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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5377 it is the complementary color #53AC88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5377 shade: #B15372, #C26585, #D37798, #E489AB and #F59BBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5377 shade: #AC5377, #9B4164, #8A2F51, #791D3E and #680B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5377 shade: #AC5377, #AC535F and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5377 shade: #AC5377, #AC538F, #AC53A7, #9953AC and #8153AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5377 shade matches the following richer shades: #AC5377, #C13E73, #D52A6F, #EA156B and #FF0067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5377 shade: #AC5377, #97687B, #837C7F, #6E9183 and #5AA587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5377 shade: #AC53A8, #AC5390, #AC5378, #AC5360 and #AC5D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5377 shade: #743850, #904564, #AC5377, #BA6F8D and #C78BA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5377 shade: #AC5377, #AC9953 and #539CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5377 shade: #AC5377, #78AC53 and #5378AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5377 shade: #AC5377, #AC9953, #53AC87 and #5366AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5377 shade: #AC5377, #A5AC53, #53AC87 and #5A53AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

Complementary color

CMYK 52 / 0 / 21 / 33

HEX #53AC88

RGB 83 172 136

HSL 155.73, 0.35%, 0.5%

LAB 64.26, -35.44, 10.46

 

CMYK 0 / 53 / 36 / 31

HEX #B15372

RGB 177 83 114

HSL 340.21, 0.38%, 0.51%

LAB 47.94, 41.56, 0.74

 

CMYK 0 / 48 / 31 / 24

HEX #C26585

RGB 194 101 133

HSL 339.35, 0.43%, 0.58%

LAB 54.52, 40.7, -0.69

 

CMYK 0 / 44 / 28 / 17

HEX #D37798

RGB 211 119 152

HSL 338.48, 0.51%, 0.65%

LAB 61.05, 39.82, -1.9

 

CMYK 0 / 40 / 25 / 11

HEX #E489AB

RGB 228 137 171

HSL 337.58, 0.63%, 0.72%

LAB 67.52, 38.97, -2.95

 

CMYK 0 / 37 / 22 / 4

HEX #F59BBE

RGB 245 155 190

HSL 336.67, 0.82%, 0.78%

LAB 73.92, 38.16, -3.88

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 58 / 35 / 39

HEX #9B4164

RGB 155 65 100

HSL 336.67, 0.41%, 0.43%

LAB 40.69, 41.24, -1.69

 

CMYK 0 / 66 / 41 / 46

HEX #8A2F51

RGB 138 47 81

HSL 337.58, 0.49%, 0.36%

LAB 34.05, 41.79, 0.31

 

CMYK 0 / 76 / 49 / 53

HEX #791D3E

RGB 121 29 62

HSL 338.48, 0.61%, 0.29%

LAB 27.55, 41.81, 3.02

 

CMYK 0 / 89 / 59 / 59

HEX #680B2B

RGB 104 11 43

HSL 339.35, 0.81%, 0.23%

LAB 21.42, 40.68, 6.9

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 52 / 45 / 33

HEX #AC535F

RGB 172 83 95

HSL 351.91, 0.35%, 0.5%

LAB 46.69, 37.58, 10.35

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 52 / 17 / 33

HEX #AC538F

RGB 172 83 143

HSL 319.55, 0.35%, 0.5%

LAB 48.18, 43.98, -16.42

 

CMYK 0 / 52 / 3 / 33

HEX #AC53A7

RGB 172 83 167

HSL 303.37, 0.35%, 0.5%

LAB 49.19, 48.03, -29.1

 

CMYK 11 / 52 / 0 / 33

HEX #9953AC

RGB 153 83 172

HSL 287.19, 0.35%, 0.5%

LAB 46.89, 43.52, -35.82

 

CMYK 25 / 52 / 0 / 33

HEX #8153AC

RGB 129 83 172

HSL 271.01, 0.35%, 0.5%

LAB 43.99, 36.78, -40.6

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 68 / 40 / 24

HEX #C13E73

RGB 193 62 115

HSL 335.73, 0.51%, 0.5%

LAB 47, 56.35, -0.94

 

CMYK 0 / 80 / 48 / 16

HEX #D52A6F

RGB 213 42 111

HSL 335.79, 0.67%, 0.5%

LAB 48.2, 67.97, 3.69

 

CMYK 0 / 91 / 54 / 8

HEX #EA156B

RGB 234 21 107

HSL 335.77, 0.84%, 0.5%

LAB 50.79, 76.7, 10.39

 

CMYK 0 / 100 / 60 / 0

HEX #FF0067

RGB 255 0 103

HSL 335.76, 1%, 0.5%

LAB 54.28, 82.94, 18.29

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 31 / 19 / 41

HEX #97687B

RGB 151 104 123

HSL 335.74, 0.18%, 0.5%

LAB 49.39, 21.81, -2.95

 

