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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1EEE it is the complementary color #53E111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1EEE shade: #B11EE9, #C230FC, #D342FF, #E454FF and #F566FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1EEE shade: #AC1EEE, #9B0CDB, #8A00C8, #7900B5 and #6800A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1EEE shade: #AD20EE, #E420EE, #EE20C0, #EE2089 and #EE2051

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1EEE shade: #AD20EE, #7520EE, #3E20EE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1EEE shade matches the following richer shades: #AD20EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1EEE shade: #AD20EE, #A633DB, #9F47C7, #985AB4 and #906EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1EEE shade: #3C20EE, #7320EE, #AA20EE, #E020EE and #EE20C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1EEE shade: #7B0DAF, #9710D5, #AD20EE, #BB46F1 and #C96DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1EEE shade: #AC1EEE, #EE203C and #20EE57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1EEE shade: #AC1EEE, #EEAA20 and #20EEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1EEE shade: #AC1EEE, #EE203C, #65EE20 and #20EED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1EEE shade: #AC1EEE, #EE4220, #65EE20 and #20CCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

Complementary color

CMYK 63 / 0 / 92 / 12

HEX #53E111

RGB 83 225 17

HSL 100.96, 0.86%, 0.47%

LAB 79.46, -68.8, 75.34

 

CMYK 24 / 87 / 0 / 9

HEX #B11EE9

RGB 177 30 233

HSL 283.45, 0.82%, 0.52%

LAB 47.18, 80.16, -70.37

 

CMYK 23 / 81 / 0 / 1

HEX #C230FC

RGB 194 48 252

HSL 282.94, 0.97%, 0.59%

LAB 52.52, 82.06, -72.24

 

CMYK 17 / 74 / 0 / 0

HEX #D342FF

RGB 211 66 255

HSL 286.03, 1%, 0.63%

LAB 57.04, 80.17, -66.48

 

CMYK 11 / 67 / 0 / 0

HEX #E454FF

RGB 228 84 255

HSL 290.53, 1%, 0.66%

LAB 61.7, 77.18, -58.87

 

CMYK 4 / 60 / 0 / 0

HEX #F566FF

RGB 245 102 255

HSL 296.08, 1%, 0.7%

LAB 66.62, 73.87, -50.91

 

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

CMYK 29 / 95 / 0 / 14

HEX #9B0CDB

RGB 155 12 219

HSL 281.45, 0.9%, 0.45%

LAB 41.76, 77.41, -71.37

 

CMYK 31 / 100 / 0 / 22

HEX #8A00C8

RGB 138 0 200

HSL 281.4, 1%, 0.39%

LAB 37.07, 73.09, -68.16

 

CMYK 33 / 100 / 0 / 29

HEX #7900B5

RGB 121 0 181

HSL 280.11, 1%, 0.35%

LAB 32.7, 67.44, -64.22

 

CMYK 36 / 100 / 0 / 36

HEX #6800A2

RGB 104 0 162

HSL 278.52, 1%, 0.32%

LAB 28.25, 61.69, -60.2

 

CMYK 27 / 87 / 0 / 7

HEX #AD20EE

RGB 173 32 238

HSL 281.07, 0.86%, 0.53%

LAB 47.09, 80.12, -73.36

 

CMYK 4 / 87 / 0 / 7

HEX #E420EE

RGB 228 32 238

HSL 297.09, 0.86%, 0.53%

LAB 55.79, 88.59, -58.88

 

CMYK 0 / 87 / 19 / 7

HEX #EE20C0

RGB 238 32 192

HSL 313.4, 0.86%, 0.53%

LAB 55.09, 84.12, -33.69

 

CMYK 0 / 87 / 42 / 7

HEX #EE2089

RGB 238 32 137

HSL 329.42, 0.86%, 0.53%

LAB 52.97, 78.33, -4.53

 

CMYK 0 / 87 / 66 / 7

HEX #EE2051

RGB 238 32 81

HSL 345.73, 0.86%, 0.53%

LAB 51.62, 74.5, 27.43

 

CMYK 27 / 87 / 0 / 7

HEX #AD20EE

RGB 173 32 238

HSL 281.07, 0.86%, 0.53%

LAB 47.09, 80.12, -73.36

 

CMYK 51 / 87 / 0 / 7

HEX #7520EE

RGB 117 32 238

HSL 264.76, 0.86%, 0.53%

LAB 39.56, 73.38, -86.01

 

CMYK 74 / 87 / 0 / 7

HEX #3E20EE

RGB 62 32 238

HSL 248.74, 0.86%, 0.53%

LAB 34.46, 69.3, -94.62

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 27 / 87 / 0 / 7

HEX #AD20EE

RGB 173 32 238

HSL 281.07, 0.86%, 0.53%

LAB 47.09, 80.12, -73.36

 

CMYK 27 / 87 / 0 / 7

HEX #AD20EE

RGB 173 32 238

HSL 281.07, 0.86%, 0.53%

LAB 47.09, 80.12, -73.36

 

