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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC39264C it is the complementary color #53C6D94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC39264C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC39264C shade: #B139214C, #C24B344C, #D35D474C, #E46F5A4C and #F5816D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC39264C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC39264C shade: #AC39264C, #9B27134C, #8A15004C, #7903004C and #6800004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC39264C shade: #AB3926 and #AB2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC39264C shade: #AB3926, #AB5D26, #AB8126, #ABA526 and #8EAB26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC39264C shade matches the following richer shades: #AB3926, #BC2D15 and #CD2004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC39264C shade: #AB3926, #9B4537, #8A5147, #795D58 and #686969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC39264C shade: #AB265B, #AB2637, #AB3726, #AB5B26 and #AB7F26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC39264C shade: #682217, #8A2D1E, #AB3926, #CD442D and #D8604C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC39264C shade: #AC3926, #7FAB26 and #2649AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC39264C shade: #AC3926, #26AB37 and #3726AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC39264C shade: #AC3926, #7FAB26, #269AAB and #5226AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC39264C shade: #AC3926, #57AB26, #269AAB and #7A26AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 23 / 10

HEX #AC39264C

RGBA 172 57 38 0.3

HSLA 8.51, 0.64%, 0.41%, 0.3

LABA 40.96, 45.96, 36.96, 0.3

 

Complementary color

CMYK 19 / 3 / 0 / 4

HEX #53C6D94C

RGBA 83 198 217 0.3

HSLA 188.51, 0.64%, 0.59%, 0.3

LABA 74.34, -26.68, -19.17, 0.3

 

CMYK 0 / 20 / 24 / 9

HEX #B139214C

RGBA 177 57 33 0.3

HSLA 10, 0.69%, 0.41%, 0.3

LABA 41.82, 47.53, 40.78, 0.3

 

CMYK 0 / 18 / 22 / 7

HEX #C24B344C

RGBA 194 75 52 0.3

HSLA 9.72, 0.58%, 0.48%, 0.3

LABA 47.94, 46.38, 37.95, 0.3

 

CMYK 0 / 17 / 20 / 5

HEX #D35D474C

RGBA 211 93 71 0.3

HSLA 9.43, 0.61%, 0.55%, 0.3

LABA 54.17, 45.08, 35.33, 0.3

 

CMYK 0 / 15 / 18 / 3

HEX #E46F5A4C

RGBA 228 111 90 0.3

HSLA 9.13, 0.72%, 0.62%, 0.3

LABA 60.43, 43.77, 33.01, 0.3

 

CMYK 0 / 14 / 17 / 1

HEX #F5816D4C

RGBA 245 129 109 0.3

HSLA 8.82, 0.87%, 0.69%, 0.3

LABA 66.69, 42.51, 30.97, 0.3

 

CMYK 0 / 20 / 23 / 10

HEX #AC39264C

RGBA 172 57 38 0.3

HSLA 8.51, 0.64%, 0.41%, 0.3

LABA 40.96, 45.96, 36.96, 0.3

 

CMYK 0 / 22 / 26 / 12

HEX #9B27134C

RGBA 155 39 19 0.3

HSLA 8.82, 0.78%, 0.34%, 0.3

LABA 34.94, 46.75, 39.95, 0.3

 

CMYK 0 / 25 / 30 / 14

HEX #8A15004C

RGBA 138 21 0 0.3

HSLA 9.13, 1%, 0.27%, 0.3

LABA 29.26, 46.71, 42.15, 0.3

 

CMYK 0 / 29 / 30 / 16

HEX #7903004C

RGBA 121 3 0 0.3

HSLA 1.49, 1%, 0.24%, 0.3

LABA 24.1, 45.54, 36.11, 0.3

 

CMYK 0 / 30 / 30 / 18

HEX #6800004C

RGBA 104 0 0 0.3

HSLA 0, 1%, 0.2%, 0.3

LABA 19.81, 41.44, 30.34, 0.3

 

