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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1ED2 it is the complementary color #53E12D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1ED2 shade: #B11ECD, #C230E0, #D342F3, #E454FF and #F566FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1ED2 shade: #AC1ED2, #9B0CBF, #8A00AC, #790099 and #680086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1ED2 shade: #AC1ED2, #D21EC7, #D21E97, #D21E66 and #D21E36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1ED2 shade: #AC1ED2, #7B1ED2, #4B1ED2 and #1E1ED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1ED2 shade matches the following richer shades: #AC1ED2 and #B70BE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1ED2 shade: #AC1ED2, #A131BE, #9545AB, #8A5898 and #7F6C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1ED2 shade: #4B1ED2, #7B1ED2, #AB1ED2, #D21EC9 and #D21E99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1ED2 shade: #71148A, #8E19AE, #AC1ED2, #BE37E2 and #CA5BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1ED2 shade: #AC1ED2, #D21E21 and #1ED263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1ED2 shade: #AC1ED2, #D2AB1E and #1ED2AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1ED2 shade: #AC1ED2, #D21E21, #45D21E and #1ED2CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1ED2 shade: #AC1ED2, #D2511E, #45D21E and #1E9FD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

Complementary color

CMYK 63 / 0 / 80 / 12

HEX #53E12D

RGB 83 225 45

HSL 107.33, 0.75%, 0.53%

LAB 79.54, -67.78, 69.82

 

CMYK 14 / 85 / 0 / 20

HEX #B11ECD

RGB 177 30 205

HSL 290.4, 0.74%, 0.46%

LAB 45.2, 75.19, -57.57

 

CMYK 13 / 79 / 0 / 12

HEX #C230E0

RGB 194 48 224

HSL 289.77, 0.74%, 0.53%

LAB 50.65, 77.02, -59.53

 

CMYK 13 / 73 / 0 / 5

HEX #D342F3

RGB 211 66 243

HSL 289.15, 0.88%, 0.61%

LAB 56.3, 78.01, -61

 

CMYK 11 / 67 / 0 / 0

HEX #E454FF

RGB 228 84 255

HSL 290.53, 1%, 0.66%

LAB 61.7, 77.18, -58.87

 

CMYK 4 / 60 / 0 / 0

HEX #F566FF

RGB 245 102 255

HSL 296.08, 1%, 0.7%

LAB 66.62, 73.87, -50.91

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 19 / 94 / 0 / 25

HEX #9B0CBF

RGB 155 12 191

HSL 287.93, 0.88%, 0.4%

LAB 39.57, 72.3, -58.69

 

CMYK 20 / 100 / 0 / 33

HEX #8A00AC

RGB 138 0 172

HSL 288.14, 1%, 0.34%

LAB 34.77, 67.93, -55.36

 

CMYK 21 / 100 / 0 / 40

HEX #790099

RGB 121 0 153

HSL 287.45, 1%, 0.3%

LAB 30.31, 62.11, -51.22

 

CMYK 22 / 100 / 0 / 47

HEX #680086

RGB 104 0 134

HSL 286.57, 1%, 0.26%

LAB 25.76, 56.15, -46.99

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 0 / 86 / 5 / 18

HEX #D21EC7

RGB 210 30 199

HSL 303.67, 0.75%, 0.47%

LAB 50.4, 80.04, -45.46

 

CMYK 0 / 86 / 28 / 18

HEX #D21E97

RGB 210 30 151

HSL 319.67, 0.75%, 0.47%

LAB 48.09, 73.85, -20.81

 

CMYK 0 / 86 / 51 / 18

HEX #D21E66

RGB 210 30 102

HSL 336, 0.75%, 0.47%

LAB 46.43, 69.2, 6.63

 

CMYK 0 / 86 / 74 / 18

HEX #D21E36

RGB 210 30 54

HSL 352, 0.75%, 0.47%

LAB 45.49, 66.48, 34.86

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 41 / 86 / 0 / 18

HEX #7B1ED2

RGB 123 30 210

HSL 271, 0.75%, 0.47%

LAB 37.47, 68.24, -73.4

 

CMYK 64 / 86 / 0 / 18

HEX #4B1ED2

RGB 75 30 210

HSL 255, 0.75%, 0.47%

LAB 31.98, 63.37, -82.64

 

CMYK 86 / 86 / 0 / 18

HEX #1E1ED2

RGB 30 30 210

HSL 240, 0.75%, 0.47%

LAB 29.05, 60.98, -87.59

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 20 / 95 / 0 / 10

HEX #B70BE5

RGB 183 11 229

HSL 287.34, 0.91%, 0.47%

LAB 46.93, 82.97, -68.47

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 15 / 74 / 0 / 25

HEX #A131BE

RGB 161 49 190

HSL 287.66, 0.59%, 0.47%

LAB 43.49, 64.3, -51.72

 

