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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC63243F it is the complementary color #539CDB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC63243F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC63243F shade: #B1631F3F, #C275323F, #D387453F, #E499583F and #F5AB6B3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC63243F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC63243F shade: #AC63243F, #9B51113F, #8A3F003F, #792D003F and #681B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC63243F shade: #AD6425, #AD3F25 and #AD2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC63243F shade: #AD6425, #AD8825, #ACAD25, #88AD25 and #63AD25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC63243F shade matches the following richer shades: #AD6425, #BD6214 and #CE6103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC63243F shade: #AD6425, #9C6536, #8B6646, #7A6757 and #696968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC63243F shade: #AD2530, #AD3E25, #AD6225, #AD8625 and #ADAA25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC63243F shade: #683C16, #8A501D, #AD6425, #CF772C and #D98D4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC63243F shade: #AC6324, #54AD25 and #2B25AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC63243F shade: #AC6324, #25AD62 and #6225AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC63243F shade: #AC6324, #54AD25, #256FAD and #7D25AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC63243F shade: #AC6324, #2BAD25, #256FAD and #A625AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 20 / 8

HEX #AC63243F

RGBA 172 99 36 0.25

HSLA 27.79, 0.65%, 0.41%, 0.25

LABA 49.28, 24.66, 46.28, 0.25

 

Complementary color

CMYK 16 / 7 / 0 / 4

HEX #539CDB3F

RGBA 83 156 219 0.25

HSLA 207.79, 0.65%, 0.59%, 0.25

LABA 62.28, -3.76, -38.84, 0.25

 

CMYK 0 / 11 / 21 / 8

HEX #B1631F3F

RGBA 177 99 31 0.25

HSLA 27.95, 0.7%, 0.41%, 0.25

LABA 49.94, 26.63, 49.27, 0.25

 

CMYK 0 / 10 / 19 / 6

HEX #C275323F

RGBA 194 117 50 0.25

HSLA 27.92, 0.59%, 0.48%, 0.25

LABA 56.51, 24.79, 48.1, 0.25

 

CMYK 0 / 9 / 17 / 4

HEX #D387453F

RGBA 211 135 69 0.25

HSLA 27.89, 0.62%, 0.55%, 0.25

LABA 63.02, 23.18, 46.6, 0.25

 

CMYK 0 / 8 / 15 / 3

HEX #E499583F

RGBA 228 153 88 0.25

HSLA 27.86, 0.72%, 0.62%, 0.25

LABA 69.46, 21.78, 45.04, 0.25

 

CMYK 0 / 8 / 14 / 1

HEX #F5AB6B3F

RGBA 245 171 107 0.25

HSLA 27.83, 0.87%, 0.69%, 0.25

LABA 75.82, 20.55, 43.52, 0.25

 

CMYK 0 / 11 / 20 / 8

HEX #AC63243F

RGBA 172 99 36 0.25

HSLA 27.79, 0.65%, 0.41%, 0.25

LABA 49.28, 24.66, 46.28, 0.25

 

CMYK 0 / 12 / 22 / 10

HEX #9B51113F

RGBA 155 81 17 0.25

HSLA 27.83, 0.8%, 0.34%, 0.25

LABA 42.6, 26.67, 47.01, 0.25

 

CMYK 0 / 14 / 25 / 11

HEX #8A3F003F

RGBA 138 63 0 0.25

HSLA 27.39, 1%, 0.27%, 0.25

LABA 35.9, 28.9, 46.48, 0.25

 

CMYK 0 / 16 / 25 / 13

HEX #792D003F

RGBA 121 45 0 0.25

HSLA 22.31, 1%, 0.24%, 0.25

LABA 29.26, 31.29, 40.7, 0.25

 

CMYK 0 / 19 / 25 / 15

HEX #681B003F

RGBA 104 27 0 0.25

HSLA 15.58, 1%, 0.2%, 0.25

LABA 22.75, 33.18, 33.53, 0.25

 

