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Color name
HEX #AC3322

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC3322 it is the complementary color #53CCDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC3322. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC3322 shade: #B1331D, #C24530, #D35743, #E46956 and #F57B69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC3322. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC3322 shade: #AC3322, #9B210F, #8A0F00, #790000 and #680000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC3322 shade: #AA3222 and #AA2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC3322 shade: #AA3222, #AA5722, #AA7C22, #AAA122 and #8FAA22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC3322 shade matches the following richer shades: #AA3222, #BB2611 and #CB1A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC3322 shade: #AA3222, #9A3F32, #894B43, #795853 and #686464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC3322 shade: #AA225B, #AA2236, #AA3222, #AA5622 and #AA7B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC3322 shade: #651E14, #88281B, #AA3222, #CD3D28 and #DA5744

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC3322 shade: #AC3322, #7FAA22 and #2248AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC3322 shade: #AC3322, #22AA32 and #3222AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC3322 shade: #AC3322, #7FAA22, #229AAA and #4D22AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC3322 shade: #AC3322, #56AA22, #229AAA and #7622AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

Complementary color

CMYK 62 / 8 / 0 / 13

HEX #53CCDD

RGB 83 204 221

HSL 187.39, 0.67%, 0.6%

LAB 76.22, -28.47, -18.48

 

CMYK 0 / 71 / 84 / 31

HEX #B1331D

RGB 177 51 29

HSL 8.92, 0.72%, 0.4%

LAB 40.9, 49.82, 41.95

 

CMYK 0 / 64 / 75 / 24

HEX #C24530

RGB 194 69 48

HSL 8.63, 0.6%, 0.47%

LAB 46.89, 48.88, 38.98

 

CMYK 0 / 59 / 68 / 17

HEX #D35743

RGB 211 87 67

HSL 8.33, 0.62%, 0.55%

LAB 53.03, 47.7, 36.2

 

CMYK 0 / 54 / 62 / 11

HEX #E46956

RGB 228 105 86

HSL 8.03, 0.72%, 0.62%

LAB 59.22, 46.44, 33.73

 

CMYK 0 / 50 / 57 / 4

HEX #F57B69

RGB 245 123 105

HSL 7.71, 0.88%, 0.69%

LAB 65.43, 45.18, 31.56

 

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

CMYK 0 / 79 / 90 / 39

HEX #9B210F

RGB 155 33 15

HSL 7.71, 0.82%, 0.33%

LAB 34.17, 48.73, 41.17

 

CMYK 0 / 89 / 100 / 46

HEX #8A0F00

RGB 138 15 0

HSL 6.52, 1%, 0.27%

LAB 28.76, 48.14, 41.76

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 80 / 80 / 33

HEX #AA2222

RGB 170 34 34

HSL 0, 0.67%, 0.4%

LAB 37.49, 53.55, 35.48

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 49 / 80 / 33

HEX #AA5722

RGB 170 87 34

HSL 23.38, 0.67%, 0.4%

LAB 46.28, 30.29, 44.2

 

CMYK 0 / 27 / 80 / 33

HEX #AA7C22

RGB 170 124 34

HSL 39.71, 0.67%, 0.4%

LAB 55.15, 9.67, 52.52

 

CMYK 0 / 5 / 80 / 33

HEX #AAA122

RGB 170 161 34

HSL 56.03, 0.67%, 0.4%

LAB 65.08, -10.54, 61.45

 

CMYK 16 / 0 / 80 / 33

HEX #8FAA22

RGB 143 170 34

HSL 71.91, 0.67%, 0.4%

LAB 65.52, -26.83, 61.03

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 80 / 91 / 27

HEX #BB2611

RGB 187 38 17

HSL 7.41, 0.83%, 0.4%

LAB 41.2, 57.08, 48.41

 

CMYK 0 / 87 / 100 / 20

HEX #CB1A01

RGB 203 26 1

HSL 7.43, 0.99%, 0.4%

LAB 43.42, 64.27, 56.67

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 59 / 68 / 40

HEX #9A3F32

RGB 154 63 50

HSL 7.5, 0.51%, 0.4%

LAB 38.99, 37.18, 26.98

 

CMYK 0 / 45 / 51 / 46

HEX #894B43

RGB 137 75 67

HSL 6.86, 0.34%, 0.4%

LAB 39.17, 25.3, 16.33

 

