #6122AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6422 shade: #AC6422, #4FAA22, #226BAA and #7D22AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6422 shade: #AC6422, #26AA22, #226BAA and #A622AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

Complementary color

CMYK 62 / 30 / 0 / 13

HEX #539BDD

RGB 83 155 221

HSL 208.7, 0.67%, 0.6%

LAB 62.09, -2.54, -40.26

 

CMYK 0 / 44 / 84 / 31

HEX #B1641D

RGB 177 100 29

HSL 28.78, 0.72%, 0.4%

LAB 50.16, 26.01, 50.26

 

CMYK 0 / 39 / 75 / 24

HEX #C27630

RGB 194 118 48

HSL 28.77, 0.6%, 0.47%

LAB 56.72, 24.15, 49.23

 

CMYK 0 / 36 / 68 / 17

HEX #D38843

RGB 211 136 67

HSL 28.75, 0.62%, 0.55%

LAB 63.23, 22.53, 47.81

 

CMYK 0 / 32 / 62 / 11

HEX #E49A56

RGB 228 154 86

HSL 28.73, 0.72%, 0.62%

LAB 69.67, 21.11, 46.29

 

CMYK 0 / 30 / 57 / 4

HEX #F5AC69

RGB 245 172 105

HSL 28.71, 0.88%, 0.69%

LAB 76.03, 19.87, 44.78

 

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

CMYK 0 / 47 / 90 / 39

HEX #9B520F

RGB 155 82 15

HSL 28.71, 0.82%, 0.33%

LAB 42.82, 26.07, 47.84

 

CMYK 0 / 54 / 100 / 46

HEX #8A4000

RGB 138 64 0

HSL 27.83, 1%, 0.27%

LAB 36.12, 28.36, 46.6

 

CMYK 0 / 62 / 100 / 53

HEX #792E00

RGB 121 46 0

HSL 22.81, 1%, 0.24%

LAB 29.46, 30.78, 40.86

 

CMYK 0 / 73 / 100 / 59

HEX #681C00

RGB 104 28 0

HSL 16.15, 1%, 0.2%

LAB 22.91, 32.74, 33.7

 

CMYK 0 / 42 / 80 / 33

HEX #AA6322

RGB 170 99 34

HSL 28.68, 0.67%, 0.4%

LAB 48.99, 23.71, 46.79

 

CMYK 0 / 64 / 80 / 33

HEX #AA3E22

RGB 170 62 34

HSL 12.35, 0.67%, 0.4%

LAB 41.39, 42.88, 39.42

 

CMYK 0 / 80 / 80 / 33

HEX #AA2222

RGB 170 34 34

HSL 0, 0.67%, 0.4%

LAB 37.49, 53.55, 35.48

 

CMYK 0 / 42 / 80 / 33

HEX #AA6322

RGB 170 99 34

HSL 28.68, 0.67%, 0.4%

LAB 48.99, 23.71, 46.79

 

CMYK 0 / 20 / 80 / 33

HEX #AA8822

RGB 170 136 34

HSL 45, 0.67%, 0.4%

LAB 58.29, 2.97, 55.38

 

CMYK 1 / 0 / 80 / 33

HEX #A8AA22

RGB 168 170 34

HSL 60.88, 0.67%, 0.4%

LAB 67.42, -16.09, 63.45

 

CMYK 23 / 0 / 80 / 33

HEX #83AA22

RGB 131 170 34

HSL 77.21, 0.67%, 0.4%

LAB 64.72, -31.78, 60.01

 

CMYK 45 / 0 / 80 / 33

HEX #5EAA22

RGB 94 170 34

HSL 93.53, 0.67%, 0.4%

LAB 62.71, -45.5, 57.44

 

CMYK 0 / 42 / 80 / 33

HEX #AA6322

RGB 170 99 34

HSL 28.68, 0.67%, 0.4%

LAB 48.99, 23.71, 46.79

 

CMYK 0 / 48 / 91 / 27

HEX #BB6211

RGB 187 98 17

HSL 28.59, 0.83%, 0.4%

LAB 51.08, 31.05, 55.61

 

CMYK 0 / 52 / 100 / 20

HEX #CB6201

RGB 203 98 1

HSL 28.81, 0.99%, 0.4%

LAB 53.42, 37.38, 61.82

 

CMYK 0 / 42 / 80 / 33

HEX #AA6322

RGB 170 99 34

HSL 28.68, 0.67%, 0.4%

LAB 48.99, 23.71, 46.79

 

CMYK 0 / 35 / 68 / 40

HEX #9A6432

RGB 154 100 50

HSL 28.85, 0.51%, 0.4%

LAB 47.25, 16.9, 36.62

 

