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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC2ACB it is the complementary color #53D534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC2ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC2ACB shade: #B12AC6, #C23CD9, #D34EEC, #E460FF and #F572FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC2ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC2ACB shade: #AC2ACB, #9B18B8, #8A06A5, #790092 and #68007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC2ACB shade: #AC2ACB, #CB2ABF, #CB2A93, #CB2A68 and #CB2A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC2ACB shade: #AC2ACB, #812ACB, #552ACB and #2A2ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC2ACB shade matches the following richer shades: #AC2ACB, #B816DF and #C402F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC2ACB shade: #AC2ACB, #A03DB7, #9451A4, #886590 and #7B797C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC2ACB shade: #552ACB, #802ACB, #AB2ACB, #CB2AC0 and #CB2A95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC2ACB shade: #721C87, #8F23A9, #AC2ACB, #BC45D9 and #C967E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC2ACB shade: #AC2ACB, #CB2A2A and #2ACB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC2ACB shade: #AC2ACB, #CBAB2A and #2ACBAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC2ACB shade: #AC2ACB, #CB2A2A, #4ACB2A and #2ACBCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC2ACB shade: #AC2ACB, #CB5A2A, #4ACB2A and #2A9BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

Complementary color

CMYK 61 / 0 / 76 / 16

HEX #53D534

RGB 83 213 52

HSL 108.45, 0.66%, 0.52%

LAB 75.87, -63.37, 64.24

 

CMYK 11 / 79 / 0 / 22

HEX #B12AC6

RGB 177 42 198

HSL 291.92, 0.65%, 0.47%

LAB 45.74, 71.06, -52.63

 

CMYK 11 / 72 / 0 / 15

HEX #C23CD9

RGB 194 60 217

HSL 291.21, 0.67%, 0.54%

LAB 51.51, 72.07, -54.17

 

CMYK 11 / 67 / 0 / 7

HEX #D34EEC

RGB 211 78 236

HSL 290.51, 0.81%, 0.62%

LAB 57.42, 72.45, -55.3

 

CMYK 11 / 62 / 0 / 0

HEX #E460FF

RGB 228 96 255

HSL 289.81, 1%, 0.69%

LAB 63.41, 72.42, -56.15

 

CMYK 4 / 55 / 0 / 0

HEX #F572FF

RGB 245 114 255

HSL 295.74, 1%, 0.72%

LAB 68.51, 68.72, -47.93

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 16 / 87 / 0 / 28

HEX #9B18B8

RGB 155 24 184

HSL 289.13, 0.77%, 0.41%

LAB 39.72, 69.12, -54.33

 

CMYK 16 / 96 / 0 / 35

HEX #8A06A5

RGB 138 6 165

HSL 289.81, 0.93%, 0.34%

LAB 34.5, 65.9, -51.58

 

CMYK 17 / 100 / 0 / 43

HEX #790092

RGB 121 0 146

HSL 289.73, 1%, 0.29%

LAB 29.76, 60.84, -47.81

 

CMYK 18 / 100 / 0 / 50

HEX #68007F

RGB 104 0 127

HSL 289.13, 1%, 0.25%

LAB 25.18, 54.84, -43.51

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 0 / 79 / 6 / 20

HEX #CB2ABF

RGB 203 42 191

HSL 304.47, 0.66%, 0.48%

LAB 49.63, 75, -42.11

 

CMYK 0 / 79 / 28 / 20

HEX #CB2A93

RGB 203 42 147

HSL 320.87, 0.66%, 0.48%

LAB 47.57, 69.13, -19.31

 

CMYK 0 / 79 / 49 / 20

HEX #CB2A68

RGB 203 42 104

HSL 336.89, 0.66%, 0.48%

LAB 46.11, 64.79, 4.75

 

CMYK 0 / 79 / 70 / 20

HEX #CB2A3C

RGB 203 42 60

HSL 353.29, 0.66%, 0.48%

LAB 45.19, 61.95, 30.58

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 36 / 79 / 0 / 20

HEX #812ACB

RGB 129 42 203

HSL 272.42, 0.66%, 0.48%

LAB 38.96, 63.74, -66.87

 

CMYK 58 / 79 / 0 / 20

HEX #552ACB

RGB 85 42 203

HSL 256.02, 0.66%, 0.48%

LAB 33.77, 57.78, -75.58

 

CMYK 79 / 79 / 0 / 20

HEX #2A2ACB

RGB 42 42 203

HSL 240, 0.66%, 0.48%

LAB 30.54, 54.07, -81.02

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 17 / 90 / 0 / 13

HEX #B816DF

RGB 184 22 223

HSL 288.36, 0.82%, 0.48%

LAB 47.09, 80.78, -64.78

 

