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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC245DCE it is the complementary color #53DBA2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC245DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC245DCE shade: #B12458CE, #C2366BCE, #D3487ECE, #E45A91CE and #F56CA4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC245DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC245DCE shade: #AC245DCE, #9B124ACE, #8A0037CE, #790024CE and #680011CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC245DCE shade: #AD255E, #AD2539 and #AD2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC245DCE shade: #AD255E, #AD2582, #AD25A7, #8D25AD and #6925AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC245DCE shade matches the following richer shades: #AD255E, #BD145B and #CE0358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC245DCE shade: #AD255E, #9C3660, #8B4663, #7A5766 and #696869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC245DCE shade: #AD25A8, #AD2584, #AD255F, #AD253B and #AD3225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC245DCE shade: #681639, #8A1D4B, #AD255E, #CF2C70 and #D94B86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC245DCE shade: #AC245D, #AD8D25 and #2596AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC245DCE shade: #AC245D, #5FAD25 and #255FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC245DCE shade: #AC245D, #AD8D25, #25AD72 and #2544AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC245DCE shade: #AC245D, #A3AD25, #25AD72 and #2E25AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 37 / 26

HEX #AC245DCE

RGBA 172 36 93 0.81

HSLA 334.85, 0.65%, 0.41%, 0.81

LABA 39.28, 57.22, 1.02, 0.81

 

Complementary color

CMYK 50 / 0 / 21 / 11

HEX #53DBA2CE

RGBA 83 219 162 0.81

HSLA 154.85, 0.65%, 0.59%, 0.81

LABA 79.1, -50.12, 17.29, 0.81

 

CMYK 0 / 65 / 41 / 25

HEX #B12458CE

RGBA 177 36 88 0.81

HSLA 337.87, 0.66%, 0.42%, 0.81

LABA 40.1, 58.14, 5.5, 0.81

 

CMYK 0 / 58 / 36 / 19

HEX #C2366BCE

RGBA 194 54 107 0.81

HSLA 337.29, 0.56%, 0.49%, 0.81

LABA 45.87, 58.83, 2.33, 0.81

 

CMYK 0 / 53 / 33 / 14

HEX #D3487ECE

RGBA 211 72 126 0.81

HSLA 336.69, 0.61%, 0.55%, 0.81

LABA 51.83, 58.88, -0.17, 0.81

 

CMYK 0 / 49 / 29 / 9

HEX #E45A91CE

RGBA 228 90 145 0.81

HSLA 336.09, 0.72%, 0.62%, 0.81

LABA 57.9, 58.55, -2.2, 0.81

 

CMYK 0 / 45 / 27 / 3

HEX #F56CA4CE

RGBA 245 108 164 0.81

HSLA 335.47, 0.87%, 0.69%, 0.81

LABA 64.01, 57.99, -3.88, 0.81

 

CMYK 0 / 64 / 37 / 26

HEX #AC245DCE

RGBA 172 36 93 0.81

HSLA 334.85, 0.65%, 0.41%, 0.81

LABA 39.28, 57.22, 1.02, 0.81

 

CMYK 0 / 72 / 42 / 32

HEX #9B124ACE

RGBA 155 18 74 0.81

HSLA 335.47, 0.79%, 0.34%, 0.81

LABA 33.76, 55.52, 4.87, 0.81

 

CMYK 0 / 81 / 49 / 37

HEX #8A0037CE

RGBA 138 0 55 0.81

HSLA 336.09, 1%, 0.27%, 0.81

LABA 28.59, 52.73, 9.72, 0.81

 

CMYK 0 / 81 / 57 / 43

HEX #790024CE

RGBA 121 0 36 0.81

HSLA 342.15, 1%, 0.24%, 0.81

LABA 24.3, 47.27, 16.31, 0.81

 

CMYK 0 / 81 / 68 / 48

HEX #680011CE

RGBA 104 0 17 0.81

HSLA 350.19, 1%, 0.2%, 0.81

LABA 19.98, 41.89, 23, 0.81

 