CMYK 13 / 60 / 0 / 33

HEX #9545AB

RGB 149 69 171

HSL 287.06, 0.43%, 0.47%

LAB 43.63, 49.36, -40.42

 

CMYK 9 / 42 / 0 / 40

HEX #8A5898

RGB 138 88 152

HSL 286.88, 0.27%, 0.47%

LAB 45.15, 32.01, -26.84

 

CMYK 4 / 18 / 0 / 48

HEX #7F6C84

RGB 127 108 132

HSL 287.5, 0.1%, 0.47%

LAB 48.14, 12.16, -10.45

 

CMYK 64 / 86 / 0 / 18

HEX #4B1ED2

RGB 75 30 210

HSL 255, 0.75%, 0.47%

LAB 31.98, 63.37, -82.64

 

CMYK 41 / 86 / 0 / 18

HEX #7B1ED2

RGB 123 30 210

HSL 271, 0.75%, 0.47%

LAB 37.47, 68.24, -73.4

 

CMYK 19 / 86 / 0 / 18

HEX #AB1ED2

RGB 171 30 210

HSL 287, 0.75%, 0.47%

LAB 44.57, 75.09, -61.51

 

CMYK 0 / 86 / 4 / 18

HEX #D21EC9

RGB 210 30 201

HSL 303, 0.75%, 0.47%

LAB 50.51, 80.32, -46.44

 

CMYK 0 / 86 / 27 / 18

HEX #D21E99

RGB 210 30 153

HSL 319, 0.75%, 0.47%

LAB 48.17, 74.08, -21.88

 

CMYK 18 / 86 / 0 / 46

HEX #71148A

RGB 113 20 138

HSL 287.29, 0.75%, 0.31%

LAB 29.02, 54.3, -44.12

 

CMYK 18 / 86 / 0 / 32

HEX #8E19AE

RGB 142 25 174

HSL 287.11, 0.75%, 0.39%

LAB 36.93, 64.92, -53.01

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 16 / 76 / 0 / 11

HEX #BE37E2

RGB 190 55 226

HSL 287.37, 0.75%, 0.55%

LAB 50.89, 74.56, -60.31

 

CMYK 13 / 61 / 0 / 9

HEX #CA5BE8

RGB 202 91 232

HSL 287.23, 0.75%, 0.63%

LAB 57.91, 64.26, -52.35

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 0 / 86 / 84 / 18

HEX #D21E21

RGB 210 30 33

HSL 359, 0.75%, 0.47%

LAB 45.28, 65.85, 46.31

 

CMYK 86 / 0 / 53 / 18

HEX #1ED263

RGB 30 210 99

HSL 143, 0.75%, 0.47%

LAB 74.36, -65.61, 42.93

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 0 / 19 / 86 / 18

HEX #D2AB1E

RGB 210 171 30

HSL 47, 0.75%, 0.47%

LAB 71.5, 1.78, 69.5

 

CMYK 86 / 0 / 19 / 18

HEX #1ED2AB

RGB 30 210 171

HSL 167, 0.75%, 0.47%

LAB 75.64, -51.09, 7.48

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 0 / 86 / 84 / 18

HEX #D21E21

RGB 210 30 33

HSL 359, 0.75%, 0.47%

LAB 45.28, 65.85, 46.31

 

CMYK 67 / 0 / 86 / 18

HEX #45D21E

RGB 69 210 30

HSL 107, 0.75%, 0.47%

LAB 74.48, -66.52, 68.78

 

CMYK 86 / 0 / 1 / 18

HEX #1ED2CF

RGB 30 210 207

HSL 179, 0.75%, 0.47%

LAB 76.6, -41.3, -10.46

 

CMYK 18 / 86 / 0 / 18

HEX #AC1ED2

RGB 172 30 210

HSL 287.33, 0.75%, 0.47%

LAB 44.73, 75.25, -61.24

 

CMYK 0 / 61 / 86 / 18

HEX #D2511E

RGB 210 81 30

HSL 17, 0.75%, 0.47%

LAB 51.47, 48.67, 52.99

 

CMYK 67 / 0 / 86 / 18

HEX #45D21E

RGB 69 210 30

HSL 107, 0.75%, 0.47%

LAB 74.48, -66.52, 68.78

 

CMYK 86 / 24 / 0 / 18

HEX #1E9FD2

RGB 30 159 210

HSL 197, 0.75%, 0.47%

LAB 61.42, -15.2, -35.28

 

Description

Color code: HEX #AC1ED2 | qconv.com Color code: HEX #AC1ED2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 30 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 30 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 86 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 86% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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