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Color name
HEX #AC5A5E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5A5E it is the complementary color #53A5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5A5E shade: #B15A59, #C26C6C, #D37E7F, #E49092 and #F5A2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5A5E shade: #AC5A5E, #9B484B, #8A3638, #792425 and #681212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5A5E shade: #AB595D and #AB5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5A5E shade: #AB595D, #AB5973, #AB5989, #AB59A0 and #A159AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5A5E shade matches the following richer shades: #AB595D, #C0454B, #D43038, #E81C26 and #FC0814

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5A5E shade: #AB595D, #976D6F, #838181, #6F9594 and #5AAAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5A5E shade: #AB5989, #AB5973, #AB595D, #AB6B59 and #AB8159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5A5E shade: #763B3E, #92494D, #AB595D, #B97478 and #C79092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5A5E shade: #AC5A5E, #9FAB59 and #597EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5A5E shade: #AC5A5E, #5DAB59 and #595DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5A5E shade: #AC5A5E, #9FAB59, #59ABA7 and #6559AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5A5E shade: #AC5A5E, #86AB59, #59ABA7 and #7E59AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

Complementary color

CMYK 50 / 0 / 2 / 35

HEX #53A5A1

RGB 83 165 161

HSL 177.07, 0.33%, 0.49%

LAB 62.78, -25.94, -5.63

 

CMYK 0 / 49 / 50 / 31

HEX #B15A59

RGB 177 90 89

HSL 0.68, 0.36%, 0.52%

LAB 48.74, 35.19, 16.9

 

CMYK 0 / 44 / 44 / 24

HEX #C26C6C

RGB 194 108 108

HSL 0, 0.41%, 0.59%

LAB 55.36, 34.06, 15.16

 

CMYK 0 / 40 / 40 / 17

HEX #D37E7F

RGB 211 126 127

HSL 359.29, 0.49%, 0.66%

LAB 61.91, 33.01, 13.66

 

CMYK 0 / 37 / 36 / 11

HEX #E49092

RGB 228 144 146

HSL 358.57, 0.61%, 0.73%

LAB 68.4, 32.04, 12.35

 

CMYK 0 / 34 / 33 / 4

HEX #F5A2A5

RGB 245 162 165

HSL 357.83, 0.81%, 0.8%

LAB 74.81, 31.15, 11.17

 

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

CMYK 0 / 54 / 52 / 39

HEX #9B484B

RGB 155 72 75

HSL 357.83, 0.37%, 0.45%

LAB 41.39, 34.91, 14.86

 

CMYK 0 / 61 / 59 / 46

HEX #8A3638

RGB 138 54 56

HSL 358.57, 0.44%, 0.38%

LAB 34.66, 36.02, 17.23

 

CMYK 0 / 70 / 69 / 53

HEX #792425

RGB 121 36 37

HSL 359.29, 0.54%, 0.31%

LAB 28.01, 36.93, 20.29

 

CMYK 0 / 83 / 83 / 59

HEX #681212

RGB 104 18 18

HSL 0, 0.7%, 0.24%

LAB 21.65, 37.18, 24.25

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 48 / 48 / 33

HEX #AB5959

RGB 171 89 89

HSL 0, 0.33%, 0.51%

LAB 47.65, 33.41, 15.29

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 48 / 33 / 33

HEX #AB5973

RGB 171 89 115

HSL 340.98, 0.33%, 0.51%

LAB 48.31, 36.45, 0.56

 

CMYK 0 / 48 / 20 / 33

HEX #AB5989

RGB 171 89 137

HSL 324.88, 0.33%, 0.51%

LAB 49.02, 39.6, -11.59

 

CMYK 0 / 48 / 6 / 33

HEX #AB59A0

RGB 171 89 160

HSL 308.05, 0.33%, 0.51%

LAB 49.91, 43.43, -23.88

 

CMYK 6 / 48 / 0 / 33

HEX #A159AB

RGB 161 89 171

HSL 292.68, 0.33%, 0.51%

LAB 49.08, 42.46, -31.72

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 64 / 61 / 25

HEX #C0454B

RGB 192 69 75

HSL 357.07, 0.49%, 0.51%

LAB 46.94, 49.66, 23.32

 

CMYK 0 / 77 / 74 / 17

HEX #D43038

RGB 212 48 56

HSL 357.07, 0.66%, 0.51%

LAB 47.49, 62.64, 36.07

 

CMYK 0 / 88 / 84 / 9

HEX #E81C26

RGB 232 28 38

HSL 357.06, 0.82%, 0.51%

LAB 49.65, 72.12, 49.37

 