CMYK 0 / 5 / 3 / 49

HEX #837C7F

RGB 131 124 127

HSL 334.29, 0.03%, 0.5%

LAB 52.7, 3.24, -0.69

 

CMYK 24 / 0 / 10 / 43

HEX #6E9183

RGB 110 145 131

HSL 156, 0.14%, 0.5%

LAB 57.27, -15.24, 3.46

 

CMYK 45 / 0 / 18 / 35

HEX #5AA587

RGB 90 165 135

HSL 156, 0.29%, 0.5%

LAB 62.37, -30.58, 8.37

 

CMYK 0 / 52 / 2 / 33

HEX #AC53A8

RGB 172 83 168

HSL 302.7, 0.35%, 0.5%

LAB 49.23, 48.21, -29.62

 

CMYK 0 / 52 / 16 / 33

HEX #AC5390

RGB 172 83 144

HSL 318.88, 0.35%, 0.5%

LAB 48.22, 44.13, -16.96

 

CMYK 0 / 52 / 30 / 33

HEX #AC5378

RGB 172 83 120

HSL 335.06, 0.35%, 0.5%

LAB 47.38, 40.6, -3.8

 

CMYK 0 / 52 / 44 / 33

HEX #AC5360

RGB 172 83 96

HSL 351.24, 0.35%, 0.5%

LAB 46.71, 37.69, 9.78

 

CMYK 0 / 46 / 52 / 33

HEX #AC5D53

RGB 172 93 83

HSL 6.74, 0.35%, 0.5%

LAB 48.54, 31.06, 20.08

 

CMYK 0 / 52 / 31 / 55

HEX #743850

RGB 116 56 80

HSL 336, 0.35%, 0.34%

LAB 32.08, 29.31, -2.36

 

CMYK 0 / 52 / 31 / 44

HEX #904564

RGB 144 69 100

HSL 335.2, 0.35%, 0.42%

LAB 39.76, 35.34, -3.25

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 40 / 24 / 27

HEX #BA6F8D

RGB 186 111 141

HSL 336, 0.35%, 0.58%

LAB 55.82, 33.66, -3.6

 

CMYK 0 / 30 / 18 / 22

HEX #C78BA3

RGB 199 139 163

HSL 336, 0.35%, 0.66%

LAB 64.36, 26.4, -3.47

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 11 / 52 / 33

HEX #AC9953

RGB 172 153 83

HSL 47.19, 0.35%, 0.5%

LAB 63.49, -2.32, 39.04

 

CMYK 52 / 9 / 0 / 33

HEX #539CAC

RGB 83 156 172

HSL 190.79, 0.35%, 0.5%

LAB 60.42, -18.27, -15.36

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 30 / 0 / 52 / 33

HEX #78AC53

RGB 120 172 83

HSL 95.06, 0.35%, 0.5%

LAB 65.06, -33.1, 40.02

 

CMYK 52 / 30 / 0 / 33

HEX #5378AC

RGB 83 120 172

HSL 215.06, 0.35%, 0.5%

LAB 49.8, 2.08, -31.7

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 0 / 11 / 52 / 33

HEX #AC9953

RGB 172 153 83

HSL 47.19, 0.35%, 0.5%

LAB 63.49, -2.32, 39.04

 

CMYK 52 / 0 / 22 / 33

HEX #53AC87

RGB 83 172 135

HSL 155.06, 0.35%, 0.5%

LAB 64.24, -35.66, 10.98

 

CMYK 52 / 41 / 0 / 33

HEX #5366AC

RGB 83 102 172

HSL 227.19, 0.35%, 0.5%

LAB 44.69, 13.13, -39.74

 

CMYK 0 / 52 / 31 / 33

HEX #AC5377

RGB 172 83 119

HSL 335.73, 0.35%, 0.5%

LAB 47.35, 40.47, -3.24

 

CMYK 4 / 0 / 52 / 33

HEX #A5AC53

RGB 165 172 83

HSL 64.72, 0.35%, 0.5%

LAB 68.12, -15.35, 44.41

 

CMYK 52 / 0 / 22 / 33

HEX #53AC87

RGB 83 172 135

HSL 155.06, 0.35%, 0.5%

LAB 64.24, -35.66, 10.98

 

CMYK 48 / 52 / 0 / 33

HEX #5A53AC

RGB 90 83 172

HSL 244.72, 0.35%, 0.5%

LAB 40.15, 26.72, -46.96

 

Description

Color code: HEX #AC5377 | qconv.com Color code: HEX #AC5377 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 83 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 83 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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