CMYK 0 / 27 / 51 / 46

HEX #896443

RGB 137 100 67

HSL 28.29, 0.34%, 0.4%

LAB 45.41, 10.72, 24.5

 

CMYK 0 / 17 / 31 / 53

HEX #796553

RGB 121 101 83

HSL 28.42, 0.19%, 0.4%

LAB 44.23, 5.08, 13.18

 

CMYK 0 / 2 / 4 / 59

HEX #686664

RGB 104 102 100

HSL 30, 0.02%, 0.4%

LAB 43.31, 0.38, 1.4

 

CMYK 0 / 80 / 75 / 33

HEX #AA222B

RGB 170 34 43

HSL 356.03, 0.67%, 0.4%

LAB 37.6, 53.88, 30.29

 

CMYK 0 / 64 / 80 / 33

HEX #AA3D22

RGB 170 61 34

HSL 11.91, 0.67%, 0.4%

LAB 41.21, 43.33, 39.25

 

CMYK 0 / 43 / 80 / 33

HEX #AA6122

RGB 170 97 34

HSL 27.79, 0.67%, 0.4%

LAB 48.52, 24.82, 46.35

 

CMYK 0 / 21 / 80 / 33

HEX #AA8622

RGB 170 134 34

HSL 44.12, 0.67%, 0.4%

LAB 57.76, 4.08, 54.9

 

CMYK 0 / 0 / 80 / 33

HEX #AAAA22

RGB 170 170 34

HSL 60, 0.67%, 0.4%

LAB 67.58, -15.21, 63.66

 

CMYK 0 / 42 / 80 / 60

HEX #653B14

RGB 101 59 20

HSL 28.89, 0.67%, 0.24%

LAB 29.27, 15.01, 30.79

 

CMYK 0 / 42 / 80 / 47

HEX #884F1B

RGB 136 79 27

HSL 28.62, 0.67%, 0.32%

LAB 39.42, 19.7, 39.1

 

CMYK 0 / 42 / 80 / 33

HEX #AA6322

RGB 170 99 34

HSL 28.68, 0.67%, 0.4%

LAB 48.99, 23.71, 46.79

 

CMYK 0 / 42 / 80 / 20

HEX #CD7728

RGB 205 119 40

HSL 28.73, 0.67%, 0.48%

LAB 58.35, 27.95, 54.73

 

CMYK 0 / 36 / 69 / 15

HEX #DA8C44

RGB 218 140 68

HSL 28.8, 0.67%, 0.56%

LAB 65.03, 23.36, 49.54

 

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

CMYK 54 / 0 / 80 / 33

HEX #4FAA22

RGB 79 170 34

HSL 100.15, 0.67%, 0.4%

LAB 62.11, -50.13, 56.65

 

CMYK 75 / 80 / 0 / 33

HEX #2B22AA

RGB 43 34 170

HSL 243.97, 0.67%, 0.4%

LAB 25.44, 47.77, -69.91

 

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

CMYK 80 / 0 / 43 / 33

HEX #22AA61

RGB 34 170 97

HSL 147.79, 0.67%, 0.4%

LAB 61.61, -51.77, 27.87

 

CMYK 43 / 80 / 0 / 33

HEX #6122AA

RGB 97 34 170

HSL 267.79, 0.67%, 0.4%

LAB 30.85, 54.07, -60.81

 

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

CMYK 54 / 0 / 80 / 33

HEX #4FAA22

RGB 79 170 34

HSL 100.15, 0.67%, 0.4%

LAB 62.11, -50.13, 56.65

 

CMYK 80 / 37 / 0 / 33

HEX #226BAA

RGB 34 107 170

HSL 207.79, 0.67%, 0.4%

LAB 43.88, 0.64, -39.98

 

CMYK 26 / 80 / 0 / 33

HEX #7D22AA

RGB 125 34 170

HSL 280.15, 0.67%, 0.4%

LAB 34.82, 58.68, -54.17

 

CMYK 0 / 42 / 80 / 33

HEX #AC6422

RGB 172 100 34

HSL 28.7, 0.67%, 0.4%

LAB 49.5, 24.03, 47.36

 

CMYK 78 / 0 / 80 / 33

HEX #26AA22

RGB 38 170 34

HSL 118.24, 0.67%, 0.4%

LAB 61.03, -59.05, 55.25

 

CMYK 80 / 37 / 0 / 33

HEX #226BAA

RGB 34 107 170

HSL 207.79, 0.67%, 0.4%

LAB 43.88, 0.64, -39.98

 

CMYK 2 / 80 / 0 / 33

HEX #A622AA

RGB 166 34 170

HSL 298.24, 0.67%, 0.4%

LAB 41.46, 66.39, -43.13

 

Description

Color code: HEX #AC6422 | qconv.com Color code: HEX #AC6422 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 100 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 100 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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