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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4F75 it is the complementary color #53B08A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4F75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4F75 shade: #B14F70, #C26183, #D37396, #E485A9 and #F597BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4F75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4F75 shade: #AC4F75, #9B3D62, #8A2B4F, #79193C and #680729

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4F75 shade: #AB4F75, #AB4F5C and #AB4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4F75 shade: #AB4F75, #AB4F8D, #AB4FA6, #974FAB and #7E4FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4F75 shade matches the following richer shades: #AB4F75, #BF3B71, #D4266D and #E81269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4F75 shade: #AB4F75, #976378, #83777C, #6F8B80 and #5AA083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4F75 shade: #AB4FA7, #AB4F8E, #AB4F75, #AB4F5D and #AB5A4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4F75 shade: #73354E, #8F4261, #AB4F75, #BA698A and #C785A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4F75 shade: #AC4F75, #AB974F and #4F9AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4F75 shade: #AC4F75, #75AB4F and #4F75AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4F75 shade: #AC4F75, #AB974F, #4FAB85 and #4F63AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4F75 shade: #AC4F75, #A3AB4F, #4FAB85 and #564FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

Complementary color

CMYK 53 / 0 / 22 / 31

HEX #53B08A

RGB 83 176 138

HSL 155.48, 0.37%, 0.51%

LAB 65.53, -36.82, 11.16

 

CMYK 0 / 55 / 37 / 31

HEX #B14F70

RGB 177 79 112

HSL 339.8, 0.39%, 0.5%

LAB 47.12, 43.32, 0.75

 

CMYK 0 / 50 / 32 / 24

HEX #C26183

RGB 194 97 131

HSL 338.97, 0.44%, 0.57%

LAB 53.66, 42.49, -0.77

 

CMYK 0 / 45 / 29 / 17

HEX #D37396

RGB 211 115 150

HSL 338.13, 0.52%, 0.64%

LAB 60.17, 41.63, -2.04

 

CMYK 0 / 42 / 26 / 11

HEX #E485A9

RGB 228 133 169

HSL 337.26, 0.64%, 0.71%

LAB 66.62, 40.78, -3.14

 

CMYK 0 / 38 / 23 / 4

HEX #F597BC

RGB 245 151 188

HSL 336.38, 0.82%, 0.78%

LAB 73.01, 39.95, -4.11

 

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

CMYK 0 / 61 / 37 / 39

HEX #9B3D62

RGB 155 61 98

HSL 336.38, 0.44%, 0.42%

LAB 39.9, 42.93, -1.6

 

CMYK 0 / 69 / 43 / 46

HEX #8A2B4F

RGB 138 43 79

HSL 337.26, 0.52%, 0.35%

LAB 33.34, 43.32, 0.58

 

CMYK 0 / 79 / 50 / 53

HEX #79193C

RGB 121 25 60

HSL 338.13, 0.66%, 0.29%

LAB 26.98, 43.05, 3.55

 

CMYK 0 / 93 / 61 / 59

HEX #680729

RGB 104 7 41

HSL 338.97, 0.87%, 0.22%

LAB 21.04, 41.47, 7.78

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 54 / 46 / 33

HEX #AB4F5C

RGB 171 79 92

HSL 351.52, 0.37%, 0.49%

LAB 45.67, 38.96, 10.72

 

CMYK 0 / 54 / 54 / 33

HEX #AB4F4F

RGB 171 79 79

HSL 0, 0.37%, 0.49%

LAB 45.38, 37.72, 18.22

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 54 / 18 / 33

HEX #AB4F8D

RGB 171 79 141

HSL 319.57, 0.37%, 0.49%

LAB 47.2, 45.35, -16.74

 

CMYK 0 / 54 / 3 / 33

HEX #AB4FA6

RGB 171 79 166

HSL 303.26, 0.37%, 0.49%

LAB 48.26, 49.53, -29.97

 

CMYK 12 / 54 / 0 / 33

HEX #974FAB

RGB 151 79 171

HSL 286.96, 0.37%, 0.49%

LAB 45.79, 44.85, -36.99

 

CMYK 26 / 54 / 0 / 33

HEX #7E4FAB

RGB 126 79 171

HSL 270.65, 0.37%, 0.49%

LAB 42.71, 37.99, -42.06

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 69 / 41 / 25

HEX #BF3B71

RGB 191 59 113

HSL 335.45, 0.53%, 0.49%

LAB 46.17, 56.72, -0.97

 

CMYK 0 / 82 / 49 / 17

HEX #D4266D

RGB 212 38 109

HSL 335.52, 0.7%, 0.49%

LAB 47.61, 68.53, 4.05

 

