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Color name
HEX #AC5611

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5611 it is the complementary color #53A9EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5611. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5611 shade: #B1560C, #C2681F, #D37A32, #E48C45 and #F59E58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5611. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5611 shade: #AC5611, #9B4400, #8A3200, #792000 and #680E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5611 shade: #AC5611, #AC2C11 and #AC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5611 shade: #AC5611, #AC8011, #ACA911, #84AC11 and #5BAC11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5611 shade matches the following richer shades: #AC5611 and #BB5402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5611 shade: #AC5611, #9C5820, #8D5930, #7E5B3F and #6F5D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5611 shade: #AC1120, #AC2B11, #AC5411, #AC7D11 and #ACA711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5611 shade: #61300A, #86430D, #AC5611, #D16915 and #EA7D26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5611 shade: #AC5611, #4AAC11 and #1611AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5611 shade: #AC5611, #11AC54 and #5411AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5611 shade: #AC5611, #4AAC11, #1169AC and #7311AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5611 shade: #AC5611, #1BAC11, #1169AC and #A111AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

Complementary color

CMYK 65 / 29 / 0 / 7

HEX #53A9EE

RGB 83 169 238

HSL 206.71, 0.82%, 0.63%

LAB 66.82, -4.88, -42.21

 

CMYK 0 / 51 / 93 / 31

HEX #B1560C

RGB 177 86 12

HSL 26.91, 0.87%, 0.37%

LAB 47.01, 33.17, 53.3

 

CMYK 0 / 46 / 84 / 24

HEX #C2681F

RGB 194 104 31

HSL 26.87, 0.72%, 0.44%

LAB 53.46, 31.09, 53.31

 

CMYK 0 / 42 / 76 / 17

HEX #D37A32

RGB 211 122 50

HSL 26.83, 0.65%, 0.51%

LAB 59.89, 29.22, 52.24

 

CMYK 0 / 39 / 70 / 11

HEX #E48C45

RGB 228 140 69

HSL 26.79, 0.75%, 0.58%

LAB 66.27, 27.55, 50.78

 

CMYK 0 / 36 / 64 / 4

HEX #F59E58

RGB 245 158 88

HSL 26.75, 0.89%, 0.65%

LAB 72.61, 26.07, 49.22

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 56 / 100 / 39

HEX #9B4400

RGB 155 68 0

HSL 26.32, 1%, 0.3%

LAB 39.75, 33.35, 50.16

 

CMYK 0 / 64 / 100 / 46

HEX #8A3200

RGB 138 50 0

HSL 21.74, 1%, 0.27%

LAB 33.32, 35.6, 44.99

 

CMYK 0 / 74 / 100 / 53

HEX #792000

RGB 121 32 0

HSL 15.87, 1%, 0.24%

LAB 27.01, 37.33, 38.83

 

CMYK 0 / 87 / 100 / 59

HEX #680E00

RGB 104 14 0

HSL 8.08, 1%, 0.2%

LAB 21.05, 37.91, 31.72

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 74 / 90 / 33

HEX #AC2C11

RGB 172 44 17

HSL 10.45, 0.82%, 0.37%

LAB 38.92, 50.49, 45.41

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 26 / 90 / 33

HEX #AC8011

RGB 172 128 17

HSL 42.97, 0.82%, 0.37%

LAB 56.34, 7.85, 58.78

 

CMYK 0 / 2 / 90 / 33

HEX #ACA911

RGB 172 169 17

HSL 58.84, 0.82%, 0.37%

LAB 67.42, -14.27, 67.47

 

CMYK 23 / 0 / 90 / 33

HEX #84AC11

RGB 132 172 17

HSL 75.48, 0.82%, 0.37%

LAB 65.32, -32.87, 64.54

 

CMYK 47 / 0 / 90 / 33

HEX #5BAC11

RGB 91 172 17

HSL 91.35, 0.82%, 0.37%

LAB 63.15, -47.96, 61.86

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 55 / 99 / 27

HEX #BB5402

RGB 187 84 2

HSL 26.59, 0.98%, 0.37%

LAB 48.15, 38.1, 57.19

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 44 / 79 / 39

HEX #9C5820

RGB 156 88 32

HSL 27.1, 0.66%, 0.37%

LAB 44.45, 23.68, 42.65

 

CMYK 0 / 37 / 66 / 45

HEX #8D5930

RGB 141 89 48

HSL 26.45, 0.49%, 0.37%

LAB 42.79, 17.32, 32.15

 