CMYK 0 / 79 / 46 / 32

HEX #AD255E

RGB 173 37 94

HSL 334.85, 0.65%, 0.41%

LAB 39.61, 57.29, 0.88

 

CMYK 0 / 79 / 67 / 32

HEX #AD2539

RGB 173 37 57

HSL 351.18, 0.65%, 0.41%

LAB 38.73, 54.56, 23.15

 

CMYK 0 / 79 / 79 / 32

HEX #AD2525

RGB 173 37 37

HSL 0, 0.65%, 0.41%

LAB 38.45, 53.66, 34.94

 

CMYK 0 / 79 / 46 / 32

HEX #AD255E

RGB 173 37 94

HSL 334.85, 0.65%, 0.41%

LAB 39.61, 57.29, 0.88

 

CMYK 0 / 79 / 25 / 32

HEX #AD2582

RGB 173 37 130

HSL 318.97, 0.65%, 0.41%

LAB 40.93, 61.27, -19.64

 

CMYK 0 / 79 / 3 / 32

HEX #AD25A7

RGB 173 37 167

HSL 302.65, 0.65%, 0.41%

LAB 42.76, 66.53, -39.2

 

CMYK 18 / 79 / 0 / 32

HEX #8D25AD

RGB 141 37 173

HSL 285.88, 0.65%, 0.41%

LAB 37.85, 61.22, -50.94

 

CMYK 39 / 79 / 0 / 32

HEX #6925AD

RGB 105 37 173

HSL 270, 0.65%, 0.41%

LAB 32.58, 54.87, -59.74

 

CMYK 0 / 79 / 46 / 32

HEX #AD255E

RGB 173 37 94

HSL 334.85, 0.65%, 0.41%

LAB 39.61, 57.29, 0.88

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 99 / 57 / 19

HEX #CE0358

RGB 206 3 88

HSL 334.88, 0.97%, 0.41%

LAB 44.08, 70.73, 11.93

 

CMYK 0 / 79 / 46 / 32

HEX #AD255E

RGB 173 37 94

HSL 334.85, 0.65%, 0.41%

LAB 39.61, 57.29, 0.88

 

CMYK 0 / 65 / 38 / 39

HEX #9C3660

RGB 156 54 96

HSL 335.29, 0.49%, 0.41%

LAB 38.81, 46.22, -1.91

 

CMYK 0 / 50 / 29 / 45

HEX #8B4663

RGB 139 70 99

HSL 334.78, 0.33%, 0.41%

LAB 39.19, 32.85, -3.55

 

CMYK 0 / 29 / 16 / 52

HEX #7A5766

RGB 122 87 102

HSL 334.29, 0.17%, 0.41%

LAB 41.08, 16.98, -2.87

 

CMYK 0 / 1 / 0 / 59

HEX #696869

RGB 105 104 105

HSL 300, 0%, 0.41%

LAB 44.12, 0.6, -0.43

 

CMYK 0 / 79 / 3 / 32

HEX #AD25A8

RGB 173 37 168

HSL 302.21, 0.65%, 0.41%

LAB 42.82, 66.69, -39.71

 

CMYK 0 / 79 / 24 / 32

HEX #AD2584

RGB 173 37 132

HSL 318.09, 0.65%, 0.41%

LAB 41.01, 61.52, -20.74

 

CMYK 0 / 79 / 45 / 32

HEX #AD255F

RGB 173 37 95

HSL 334.41, 0.65%, 0.41%

LAB 39.64, 57.39, 0.29

 

CMYK 0 / 79 / 66 / 32

HEX #AD253B

RGB 173 37 59

HSL 350.29, 0.65%, 0.41%

LAB 38.77, 54.67, 21.94

 

CMYK 0 / 71 / 79 / 32

HEX #AD3225

RGB 173 50 37

HSL 5.74, 0.65%, 0.41%

LAB 40.08, 49.13, 36.65

 

