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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5E6A it is the complementary color #53A195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5E6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5E6A shade: #B15E65, #C27078, #D3828B, #E4949E and #F5A6B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5E6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5E6A shade: #AC5E6A, #9B4C57, #8A3A44, #792831 and #68161E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5E6A shade: #AC5D69 and #AC5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5E6A shade: #AC5D69, #AC5D7F, #AC5D94, #AC5DA9 and #9A5DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5E6A shade matches the following richer shades: #AC5D69, #C04A5C, #D3364E, #E72240 and #FB0E33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5E6A shade: #AC5D69, #987177, #848585, #709993 and #5DADA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5E6A shade: #AC5D94, #AC5D7F, #AC5D6A, #AC655D and #AC7A5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5E6A shade: #793E47, #944C57, #AC5D69, #BA7983 and #C8949C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5E6A shade: #AC5E6A, #A9AC5D and #5D8AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5E6A shade: #AC5E6A, #6AAC5D and #5D6AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5E6A shade: #AC5E6A, #A9AC5D, #5DAC9F and #605DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5E6A shade: #AC5E6A, #92AC5D, #5DAC9F and #785DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

Complementary color

CMYK 48 / 0 / 7 / 37

HEX #53A195

RGB 83 161 149

HSL 170.77, 0.32%, 0.48%

LAB 61.22, -27.07, -1.18

 

CMYK 0 / 47 / 43 / 31

HEX #B15E65

RGB 177 94 101

HSL 354.94, 0.35%, 0.53%

LAB 49.85, 34.31, 11.28

 

CMYK 0 / 42 / 38 / 24

HEX #C27078

RGB 194 112 120

HSL 354.15, 0.4%, 0.6%

LAB 56.5, 33.27, 9.77

 

CMYK 0 / 38 / 34 / 17

HEX #D3828B

RGB 211 130 139

HSL 353.33, 0.48%, 0.67%

LAB 63.08, 32.3, 8.46

 

CMYK 0 / 35 / 31 / 11

HEX #E4949E

RGB 228 148 158

HSL 352.5, 0.6%, 0.74%

LAB 69.57, 31.41, 7.31

 

CMYK 0 / 32 / 28 / 4

HEX #F5A6B1

RGB 245 166 177

HSL 351.65, 0.8%, 0.81%

LAB 75.98, 30.59, 6.27

 

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

CMYK 0 / 51 / 44 / 39

HEX #9B4C57

RGB 155 76 87

HSL 351.65, 0.34%, 0.45%

LAB 42.5, 34.03, 8.99

 

CMYK 0 / 58 / 51 / 46

HEX #8A3A44

RGB 138 58 68

HSL 352.5, 0.41%, 0.38%

LAB 35.69, 35.07, 10.99

 

CMYK 0 / 67 / 60 / 53

HEX #792831

RGB 121 40 49

HSL 353.33, 0.5%, 0.32%

LAB 28.91, 35.97, 13.6

 

CMYK 0 / 79 / 71 / 59

HEX #68161E

RGB 104 22 30

HSL 354.15, 0.65%, 0.25%

LAB 22.34, 36.34, 17.15

 

CMYK 0 / 46 / 39 / 33

HEX #AC5D69

RGB 172 93 105

HSL 350.89, 0.32%, 0.52%

LAB 49.03, 33.41, 7.63

 

CMYK 0 / 46 / 46 / 33

HEX #AC5D5D

RGB 172 93 93

HSL 0, 0.32%, 0.52%

LAB 48.75, 32.06, 14.42

 

CMYK 0 / 46 / 39 / 33

HEX #AC5D69

RGB 172 93 105

HSL 350.89, 0.32%, 0.52%

LAB 49.03, 33.41, 7.63

 

CMYK 0 / 46 / 26 / 33

HEX #AC5D7F

RGB 172 93 127

HSL 334.18, 0.32%, 0.52%

LAB 49.66, 36.33, -4.64

 

CMYK 0 / 46 / 14 / 33

HEX #AC5D94

RGB 172 93 148

HSL 318.23, 0.32%, 0.52%

LAB 50.38, 39.59, -16.05

 

CMYK 0 / 46 / 2 / 33

HEX #AC5DA9

RGB 172 93 169

HSL 302.28, 0.32%, 0.52%

LAB 51.23, 43.28, -27.11

 

CMYK 10 / 46 / 0 / 33

HEX #9A5DAC

RGB 154 93 172

HSL 286.33, 0.32%, 0.52%

LAB 49.1, 38.4, -32.34

 

CMYK 0 / 46 / 39 / 33

HEX #AC5D69

RGB 172 93 105

HSL 350.89, 0.32%, 0.52%

LAB 49.03, 33.41, 7.63

 

CMYK 0 / 61 / 52 / 25

HEX #C04A5C

RGB 192 74 92

HSL 350.85, 0.48%, 0.52%

LAB 48.1, 48.76, 14.62

 

CMYK 0 / 74 / 63 / 17

HEX #D3364E

RGB 211 54 78

HSL 350.83, 0.64%, 0.52%

LAB 48.31, 61.57, 23.95

 

CMYK 0 / 85 / 72 / 9

HEX #E72240

RGB 231 34 64

HSL 350.86, 0.8%, 0.52%

LAB 50.1, 71.59, 35.38

 

