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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5331 it is the complementary color #53ACCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5331 shade: #B1532C, #C2653F, #D37752, #E48965 and #F59B78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5331 shade: #AC5331, #9B411E, #8A2F0B, #791D00 and #680B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5331 shade: #AB5230, #AB3130 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5331 shade: #AB5230, #AB7330, #AB9430, #A1AB30 and #7FAB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5331 shade matches the following richer shades: #AB5230, #BD4A1F and #CF420D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5331 shade: #AB5230, #995A42, #886254, #766A65 and #647277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5331 shade: #AB3051, #AB3030, #AB5130, #AB7230 and #AB9230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5331 shade: #6B331E, #8B4327, #AB5230, #C8633C and #D17D5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5331 shade: #AC5331, #72AB30 and #3041AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5331 shade: #AC5331, #30AB51 and #5130AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5331 shade: #AC5331, #72AB30, #308AAB and #6A30AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5331 shade: #AC5331, #4DAB30, #308AAB and #8E30AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

Complementary color

CMYK 60 / 17 / 0 / 19

HEX #53ACCE

RGB 83 172 206

HSL 196.59, 0.56%, 0.57%

LAB 66.37, -16.65, -25.3

 

CMYK 0 / 53 / 75 / 31

HEX #B1532C

RGB 177 83 44

HSL 17.59, 0.6%, 0.43%

LAB 46.6, 35.67, 39.96

 

CMYK 0 / 48 / 68 / 24

HEX #C2653F

RGB 194 101 63

HSL 17.4, 0.52%, 0.5%

LAB 53.1, 34.06, 37.82

 

CMYK 0 / 44 / 61 / 17

HEX #D37752

RGB 211 119 82

HSL 17.21, 0.59%, 0.57%

LAB 59.57, 32.58, 35.82

 

CMYK 0 / 40 / 56 / 11

HEX #E48965

RGB 228 137 101

HSL 17.01, 0.7%, 0.65%

LAB 66, 31.24, 34.01

 

CMYK 0 / 37 / 51 / 4

HEX #F59B78

RGB 245 155 120

HSL 16.8, 0.86%, 0.72%

LAB 72.37, 30.04, 32.36

 

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

CMYK 0 / 58 / 81 / 39

HEX #9B411E

RGB 155 65 30

HSL 16.8, 0.68%, 0.36%

LAB 39.31, 35.58, 38.55

 

CMYK 0 / 66 / 92 / 46

HEX #8A2F0B

RGB 138 47 11

HSL 17.01, 0.85%, 0.29%

LAB 32.83, 37.23, 40.35

 

CMYK 0 / 76 / 100 / 53

HEX #791D00

RGB 121 29 0

HSL 14.38, 1%, 0.24%

LAB 26.57, 38.54, 38.44

 

CMYK 0 / 89 / 100 / 59

HEX #680B00

RGB 104 11 0

HSL 6.35, 1%, 0.2%

LAB 20.76, 38.72, 31.4

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 71 / 72 / 33

HEX #AB3130

RGB 171 49 48

HSL 0.49, 0.56%, 0.43%

LAB 39.69, 49.32, 29.75

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 33 / 72 / 33

HEX #AB7330

RGB 171 115 48

HSL 32.68, 0.56%, 0.43%

LAB 53.09, 15.81, 44.58

 

CMYK 0 / 13 / 72 / 33

HEX #AB9430

RGB 171 148 48

HSL 48.78, 0.56%, 0.43%

LAB 61.7, -2.54, 53.37

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 26 / 0 / 72 / 33

HEX #7FAB30

RGB 127 171 48

HSL 81.46, 0.56%, 0.43%

LAB 64.84, -33.1, 55.36

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 61 / 84 / 26

HEX #BD4A1F

RGB 189 74 31

HSL 16.33, 0.72%, 0.43%

LAB 46.73, 44.24, 47.08

 

CMYK 0 / 68 / 94 / 19

HEX #CF420D

RGB 207 66 13

HSL 16.39, 0.88%, 0.43%

LAB 48.5, 53.7, 56.44

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 41 / 57 / 40

HEX #995A42

RGB 153 90 66

HSL 16.55, 0.4%, 0.43%

LAB 44.91, 23.39, 24.85

 