CMYK 0 / 67 / 78 / 33

HEX #AB3926

RGB 171 57 38

HSL 8.57, 0.64%, 0.41%

LAB 40.77, 45.61, 36.71

 

CMYK 0 / 78 / 78 / 33

HEX #AB2626

RGB 171 38 38

HSL 0, 0.64%, 0.41%

LAB 38.17, 52.77, 33.95

 

CMYK 0 / 67 / 78 / 33

HEX #AB3926

RGB 171 57 38

HSL 8.57, 0.64%, 0.41%

LAB 40.77, 45.61, 36.71

 

CMYK 0 / 46 / 78 / 33

HEX #AB5D26

RGB 171 93 38

HSL 24.81, 0.64%, 0.41%

LAB 47.79, 27.61, 43.86

 

CMYK 0 / 25 / 78 / 33

HEX #AB8126

RGB 171 129 38

HSL 41.05, 0.64%, 0.41%

LAB 56.58, 7.48, 52.37

 

CMYK 0 / 4 / 78 / 33

HEX #ABA526

RGB 171 165 38

HSL 57.29, 0.64%, 0.41%

LAB 66.3, -12.04, 61.34

 

CMYK 17 / 0 / 78 / 33

HEX #8EAB26

RGB 142 171 38

HSL 73.08, 0.64%, 0.41%

LAB 65.76, -27.56, 60.02

 

CMYK 0 / 67 / 78 / 33

HEX #AB3926

RGB 171 57 38

HSL 8.57, 0.64%, 0.41%

LAB 40.77, 45.61, 36.71

 

CMYK 0 / 76 / 89 / 26

HEX #BC2D15

RGB 188 45 21

HSL 8.62, 0.8%, 0.41%

LAB 42.19, 55.31, 47.59

 

CMYK 0 / 84 / 98 / 20

HEX #CD2004

RGB 205 32 4

HSL 8.36, 0.96%, 0.41%

LAB 44.26, 63.63, 56.32

 

CMYK 0 / 67 / 78 / 33

HEX #AB3926

RGB 171 57 38

HSL 8.57, 0.64%, 0.41%

LAB 40.77, 45.61, 36.71

 

CMYK 0 / 55 / 65 / 39

HEX #9B4537

RGB 155 69 55

HSL 8.4, 0.48%, 0.41%

LAB 40.41, 34.84, 25.77

 

CMYK 0 / 41 / 49 / 46

HEX #8A5147

RGB 138 81 71

HSL 8.96, 0.32%, 0.41%

LAB 40.8, 22.69, 16.1

 

CMYK 0 / 23 / 27 / 53

HEX #795D58

RGB 121 93 88

HSL 9.09, 0.16%, 0.41%

LAB 42.15, 10.62, 7.26

 

CMYK 1 / 0 / 0 / 59

HEX #686969

RGB 104 105 105

HSL 180, 0%, 0.41%

LAB 44.33, -0.38, -0.14

 

CMYK 0 / 78 / 47 / 33

HEX #AB265B

RGB 171 38 91

HSL 336.09, 0.64%, 0.41%

LAB 39.24, 56.16, 2.21

 

CMYK 0 / 78 / 68 / 33

HEX #AB2637

RGB 171 38 55

HSL 352.33, 0.64%, 0.41%

LAB 38.41, 53.54, 23.91

 

CMYK 0 / 68 / 78 / 33

HEX #AB3726

RGB 171 55 38

HSL 7.67, 0.64%, 0.41%

LAB 40.46, 46.46, 36.38

 

CMYK 0 / 47 / 78 / 33

HEX #AB5B26

RGB 171 91 38

HSL 23.91, 0.64%, 0.41%

LAB 47.34, 28.7, 43.42

 

CMYK 0 / 26 / 78 / 33

HEX #AB7F26

RGB 171 127 38

HSL 40.15, 0.64%, 0.41%

LAB 56.06, 8.6, 51.88

 

