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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC33AF it is the complementary color #53CC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC33AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC33AF shade: #B133AA, #C245BD, #D357D0, #E469E3 and #F57BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC33AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC33AF shade: #AC33AF, #9B219C, #8A0F89, #790076 and #680063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC33AF shade: #AB32AE, #AE3290, #AE326E, #AE324D and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC33AF shade: #AB32AE, #8A32AE, #6832AE, #4732AE and #3232AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC33AF shade matches the following richer shades: #AB32AE, #BC20C0 and #CD0ED2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC33AF shade: #AB32AE, #9A459C, #88578A, #776977 and #667B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC33AF shade: #6832AE, #8932AE, #AA32AE, #AE3291 and #AE3270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC33AF shade: #6C206E, #8C298E, #AB32AE, #C542C8 and #CF62D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC33AF shade: #AC33AF, #AE4732 and #32AE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC33AF shade: #AC33AF, #AEAA32 and #32AEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC33AF shade: #AC33AF, #AE4732, #37AE32 and #3299AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC33AF shade: #AC33AF, #AE6C32, #37AE32 and #3274AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

Complementary color

CMYK 59 / 0 / 61 / 20

HEX #53CC50

RGB 83 204 80

HSL 118.55, 0.55%, 0.56%

LAB 73.29, -57.78, 50.67

 

CMYK 0 / 71 / 4 / 31

HEX #B133AA

RGB 177 51 170

HSL 303.33, 0.55%, 0.45%

LAB 45.11, 63.55, -37.23

 

CMYK 0 / 64 / 3 / 24

HEX #C245BD

RGB 194 69 189

HSL 302.4, 0.51%, 0.52%

LAB 51.15, 63.96, -38.64

 

CMYK 0 / 59 / 1 / 17

HEX #D357D0

RGB 211 87 208

HSL 301.45, 0.58%, 0.58%

LAB 57.29, 63.9, -39.72

 

CMYK 0 / 54 / 0 / 11

HEX #E469E3

RGB 228 105 227

HSL 300.49, 0.69%, 0.65%

LAB 63.46, 63.56, -40.56

 

CMYK 0 / 50 / 0 / 4

HEX #F57BF6

RGB 245 123 246

HSL 299.51, 0.87%, 0.72%

LAB 69.63, 63.05, -41.24

 

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

CMYK 1 / 79 / 0 / 39

HEX #9B219C

RGB 155 33 156

HSL 299.51, 0.65%, 0.37%

LAB 38.65, 62.14, -39.32

 

CMYK 0 / 89 / 1 / 46

HEX #8A0F89

RGB 138 15 137

HSL 300.49, 0.8%, 0.3%

LAB 33.03, 59.87, -36.82

 

CMYK 0 / 100 / 2 / 53

HEX #790076

RGB 121 0 118

HSL 301.49, 1%, 0.24%

LAB 27.77, 56.13, -33.45

 

CMYK 0 / 100 / 5 / 59

HEX #680063

RGB 104 0 99

HSL 302.88, 1%, 0.2%

LAB 23.15, 50.02, -28.73

 

CMYK 2 / 71 / 0 / 32

HEX #AB32AE

RGB 171 50 174

HSL 298.55, 0.55%, 0.44%

LAB 44.23, 63.2, -41.05

 

CMYK 0 / 71 / 17 / 32

HEX #AE3290

RGB 174 50 144

HSL 314.52, 0.55%, 0.44%

LAB 43.2, 59.22, -24.66

 

CMYK 0 / 71 / 37 / 32

HEX #AE326E

RGB 174 50 110

HSL 330.97, 0.55%, 0.44%

LAB 41.85, 54.86, -5.83

 

CMYK 0 / 71 / 56 / 32

HEX #AE324D

RGB 174 50 77

HSL 346.94, 0.55%, 0.44%

LAB 40.92, 51.72, 13.51

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 2 / 71 / 0 / 32

HEX #AB32AE

RGB 171 50 174

HSL 298.55, 0.55%, 0.44%

LAB 44.23, 63.2, -41.05

 

CMYK 21 / 71 / 0 / 32

HEX #8A32AE

RGB 138 50 174

HSL 282.58, 0.55%, 0.44%

LAB 39.14, 56.02, -49.47

 

CMYK 40 / 71 / 0 / 32

HEX #6832AE

RGB 104 50 174

HSL 266.13, 0.55%, 0.44%

LAB 34.56, 49.17, -57.11

 

CMYK 59 / 71 / 0 / 32

HEX #4732AE

RGB 71 50 174

HSL 250.16, 0.55%, 0.44%

LAB 31.06, 43.59, -62.97

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 2 / 71 / 0 / 32

HEX #AB32AE

RGB 171 50 174

HSL 298.55, 0.55%, 0.44%

LAB 44.23, 63.2, -41.05

 

CMYK 2 / 83 / 0 / 25

HEX #BC20C0

RGB 188 32 192

HSL 298.5, 0.71%, 0.44%

LAB 46.35, 74.56, -48.07

 

CMYK 2 / 93 / 0 / 18

HEX #CD0ED2

RGB 205 14 210

HSL 298.47, 0.88%, 0.44%

LAB 49.43, 82.94, -53.39

 

