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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC3F71 it is the complementary color #53C08E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC3F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC3F71 shade: #B13F6C, #C2517F, #D36392, #E475A5 and #F587B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC3F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC3F71 shade: #AC3F71, #9B2D5E, #8A1B4B, #790938 and #680025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC3F71 shade: #AB3F71, #AB3F54 and #AB3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC3F71 shade: #AB3F71, #AB3F8E, #AB3FAB, #8E3FAB and #713FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC3F71 shade matches the following richer shades: #AB3F71, #BE2C6F, #D1196E and #E4066C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC3F71 shade: #AB3F71, #985272, #856574, #727876 and #5F8B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC3F71 shade: #AB3FAB, #AB3F8E, #AB3F72, #AB3F55 and #AB473F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC3F71 shade: #6F2949, #8D345D, #AB3F71, #C05485 and #CB729B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC3F71 shade: #AC3F71, #AB8E3F and #3F9DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC3F71 shade: #AC3F71, #72AB3F and #3F72AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC3F71 shade: #AC3F71, #AB8E3F, #3FAB79 and #3F5CAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC3F71 shade: #AC3F71, #A8AB3F, #3FAB79 and #433FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

Complementary color

CMYK 57 / 0 / 26 / 25

HEX #53C08E

RGB 83 192 142

HSL 152.48, 0.46%, 0.54%

LAB 70.52, -43.03, 15.98

 

CMYK 0 / 64 / 39 / 31

HEX #B13F6C

RGB 177 63 108

HSL 336.32, 0.48%, 0.47%

LAB 44.21, 50.3, -1.05

 

CMYK 0 / 58 / 35 / 24

HEX #C2517F

RGB 194 81 127

HSL 335.58, 0.48%, 0.54%

LAB 50.55, 49.82, -2.96

 

CMYK 0 / 53 / 31 / 17

HEX #D36392

RGB 211 99 146

HSL 334.82, 0.56%, 0.61%

LAB 56.93, 49.14, -4.5

 

CMYK 0 / 49 / 28 / 11

HEX #E475A5

RGB 228 117 165

HSL 334.05, 0.67%, 0.68%

LAB 63.29, 48.37, -5.79

 

CMYK 0 / 45 / 25 / 4

HEX #F587B8

RGB 245 135 184

HSL 333.27, 0.85%, 0.75%

LAB 69.61, 47.57, -6.91

 

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

CMYK 0 / 71 / 39 / 39

HEX #9B2D5E

RGB 155 45 94

HSL 333.27, 0.55%, 0.39%

LAB 37.21, 49.42, -3.02

 

CMYK 0 / 80 / 46 / 46

HEX #8A1B4B

RGB 138 27 75

HSL 334.05, 0.67%, 0.32%

LAB 31.1, 48.8, -0.07

 

CMYK 0 / 93 / 54 / 53

HEX #790938

RGB 121 9 56

HSL 334.82, 0.86%, 0.25%

LAB 25.4, 46.86, 4.02

 

CMYK 0 / 100 / 64 / 59

HEX #680025

RGB 104 0 37

HSL 338.65, 1%, 0.2%

LAB 20.35, 42.89, 9.68

 

CMYK 0 / 63 / 34 / 33

HEX #AB3F71

RGB 171 63 113

HSL 332.22, 0.46%, 0.46%

LAB 43.37, 49.01, -5.49

 

CMYK 0 / 63 / 51 / 33

HEX #AB3F54

RGB 171 63 84

HSL 348.33, 0.46%, 0.46%

LAB 42.54, 45.92, 11.29

 

CMYK 0 / 63 / 63 / 33

HEX #AB3F3F

RGB 171 63 63

HSL 0, 0.46%, 0.46%

LAB 42.11, 44.26, 23.65

 

CMYK 0 / 63 / 34 / 33

HEX #AB3F71

RGB 171 63 113

HSL 332.22, 0.46%, 0.46%

LAB 43.37, 49.01, -5.49

 

CMYK 0 / 63 / 17 / 33

HEX #AB3F8E

RGB 171 63 142

HSL 316.11, 0.46%, 0.46%

LAB 44.47, 52.97, -21.53

 

CMYK 0 / 63 / 0 / 33

HEX #AB3FAB

RGB 171 63 171

HSL 300, 0.46%, 0.46%

LAB 45.84, 57.69, -36.72

 

CMYK 17 / 63 / 0 / 33

HEX #8E3FAB

RGB 142 63 171

HSL 283.89, 0.46%, 0.46%

LAB 41.6, 50.5, -43.71

 

CMYK 34 / 63 / 0 / 33

HEX #713FAB

RGB 113 63 171

HSL 267.78, 0.46%, 0.46%

LAB 37.85, 43.6, -49.93

 

CMYK 0 / 63 / 34 / 33

HEX #AB3F71

RGB 171 63 113

HSL 332.22, 0.46%, 0.46%

LAB 43.37, 49.01, -5.49

 

CMYK 0 / 77 / 42 / 25

HEX #BE2C6F

RGB 190 44 111

HSL 332.47, 0.62%, 0.46%

LAB 44.08, 61.4, -2.83

 

CMYK 0 / 88 / 47 / 18

HEX #D1196E

RGB 209 25 110

HSL 332.28, 0.79%, 0.46%

LAB 46.15, 70.5, 1.24

 