CMYK 0 / 27 / 31 / 53

HEX #795853

RGB 121 88 83

HSL 7.89, 0.19%, 0.4%

LAB 40.69, 12.86, 8.24

 

CMYK 0 / 4 / 4 / 59

HEX #686464

RGB 104 100 100

HSL 0, 0.02%, 0.4%

LAB 42.73, 1.57, 0.56

 

CMYK 0 / 80 / 46 / 33

HEX #AA225B

RGB 170 34 91

HSL 334.85, 0.67%, 0.4%

LAB 38.63, 57.07, 1.3

 

CMYK 0 / 80 / 68 / 33

HEX #AA2236

RGB 170 34 54

HSL 351.18, 0.67%, 0.4%

LAB 37.76, 54.41, 23.69

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 49 / 80 / 33

HEX #AA5622

RGB 170 86 34

HSL 22.94, 0.67%, 0.4%

LAB 46.07, 30.83, 44

 

CMYK 0 / 28 / 80 / 33

HEX #AA7B22

RGB 170 123 34

HSL 39.26, 0.67%, 0.4%

LAB 54.89, 10.23, 52.29

 

CMYK 0 / 70 / 80 / 60

HEX #651E14

RGB 101 30 20

HSL 7.41, 0.67%, 0.24%

LAB 22.81, 31.32, 24.07

 

CMYK 0 / 71 / 80 / 47

HEX #88281B

RGB 136 40 27

HSL 7.16, 0.67%, 0.32%

LAB 31.42, 40.08, 31.09

 

CMYK 0 / 71 / 80 / 33

HEX #AA3222

RGB 170 50 34

HSL 7.06, 0.67%, 0.4%

LAB 39.48, 48.01, 37.51

 

CMYK 0 / 70 / 80 / 20

HEX #CD3D28

RGB 205 61 40

HSL 7.64, 0.67%, 0.48%

LAB 47.58, 55.54, 44.55

 

CMYK 0 / 60 / 69 / 15

HEX #DA5744

RGB 218 87 68

HSL 7.6, 0.67%, 0.56%

LAB 54.17, 50.24, 37.28

 

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

CMYK 25 / 0 / 80 / 33

HEX #7FAA22

RGB 127 170 34

HSL 78.97, 0.67%, 0.4%

LAB 64.46, -33.39, 59.69

 

CMYK 80 / 58 / 0 / 33

HEX #2248AA

RGB 34 72 170

HSL 223.24, 0.67%, 0.4%

LAB 33.73, 23.53, -56.32

 

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

CMYK 80 / 0 / 71 / 33

HEX #22AA32

RGB 34 170 50

HSL 127.06, 0.67%, 0.4%

LAB 61.06, -58.35, 49.61

 

CMYK 71 / 80 / 0 / 33

HEX #3222AA

RGB 50 34 170

HSL 247.06, 0.67%, 0.4%

LAB 25.93, 48.34, -69.08

 

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

CMYK 25 / 0 / 80 / 33

HEX #7FAA22

RGB 127 170 34

HSL 78.97, 0.67%, 0.4%

LAB 64.46, -33.39, 59.69

 

CMYK 80 / 9 / 0 / 33

HEX #229AAA

RGB 34 154 170

HSL 187.06, 0.67%, 0.4%

LAB 58.37, -25.82, -17.47

 

CMYK 55 / 80 / 0 / 33

HEX #4D22AA

RGB 77 34 170

HSL 258.97, 0.67%, 0.4%

LAB 28.44, 51.27, -64.85

 

CMYK 0 / 70 / 80 / 33

HEX #AC3322

RGB 172 51 34

HSL 7.39, 0.67%, 0.4%

LAB 40, 48.29, 38.16

 

CMYK 49 / 0 / 80 / 33

HEX #56AA22

RGB 86 170 34

HSL 97.06, 0.67%, 0.4%

LAB 62.38, -48.05, 57

 

CMYK 80 / 9 / 0 / 33

HEX #229AAA

RGB 34 154 170

HSL 187.06, 0.67%, 0.4%

LAB 58.37, -25.82, -17.47

 

CMYK 31 / 80 / 0 / 33

HEX #7622AA

RGB 118 34 170

HSL 277.06, 0.67%, 0.4%

LAB 33.77, 57.46, -55.92

 

Description

Color code: HEX #AC3322 | qconv.com Color code: HEX #AC3322 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 51 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 51 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 80 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 80% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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