CMYK 0 / 94 / 80 / 2

HEX #FB0E33

RGB 251 14 51

HSL 350.63, 0.97%, 0.52%

LAB 53.02, 78.88, 47.09

 

CMYK 0 / 46 / 39 / 33

HEX #AC5D69

RGB 172 93 105

HSL 350.89, 0.32%, 0.52%

LAB 49.03, 33.41, 7.63

 

CMYK 0 / 26 / 22 / 40

HEX #987177

RGB 152 113 119

HSL 350.77, 0.16%, 0.52%

LAB 51.63, 16.34, 2.71

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 27 / 0 / 4 / 40

HEX #709993

RGB 112 153 147

HSL 171.22, 0.17%, 0.52%

LAB 60.19, -15.3, -1.39

 

CMYK 46 / 0 / 8 / 32

HEX #5DADA0

RGB 93 173 160

HSL 170.25, 0.33%, 0.52%

LAB 65.56, -27.78, -0.94

 

CMYK 0 / 46 / 14 / 33

HEX #AC5D94

RGB 172 93 148

HSL 318.23, 0.32%, 0.52%

LAB 50.38, 39.59, -16.05

 

CMYK 0 / 46 / 26 / 33

HEX #AC5D7F

RGB 172 93 127

HSL 334.18, 0.32%, 0.52%

LAB 49.66, 36.33, -4.64

 

CMYK 0 / 46 / 38 / 33

HEX #AC5D6A

RGB 172 93 106

HSL 350.13, 0.32%, 0.52%

LAB 49.06, 33.53, 7.07

 

CMYK 0 / 41 / 46 / 33

HEX #AC655D

RGB 172 101 93

HSL 6.08, 0.32%, 0.52%

LAB 50.53, 27.67, 16.86

 

CMYK 0 / 29 / 46 / 33

HEX #AC7A5D

RGB 172 122 93

HSL 22.03, 0.32%, 0.52%

LAB 55.56, 15.9, 23.61

 

CMYK 0 / 49 / 41 / 53

HEX #793E47

RGB 121 62 71

HSL 350.85, 0.32%, 0.36%

LAB 33.91, 26.64, 6.19

 

CMYK 0 / 49 / 41 / 42

HEX #944C57

RGB 148 76 87

HSL 350.83, 0.32%, 0.44%

LAB 41.46, 31.36, 7.37

 

CMYK 0 / 46 / 39 / 33

HEX #AC5D69

RGB 172 93 105

HSL 350.89, 0.32%, 0.52%

LAB 49.03, 33.41, 7.63

 

CMYK 0 / 35 / 30 / 27

HEX #BA7983

RGB 186 121 131

HSL 350.77, 0.32%, 0.6%

LAB 57.8, 26.74, 5.1

 

CMYK 0 / 26 / 22 / 22

HEX #C8949C

RGB 200 148 156

HSL 350.77, 0.32%, 0.68%

LAB 66.41, 20.74, 3.48

 

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

CMYK 2 / 0 / 46 / 33

HEX #A9AC5D

RGB 169 172 93

HSL 62.28, 0.32%, 0.52%

LAB 68.56, -12.72, 40.05

 

CMYK 46 / 20 / 0 / 33

HEX #5D8AAC

RGB 93 138 172

HSL 205.82, 0.32%, 0.52%

LAB 55.57, -5.97, -22.72

 

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

CMYK 38 / 0 / 46 / 33

HEX #6AAC5D

RGB 106 172 93

HSL 110.13, 0.32%, 0.52%

LAB 64.45, -36.68, 34.06

 

CMYK 46 / 38 / 0 / 33

HEX #5D6AAC

RGB 93 106 172

HSL 230.13, 0.32%, 0.52%

LAB 46.46, 13.1, -36.89

 

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

CMYK 2 / 0 / 46 / 33

HEX #A9AC5D

RGB 169 172 93

HSL 62.28, 0.32%, 0.52%

LAB 68.56, -12.72, 40.05

 

CMYK 46 / 0 / 8 / 33

HEX #5DAC9F

RGB 93 172 159

HSL 170.13, 0.32%, 0.52%

LAB 65.23, -27.54, -0.87

 

CMYK 44 / 46 / 0 / 33

HEX #605DAC

RGB 96 93 172

HSL 242.28, 0.32%, 0.52%

LAB 43.2, 21.95, -42.05

 

CMYK 0 / 45 / 38 / 33

HEX #AC5E6A

RGB 172 94 106

HSL 350.77, 0.32%, 0.52%

LAB 49.27, 32.99, 7.38

 

CMYK 15 / 0 / 46 / 33

HEX #92AC5D

RGB 146 172 93

HSL 79.75, 0.32%, 0.52%

LAB 66.83, -22.04, 37.54

 

CMYK 46 / 0 / 8 / 33

HEX #5DAC9F

RGB 93 172 159

HSL 170.13, 0.32%, 0.52%

LAB 65.23, -27.54, -0.87

 

CMYK 30 / 46 / 0 / 33

HEX #785DAC

RGB 120 93 172

HSL 260.51, 0.32%, 0.52%

LAB 45.36, 28.42, -38.49

 

Description

Color code: HEX #AC5E6A | qconv.com Color code: HEX #AC5E6A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 94 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 94 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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