CMYK 0 / 28 / 50 / 51

HEX #7E5B3F

RGB 126 91 63

HSL 26.67, 0.33%, 0.37%

LAB 41.65, 10.7, 21.74

 

CMYK 0 / 16 / 30 / 56

HEX #6F5D4E

RGB 111 93 78

HSL 27.27, 0.17%, 0.37%

LAB 40.83, 4.79, 11.34

 

CMYK 0 / 90 / 81 / 33

HEX #AC1120

RGB 172 17 32

HSL 354.19, 0.82%, 0.37%

LAB 36.51, 57.97, 35.77

 

CMYK 0 / 75 / 90 / 33

HEX #AC2B11

RGB 172 43 17

HSL 10.06, 0.82%, 0.37%

LAB 38.79, 50.84, 45.31

 

CMYK 0 / 51 / 90 / 33

HEX #AC5411

RGB 172 84 17

HSL 25.94, 0.82%, 0.37%

LAB 45.84, 32.24, 50.66

 

CMYK 0 / 27 / 90 / 33

HEX #AC7D11

RGB 172 125 17

HSL 41.81, 0.82%, 0.37%

LAB 55.56, 9.53, 58.18

 

CMYK 0 / 3 / 90 / 33

HEX #ACA711

RGB 172 167 17

HSL 58.06, 0.82%, 0.37%

LAB 66.86, -13.23, 67.03

 

CMYK 0 / 51 / 90 / 62

HEX #61300A

RGB 97 48 10

HSL 26.21, 0.81%, 0.21%

LAB 25.79, 19.39, 32.01

 

CMYK 0 / 50 / 90 / 47

HEX #86430D

RGB 134 67 13

HSL 26.78, 0.82%, 0.29%

LAB 36.2, 25.22, 41.93

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 0 / 50 / 90 / 18

HEX #D16915

RGB 209 105 21

HSL 26.81, 0.82%, 0.45%

LAB 55.8, 36.47, 59.44

 

CMYK 0 / 47 / 84 / 8

HEX #EA7D26

RGB 234 125 38

HSL 26.63, 0.82%, 0.53%

LAB 63.59, 36.61, 61.65

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 57 / 0 / 90 / 33

HEX #4AAC11

RGB 74 172 17

HSL 97.94, 0.82%, 0.37%

LAB 62.51, -52.99, 61.06

 

CMYK 87 / 90 / 0 / 33

HEX #1611AC

RGB 22 17 172

HSL 241.94, 0.82%, 0.37%

LAB 22.12, 54.59, -76.66

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 90 / 0 / 51 / 33

HEX #11AC54

RGB 17 172 84

HSL 145.94, 0.82%, 0.37%

LAB 61.88, -56.3, 34.91

 

CMYK 51 / 90 / 0 / 33

HEX #5411AC

RGB 84 17 172

HSL 265.94, 0.82%, 0.37%

LAB 27.47, 58.49, -67.62

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 57 / 0 / 90 / 33

HEX #4AAC11

RGB 74 172 17

HSL 97.94, 0.82%, 0.37%

LAB 62.51, -52.99, 61.06

 

CMYK 90 / 39 / 0 / 33

HEX #1169AC

RGB 17 105 172

HSL 205.94, 0.82%, 0.37%

LAB 43.06, 1.23, -42.48

 

CMYK 33 / 90 / 0 / 33

HEX #7311AC

RGB 115 17 172

HSL 277.94, 0.82%, 0.37%

LAB 31.86, 62.19, -60.25

 

CMYK 0 / 50 / 90 / 33

HEX #AC5611

RGB 172 86 17

HSL 26.71, 0.82%, 0.37%

LAB 46.27, 31.18, 50.98

 

CMYK 84 / 0 / 90 / 33

HEX #1BAC11

RGB 27 172 17

HSL 116.13, 0.82%, 0.37%

LAB 61.46, -61.87, 59.75

 

CMYK 90 / 39 / 0 / 33

HEX #1169AC

RGB 17 105 172

HSL 205.94, 0.82%, 0.37%

LAB 43.06, 1.23, -42.48

 

CMYK 6 / 90 / 0 / 33

HEX #A111AC

RGB 161 17 172

HSL 295.74, 0.82%, 0.37%

LAB 39.51, 69.34, -47.5

 

Description

Color code: HEX #AC5611 | qconv.com Color code: HEX #AC5611 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 86 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 86 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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