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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC41AC it is the complementary color #53BE53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC41AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC41AC shade: #B141A7, #C253BA, #D365CD, #E477E0 and #F589F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC41AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC41AC shade: #AC41AC, #9B2F99, #8A1D86, #790B73 and #680060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC41AC shade: #AA41AA, #AA418E, #AA4171, #AA4155 and #AA4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC41AC shade: #AA41AA, #8E41AA, #7141AA, #5541AA and #4141AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC41AC shade matches the following richer shades: #AA41AA, #BD2EBD, #D01BD0 and #E308E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC41AC shade: #AA41AA, #975397, #846684, #717971 and #5E8C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC41AC shade: #7241AA, #8E41AA, #AA41AA, #AA418E and #AA4172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC41AC shade: #6E2A6E, #8C358C, #AA41AA, #BF55BF and #CA73CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC41AC shade: #AC41AC, #AA5641 and #41AA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC41AC shade: #AC41AC, #AAAA41 and #41AAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC41AC shade: #AC41AC, #AA5641, #41AA41 and #4195AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC41AC shade: #AC41AC, #AA7541, #41AA41 and #4175AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

Complementary color

CMYK 56 / 0 / 56 / 25

HEX #53BE53

RGB 83 190 83

HSL 120, 0.45%, 0.54%

LAB 68.96, -52.21, 44.29

 

CMYK 0 / 63 / 6 / 31

HEX #B141A7

RGB 177 65 167

HSL 305.36, 0.46%, 0.47%

LAB 46.87, 57.7, -32.68

 

CMYK 0 / 57 / 4 / 24

HEX #C253BA

RGB 194 83 186

HSL 304.32, 0.48%, 0.54%

LAB 53.17, 57.5, -33.74

 

CMYK 0 / 52 / 3 / 17

HEX #D365CD

RGB 211 101 205

HSL 303.27, 0.56%, 0.61%

LAB 59.49, 57.05, -34.57

 

CMYK 0 / 48 / 2 / 11

HEX #E477E0

RGB 228 119 224

HSL 302.2, 0.67%, 0.68%

LAB 65.8, 56.46, -35.23

 

CMYK 0 / 44 / 1 / 4

HEX #F589F3

RGB 245 137 243

HSL 301.11, 0.84%, 0.75%

LAB 72.08, 55.8, -35.79

 

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

CMYK 0 / 70 / 1 / 39

HEX #9B2F99

RGB 155 47 153

HSL 301.11, 0.53%, 0.4%

LAB 40.08, 57.06, -35.23

 

CMYK 0 / 79 / 3 / 46

HEX #8A1D86

RGB 138 29 134

HSL 302.2, 0.65%, 0.33%

LAB 33.99, 56.07, -33.43

 

CMYK 0 / 91 / 5 / 53

HEX #790B73

RGB 121 11 115

HSL 303.27, 0.83%, 0.26%

LAB 28.23, 53.76, -30.81

 

CMYK 0 / 100 / 8 / 59

HEX #680060

RGB 104 0 96

HSL 304.62, 1%, 0.2%

LAB 22.96, 49.55, -27.06

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 0 / 62 / 16 / 33

HEX #AA418E

RGB 170 65 142

HSL 316, 0.45%, 0.46%

LAB 44.63, 51.81, -21.29

 

CMYK 0 / 62 / 34 / 33

HEX #AA4171

RGB 170 65 113

HSL 332.57, 0.45%, 0.46%

LAB 43.53, 47.79, -5.26

 

CMYK 0 / 62 / 50 / 33

HEX #AA4155

RGB 170 65 85

HSL 348.57, 0.45%, 0.46%

LAB 42.74, 44.75, 10.91

 

CMYK 0 / 62 / 62 / 33

HEX #AA4141

RGB 170 65 65

HSL 0, 0.45%, 0.46%

LAB 42.32, 43.12, 22.67

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 16 / 62 / 0 / 33

HEX #8E41AA

RGB 142 65 170

HSL 284, 0.45%, 0.46%

LAB 41.9, 49.32, -42.65

 

CMYK 34 / 62 / 0 / 33

HEX #7141AA

RGB 113 65 170

HSL 267.43, 0.45%, 0.46%

LAB 38.19, 42.26, -48.8

 

CMYK 50 / 62 / 0 / 33

HEX #5541AA

RGB 85 65 170

HSL 251.43, 0.45%, 0.46%

LAB 35.23, 36.08, -53.72

 

CMYK 62 / 62 / 0 / 33

HEX #4141AA

RGB 65 65 170

HSL 240, 0.45%, 0.46%

LAB 33.58, 32.35, -56.49

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 0 / 76 / 0 / 26

HEX #BD2EBD

RGB 189 46 189

HSL 300, 0.61%, 0.46%

LAB 47.56, 70.78, -44.39

 

CMYK 0 / 87 / 0 / 18

HEX #D01BD0

RGB 208 27 208

HSL 300, 0.77%, 0.46%

LAB 50.39, 81.49, -50.68

 

