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Color name
HEX #AC51133F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC51133F it is the complementary color #53AEEC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #AC51133F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC51133F shade: #B1510E3F, #C263213F, #D375343F, #E487473F and #F5995A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #AC51133F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC51133F shade: #AC51133F, #9B3F003F, #8A2D003F, #791B003F and #6809003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC51133F shade: #AA5013, #AA2713 and #AA1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC51133F shade: #AA5013, #AA7913, #AAA113, #89AA13 and #61AA13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC51133F shade matches the following richer shades: #AA5013 and #B94D04

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC51133F shade: #AA5013, #9B5322, #8B5631, #7C5941 and #6D5C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC51133F shade: #AA1327, #AA2713, #AA4F13, #AA7813 and #AAA013

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC51133F shade: #602D0B, #853F0F, #AA5013, #CF6217 and #E77528

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC51133F shade: #AC5113, #4FAA13 and #1313AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC51133F shade: #AC5113, #13AA4F and #4F13AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC51133F shade: #AC5113, #4FAA13, #136DAA and #6D13AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC51133F shade: #AC5113, #22AA13, #136DAA and #9B13AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 8

RGBA 172 81 19 0.25

HSLA 24.31, 0.8%, 0.37%, 0.25

LABA 45.22, 33.86, 49.51, 0.25

Complementary color

CMYK 16 / 7 / 0 / 2

RGBA 83 174 236 0.25

HSLA 204.31, 0.8%, 0.63%, 0.25

LABA 68.14, -8.3, -39.04, 0.25

Lighter colors

CMYK 0 / 14 / 23 / 8

RGBA 177 81 14 0.25

HSLA 24.66, 0.85%, 0.37%, 0.25

LABA 45.99, 35.79, 52.03, 0.25

CMYK 0 / 12 / 21 / 6

RGBA 194 99 33 0.25

HSLA 24.6, 0.71%, 0.45%, 0.25

LABA 52.4, 33.79, 51.59, 0.25

CMYK 0 / 11 / 19 / 4

RGBA 211 117 52 0.25

HSLA 24.53, 0.64%, 0.52%, 0.25

LABA 58.81, 31.95, 50.25, 0.25

CMYK 0 / 10 / 17 / 3

RGBA 228 135 71 0.25

HSLA 24.46, 0.74%, 0.59%, 0.25

LABA 65.18, 30.3, 48.62, 0.25

CMYK 0 / 9 / 16 / 1

RGBA 245 153 90 0.25

HSLA 24.39, 0.89%, 0.66%, 0.25

LABA 71.51, 28.82, 46.95, 0.25

Darker colors

CMYK 0 / 13 / 22 / 8

RGBA 172 81 19 0.25

HSLA 24.31, 0.8%, 0.37%, 0.25

LABA 45.22, 33.86, 49.51, 0.25

CMYK 0 / 15 / 25 / 10

RGBA 155 63 0 0.25

HSLA 24.39, 1%, 0.3%, 0.25

LABA 38.77, 35.9, 49.61, 0.25

CMYK 0 / 17 / 25 / 11

RGBA 138 45 0 0.25

HSLA 19.57, 1%, 0.27%, 0.25

LABA 32.44, 37.95, 44.43, 0.25

CMYK 0 / 19 / 25 / 13

RGBA 121 27 0 0.25

HSLA 13.39, 1%, 0.24%, 0.25

LABA 26.3, 39.3, 38.2, 0.25

CMYK 0 / 23 / 25 / 15

RGBA 104 9 0 0.25

HSLA 5.19, 1%, 0.2%, 0.25

LABA 20.59, 39.21, 31.21, 0.25

Warmer colors

CMYK 0 / 53 / 89 / 33

HSL 24.24, 0.8%, 0.37%

LAB 44.7, 33.57, 48.97

CMYK 0 / 77 / 89 / 33

HSL 7.95, 0.8%, 0.37%