CMYK 19 / 99 / 0 / 5

HEX #C402F3

RGB 196 2 243

HSL 288.3, 0.98%, 0.48%

LAB 49.8, 87.82, -71.62

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 13 / 67 / 0 / 28

HEX #A03DB7

RGB 160 61 183

HSL 288.69, 0.5%, 0.48%

LAB 44.56, 58.09, -45.92

 

CMYK 10 / 51 / 0 / 36

HEX #9451A4

RGB 148 81 164

HSL 288.43, 0.34%, 0.48%

LAB 45.44, 41.48, -33.43

 

CMYK 6 / 30 / 0 / 44

HEX #886590

RGB 136 101 144

HSL 288.84, 0.18%, 0.48%

LAB 47.69, 22.06, -18.17

 

CMYK 1 / 2 / 0 / 51

HEX #7B797C

RGB 123 121 124

HSL 280, 0.01%, 0.48%

LAB 51.08, 1.36, -1.38

 

CMYK 58 / 79 / 0 / 20

HEX #552ACB

RGB 85 42 203

HSL 256.02, 0.66%, 0.48%

LAB 33.77, 57.78, -75.58

 

CMYK 37 / 79 / 0 / 20

HEX #802ACB

RGB 128 42 203

HSL 272.05, 0.66%, 0.48%

LAB 38.82, 63.59, -67.09

 

CMYK 16 / 79 / 0 / 20

HEX #AB2ACB

RGB 171 42 203

HSL 288.07, 0.66%, 0.48%

LAB 45.12, 70.84, -56.59

 

CMYK 0 / 79 / 5 / 20

HEX #CB2AC0

RGB 203 42 192

HSL 304.1, 0.66%, 0.48%

LAB 49.69, 75.15, -42.61

 

CMYK 0 / 79 / 27 / 20

HEX #CB2A95

RGB 203 42 149

HSL 320.12, 0.66%, 0.48%

LAB 47.65, 69.37, -20.39

 

CMYK 16 / 79 / 0 / 47

HEX #721C87

RGB 114 28 135

HSL 288.22, 0.66%, 0.32%

LAB 29.81, 51.48, -40.98

 

CMYK 15 / 79 / 0 / 34

HEX #8F23A9

RGB 143 35 169

HSL 288.36, 0.66%, 0.4%

LAB 37.67, 61.46, -48.81

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 13 / 68 / 0 / 15

HEX #BC45D9

RGB 188 69 217

HSL 288.24, 0.66%, 0.56%

LAB 51.79, 67.52, -53.77

 

CMYK 10 / 54 / 0 / 12

HEX #C967E0

RGB 201 103 224

HSL 288.6, 0.66%, 0.64%

LAB 59.43, 56.87, -45.46

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB6A

RGB 42 203 106

HSL 143.85, 0.66%, 0.48%

LAB 72.39, -61.01, 37.1

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 0 / 16 / 79 / 20

HEX #CBAB2A

RGB 203 171 42

HSL 48.07, 0.66%, 0.48%

LAB 70.86, -0.94, 65.28

 

CMYK 79 / 0 / 16 / 20

HEX #2ACBAB

RGB 42 203 171

HSL 168.07, 0.66%, 0.48%

LAB 73.64, -47.23, 4.62

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 64 / 0 / 79 / 20

HEX #4ACB2A

RGB 74 203 42

HSL 108.07, 0.66%, 0.48%

LAB 72.45, -62.63, 63.95

 

CMYK 79 / 0 / 0 / 20

HEX #2ACBCB

RGB 42 203 203

HSL 180, 0.66%, 0.48%

LAB 74.52, -38.42, -11.4

 

CMYK 15 / 79 / 0 / 20

HEX #AC2ACB

RGB 172 42 203

HSL 288.45, 0.66%, 0.48%

LAB 45.27, 71.02, -56.33

 

CMYK 0 / 56 / 79 / 20

HEX #CB5A2A

RGB 203 90 42

HSL 17.89, 0.66%, 0.48%

LAB 52.04, 42.2, 47.79

 

CMYK 64 / 0 / 79 / 20

HEX #4ACB2A

RGB 74 203 42

HSL 108.07, 0.66%, 0.48%

LAB 72.45, -62.63, 63.95

 

CMYK 79 / 24 / 0 / 20

HEX #2A9BCB

RGB 42 155 203

HSL 197.89, 0.66%, 0.48%

LAB 60.11, -14.44, -33.39

 

Description

Color code: HEX #AC2ACB | qconv.com Color code: HEX #AC2ACB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 42 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 42 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 79 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 79% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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