CMYK 0 / 28 / 38 / 47

HEX #886254

RGB 136 98 84

HSL 16.15, 0.24%, 0.43%

LAB 45.09, 13.43, 14.04

 

CMYK 0 / 10 / 14 / 54

HEX #766A65

RGB 118 106 101

HSL 17.65, 0.08%, 0.43%

LAB 45.77, 3.8, 4.51

 

CMYK 16 / 4 / 0 / 53

HEX #647277

RGB 100 114 119

HSL 195.79, 0.09%, 0.43%

LAB 47.07, -4.08, -4.53

 

CMYK 0 / 72 / 53 / 33

HEX #AB3051

RGB 171 48 81

HSL 343.9, 0.56%, 0.43%

LAB 40.19, 51.87, 9.89

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 33 / 72 / 33

HEX #AB7230

RGB 171 114 48

HSL 32.2, 0.56%, 0.43%

LAB 52.85, 16.38, 44.32

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 52 / 72 / 58

HEX #6B331E

RGB 107 51 30

HSL 16.36, 0.56%, 0.27%

LAB 28.35, 23.14, 24.47

 

CMYK 0 / 52 / 72 / 45

HEX #8B4327

RGB 139 67 39

HSL 16.8, 0.56%, 0.35%

LAB 37.21, 28.42, 30.69

 

CMYK 0 / 52 / 72 / 33

HEX #AB5230

RGB 171 82 48

HSL 16.59, 0.56%, 0.43%

LAB 45.51, 33.99, 36.38

 

CMYK 0 / 51 / 70 / 22

HEX #C8633C

RGB 200 99 60

HSL 16.71, 0.56%, 0.51%

LAB 53.52, 37.31, 40.14

 

CMYK 0 / 40 / 56 / 18

HEX #D17D5D

RGB 209 125 93

HSL 16.55, 0.56%, 0.59%

LAB 60.79, 29.43, 31.27

 

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

CMYK 33 / 0 / 72 / 33

HEX #72AB30

RGB 114 171 48

HSL 87.8, 0.56%, 0.43%

LAB 64.09, -38.07, 54.37

 

CMYK 72 / 62 / 0 / 33

HEX #3041AB

RGB 48 65 171

HSL 231.71, 0.56%, 0.43%

LAB 32.59, 30.17, -58.74

 

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

CMYK 72 / 0 / 53 / 33

HEX #30AB51

RGB 48 171 81

HSL 136.1, 0.56%, 0.43%

LAB 61.95, -52.83, 36.6

 

CMYK 53 / 72 / 0 / 33

HEX #5130AB

RGB 81 48 171

HSL 256.1, 0.56%, 0.43%

LAB 31.36, 45.32, -60.65

 

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

CMYK 33 / 0 / 72 / 33

HEX #72AB30

RGB 114 171 48

HSL 87.8, 0.56%, 0.43%

LAB 64.09, -38.07, 54.37

 

CMYK 72 / 19 / 0 / 33

HEX #308AAB

RGB 48 138 171

HSL 196.1, 0.56%, 0.43%

LAB 53.76, -15.37, -25.08

 

CMYK 38 / 72 / 0 / 33

HEX #6A30AB

RGB 106 48 171

HSL 268.29, 0.56%, 0.43%

LAB 34.23, 49.75, -55.85

 

CMYK 0 / 52 / 72 / 33

HEX #AC5331

RGB 172 83 49

HSL 16.59, 0.56%, 0.43%

LAB 45.88, 33.92, 36.3

 

CMYK 55 / 0 / 72 / 33

HEX #4DAB30

RGB 77 171 48

HSL 105.85, 0.56%, 0.43%

LAB 62.44, -50.13, 52.15

 

CMYK 72 / 19 / 0 / 33

HEX #308AAB

RGB 48 138 171

HSL 196.1, 0.56%, 0.43%

LAB 53.76, -15.37, -25.08

 

CMYK 17 / 72 / 0 / 33

HEX #8E30AB

RGB 142 48 171

HSL 285.85, 0.56%, 0.43%

LAB 39.25, 57.07, -47.48

 

Description

Color code: HEX #AC5331 | qconv.com Color code: HEX #AC5331 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 83 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 83 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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