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Color name
HEX #AC6320

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6320 it is the complementary color #539CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6320 shade: #B1631B, #C2752E, #D38741, #E49954 and #F5AB67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6320 shade: #AC6320, #9B510D, #8A3F00, #792D00 and #681B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6320 shade: #AC6320, #AC3D20 and #AC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6320 shade: #AC6320, #AC8920, #AAAC20, #84AC20 and #5EAC20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6320 shade matches the following richer shades: #AC6320 and #BD620F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6320 shade: #AC6320, #9C6430, #8B6441, #7B6551 and #6A6662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6320 shade: #AC2029, #AC3C20, #AC6120, #AC8720 and #ACAC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6320 shade: #673B13, #8A4F19, #AC6320, #CF7726 and #DC8C42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6320 shade: #AC6320, #4FAC20 and #2920AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6320 shade: #AC6320, #20AC61 and #6120AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6320 shade: #AC6320, #4FAC20, #206BAC and #7D20AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6320 shade: #AC6320, #24AC20, #206BAC and #A820AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

Complementary color

CMYK 63 / 30 / 0 / 13

HEX #539CDF

RGB 83 156 223

HSL 208.71, 0.69%, 0.6%

LAB 62.46, -2.46, -40.78

 

CMYK 0 / 44 / 85 / 31

HEX #B1631B

RGB 177 99 27

HSL 28.8, 0.74%, 0.4%

LAB 49.92, 26.5, 50.81

 

CMYK 0 / 40 / 76 / 24

HEX #C2752E

RGB 194 117 46

HSL 28.78, 0.62%, 0.47%

LAB 56.48, 24.61, 49.89

 

CMYK 0 / 36 / 69 / 17

HEX #D38741

RGB 211 135 65

HSL 28.77, 0.62%, 0.54%

LAB 62.98, 22.96, 48.5

 

CMYK 0 / 33 / 63 / 11

HEX #E49954

RGB 228 153 84

HSL 28.75, 0.73%, 0.61%

LAB 69.41, 21.51, 46.99

 

CMYK 0 / 30 / 58 / 4

HEX #F5AB67

RGB 245 171 103

HSL 28.73, 0.88%, 0.68%

LAB 75.77, 20.24, 45.48

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 48 / 92 / 39

HEX #9B510D

RGB 155 81 13

HSL 28.73, 0.85%, 0.33%

LAB 42.59, 26.58, 48.28

 

CMYK 0 / 54 / 100 / 46

HEX #8A3F00

RGB 138 63 0

HSL 27.39, 1%, 0.27%

LAB 35.9, 28.9, 46.48

 

CMYK 0 / 63 / 100 / 53

HEX #792D00

RGB 121 45 0

HSL 22.31, 1%, 0.24%

LAB 29.26, 31.29, 40.7

 

CMYK 0 / 74 / 100 / 59

HEX #681B00

RGB 104 27 0

HSL 15.58, 1%, 0.2%

LAB 22.75, 33.18, 33.53

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 65 / 81 / 33

HEX #AC3D20

RGB 172 61 32

HSL 12.43, 0.69%, 0.4%

LAB 41.55, 43.99, 40.72

 

CMYK 0 / 81 / 81 / 33

HEX #AC2020

RGB 172 32 32

HSL 0, 0.69%, 0.4%

LAB 37.68, 54.65, 36.93

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 20 / 81 / 33

HEX #AC8920

RGB 172 137 32

HSL 45, 0.69%, 0.4%

LAB 58.76, 3.26, 56.56

 

CMYK 1 / 0 / 81 / 33

HEX #AAAC20

RGB 170 172 32

HSL 60.86, 0.69%, 0.4%

LAB 68.13, -16.3, 64.69

 

CMYK 23 / 0 / 81 / 33

HEX #84AC20

RGB 132 172 32

HSL 77.14, 0.69%, 0.4%

LAB 65.37, -32.39, 61.19

 

CMYK 45 / 0 / 81 / 33

HEX #5EAC20

RGB 94 172 32

HSL 93.43, 0.69%, 0.4%

LAB 63.33, -46.41, 58.59

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 48 / 92 / 26

HEX #BD620F

RGB 189 98 15

HSL 28.62, 0.85%, 0.4%

LAB 51.37, 31.85, 56.48

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 36 / 69 / 39

HEX #9C6430

RGB 156 100 48

HSL 28.89, 0.53%, 0.4%

LAB 47.49, 17.67, 37.99

 