CMYK 0 / 67 / 78 / 59

HEX #682217

RGB 104 34 23

HSL 8.15, 0.64%, 0.25%

LAB 24.16, 30.7, 23.85

 

CMYK 0 / 67 / 78 / 46

HEX #8A2D1E

RGB 138 45 30

HSL 8.33, 0.64%, 0.33%

LAB 32.64, 38.73, 30.77

 

CMYK 0 / 67 / 78 / 33

HEX #AB3926

RGB 171 57 38

HSL 8.57, 0.64%, 0.41%

LAB 40.77, 45.61, 36.71

 

CMYK 0 / 67 / 78 / 20

HEX #CD442D

RGB 205 68 45

HSL 8.63, 0.64%, 0.49%

LAB 48.64, 52.95, 43.02

 

CMYK 0 / 56 / 65 / 15

HEX #D8604C

RGB 216 96 76

HSL 8.57, 0.64%, 0.57%

LAB 55.57, 45.77, 34.41

 

CMYK 0 / 67 / 78 / 33

HEX #AC3926

RGB 172 57 38

HSL 8.51, 0.64%, 0.41%

LAB 40.96, 45.96, 36.96

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB26

RGB 127 171 38

HSL 79.85, 0.64%, 0.41%

LAB 64.79, -33.66, 58.76

 

CMYK 78 / 57 / 0 / 33

HEX #2649AB

RGB 38 73 171

HSL 224.21, 0.64%, 0.41%

LAB 34.23, 23.67, -56.09

 

CMYK 0 / 67 / 78 / 33

HEX #AC3926

RGB 172 57 38

HSL 8.51, 0.64%, 0.41%

LAB 40.96, 45.96, 36.96

 

CMYK 78 / 0 / 68 / 33

HEX #26AB37

RGB 38 171 55

HSL 127.67, 0.64%, 0.41%

LAB 61.49, -57.65, 48.05

 

CMYK 68 / 78 / 0 / 33

HEX #3726AB

RGB 55 38 171

HSL 247.67, 0.64%, 0.41%

LAB 27.13, 47.12, -67.7

 

CMYK 0 / 67 / 78 / 33

HEX #AC3926

RGB 172 57 38

HSL 8.51, 0.64%, 0.41%

LAB 40.96, 45.96, 36.96

 

CMYK 26 / 0 / 78 / 33

HEX #7FAB26

RGB 127 171 38

HSL 79.85, 0.64%, 0.41%

LAB 64.79, -33.66, 58.76

 

CMYK 78 / 10 / 0 / 33

HEX #269AAB

RGB 38 154 171

HSL 187.67, 0.64%, 0.41%

LAB 58.47, -25.08, -17.87

 

CMYK 52 / 78 / 0 / 33

HEX #5226AB

RGB 82 38 171

HSL 259.85, 0.64%, 0.41%

LAB 29.71, 50.42, -63.34

 

CMYK 0 / 67 / 78 / 33

HEX #AC3926

RGB 172 57 38

HSL 8.51, 0.64%, 0.41%

LAB 40.96, 45.96, 36.96

 

CMYK 49 / 0 / 78 / 33

HEX #57AB26

RGB 87 171 38

HSL 97.89, 0.64%, 0.41%

LAB 62.75, -47.91, 56.12

 

CMYK 78 / 10 / 0 / 33

HEX #269AAB

RGB 38 154 171

HSL 187.67, 0.64%, 0.41%

LAB 58.47, -25.08, -17.87

 

CMYK 29 / 78 / 0 / 33

HEX #7A26AB

RGB 122 38 171

HSL 277.89, 0.64%, 0.41%

LAB 34.93, 56.95, -54.6

 

Description

Color code: HEX #AC39264C | qconv.com Color code: HEX #AC39264C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 57 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 57 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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