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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4BEA it is the complementary color #53B415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4BEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4BEA shade: #B14BE5, #C25DF8, #D36FFF, #E481FF and #F593FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4BEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4BEA shade: #AC4BEA, #9B39D7, #8A27C4, #7915B1 and #68039E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4BEA shade: #AD4DEA, #D74DEA, #EA4DD3, #EA4DA8 and #EA4D7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4BEA shade: #AD4DEA, #824DEA, #584DEA and #4D4DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4BEA shade matches the following richer shades: #AD4DEA and #B03DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4BEA shade: #AD4DEA, #A95DDA, #A66DCA, #A27DBA and #9F8DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4BEA shade: #574DEA, #814DEA, #AB4DEA, #D54DEA and #EA4DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4BEA shade: #8618CD, #9C28E6, #AD4DEA, #BE72EE and #CF97F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4BEA shade: #AC4BEA, #EA4D6C and #4DEA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4BEA shade: #AC4BEA, #EAAB4D and #4DEAAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4BEA shade: #AC4BEA, #EA4D6C, #8CEA4D and #4DEACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4BEA shade: #AC4BEA, #EA5D4D, #8CEA4D and #4DDAEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

Complementary color

CMYK 54 / 0 / 88 / 29

HEX #53B415

RGB 83 180 21

HSL 96.6, 0.79%, 0.39%

LAB 65.39, -53.29, 62.88

 

CMYK 23 / 67 / 0 / 10

HEX #B14BE5

RGB 177 75 229

HSL 279.74, 0.75%, 0.6%

LAB 51.88, 65.09, -60.51

 

CMYK 22 / 63 / 0 / 3

HEX #C25DF8

RGB 194 93 248

HSL 279.1, 0.92%, 0.67%

LAB 58.11, 64.72, -61.01

 

CMYK 17 / 56 / 0 / 0

HEX #D36FFF

RGB 211 111 255

HSL 281.67, 1%, 0.72%

LAB 63.7, 61.68, -55.81

 

CMYK 11 / 49 / 0 / 0

HEX #E481FF

RGB 228 129 255

HSL 287.14, 1%, 0.75%

LAB 69.05, 57.25, -47.22

 

CMYK 4 / 42 / 0 / 0

HEX #F593FF

RGB 245 147 255

HSL 294.44, 1%, 0.79%

LAB 74.51, 52.95, -38.55

 

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

CMYK 28 / 73 / 0 / 16

HEX #9B39D7

RGB 155 57 215

HSL 277.22, 0.66%, 0.53%

LAB 45.36, 65.2, -63.22

 

CMYK 30 / 80 / 0 / 23

HEX #8A27C4

RGB 138 39 196

HSL 277.83, 0.67%, 0.46%

LAB 39.31, 64.68, -62.16

 

CMYK 32 / 88 / 0 / 31

HEX #7915B1

RGB 121 21 177

HSL 278.46, 0.79%, 0.39%

LAB 33.51, 63.18, -60.51

 

CMYK 34 / 98 / 0 / 38

HEX #68039E

RGB 104 3 158

HSL 279.1, 0.96%, 0.32%

LAB 28.05, 60.35, -58.09

 

CMYK 26 / 67 / 0 / 8

HEX #AD4DEA

RGB 173 77 234

HSL 276.69, 0.79%, 0.61%

LAB 51.99, 64.44, -63.17

 

CMYK 8 / 67 / 0 / 8

HEX #D74DEA

RGB 215 77 234

HSL 292.74, 0.79%, 0.61%

LAB 57.75, 73.35, -53.62

 

CMYK 0 / 67 / 10 / 8

HEX #EA4DD3

RGB 234 77 211

HSL 308.79, 0.79%, 0.61%

LAB 59.44, 73.96, -37.81

 

CMYK 0 / 67 / 28 / 8

HEX #EA4DA8

RGB 234 77 168

HSL 325.22, 0.79%, 0.61%

LAB 57.68, 68.18, -15.83

 

CMYK 0 / 67 / 46 / 8

HEX #EA4D7E

RGB 234 77 126

HSL 341.27, 0.79%, 0.61%

LAB 56.39, 63.75, 6.92

 

CMYK 26 / 67 / 0 / 8

HEX #AD4DEA

RGB 173 77 234

HSL 276.69, 0.79%, 0.61%

LAB 51.99, 64.44, -63.17

 

CMYK 44 / 67 / 0 / 8

HEX #824DEA

RGB 130 77 234

HSL 260.25, 0.79%, 0.61%

LAB 46.97, 56.1, -71.55

 

CMYK 62 / 67 / 0 / 8

HEX #584DEA

RGB 88 77 234

HSL 244.2, 0.79%, 0.61%

LAB 43.25, 49.42, -77.78

 

CMYK 67 / 67 / 0 / 8

HEX #4D4DEA

RGB 77 77 234

HSL 240, 0.79%, 0.61%

LAB 42.5, 48.02, -79.03

 

CMYK 26 / 67 / 0 / 8

HEX #AD4DEA

RGB 173 77 234

HSL 276.69, 0.79%, 0.61%

LAB 51.99, 64.44, -63.17

 

CMYK 30 / 76 / 0 / 2

HEX #B03DFA

RGB 176 61 250

HSL 276.51, 0.95%, 0.61%

LAB 51.23, 74.72, -73.34

 