CMYK 0 / 28 / 53 / 45

HEX #8B6441

RGB 139 100 65

HSL 28.38, 0.36%, 0.4%

LAB 45.61, 11.41, 25.95

 

CMYK 0 / 18 / 34 / 52

HEX #7B6551

RGB 123 101 81

HSL 28.57, 0.21%, 0.4%

LAB 44.39, 5.66, 14.64

 

CMYK 0 / 4 / 8 / 58

HEX #6A6662

RGB 106 102 98

HSL 30, 0.04%, 0.4%

LAB 43.43, 0.78, 2.81

 

CMYK 0 / 81 / 76 / 33

HEX #AC2029

RGB 172 32 41

HSL 356.14, 0.69%, 0.4%

LAB 37.78, 54.96, 31.81

 

CMYK 0 / 65 / 81 / 33

HEX #AC3C20

RGB 172 60 32

HSL 12, 0.69%, 0.4%

LAB 41.39, 44.44, 40.56

 

CMYK 0 / 44 / 81 / 33

HEX #AC6120

RGB 172 97 32

HSL 27.86, 0.69%, 0.4%

LAB 48.79, 25.61, 47.55

 

CMYK 0 / 22 / 81 / 33

HEX #AC8720

RGB 172 135 32

HSL 44.14, 0.69%, 0.4%

LAB 58.23, 4.36, 56.09

 

CMYK 0 / 0 / 81 / 33

HEX #ACAC20

RGB 172 172 32

HSL 60, 0.69%, 0.4%

LAB 68.3, -15.43, 64.9

 

CMYK 0 / 43 / 82 / 60

HEX #673B13

RGB 103 59 19

HSL 28.57, 0.69%, 0.24%

LAB 29.56, 15.92, 31.67

 

CMYK 0 / 43 / 82 / 46

HEX #8A4F19

RGB 138 79 25

HSL 28.67, 0.69%, 0.32%

LAB 39.69, 20.53, 40.36

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 0 / 43 / 82 / 19

HEX #CF7726

RGB 207 119 38

HSL 28.76, 0.69%, 0.48%

LAB 58.6, 28.72, 55.85

 

CMYK 0 / 36 / 70 / 14

HEX #DC8C42

RGB 220 140 66

HSL 28.83, 0.69%, 0.56%

LAB 65.25, 24.09, 50.81

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 54 / 0 / 81 / 33

HEX #4FAC20

RGB 79 172 32

HSL 99.86, 0.69%, 0.4%

LAB 62.74, -50.99, 57.82

 

CMYK 76 / 81 / 0 / 33

HEX #2920AC

RGB 41 32 172

HSL 243.86, 0.69%, 0.4%

LAB 25.21, 49.24, -71.5

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 81 / 0 / 44 / 33

HEX #20AC61

RGB 32 172 97

HSL 147.86, 0.69%, 0.4%

LAB 62.23, -52.73, 28.67

 

CMYK 44 / 81 / 0 / 33

HEX #6120AC

RGB 97 32 172

HSL 267.86, 0.69%, 0.4%

LAB 30.77, 55.32, -62.15

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 54 / 0 / 81 / 33

HEX #4FAC20

RGB 79 172 32

HSL 99.86, 0.69%, 0.4%

LAB 62.74, -50.99, 57.82

 

CMYK 81 / 38 / 0 / 33

HEX #206BAC

RGB 32 107 172

HSL 207.86, 0.69%, 0.4%

LAB 43.95, 1.19, -41.06

 

CMYK 27 / 81 / 0 / 33

HEX #7D20AC

RGB 125 32 172

HSL 279.86, 0.69%, 0.4%

LAB 34.75, 59.75, -55.49

 

CMYK 0 / 42 / 81 / 33

HEX #AC6320

RGB 172 99 32

HSL 28.71, 0.69%, 0.4%

LAB 49.25, 24.51, 47.98

 

CMYK 79 / 0 / 81 / 33

HEX #24AC20

RGB 36 172 32

HSL 118.29, 0.69%, 0.4%

LAB 61.64, -60.08, 56.41

 

CMYK 81 / 38 / 0 / 33

HEX #206BAC

RGB 32 107 172

HSL 207.86, 0.69%, 0.4%

LAB 43.95, 1.19, -41.06

 

CMYK 2 / 81 / 0 / 33

HEX #A820AC

RGB 168 32 172

HSL 298.29, 0.69%, 0.4%

LAB 41.75, 67.61, -43.84

 

Description

Color code: HEX #AC6320 | qconv.com Color code: HEX #AC6320 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 99 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 99 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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