CMYK 0 / 97 / 53 / 11

HEX #E4066C

RGB 228 6 108

HSL 332.43, 0.95%, 0.46%

LAB 49.14, 76.81, 7.27

 

CMYK 0 / 63 / 34 / 33

HEX #AB3F71

RGB 171 63 113

HSL 332.22, 0.46%, 0.46%

LAB 43.37, 49.01, -5.49

 

CMYK 0 / 46 / 25 / 40

HEX #985272

RGB 152 82 114

HSL 332.57, 0.3%, 0.46%

LAB 44.13, 33.21, -5.29

 

CMYK 0 / 24 / 13 / 48

HEX #856574

RGB 133 101 116

HSL 331.88, 0.14%, 0.46%

LAB 46.38, 15.43, -3.42

 

CMYK 5 / 0 / 2 / 53

HEX #727876

RGB 114 120 118

HSL 160, 0.03%, 0.46%

LAB 49.88, -2.66, 0.31

 

CMYK 32 / 0 / 14 / 45

HEX #5F8B77

RGB 95 139 119

HSL 152.73, 0.19%, 0.46%

LAB 54.27, -19.63, 5.91

 

CMYK 0 / 63 / 0 / 33

HEX #AB3FAB

RGB 171 63 171

HSL 300, 0.46%, 0.46%

LAB 45.84, 57.69, -36.72

 

CMYK 0 / 63 / 17 / 33

HEX #AB3F8E

RGB 171 63 142

HSL 316.11, 0.46%, 0.46%

LAB 44.47, 52.97, -21.53

 

CMYK 0 / 63 / 33 / 33

HEX #AB3F72

RGB 171 63 114

HSL 331.67, 0.46%, 0.46%

LAB 43.4, 49.13, -6.06

 

CMYK 0 / 63 / 50 / 33

HEX #AB3F55

RGB 171 63 85

HSL 347.78, 0.46%, 0.46%

LAB 42.56, 46.01, 10.7

 

CMYK 0 / 58 / 63 / 33

HEX #AB473F

RGB 171 71 63

HSL 4.44, 0.46%, 0.46%

LAB 43.54, 40.48, 25.46

 

CMYK 0 / 63 / 34 / 56

HEX #6F2949

RGB 111 41 73

HSL 332.57, 0.46%, 0.3%

LAB 27.97, 34.51, -3.94

 

CMYK 0 / 63 / 34 / 45

HEX #8D345D

RGB 141 52 93

HSL 332.36, 0.46%, 0.38%

LAB 35.81, 41.92, -4.74

 

CMYK 0 / 63 / 34 / 33

HEX #AB3F71

RGB 171 63 113

HSL 332.22, 0.46%, 0.46%

LAB 43.37, 49.01, -5.49

 

CMYK 0 / 56 / 31 / 25

HEX #C05485

RGB 192 84 133

HSL 332.78, 0.46%, 0.54%

LAB 50.97, 48.5, -5.97

 

CMYK 0 / 44 / 24 / 20

HEX #CB729B

RGB 203 114 155

HSL 332.36, 0.46%, 0.62%

LAB 59.06, 40.08, -6.68

 

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

CMYK 0 / 17 / 63 / 33

HEX #AB8E3F

RGB 171 142 63

HSL 43.89, 0.46%, 0.46%

LAB 60.22, 1.64, 45.15

 

CMYK 63 / 8 / 0 / 33

HEX #3F9DAB

RGB 63 157 171

HSL 187.78, 0.46%, 0.46%

LAB 59.99, -23.09, -15.52

 

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

CMYK 33 / 0 / 63 / 33

HEX #72AB3F

RGB 114 171 63

HSL 91.67, 0.46%, 0.46%

LAB 64.21, -36.9, 48.35

 

CMYK 63 / 33 / 0 / 33

HEX #3F72AB

RGB 63 114 171

HSL 211.67, 0.46%, 0.46%

LAB 47.02, 1.07, -35.55

 

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

CMYK 0 / 17 / 63 / 33

HEX #AB8E3F

RGB 171 142 63

HSL 43.89, 0.46%, 0.46%

LAB 60.22, 1.64, 45.15

 

CMYK 63 / 0 / 29 / 33

HEX #3FAB79

RGB 63 171 121

HSL 152.22, 0.46%, 0.46%

LAB 62.98, -42.72, 16.85

 

CMYK 63 / 46 / 0 / 33

HEX #3F5CAB

RGB 63 92 171

HSL 223.89, 0.46%, 0.46%

LAB 40.66, 14.9, -45.65

 

CMYK 0 / 63 / 34 / 33

HEX #AC3F71

RGB 172 63 113

HSL 332.48, 0.46%, 0.46%

LAB 43.53, 49.32, -5.23

 

CMYK 2 / 0 / 63 / 33

HEX #A8AB3F

RGB 168 171 63

HSL 61.67, 0.46%, 0.46%

LAB 67.88, -15.14, 53.39

 

CMYK 63 / 0 / 29 / 33

HEX #3FAB79

RGB 63 171 121

HSL 152.22, 0.46%, 0.46%

LAB 62.98, -42.72, 16.85

 

CMYK 61 / 63 / 0 / 33

HEX #433FAB

RGB 67 63 171

HSL 242.22, 0.46%, 0.46%

LAB 33.33, 34.28, -57.49

 

Description

Color code: HEX #AC3F71 | qconv.com Color code: HEX #AC3F71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 63 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 63 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 34 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 34% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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