CMYK 2 / 71 / 0 / 32

HEX #AB32AE

RGB 171 50 174

HSL 298.55, 0.55%, 0.44%

LAB 44.23, 63.2, -41.05

 

CMYK 1 / 56 / 0 / 39

HEX #9A459C

RGB 154 69 156

HSL 298.62, 0.39%, 0.44%

LAB 43.55, 47.78, -31.59

 

CMYK 1 / 37 / 0 / 46

HEX #88578A

RGB 136 87 138

HSL 297.65, 0.23%, 0.44%

LAB 44.07, 29.01, -20.14

 

CMYK 0 / 12 / 0 / 53

HEX #776977

RGB 119 105 119

HSL 300, 0.06%, 0.44%

LAB 46.12, 8.26, -5.77

 

CMYK 17 / 0 / 18 / 52

HEX #667B65

RGB 102 123 101

HSL 117.27, 0.1%, 0.44%

LAB 49.41, -12.28, 9.51

 

CMYK 40 / 71 / 0 / 32

HEX #6832AE

RGB 104 50 174

HSL 266.13, 0.55%, 0.44%

LAB 34.56, 49.17, -57.11

 

CMYK 21 / 71 / 0 / 32

HEX #8932AE

RGB 137 50 174

HSL 282.1, 0.55%, 0.44%

LAB 38.99, 55.81, -49.72

 

CMYK 2 / 71 / 0 / 32

HEX #AA32AE

RGB 170 50 174

HSL 298.06, 0.55%, 0.44%

LAB 44.07, 62.98, -41.32

 

CMYK 0 / 71 / 17 / 32

HEX #AE3291

RGB 174 50 145

HSL 314.03, 0.55%, 0.44%

LAB 43.25, 59.36, -25.2

 

CMYK 0 / 71 / 36 / 32

HEX #AE3270

RGB 174 50 112

HSL 330, 0.55%, 0.44%

LAB 41.92, 55.09, -6.97

 

CMYK 2 / 71 / 0 / 57

HEX #6C206E

RGB 108 32 110

HSL 298.46, 0.55%, 0.28%

LAB 27.7, 43.8, -28.59

 

CMYK 1 / 71 / 0 / 44

HEX #8C298E

RGB 140 41 142

HSL 298.81, 0.55%, 0.36%

LAB 36.2, 53.86, -34.83

 

CMYK 2 / 71 / 0 / 32

HEX #AB32AE

RGB 171 50 174

HSL 298.55, 0.55%, 0.44%

LAB 44.23, 63.2, -41.05

 

CMYK 1 / 67 / 0 / 22

HEX #C542C8

RGB 197 66 200

HSL 298.66, 0.55%, 0.52%

LAB 51.77, 67.65, -44

 

CMYK 1 / 53 / 0 / 18

HEX #CF62D1

RGB 207 98 209

HSL 298.92, 0.55%, 0.6%

LAB 58.61, 58.07, -38.26

 

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

CMYK 0 / 59 / 71 / 32

HEX #AE4732

RGB 174 71 50

HSL 10.16, 0.55%, 0.44%

LAB 43.85, 40.82, 33.54

 

CMYK 71 / 0 / 31 / 32

HEX #32AE78

RGB 50 174 120

HSL 153.87, 0.55%, 0.44%

LAB 63.6, -46.47, 18.19

 

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

CMYK 0 / 2 / 71 / 32

HEX #AEAA32

RGB 174 170 50

HSL 58.06, 0.55%, 0.44%

LAB 68, -12.79, 58.89

 

CMYK 71 / 0 / 2 / 32

HEX #32AEAA

RGB 50 174 170

HSL 178.06, 0.55%, 0.44%

LAB 64.85, -33.73, -7.7

 

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

CMYK 0 / 59 / 71 / 32

HEX #AE4732

RGB 174 71 50

HSL 10.16, 0.55%, 0.44%

LAB 43.85, 40.82, 33.54

 

CMYK 68 / 0 / 71 / 32

HEX #37AE32

RGB 55 174 50

HSL 117.58, 0.55%, 0.44%

LAB 62.77, -56.24, 51.52

 

CMYK 71 / 12 / 0 / 32

HEX #3299AE

RGB 50 153 174

HSL 190.16, 0.55%, 0.44%

LAB 58.52, -22.12, -19.47

 

CMYK 2 / 71 / 0 / 31

HEX #AC33AF

RGB 172 51 175

HSL 298.55, 0.55%, 0.44%

LAB 44.57, 63.24, -41.09

 

CMYK 0 / 38 / 71 / 32

HEX #AE6C32

RGB 174 108 50

HSL 28.06, 0.55%, 0.44%

LAB 51.79, 21.17, 42.33

 

CMYK 68 / 0 / 71 / 32

HEX #37AE32

RGB 55 174 50

HSL 117.58, 0.55%, 0.44%

LAB 62.77, -56.24, 51.52

 

CMYK 71 / 33 / 0 / 32

HEX #3274AE

RGB 50 116 174

HSL 208.06, 0.55%, 0.44%

LAB 47.27, -1.31, -36.94

 

Description

Color code: HEX #AC33AF | qconv.com Color code: HEX #AC33AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 51 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 51 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 71 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 71% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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