CMYK 24 / 77 / 0 / 14

HEX #A633DB

RGB 166 51 219

HSL 281.07, 0.7%, 0.53%

LAB 46.43, 70.18, -63.7

 

CMYK 20 / 64 / 0 / 22

HEX #9F47C7

RGB 159 71 199

HSL 281.25, 0.53%, 0.53%

LAB 46.98, 56.67, -51.38

 

CMYK 16 / 50 / 0 / 29

HEX #985AB4

RGB 152 90 180

HSL 281.33, 0.38%, 0.53%

LAB 48.61, 41.18, -37.8

 

CMYK 11 / 32 / 0 / 37

HEX #906EA1

RGB 144 110 161

HSL 280, 0.21%, 0.53%

LAB 51.44, 23.16, -22.36

 

CMYK 75 / 87 / 0 / 7

HEX #3C20EE

RGB 60 32 238

HSL 248.16, 0.86%, 0.53%

LAB 34.33, 69.2, -94.84

 

CMYK 52 / 87 / 0 / 7

HEX #7320EE

RGB 115 32 238

HSL 264.17, 0.86%, 0.53%

LAB 39.33, 73.18, -86.4

 

CMYK 29 / 87 / 0 / 7

HEX #AA20EE

RGB 170 32 238

HSL 280.19, 0.86%, 0.53%

LAB 46.65, 79.7, -74.11

 

CMYK 6 / 87 / 0 / 7

HEX #E020EE

RGB 224 32 238

HSL 295.92, 0.86%, 0.53%

LAB 55.13, 87.93, -59.98

 

CMYK 0 / 87 / 17 / 7

HEX #EE20C5

RGB 238 32 197

HSL 311.94, 0.86%, 0.53%

LAB 55.32, 84.73, -36.21

 

CMYK 30 / 93 / 0 / 31

HEX #7B0DAF

RGB 123 13 175

HSL 280.74, 0.86%, 0.37%

LAB 33.12, 64.63, -59.94

 

CMYK 29 / 92 / 0 / 16

HEX #9710D5

RGB 151 16 213

HSL 281.12, 0.86%, 0.45%

LAB 40.82, 75.26, -69.48

 

CMYK 27 / 87 / 0 / 7

HEX #AD20EE

RGB 173 32 238

HSL 281.07, 0.86%, 0.53%

LAB 47.09, 80.12, -73.36

 

CMYK 22 / 71 / 0 / 5

HEX #BB46F1

RGB 187 70 241

HSL 281.05, 0.86%, 0.61%

LAB 53.27, 71.56, -64.93

 

CMYK 18 / 55 / 0 / 4

HEX #C96DF4

RGB 201 109 244

HSL 280.89, 0.86%, 0.69%

LAB 61.56, 57.94, -53.24

 

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

CMYK 0 / 87 / 75 / 7

HEX #EE203C

RGB 238 32 60

HSL 351.84, 0.86%, 0.53%

LAB 51.31, 73.61, 39.45

 

CMYK 87 / 0 / 63 / 7

HEX #20EE57

RGB 32 238 87

HSL 136.02, 0.86%, 0.53%

LAB 82.99, -75.65, 58.37

 

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

CMYK 0 / 29 / 87 / 7

HEX #EEAA20

RGB 238 170 32

HSL 40.19, 0.86%, 0.53%

LAB 74.21, 14.51, 72.42

 

CMYK 87 / 0 / 29 / 7

HEX #20EEAA

RGB 32 238 170

HSL 160.19, 0.86%, 0.53%

LAB 84.15, -61.98, 20.01

 

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

CMYK 0 / 87 / 75 / 7

HEX #EE203C

RGB 238 32 60

HSL 351.84, 0.86%, 0.53%

LAB 51.31, 73.61, 39.45

 

CMYK 58 / 0 / 87 / 7

HEX #65EE20

RGB 101 238 32

HSL 99.9, 0.86%, 0.53%

LAB 83.98, -68.49, 76.98

 

CMYK 87 / 0 / 11 / 7

HEX #20EED3

RGB 32 238 211

HSL 172.14, 0.86%, 0.53%

LAB 85.08, -52.06, -0.08

 

CMYK 28 / 87 / 0 / 7

HEX #AC1EEE

RGB 172 30 238

HSL 280.96, 0.86%, 0.53%

LAB 46.81, 80.39, -73.84

 

CMYK 0 / 72 / 87 / 7

HEX #EE4220

RGB 238 66 32

HSL 9.9, 0.86%, 0.53%

LAB 54.22, 63.97, 56.44

 

CMYK 58 / 0 / 87 / 7

HEX #65EE20

RGB 101 238 32

HSL 99.9, 0.86%, 0.53%

LAB 83.98, -68.49, 76.98

 

CMYK 87 / 14 / 0 / 7

HEX #20CCEE

RGB 32 204 238

HSL 189.9, 0.86%, 0.53%

LAB 75.86, -28.85, -28.26

 

Description

Color code: HEX #AC1EEE | qconv.com Color code: HEX #AC1EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 30 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 30 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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