CMYK 26 / 67 / 0 / 8

HEX #AD4DEA

RGB 173 77 234

HSL 276.69, 0.79%, 0.61%

LAB 51.99, 64.44, -63.17

 

CMYK 22 / 57 / 0 / 15

HEX #A95DDA

RGB 169 93 218

HSL 276.48, 0.63%, 0.61%

LAB 53.3, 52.45, -52.06

 

CMYK 18 / 46 / 0 / 21

HEX #A66DCA

RGB 166 109 202

HSL 276.77, 0.47%, 0.61%

LAB 55.39, 39.6, -39.69

 

CMYK 13 / 33 / 0 / 27

HEX #A27DBA

RGB 162 125 186

HSL 276.39, 0.31%, 0.61%

LAB 57.94, 25.84, -26.63

 

CMYK 6 / 17 / 0 / 33

HEX #9F8DAA

RGB 159 141 170

HSL 277.24, 0.15%, 0.61%

LAB 61.07, 12.29, -12.78

 

CMYK 63 / 67 / 0 / 8

HEX #574DEA

RGB 87 77 234

HSL 243.82, 0.79%, 0.61%

LAB 43.17, 49.29, -77.9

 

CMYK 45 / 67 / 0 / 8

HEX #814DEA

RGB 129 77 234

HSL 259.87, 0.79%, 0.61%

LAB 46.86, 55.92, -71.72

 

CMYK 27 / 67 / 0 / 8

HEX #AB4DEA

RGB 171 77 234

HSL 275.92, 0.79%, 0.61%

LAB 51.73, 64.03, -63.6

 

CMYK 9 / 67 / 0 / 8

HEX #D54DEA

RGB 213 77 234

HSL 291.97, 0.79%, 0.61%

LAB 57.46, 72.91, -54.1

 

CMYK 0 / 67 / 9 / 8

HEX #EA4DD5

RGB 234 77 213

HSL 308.03, 0.79%, 0.61%

LAB 59.53, 74.25, -38.8

 

CMYK 35 / 88 / 0 / 20

HEX #8618CD

RGB 134 24 205

HSL 276.46, 0.79%, 0.45%

LAB 38.07, 70.05, -69.45

 

CMYK 32 / 83 / 0 / 10

HEX #9C28E6

RGB 156 40 230

HSL 276.63, 0.79%, 0.53%

LAB 44.66, 74.19, -72.91

 

CMYK 26 / 67 / 0 / 8

HEX #AD4DEA

RGB 173 77 234

HSL 276.69, 0.79%, 0.61%

LAB 51.99, 64.44, -63.17

 

CMYK 20 / 52 / 0 / 7

HEX #BE72EE

RGB 190 114 238

HSL 276.77, 0.78%, 0.69%

LAB 60.92, 51.35, -51.01

 

CMYK 15 / 38 / 0 / 5

HEX #CF97F3

RGB 207 151 243

HSL 276.52, 0.79%, 0.77%

LAB 70.78, 37.43, -38.13

 

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

CMYK 0 / 67 / 54 / 8

HEX #EA4D6C

RGB 234 77 108

HSL 348.15, 0.79%, 0.61%

LAB 55.97, 62.25, 16.97

 

CMYK 67 / 0 / 54 / 8

HEX #4DEA6C

RGB 77 234 108

HSL 131.85, 0.79%, 0.61%

LAB 82.65, -66.19, 48.93

 

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

CMYK 0 / 27 / 67 / 8

HEX #EAAB4D

RGB 234 171 77

HSL 35.92, 0.79%, 0.61%

LAB 74.29, 14.01, 55.95

 

CMYK 67 / 0 / 27 / 8

HEX #4DEAAB

RGB 77 234 171

HSL 155.92, 0.79%, 0.61%

LAB 83.63, -55.28, 18.87

 

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

CMYK 0 / 67 / 54 / 8

HEX #EA4D6C

RGB 234 77 108

HSL 348.15, 0.79%, 0.61%

LAB 55.97, 62.25, 16.97

 

CMYK 40 / 0 / 67 / 8

HEX #8CEA4D

RGB 140 234 77

HSL 95.92, 0.79%, 0.61%

LAB 84.46, -53.47, 64.74

 

CMYK 67 / 0 / 13 / 8

HEX #4DEACB

RGB 77 234 203

HSL 168.15, 0.79%, 0.61%

LAB 84.35, -47.91, 3.14

 

CMYK 26 / 68 / 0 / 8

HEX #AC4BEA

RGB 172 75 234

HSL 276.6, 0.79%, 0.61%

LAB 51.55, 65.11, -63.89

 

CMYK 0 / 60 / 67 / 8

HEX #EA5D4D

RGB 234 93 77

HSL 6.11, 0.79%, 0.61%

LAB 57.9, 53.6, 37.34

 

CMYK 40 / 0 / 67 / 8

HEX #8CEA4D

RGB 140 234 77

HSL 95.92, 0.79%, 0.61%

LAB 84.46, -53.47, 64.74

 

CMYK 67 / 7 / 0 / 8

HEX #4DDAEA

RGB 77 218 234

HSL 186.11, 0.79%, 0.61%

LAB 80.55, -32.38, -18.91

 

Description

Color code: HEX #AC4BEA | qconv.com Color code: HEX #AC4BEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 75 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 75 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 68 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 68% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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