LAB 37.92, 51.6, 43.61

CMYK 0 / 89 / 89 / 33

HSL 0, 0.8%, 0.37%

LAB 36.1, 56.76, 42.17

Colder colors

CMYK 0 / 53 / 89 / 33

HSL 24.24, 0.8%, 0.37%

LAB 44.7, 33.57, 48.97

CMYK 0 / 29 / 89 / 33

HSL 40.53, 0.8%, 0.37%

LAB 54.31, 10.9, 56.6

CMYK 0 / 5 / 89 / 33

HSL 56.42, 0.8%, 0.37%

LAB 65.03, -10.96, 65.14

CMYK 19 / 0 / 89 / 33

HSL 73.11, 0.8%, 0.37%

LAB 65.05, -29.83, 64.09

CMYK 43 / 0 / 89 / 33

HSL 89.01, 0.8%, 0.37%

LAB 62.79, -45.12, 61.29

Richer colors

CMYK 0 / 53 / 89 / 33

HSL 24.24, 0.8%, 0.37%

LAB 44.7, 33.57, 48.97

CMYK 0 / 58 / 98 / 27

HSL 24.2, 0.96%, 0.37%

LAB 46.49, 40.8, 55.53

Paler colors

CMYK 0 / 53 / 89 / 33

HSL 24.24, 0.8%, 0.37%

LAB 44.7, 33.57, 48.97

CMYK 0 / 46 / 78 / 39

HSL 24.3, 0.64%, 0.37%

LAB 43.17, 26.12, 40.4

CMYK 0 / 38 / 65 / 45

HSL 24.67, 0.48%, 0.37%

LAB 41.79, 18.24, 30.36

CMYK 0 / 28 / 48 / 51

HSL 24.41, 0.31%, 0.37%

LAB 40.91, 11.22, 19.55

CMYK 0 / 16 / 27 / 57

HSL 24.83, 0.15%, 0.37%

LAB 40.39, 4.85, 9.47

Analogue colors

CMYK 0 / 89 / 77 / 33

HSL 352.05, 0.8%, 0.37%

LAB 36.29, 57.31, 31.24

CMYK 0 / 77 / 89 / 33

HSL 7.95, 0.8%, 0.37%

LAB 37.92, 51.6, 43.61

CMYK 0 / 54 / 89 / 33

HSL 23.84, 0.8%, 0.37%

LAB 44.5, 34.09, 48.81

CMYK 0 / 29 / 89 / 33

HSL 40.13, 0.8%, 0.37%

LAB 54.05, 11.47, 56.39

CMYK 0 / 6 / 89 / 33

HSL 56.03, 0.8%, 0.37%

LAB 64.75, -10.43, 64.92

Monochromatic colors

CMYK 0 / 53 / 89 / 62

HSL 24, 0.79%, 0.21%

LAB 24.91, 20.75, 30.7

CMYK 0 / 53 / 89 / 48

HSL 24.41, 0.8%, 0.29%

LAB 35.15, 27.07, 40.26

CMYK 0 / 53 / 89 / 33

HSL 24.24, 0.8%, 0.37%

LAB 44.7, 33.57, 48.97

CMYK 0 / 53 / 89 / 19

HSL 24.46, 0.8%, 0.45%

LAB 54.09, 39.27, 57.41

CMYK 0 / 49 / 83 / 9

HSL 24.19, 0.8%, 0.53%

LAB 61.54, 39.54, 58.96

Partial complementary colors

CMYK 0 / 53 / 89 / 33

HSL 24.31, 0.8%, 0.37%

LAB 45.22, 33.86, 49.51

CMYK 54 / 0 / 89 / 33

HSL 96.16, 0.8%, 0.37%

LAB 62.05, -50.8, 60.36

CMYK 89 / 89 / 0 / 33

HSL 240, 0.8%, 0.37%

LAB 21.97, 53.23, -75.72

Triadic colors

CMYK 0 / 53 / 89 / 33

HSL 24.31, 0.8%, 0.37%

LAB 45.22, 33.86, 49.51

CMYK 89 / 0 / 54 / 33

HSL 143.84, 0.8%, 0.37%

LAB 61.18, -56.28, 36.55

CMYK 54 / 89 / 0 / 33

HSL 263.84, 0.8%, 0.37%

LAB 26.82, 56.95, -67.52

Rectangular (tetradic) colors

CMYK 0 / 53 / 89 / 33

HSL 24.31, 0.8%, 0.37%

LAB 45.22, 33.86, 49.51

CMYK 54 / 0 / 89 / 33

HSL 96.16, 0.8%, 0.37%

LAB 62.05, -50.8, 60.36

CMYK 89 / 36 / 0 / 33

HSL 204.24, 0.8%, 0.37%

LAB 44.2, -1.92, -39.5

CMYK 36 / 89 / 0 / 33

HSL 275.76, 0.8%, 0.37%

LAB 30.92, 60.51, -60.62

Square colors

CMYK 0 / 53 / 89 / 33

HSL 24.31, 0.8%, 0.37%

LAB 45.22, 33.86, 49.51

CMYK 80 / 0 / 89 / 33

HSL 114.04, 0.8%, 0.37%

LAB 60.9, -60.36, 58.92

CMYK 89 / 36 / 0 / 33

HSL 204.24, 0.8%, 0.37%

LAB 44.2, -1.92, -39.5

CMYK 9 / 89 / 0 / 33

HSL 294.04, 0.8%, 0.37%

LAB 38.44, 67.65, -48.07

Description

Color code: HEX #AC51133F | qconv.com

Color code: HEX #AC51133F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 81 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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