CMYK 0 / 92 / 55 / 9

HEX #E81269

RGB 232 18 105

HSL 335.61, 0.86%, 0.49%

LAB 50.23, 76.46, 10.76

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 9 / 5 / 49

HEX #83777C

RGB 131 119 124

HSL 335, 0.05%, 0.49%

LAB 51.24, 5.56, -1.07

 

CMYK 20 / 0 / 8 / 45

HEX #6F8B80

RGB 111 139 128

HSL 156.43, 0.11%, 0.49%

LAB 55.49, -12.3, 2.6

 

CMYK 44 / 0 / 18 / 37

HEX #5AA083

RGB 90 160 131

HSL 155.14, 0.28%, 0.49%

LAB 60.74, -29.07, 8.29

 

CMYK 0 / 54 / 2 / 33

HEX #AB4FA7

RGB 171 79 167

HSL 302.61, 0.37%, 0.49%

LAB 48.31, 49.71, -30.48

 

CMYK 0 / 54 / 17 / 33

HEX #AB4F8E

RGB 171 79 142

HSL 318.91, 0.37%, 0.49%

LAB 47.24, 45.51, -17.28

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 54 / 46 / 33

HEX #AB4F5D

RGB 171 79 93

HSL 350.87, 0.37%, 0.49%

LAB 45.69, 39.06, 10.15

 

CMYK 0 / 47 / 54 / 33

HEX #AB5A4F

RGB 171 90 79

HSL 7.17, 0.37%, 0.49%

LAB 47.67, 31.92, 21.27

 

CMYK 0 / 54 / 32 / 55

HEX #73354E

RGB 115 53 78

HSL 335.81, 0.37%, 0.33%

LAB 31.21, 30.31, -2.36

 

CMYK 0 / 54 / 32 / 44

HEX #8F4261

RGB 143 66 97

HSL 335.84, 0.37%, 0.41%

LAB 38.9, 36.16, -2.66

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F75

RGB 171 79 117

HSL 335.22, 0.37%, 0.49%

LAB 46.36, 41.9, -3.51

 

CMYK 0 / 44 / 26 / 27

HEX #BA698A

RGB 186 105 138

HSL 335.56, 0.37%, 0.57%

LAB 54.42, 36.46, -3.9

 

CMYK 0 / 33 / 20 / 22

HEX #C785A0

RGB 199 133 160

HSL 335.45, 0.37%, 0.65%

LAB 62.89, 29.22, -3.94

 

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

CMYK 0 / 12 / 54 / 33

HEX #AB974F

RGB 171 151 79

HSL 46.96, 0.37%, 0.49%

LAB 62.81, -2.03, 40.23

 

CMYK 54 / 10 / 0 / 33

HEX #4F9AAB

RGB 79 154 171

HSL 191.09, 0.37%, 0.49%

LAB 59.63, -18.39, -16.01

 

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

CMYK 32 / 0 / 54 / 33

HEX #75AB4F

RGB 117 171 79

HSL 95.22, 0.37%, 0.49%

LAB 64.54, -34.19, 41.33

 

CMYK 54 / 32 / 0 / 33

HEX #4F75AB

RGB 79 117 171

HSL 215.22, 0.37%, 0.49%

LAB 48.67, 2.62, -32.9

 

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

CMYK 0 / 12 / 54 / 33

HEX #AB974F

RGB 171 151 79

HSL 46.96, 0.37%, 0.49%

LAB 62.81, -2.03, 40.23

 

CMYK 54 / 0 / 22 / 33

HEX #4FAB85

RGB 79 171 133

HSL 155.22, 0.37%, 0.49%

LAB 63.74, -36.61, 11.37

 

CMYK 54 / 42 / 0 / 33

HEX #4F63AB

RGB 79 99 171

HSL 226.96, 0.37%, 0.49%

LAB 43.55, 13.76, -40.99

 

CMYK 0 / 54 / 32 / 33

HEX #AC4F75

RGB 172 79 117

HSL 335.48, 0.37%, 0.49%

LAB 46.51, 42.24, -3.27

 

CMYK 5 / 0 / 54 / 33

HEX #A3AB4F

RGB 163 171 79

HSL 65.22, 0.37%, 0.49%

LAB 67.63, -16.02, 45.73

 

CMYK 54 / 0 / 22 / 33

HEX #4FAB85

RGB 79 171 133

HSL 155.22, 0.37%, 0.49%

LAB 63.74, -36.61, 11.37

 

CMYK 50 / 54 / 0 / 33

HEX #564FAB

RGB 86 79 171

HSL 244.57, 0.37%, 0.49%

LAB 38.74, 28, -48.64

 

Description

Color code: HEX #AC4F75 | qconv.com Color code: HEX #AC4F75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 79 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 79 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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