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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC50AC it is the complementary color #53AF53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC50AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC50AC shade: #B150A7, #C262BA, #D374CD, #E486E0 and #F598F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC50AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC50AC shade: #AC50AC, #9B3E99, #8A2C86, #791A73 and #680860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC50AC shade: #AB4FAB, #AB4F92, #AB4F79, #AB4F60 and #AB4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC50AC shade: #AB4FAB, #924FAB, #794FAB, #604FAB and #4F4FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC50AC shade matches the following richer shades: #AB4FAB, #BF3BBF, #D426D4 and #E812E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC50AC shade: #AB4FAB, #976397, #837783, #6F8B6F and #5AA05A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC50AC shade: #7A4FAB, #934FAB, #AB4FAB, #AB4F93 and #AB4F7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC50AC shade: #733573, #8F428F, #AB4FAB, #BA69BA and #C785C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC50AC shade: #AC50AC, #AB614F and #4FAB86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC50AC shade: #AC50AC, #ABAB4F and #4FABAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC50AC shade: #AC50AC, #AB614F, #4FAB4F and #4F99AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC50AC shade: #AC50AC, #AB7D4F, #4FAB4F and #4F7DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

Complementary color

CMYK 53 / 0 / 53 / 31

HEX #53AF53

RGB 83 175 83

HSL 120, 0.37%, 0.51%

LAB 64.26, -46.3, 38.65

 

CMYK 0 / 55 / 6 / 31

HEX #B150A7

RGB 177 80 167

HSL 306.19, 0.38%, 0.5%

LAB 49.34, 50.94, -28.81

 

CMYK 0 / 49 / 4 / 24

HEX #C262BA

RGB 194 98 186

HSL 305, 0.44%, 0.57%

LAB 55.84, 50.37, -29.58

 

CMYK 0 / 45 / 3 / 17

HEX #D374CD

RGB 211 116 205

HSL 303.79, 0.52%, 0.64%

LAB 62.29, 49.69, -30.21

 

CMYK 0 / 41 / 2 / 11

HEX #E486E0

RGB 228 134 224

HSL 302.55, 0.64%, 0.71%

LAB 68.7, 48.97, -30.75

 

CMYK 0 / 38 / 1 / 4

HEX #F598F3

RGB 245 152 243

HSL 301.29, 0.82%, 0.78%

LAB 75.04, 48.25, -31.22

 

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

CMYK 0 / 60 / 1 / 39

HEX #9B3E99

RGB 155 62 153

HSL 301.29, 0.43%, 0.43%

LAB 42.33, 50.81, -31.69

 

CMYK 0 / 68 / 3 / 46

HEX #8A2C86

RGB 138 44 134

HSL 302.55, 0.52%, 0.36%

LAB 35.84, 50.8, -30.5

 

CMYK 0 / 79 / 5 / 53

HEX #791A73

RGB 121 26 115

HSL 303.79, 0.65%, 0.29%

LAB 29.52, 50.02, -28.77

 

CMYK 0 / 92 / 8 / 59

HEX #680860

RGB 104 8 96

HSL 305, 0.86%, 0.22%

LAB 23.54, 47.83, -26.13

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 0 / 54 / 15 / 33

HEX #AB4F92

RGB 171 79 146

HSL 316.3, 0.37%, 0.49%

LAB 47.4, 46.14, -19.43

 

CMYK 0 / 54 / 29 / 33

HEX #AB4F79

RGB 171 79 121

HSL 332.61, 0.37%, 0.49%

LAB 46.49, 42.43, -5.75

 

CMYK 0 / 54 / 44 / 33

HEX #AB4F60

RGB 171 79 96

HSL 348.91, 0.37%, 0.49%

LAB 45.76, 39.38, 8.42

 

CMYK 0 / 54 / 54 / 33

HEX #AB4F4F

RGB 171 79 79

HSL 0, 0.37%, 0.49%

LAB 45.38, 37.72, 18.22

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 15 / 54 / 0 / 33

HEX #924FAB

RGB 146 79 171

HSL 283.7, 0.37%, 0.49%

LAB 45.14, 43.46, -38.06

 

CMYK 29 / 54 / 0 / 33

HEX #794FAB

RGB 121 79 171

HSL 267.39, 0.37%, 0.49%

LAB 42.15, 36.65, -42.99

 

CMYK 44 / 54 / 0 / 33

HEX #604FAB

RGB 96 79 171

HSL 251.09, 0.37%, 0.49%

LAB 39.61, 30.32, -47.2

 

CMYK 54 / 54 / 0 / 33

HEX #4F4FAB

RGB 79 79 171

HSL 240, 0.37%, 0.49%

LAB 38.19, 26.47, -49.56

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 0 / 69 / 0 / 25

HEX #BF3BBF

RGB 191 59 191

HSL 300, 0.53%, 0.49%

LAB 49.45, 67.34, -42.52

 

CMYK 0 / 82 / 0 / 17

HEX #D426D4

RGB 212 38 212

HSL 300, 0.7%, 0.49%

LAB 51.99, 80.78, -50.38

 

