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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC2DD9 it is the complementary color #53D226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC2DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC2DD9 shade: #B12DD4, #C23FE7, #D351FA, #E463FF and #F575FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC2DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC2DD9 shade: #AC2DD9, #9B1BC6, #8A09B3, #7900A0 and #68008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC2DD9 shade: #AB2CD8, #D82CD7, #D82CA8, #D82C7A and #D82C4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC2DD9 shade: #AB2CD8, #7D2CD8, #4E2CD8 and #2C2CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC2DD9 shade matches the following richer shades: #AB2CD8 and #B518EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC2DD9 shade: #AB2CD8, #A240C4, #9854B0, #8E689C and #857D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC2DD9 shade: #4E2CD8, #7C2CD8, #AA2CD8, #D82CD8 and #D82CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC2DD9 shade: #761C96, #9122B9, #AB2CD8, #B94FDF and #C772E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC2DD9 shade: #AC2DD9, #D82C37 and #2CD865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC2DD9 shade: #AC2DD9, #D8AA2C and #2CD8AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC2DD9 shade: #AC2DD9, #D82C37, #5AD82C and #2CD8CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC2DD9 shade: #AC2DD9, #D8542C, #5AD82C and #2CB0D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

Complementary color

CMYK 60 / 0 / 82 / 18

HEX #53D226

RGB 83 210 38

HSL 104.3, 0.69%, 0.49%

LAB 74.87, -63.15, 67.38

 

CMYK 17 / 79 / 0 / 17

HEX #B12DD4

RGB 177 45 212

HSL 287.43, 0.66%, 0.5%

LAB 46.94, 72.69, -58.78

 

CMYK 16 / 73 / 0 / 9

HEX #C23FE7

RGB 194 63 231

HSL 286.79, 0.78%, 0.58%

LAB 52.72, 73.57, -60.15

 

CMYK 16 / 68 / 0 / 2

HEX #D351FA

RGB 211 81 250

HSL 286.15, 0.94%, 0.65%

LAB 58.64, 73.85, -61.15

 

CMYK 11 / 61 / 0 / 0

HEX #E463FF

RGB 228 99 255

HSL 289.62, 1%, 0.69%

LAB 63.87, 71.16, -55.42

 

CMYK 4 / 54 / 0 / 0

HEX #F575FF

RGB 245 117 255

HSL 295.65, 1%, 0.73%

LAB 69.01, 67.38, -47.15

 

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

CMYK 22 / 86 / 0 / 22

HEX #9B1BC6

RGB 155 27 198

HSL 284.91, 0.76%, 0.44%

LAB 40.94, 71.03, -60.56

 

CMYK 23 / 95 / 0 / 30

HEX #8A09B3

RGB 138 9 179

HSL 285.53, 0.9%, 0.37%

LAB 35.7, 68.04, -58.02

 

CMYK 24 / 100 / 0 / 37

HEX #7900A0

RGB 121 0 160

HSL 285.38, 1%, 0.31%

LAB 30.89, 63.41, -54.56

 

CMYK 26 / 100 / 0 / 45

HEX #68008D

RGB 104 0 141

HSL 284.26, 1%, 0.28%

LAB 26.35, 57.5, -50.4

 

CMYK 21 / 80 / 0 / 15

HEX #AB2CD8

RGB 171 44 216

HSL 284.3, 0.69%, 0.51%

LAB 46.2, 72.67, -62.32

 

CMYK 0 / 80 / 0 / 15

HEX #D82CD7

RGB 216 44 215

HSL 300.35, 0.69%, 0.51%

LAB 53.28, 80.64, -49.99

 

CMYK 0 / 80 / 22 / 15

HEX #D82CA8

RGB 216 44 168

HSL 316.74, 0.69%, 0.51%

LAB 50.95, 74.14, -26.41

 

CMYK 0 / 80 / 44 / 15

HEX #D82C7A

RGB 216 44 122

HSL 332.79, 0.69%, 0.51%

LAB 49.26, 69.18, -1.41

 

CMYK 0 / 80 / 65 / 15

HEX #D82C4B

RGB 216 44 75

HSL 349.19, 0.69%, 0.51%

LAB 48.14, 65.79, 25.75

 

CMYK 21 / 80 / 0 / 15

HEX #AB2CD8

RGB 171 44 216

HSL 284.3, 0.69%, 0.51%

LAB 46.2, 72.67, -62.32

 

CMYK 42 / 80 / 0 / 15

HEX #7D2CD8

RGB 125 44 216

HSL 268.26, 0.69%, 0.51%

LAB 39.78, 65.41, -73.06

 

CMYK 64 / 80 / 0 / 15

HEX #4E2CD8

RGB 78 44 216

HSL 251.86, 0.69%, 0.51%

LAB 34.76, 59.78, -81.5

 

CMYK 80 / 80 / 0 / 15

HEX #2C2CD8

RGB 44 44 216

HSL 240, 0.69%, 0.51%

LAB 32.47, 57.23, -85.37

 

CMYK 21 / 80 / 0 / 15

HEX #AB2CD8

RGB 171 44 216

HSL 284.3, 0.69%, 0.51%

LAB 46.2, 72.67, -62.32

 

CMYK 23 / 90 / 0 / 7

HEX #B518EC

RGB 181 24 236

HSL 284.43, 0.85%, 0.51%

LAB 47.67, 82.32, -71.25

 