CMYK 0 / 42 / 79 / 32

HEX #AD6425

RGB 173 100 37

HSL 27.79, 0.65%, 0.41%

LAB 49.66, 24.57, 46.25

 

CMYK 0 / 64 / 79 / 32

HEX #AD3F25

RGB 173 63 37

HSL 11.47, 0.65%, 0.41%

LAB 42.11, 43.63, 38.75

 

CMYK 0 / 79 / 79 / 32

HEX #AD2525

RGB 173 37 37

HSL 0, 0.65%, 0.41%

LAB 38.45, 53.66, 34.94

 

CMYK 0 / 42 / 79 / 32

HEX #AD6425

RGB 173 100 37

HSL 27.79, 0.65%, 0.41%

LAB 49.66, 24.57, 46.25

 

CMYK 0 / 21 / 79 / 32

HEX #AD8825

RGB 173 136 37

HSL 43.68, 0.65%, 0.41%

LAB 58.63, 4.45, 54.74

 

CMYK 1 / 0 / 79 / 32

HEX #ACAD25

RGB 172 173 37

HSL 60.44, 0.65%, 0.41%

LAB 68.6, -15.77, 63.75

 

CMYK 21 / 0 / 79 / 32

HEX #88AD25

RGB 136 173 37

HSL 76.32, 0.65%, 0.41%

LAB 65.95, -31.03, 60.36

 

CMYK 43 / 0 / 79 / 32

HEX #63AD25

RGB 99 173 37

HSL 92.65, 0.65%, 0.41%

LAB 63.9, -44.9, 57.71

 

CMYK 0 / 42 / 79 / 32

HEX #AD6425

RGB 173 100 37

HSL 27.79, 0.65%, 0.41%

LAB 49.66, 24.57, 46.25

 

CMYK 0 / 48 / 89 / 26

HEX #BD6214

RGB 189 98 20

HSL 27.69, 0.81%, 0.41%

LAB 51.39, 31.93, 55.1

 

CMYK 0 / 53 / 99 / 19

HEX #CE6103

RGB 206 97 3

HSL 27.78, 0.97%, 0.41%

LAB 53.68, 39.1, 61.8

 

CMYK 0 / 42 / 79 / 32

HEX #AD6425

RGB 173 100 37

HSL 27.79, 0.65%, 0.41%

LAB 49.66, 24.57, 46.25

 

CMYK 0 / 35 / 65 / 39

HEX #9C6536

RGB 156 101 54

HSL 27.65, 0.49%, 0.41%

LAB 47.81, 17.48, 35.2

 

CMYK 0 / 27 / 50 / 45

HEX #8B6646

RGB 139 102 70

HSL 27.83, 0.33%, 0.41%

LAB 46.22, 10.75, 23.85

 

CMYK 0 / 16 / 29 / 52

HEX #7A6757

RGB 122 103 87

HSL 27.43, 0.17%, 0.41%

LAB 44.98, 4.92, 11.84

 

CMYK 0 / 0 / 1 / 59

HEX #696968

RGB 105 105 104

HSL 60, 0%, 0.41%

LAB 44.38, -0.2, 0.56

 

CMYK 0 / 79 / 72 / 32

HEX #AD2530

RGB 173 37 48

HSL 355.15, 0.65%, 0.41%

LAB 38.59, 54.1, 28.55

 

CMYK 0 / 64 / 79 / 32

HEX #AD3E25

RGB 173 62 37

HSL 11.03, 0.65%, 0.41%

LAB 41.94, 44.08, 38.57

 

CMYK 0 / 43 / 79 / 32

HEX #AD6225

RGB 173 98 37

HSL 26.91, 0.65%, 0.41%

LAB 49.2, 25.68, 45.8

 

CMYK 0 / 23 / 79 / 32

HEX #AD8625

RGB 173 134 37

HSL 42.79, 0.65%, 0.41%

LAB 58.1, 5.56, 54.25

 