CMYK 0 / 79 / 45 / 59

HEX #681639

RGB 104 22 57

HSL 334.39, 0.65%, 0.25%

LAB 23.04, 38.62, -0.54

 

CMYK 0 / 79 / 46 / 46

HEX #8A1D4B

RGB 138 29 75

HSL 334.68, 0.65%, 0.33%

LAB 31.32, 48.17, 0.25

 

CMYK 0 / 79 / 46 / 32

HEX #AD255E

RGB 173 37 94

HSL 334.85, 0.65%, 0.41%

LAB 39.61, 57.29, 0.88

 

CMYK 0 / 79 / 46 / 19

HEX #CF2C70

RGB 207 44 112

HSL 334.97, 0.65%, 0.49%

LAB 47.28, 65.98, 1.62

 

CMYK 0 / 65 / 38 / 15

HEX #D94B86

RGB 217 75 134

HSL 335.07, 0.65%, 0.57%

LAB 53.5, 60.3, -2.38

 

CMYK 0 / 79 / 46 / 33

HEX #AC245D

RGB 172 36 93

HSL 334.85, 0.65%, 0.41%

LAB 39.28, 57.22, 1.02

 

CMYK 0 / 18 / 79 / 32

HEX #AD8D25

RGB 173 141 37

HSL 45.88, 0.65%, 0.41%

LAB 59.95, 1.69, 55.96

 

CMYK 79 / 13 / 0 / 32

HEX #2596AD

RGB 37 150 173

HSL 190.15, 0.65%, 0.41%

LAB 57.29, -22.48, -20.81

 

CMYK 0 / 79 / 46 / 33

HEX #AC245D

RGB 172 36 93

HSL 334.85, 0.65%, 0.41%

LAB 39.28, 57.22, 1.02

 

CMYK 45 / 0 / 79 / 32

HEX #5FAD25

RGB 95 173 37

HSL 94.41, 0.65%, 0.41%

LAB 63.72, -46.22, 57.47

 

CMYK 79 / 45 / 0 / 32

HEX #255FAD

RGB 37 95 173

HSL 214.41, 0.65%, 0.41%

LAB 40.56, 9.76, -47.04

 

CMYK 0 / 79 / 46 / 33

HEX #AC245D

RGB 172 36 93

HSL 334.85, 0.65%, 0.41%

LAB 39.28, 57.22, 1.02

 

CMYK 0 / 18 / 79 / 32

HEX #AD8D25

RGB 173 141 37

HSL 45.88, 0.65%, 0.41%

LAB 59.95, 1.69, 55.96

 

CMYK 79 / 0 / 34 / 32

HEX #25AD72

RGB 37 173 114

HSL 153.97, 0.65%, 0.41%

LAB 62.92, -49.15, 20.5

 

CMYK 79 / 61 / 0 / 32

HEX #2544AD

RGB 37 68 173

HSL 226.32, 0.65%, 0.41%

LAB 33.02, 27.66, -59.26

 

CMYK 0 / 79 / 46 / 33

HEX #AC245D

RGB 172 36 93

HSL 334.85, 0.65%, 0.41%

LAB 39.28, 57.22, 1.02

 

CMYK 6 / 0 / 79 / 32

HEX #A3AD25

RGB 163 173 37

HSL 64.41, 0.65%, 0.41%

LAB 67.88, -19.67, 62.83

 

CMYK 79 / 0 / 34 / 32

HEX #25AD72

RGB 37 173 114

HSL 153.97, 0.65%, 0.41%

LAB 62.92, -49.15, 20.5

 

CMYK 73 / 79 / 0 / 32

HEX #2E25AD

RGB 46 37 173

HSL 243.97, 0.65%, 0.41%

LAB 26.51, 47.43, -69.94

 

Description

Color code: HEX #AC245DCE | qconv.com Color code: HEX #AC245DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 36 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 36 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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