CMYK 0 / 92 / 0 / 9

HEX #E812E8

RGB 232 18 232

HSL 300, 0.86%, 0.49%

LAB 55.5, 90.16, -55.94

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 0 / 34 / 0 / 41

HEX #976397

RGB 151 99 151

HSL 300, 0.21%, 0.49%

LAB 49.18, 29.79, -19.9

 

CMYK 0 / 9 / 0 / 49

HEX #837783

RGB 131 119 131

HSL 300, 0.05%, 0.49%

LAB 51.45, 6.94, -4.88

 

CMYK 20 / 0 / 20 / 45

HEX #6F8B6F

RGB 111 139 111

HSL 120, 0.11%, 0.49%

LAB 55.06, -15.73, 11.76

 

CMYK 44 / 0 / 44 / 37

HEX #5AA05A

RGB 90 160 90

HSL 120, 0.28%, 0.49%

LAB 59.94, -36.86, 29.73

 

CMYK 29 / 54 / 0 / 33

HEX #7A4FAB

RGB 122 79 171

HSL 268.04, 0.37%, 0.49%

LAB 42.26, 36.92, -42.81

 

CMYK 14 / 54 / 0 / 33

HEX #934FAB

RGB 147 79 171

HSL 284.35, 0.37%, 0.49%

LAB 45.27, 43.73, -37.84

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 0 / 54 / 14 / 33

HEX #AB4F93

RGB 171 79 147

HSL 315.65, 0.37%, 0.49%

LAB 47.44, 46.3, -19.97

 

CMYK 0 / 54 / 29 / 33

HEX #AB4F7A

RGB 171 79 122

HSL 331.96, 0.37%, 0.49%

LAB 46.52, 42.57, -6.31

 

CMYK 0 / 54 / 0 / 55

HEX #733573

RGB 115 53 115

HSL 300, 0.37%, 0.33%

LAB 32.76, 36.66, -23.73

 

CMYK 0 / 54 / 0 / 44

HEX #8F428F

RGB 143 66 143

HSL 300, 0.37%, 0.41%

LAB 40.77, 43.69, -28.22

 

CMYK 0 / 54 / 0 / 33

HEX #AB4FAB

RGB 171 79 171

HSL 300, 0.37%, 0.49%

LAB 48.5, 50.43, -32.54

 

CMYK 0 / 44 / 0 / 27

HEX #BA69BA

RGB 186 105 186

HSL 300, 0.37%, 0.57%

LAB 56.18, 44.41, -29.14

 

CMYK 0 / 33 / 0 / 22

HEX #C785C7

RGB 199 133 199

HSL 300, 0.37%, 0.65%

LAB 64.19, 35.93, -24.03

 

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

CMYK 0 / 43 / 54 / 33

HEX #AB614F

RGB 171 97 79

HSL 11.74, 0.37%, 0.49%

LAB 49.22, 28.1, 23.3

 

CMYK 54 / 0 / 22 / 33

HEX #4FAB86

RGB 79 171 134

HSL 155.87, 0.37%, 0.49%

LAB 63.76, -36.38, 10.85

 

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

CMYK 0 / 0 / 54 / 33

HEX #ABAB4F

RGB 171 171 79

HSL 60, 0.37%, 0.49%

LAB 68.28, -12.66, 46.64

 

CMYK 54 / 0 / 0 / 33

HEX #4FABAB

RGB 79 171 171

HSL 180, 0.37%, 0.49%

LAB 64.75, -27.1, -8.32

 

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

CMYK 0 / 43 / 54 / 33

HEX #AB614F

RGB 171 97 79

HSL 11.74, 0.37%, 0.49%

LAB 49.22, 28.1, 23.3

 

CMYK 54 / 0 / 54 / 33

HEX #4FAB4F

RGB 79 171 79

HSL 120, 0.37%, 0.49%

LAB 62.8, -46.3, 38.83

 

CMYK 54 / 11 / 0 / 33

HEX #4F99AB

RGB 79 153 171

HSL 191.74, 0.37%, 0.49%

LAB 59.33, -17.86, -16.46

 

CMYK 0 / 53 / 0 / 33

HEX #AC50AC

RGB 172 80 172

HSL 300, 0.37%, 0.49%

LAB 48.87, 50.41, -32.54

 

CMYK 0 / 27 / 54 / 33

HEX #AB7D4F

RGB 171 125 79

HSL 30, 0.37%, 0.49%

LAB 55.98, 12.4, 31.91

 

CMYK 54 / 0 / 54 / 33

HEX #4FAB4F

RGB 79 171 79

HSL 120, 0.37%, 0.49%

LAB 62.8, -46.3, 38.83

 

CMYK 54 / 27 / 0 / 33

HEX #4F7DAB

RGB 79 125 171

HSL 210, 0.37%, 0.49%

LAB 51, -2.15, -29.26

 

Description

Color code: HEX #AC50AC | qconv.com Color code: HEX #AC50AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 80 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 80 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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