CMYK 21 / 80 / 0 / 15

HEX #AB2CD8

RGB 171 44 216

HSL 284.3, 0.69%, 0.51%

LAB 46.2, 72.67, -62.32

 

CMYK 17 / 67 / 0 / 23

HEX #A240C4

RGB 162 64 196

HSL 284.55, 0.53%, 0.51%

LAB 46.09, 59.83, -51.04

 

CMYK 14 / 52 / 0 / 31

HEX #9854B0

RGB 152 84 176

HSL 284.35, 0.37%, 0.51%

LAB 47.17, 43.54, -37.74

 

CMYK 9 / 33 / 0 / 39

HEX #8E689C

RGB 142 104 156

HSL 283.85, 0.21%, 0.51%

LAB 49.56, 24.91, -22.35

 

CMYK 1 / 7 / 0 / 47

HEX #857D87

RGB 133 125 135

HSL 288, 0.04%, 0.51%

LAB 53.39, 5, -4.33

 

CMYK 64 / 80 / 0 / 15

HEX #4E2CD8

RGB 78 44 216

HSL 251.86, 0.69%, 0.51%

LAB 34.76, 59.78, -81.5

 

CMYK 43 / 80 / 0 / 15

HEX #7C2CD8

RGB 124 44 216

HSL 267.91, 0.69%, 0.51%

LAB 39.66, 65.27, -73.27

 

CMYK 21 / 80 / 0 / 15

HEX #AA2CD8

RGB 170 44 216

HSL 283.95, 0.69%, 0.51%

LAB 46.05, 72.5, -62.57

 

CMYK 0 / 80 / 0 / 15

HEX #D82CD8

RGB 216 44 216

HSL 300, 0.69%, 0.51%

LAB 53.34, 80.79, -50.47

 

CMYK 0 / 80 / 21 / 15

HEX #D82CAA

RGB 216 44 170

HSL 316.05, 0.69%, 0.51%

LAB 51.04, 74.39, -27.46

 

CMYK 21 / 81 / 0 / 41

HEX #761C96

RGB 118 28 150

HSL 284.26, 0.69%, 0.35%

LAB 31.54, 55.26, -47.41

 

CMYK 22 / 82 / 0 / 27

HEX #9122B9

RGB 145 34 185

HSL 284.11, 0.69%, 0.43%

LAB 39.01, 65.17, -56.14

 

CMYK 21 / 80 / 0 / 15

HEX #AB2CD8

RGB 171 44 216

HSL 284.3, 0.69%, 0.51%

LAB 46.2, 72.67, -62.32

 

CMYK 17 / 65 / 0 / 13

HEX #B94FDF

RGB 185 79 223

HSL 284.17, 0.69%, 0.59%

LAB 53.2, 63.88, -54.93

 

CMYK 13 / 50 / 0 / 10

HEX #C772E5

RGB 199 114 229

HSL 284.35, 0.69%, 0.67%

LAB 61.51, 51.85, -45

 

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

CMYK 0 / 80 / 75 / 15

HEX #D82C37

RGB 216 44 55

HSL 356.16, 0.69%, 0.51%

LAB 47.85, 64.88, 37.26

 

CMYK 80 / 0 / 53 / 15

HEX #2CD865

RGB 44 216 101

HSL 139.88, 0.69%, 0.51%

LAB 76.43, -65.93, 44.54

 

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

CMYK 0 / 21 / 80 / 15

HEX #D8AA2C

RGB 216 170 44

HSL 43.95, 0.69%, 0.51%

LAB 71.91, 5.34, 66.06

 

CMYK 80 / 0 / 21 / 15

HEX #2CD8AA

RGB 44 216 170

HSL 163.95, 0.69%, 0.51%

LAB 77.61, -52.59, 10.84

 

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

CMYK 0 / 80 / 75 / 15

HEX #D82C37

RGB 216 44 55

HSL 356.16, 0.69%, 0.51%

LAB 47.85, 64.88, 37.26

 

CMYK 58 / 0 / 80 / 15

HEX #5AD82C

RGB 90 216 44

HSL 103.95, 0.69%, 0.51%

LAB 76.96, -63.21, 67.76

 

CMYK 80 / 0 / 5 / 15

HEX #2CD8CD

RGB 44 216 205

HSL 176.16, 0.69%, 0.51%

LAB 78.49, -43.49, -6.56

 

CMYK 21 / 79 / 0 / 15

HEX #AC2DD9

RGB 172 45 217

HSL 284.3, 0.69%, 0.51%

LAB 46.52, 72.73, -62.37

 

CMYK 0 / 61 / 80 / 15

HEX #D8542C

RGB 216 84 44

HSL 13.95, 0.69%, 0.51%

LAB 53.08, 49.86, 48.57

 

CMYK 58 / 0 / 80 / 15

HEX #5AD82C

RGB 90 216 44

HSL 103.95, 0.69%, 0.51%

LAB 76.96, -63.21, 67.76

 

CMYK 80 / 19 / 0 / 15

HEX #2CB0D8

RGB 44 176 216

HSL 193.95, 0.69%, 0.51%

LAB 66.93, -21.02, -30.03

 

Description

Color code: HEX #AC2DD9 | qconv.com Color code: HEX #AC2DD9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 45 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 45 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 79 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 79% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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