CMYK 0 / 2 / 79 / 32

HEX #ADAA25

RGB 173 170 37

HSL 58.68, 0.65%, 0.41%

LAB 67.85, -13.79, 63.11

 

CMYK 0 / 42 / 79 / 59

HEX #683C16

RGB 104 60 22

HSL 27.8, 0.65%, 0.25%

LAB 29.99, 15.93, 30.63

 

CMYK 0 / 42 / 79 / 46

HEX #8A501D

RGB 138 80 29

HSL 28.07, 0.65%, 0.33%

LAB 39.96, 20.11, 38.79

 

CMYK 0 / 42 / 79 / 32

HEX #AD6425

RGB 173 100 37

HSL 27.79, 0.65%, 0.41%

LAB 49.66, 24.57, 46.25

 

CMYK 0 / 43 / 79 / 19

HEX #CF772C

RGB 207 119 44

HSL 27.61, 0.65%, 0.49%

LAB 58.64, 28.93, 53.45

 

CMYK 0 / 35 / 65 / 15

HEX #D98D4B

RGB 217 141 75

HSL 27.89, 0.65%, 0.57%

LAB 65.21, 22.81, 46.3

 

CMYK 0 / 42 / 79 / 33

HEX #AC6324

RGB 172 99 36

HSL 27.79, 0.65%, 0.41%

LAB 49.28, 24.66, 46.28

 

CMYK 51 / 0 / 79 / 32

HEX #54AD25

RGB 84 173 37

HSL 99.26, 0.65%, 0.41%

LAB 63.26, -49.65, 56.89

 

CMYK 75 / 79 / 0 / 32

HEX #2B25AD

RGB 43 37 173

HSL 242.65, 0.65%, 0.41%

LAB 26.31, 47.19, -70.27

 

CMYK 0 / 42 / 79 / 33

HEX #AC6324

RGB 172 99 36

HSL 27.79, 0.65%, 0.41%

LAB 49.28, 24.66, 46.28

 

CMYK 79 / 0 / 43 / 32

HEX #25AD62

RGB 37 173 98

HSL 146.91, 0.65%, 0.41%

LAB 62.64, -52.33, 28.69

 

CMYK 43 / 79 / 0 / 32

HEX #6225AD

RGB 98 37 173

HSL 266.91, 0.65%, 0.41%

LAB 31.66, 53.76, -61.27

 

CMYK 0 / 42 / 79 / 33

HEX #AC6324

RGB 172 99 36

HSL 27.79, 0.65%, 0.41%

LAB 49.28, 24.66, 46.28

 

CMYK 51 / 0 / 79 / 32

HEX #54AD25

RGB 84 173 37

HSL 99.26, 0.65%, 0.41%

LAB 63.26, -49.65, 56.89

 

CMYK 79 / 36 / 0 / 32

HEX #256FAD

RGB 37 111 173

HSL 207.35, 0.65%, 0.41%

LAB 45.33, -0.36, -39.44

 

CMYK 28 / 79 / 0 / 32

HEX #7D25AD

RGB 125 37 173

HSL 278.82, 0.65%, 0.41%

LAB 35.4, 58.28, -55.02

 

CMYK 0 / 42 / 79 / 33

HEX #AC6324

RGB 172 99 36

HSL 27.79, 0.65%, 0.41%

LAB 49.28, 24.66, 46.28

 

CMYK 75 / 0 / 79 / 32

HEX #2BAD25

RGB 43 173 37

HSL 117.35, 0.65%, 0.41%

LAB 62.11, -59.05, 55.38

 

CMYK 79 / 36 / 0 / 32

HEX #256FAD

RGB 37 111 173

HSL 207.35, 0.65%, 0.41%

LAB 45.33, -0.36, -39.44

 

CMYK 4 / 79 / 0 / 32

HEX #A625AD

RGB 166 37 173

HSL 296.91, 0.65%, 0.41%

LAB 41.92, 66.08, -44.18

 

Description

Color code: HEX #AC63243F | qconv.com Color code: HEX #AC63243F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 99 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 99 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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