CMYK 0 / 96 / 0 / 11

HEX #E308E3

RGB 227 8 227

HSL 300, 0.93%, 0.46%

LAB 54.08, 89.44, -55.43

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 0 / 45 / 0 / 41

HEX #975397

RGB 151 83 151

HSL 300, 0.29%, 0.46%

LAB 45.63, 38.71, -25.37

 

CMYK 0 / 23 / 0 / 48

HEX #846684

RGB 132 102 132

HSL 300, 0.13%, 0.46%

LAB 47.07, 17.55, -12

 

CMYK 7 / 0 / 7 / 53

HEX #717971

RGB 113 121 113

HSL 120, 0.03%, 0.46%

LAB 49.95, -4.63, 3.35

 

CMYK 33 / 0 / 33 / 45

HEX #5E8C5E

RGB 94 140 94

HSL 120, 0.2%, 0.46%

LAB 53.97, -25.42, 19.73

 

CMYK 33 / 62 / 0 / 33

HEX #7241AA

RGB 114 65 170

HSL 268, 0.45%, 0.46%

LAB 38.31, 42.49, -48.6

 

CMYK 16 / 62 / 0 / 33

HEX #8E41AA

RGB 142 65 170

HSL 284, 0.45%, 0.46%

LAB 41.9, 49.32, -42.65

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 0 / 62 / 16 / 33

HEX #AA418E

RGB 170 65 142

HSL 316, 0.45%, 0.46%

LAB 44.63, 51.81, -21.29

 

CMYK 0 / 62 / 33 / 33

HEX #AA4172

RGB 170 65 114

HSL 332, 0.45%, 0.46%

LAB 43.57, 47.92, -5.83

 

CMYK 0 / 62 / 0 / 57

HEX #6E2A6E

RGB 110 42 110

HSL 300, 0.45%, 0.3%

LAB 29.66, 39.82, -25.48

 

CMYK 0 / 62 / 0 / 45

HEX #8C358C

RGB 140 53 140

HSL 300, 0.45%, 0.38%

LAB 37.87, 48.53, -30.97

 

CMYK 0 / 62 / 0 / 33

HEX #AA41AA

RGB 170 65 170

HSL 300, 0.45%, 0.46%

LAB 45.95, 56.41, -35.97

 

CMYK 0 / 55 / 0 / 25

HEX #BF55BF

RGB 191 85 191

HSL 300, 0.45%, 0.54%

LAB 53.31, 56.65, -36.43

 

CMYK 0 / 43 / 0 / 21

HEX #CA73CA

RGB 202 115 202

HSL 300, 0.45%, 0.62%

LAB 60.85, 46.98, -30.84

 

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

CMYK 0 / 49 / 62 / 33

HEX #AA5641

RGB 170 86 65

HSL 12, 0.45%, 0.46%

LAB 46.42, 32.53, 27.85

 

CMYK 62 / 0 / 25 / 33

HEX #41AA80

RGB 65 170 128

HSL 156, 0.45%, 0.46%

LAB 62.87, -40.34, 12.85

 

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

CMYK 0 / 0 / 62 / 33

HEX #AAAA41

RGB 170 170 65

HSL 60, 0.45%, 0.46%

LAB 67.78, -13.63, 52.47

 

CMYK 62 / 0 / 0 / 33

HEX #41AAAA

RGB 65 170 170

HSL 180, 0.45%, 0.46%

LAB 63.98, -29.54, -8.96

 

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

CMYK 0 / 49 / 62 / 33

HEX #AA5641

RGB 170 86 65

HSL 12, 0.45%, 0.46%

LAB 46.42, 32.53, 27.85

 

CMYK 62 / 0 / 62 / 33

HEX #41AA41

RGB 65 170 65

HSL 120, 0.45%, 0.46%

LAB 61.87, -51.17, 44.28

 

CMYK 62 / 12 / 0 / 33

HEX #4195AA

RGB 65 149 170

HSL 192, 0.45%, 0.46%

LAB 57.58, -18.85, -18.6

 

CMYK 0 / 62 / 0 / 33

HEX #AC41AC

RGB 172 65 172

HSL 300, 0.45%, 0.46%

LAB 46.35, 57.27, -36.5

 

CMYK 0 / 31 / 62 / 33

HEX #AA7541

RGB 170 117 65

HSL 29.71, 0.45%, 0.46%

LAB 53.65, 15.33, 36.6

 

CMYK 62 / 0 / 62 / 33

HEX #41AA41

RGB 65 170 65

HSL 120, 0.45%, 0.46%

LAB 61.87, -51.17, 44.28

 

CMYK 62 / 31 / 0 / 33

HEX #4175AA

RGB 65 117 170

HSL 210.29, 0.45%, 0.46%

LAB 47.94, -0.71, -33.51

 

Description

Color code: HEX #AC41AC | qconv.com Color code: HEX #AC41AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 65 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 65 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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