CMYK 0 / 97 / 92 / 1

HEX #FC0814

RGB 252 8 20

HSL 357.05, 0.98%, 0.51%

LAB 52.86, 78.99, 61.34

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 28 / 26 / 41

HEX #976D6F

RGB 151 109 111

HSL 357.14, 0.17%, 0.51%

LAB 50.29, 17.01, 5.5

 

CMYK 0 / 2 / 2 / 49

HEX #838181

RGB 131 129 129

HSL 0, 0.01%, 0.51%

LAB 54.14, 0.75, 0.26

 

CMYK 26 / 0 / 1 / 42

HEX #6F9594

RGB 111 149 148

HSL 178.42, 0.15%, 0.51%

LAB 58.99, -13.23, -3.74

 

CMYK 47 / 0 / 2 / 33

HEX #5AAAA6

RGB 90 170 166

HSL 177, 0.32%, 0.51%

LAB 64.7, -25.49, -5.55

 

CMYK 0 / 48 / 20 / 33

HEX #AB5989

RGB 171 89 137

HSL 324.88, 0.33%, 0.51%

LAB 49.02, 39.6, -11.59

 

CMYK 0 / 48 / 33 / 33

HEX #AB5973

RGB 171 89 115

HSL 340.98, 0.33%, 0.51%

LAB 48.31, 36.45, 0.56

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 37 / 48 / 33

HEX #AB6B59

RGB 171 107 89

HSL 13.17, 0.33%, 0.51%

LAB 51.72, 23.51, 20.78

 

CMYK 0 / 25 / 48 / 33

HEX #AB8159

RGB 171 129 89

HSL 29.27, 0.33%, 0.51%

LAB 57.15, 11.11, 27.9

 

CMYK 0 / 50 / 47 / 54

HEX #763B3E

RGB 118 59 62

HSL 356.95, 0.33%, 0.35%

LAB 32.54, 26.06, 9.99

 

CMYK 0 / 50 / 47 / 43

HEX #92494D

RGB 146 73 77

HSL 356.71, 0.33%, 0.43%

LAB 40.27, 31.09, 11.86

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 37 / 35 / 27

HEX #B97478

RGB 185 116 120

HSL 356.52, 0.33%, 0.59%

LAB 56.25, 27.66, 9.25

 

CMYK 0 / 28 / 27 / 22

HEX #C79092

RGB 199 144 146

HSL 357.82, 0.33%, 0.67%

LAB 65.09, 21.1, 7.19

 

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

CMYK 7 / 0 / 48 / 33

HEX #9FAB59

RGB 159 171 89

HSL 68.78, 0.33%, 0.51%

LAB 67.44, -16.73, 40.53

 

CMYK 48 / 26 / 0 / 33

HEX #597EAB

RGB 89 126 171

HSL 212.93, 0.33%, 0.51%

LAB 51.82, -0.33, -27.94

 

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

CMYK 46 / 0 / 48 / 33

HEX #5DAB59

RGB 93 171 89

HSL 117.07, 0.33%, 0.51%

LAB 63.49, -40.92, 34.77

 

CMYK 48 / 46 / 0 / 33

HEX #595DAB

RGB 89 93 171

HSL 237.07, 0.33%, 0.51%

LAB 42.6, 19.9, -42.45

 

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

CMYK 7 / 0 / 48 / 33

HEX #9FAB59

RGB 159 171 89

HSL 68.78, 0.33%, 0.51%

LAB 67.44, -16.73, 40.53

 

CMYK 48 / 0 / 2 / 33

HEX #59ABA7

RGB 89 171 167

HSL 177.07, 0.33%, 0.51%

LAB 64.99, -25.97, -5.69

 

CMYK 41 / 48 / 0 / 33

HEX #6559AB

RGB 101 89 171

HSL 248.78, 0.33%, 0.51%

LAB 42.54, 25.41, -42.49

 

CMYK 0 / 48 / 45 / 33

HEX #AC5A5E

RGB 172 90 94

HSL 357.07, 0.33%, 0.51%

LAB 48.12, 33.78, 12.96

 

CMYK 22 / 0 / 48 / 33

HEX #86AB59

RGB 134 171 89

HSL 87.07, 0.33%, 0.51%

LAB 65.68, -26.69, 37.98

 

CMYK 48 / 0 / 2 / 33

HEX #59ABA7

RGB 89 171 167

HSL 177.07, 0.33%, 0.51%

LAB 64.99, -25.97, -5.69

 

CMYK 26 / 48 / 0 / 33

HEX #7E59AB

RGB 126 89 171

HSL 267.07, 0.33%, 0.51%

LAB 44.97, 32.23, -38.48

 

Description

Color code: HEX #AC5A5E | qconv.com Color code: HEX #AC5A5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 90 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 90 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 45% 33% C M Y K

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Provide designers and agencies with accurate color values.

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