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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1DA7 it is the complementary color #53E258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1DA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1DA7 shade: #B11DA2, #C22FB5, #D341C8, #E453DB and #F565EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1DA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1DA7 shade: #AC1DA7, #9B0B94, #8A0081, #79006E and #68005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1DA7 shade: #AA1DA5, #AA1D7F, #AA1D59, #AA1D33 and #AA1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1DA7 shade: #AA1DA5, #891DAA, #631DAA, #3D1DAA and #1D1DAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1DA7 shade matches the following richer shades: #AA1DA5 and #BA0DB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1DA7 shade: #AA1DA5, #9A2D96, #8A3D87, #7A4D78 and #6A5D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1DA7 shade: #631DAA, #891DAA, #AA1DA5, #AA1D80 and #AA1D5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1DA7 shade: #641161, #871783, #AA1DA5, #CD23C7 and #DE3CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1DA7 shade: #AC1DA7, #AA3E1D and #1DAA76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1DA7 shade: #AC1DA7, #A5AA1D and #1DA5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1DA7 shade: #AC1DA7, #AA3E1D, #1DAA22 and #1D89AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1DA7 shade: #AC1DA7, #AA681D, #1DAA22 and #1D5FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

Complementary color

CMYK 63 / 0 / 61 / 11

HEX #53E258

RGB 83 226 88

HSL 122.1, 0.71%, 0.61%

LAB 80.14, -64.69, 54.98

 

CMYK 0 / 84 / 8 / 31

HEX #B11DA2

RGB 177 29 162

HSL 306.08, 0.72%, 0.4%

LAB 42.51, 68.54, -36.56

 

CMYK 0 / 76 / 7 / 24

HEX #C22FB5

RGB 194 47 181

HSL 305.31, 0.61%, 0.47%

LAB 48.06, 70.3, -38.86

 

CMYK 0 / 69 / 5 / 17

HEX #D341C8

RGB 211 65 200

HSL 304.52, 0.62%, 0.54%

LAB 53.81, 71.19, -40.62

 

CMYK 0 / 64 / 4 / 11

HEX #E453DB

RGB 228 83 219

HSL 303.72, 0.73%, 0.61%

LAB 59.7, 71.52, -41.98

 

CMYK 0 / 59 / 3 / 4

HEX #F565EE

RGB 245 101 238

HSL 302.92, 0.88%, 0.68%

LAB 65.67, 71.46, -43.05

 

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

CMYK 0 / 93 / 5 / 39

HEX #9B0B94

RGB 155 11 148

HSL 302.92, 0.87%, 0.33%

LAB 36.64, 65.36, -37.65

 

CMYK 0 / 100 / 7 / 46

HEX #8A0081

RGB 138 0 129

HSL 303.91, 1%, 0.27%

LAB 31.78, 60.87, -33.82

 

CMYK 0 / 100 / 9 / 53

HEX #79006E

RGB 121 0 110

HSL 305.45, 1%, 0.24%

LAB 27.27, 54.91, -29.12

 

CMYK 0 / 100 / 13 / 59

HEX #68005B

RGB 104 0 91

HSL 307.5, 1%, 0.2%

LAB 22.65, 48.8, -24.23

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 0 / 83 / 25 / 33

HEX #AA1D7F

RGB 170 29 127

HSL 318.3, 0.71%, 0.39%

LAB 39.51, 62.28, -20.02

 

CMYK 0 / 83 / 48 / 33

HEX #AA1D59

RGB 170 29 89

HSL 334.47, 0.71%, 0.39%

LAB 38.1, 58.22, 1.81

 

CMYK 0 / 83 / 70 / 33

HEX #AA1D33

RGB 170 29 51

HSL 350.64, 0.71%, 0.39%

LAB 37.23, 55.62, 24.91

 

CMYK 0 / 83 / 83 / 33

HEX #AA1D1D

RGB 170 29 29

HSL 0, 0.71%, 0.39%

LAB 36.95, 54.77, 37.75

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 19 / 83 / 0 / 33

HEX #891DAA

RGB 137 29 170

HSL 285.96, 0.71%, 0.39%

LAB 36.17, 62.3, -51.88

 

CMYK 42 / 83 / 0 / 33

HEX #631DAA

RGB 99 29 170

HSL 269.79, 0.71%, 0.39%

LAB 30.48, 56.21, -61.4

 

CMYK 64 / 83 / 0 / 33

HEX #3D1DAA

RGB 61 29 170

HSL 253.62, 0.71%, 0.39%

LAB 26.08, 51.64, -68.81

 

CMYK 83 / 83 / 0 / 33

HEX #1D1DAA

RGB 29 29 170

HSL 240, 0.71%, 0.39%

LAB 23.81, 49.35, -72.64

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB4

RGB 186 13 180

HSL 302.08, 0.87%, 0.39%

LAB 44.26, 75.41, -44.38

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 0 / 71 / 3 / 40

HEX #9A2D96

RGB 154 45 150

HSL 302.2, 0.55%, 0.39%

LAB 39.49, 57.05, -34.35

 

CMYK 0 / 56 / 2 / 46

HEX #8A3D87

RGB 138 61 135

HSL 302.34, 0.39%, 0.39%

LAB 38.71, 43.24, -26.62

 

CMYK 0 / 37 / 2 / 52

HEX #7A4D78

RGB 122 77 120

HSL 302.67, 0.23%, 0.39%

LAB 39.24, 26.38, -16.73

 

CMYK 0 / 12 / 1 / 58

HEX #6A5D69

RGB 106 93 105

HSL 304.62, 0.07%, 0.39%

LAB 41.08, 7.62, -4.91

 

CMYK 42 / 83 / 0 / 33

HEX #631DAA

RGB 99 29 170

HSL 269.79, 0.71%, 0.39%

LAB 30.48, 56.21, -61.4

 

CMYK 19 / 83 / 0 / 33

HEX #891DAA

RGB 137 29 170

HSL 285.96, 0.71%, 0.39%

LAB 36.17, 62.3, -51.88

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 0 / 83 / 25 / 33

HEX #AA1D80

RGB 170 29 128

HSL 317.87, 0.71%, 0.39%

LAB 39.55, 62.4, -20.57

 

CMYK 0 / 83 / 47 / 33

HEX #AA1D5A

RGB 170 29 90

HSL 334.04, 0.71%, 0.39%

LAB 38.13, 58.31, 1.21

 

CMYK 0 / 83 / 3 / 61

HEX #641161

RGB 100 17 97

HSL 302.17, 0.71%, 0.23%

LAB 23.58, 44.92, -26.77

 

CMYK 0 / 83 / 3 / 47

HEX #871783

RGB 135 23 131

HSL 302.14, 0.71%, 0.31%

LAB 32.71, 56.58, -33.64

 

CMYK 0 / 83 / 3 / 33

HEX #AA1DA5

RGB 170 29 165

HSL 302.13, 0.71%, 0.39%

LAB 41.44, 67.6, -40.13

 

CMYK 0 / 83 / 3 / 20

HEX #CD23C7

RGB 205 35 199

HSL 302.12, 0.71%, 0.47%

LAB 49.86, 78.16, -46.36

 

CMYK 0 / 73 / 3 / 13

HEX #DE3CD8

RGB 222 60 216

HSL 302.22, 0.71%, 0.55%

LAB 55.81, 77.68, -46.49

 

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

CMYK 0 / 64 / 83 / 33

HEX #AA3E1D

RGB 170 62 29

HSL 14.04, 0.71%, 0.39%

LAB 41.34, 42.71, 41.89

 

CMYK 83 / 0 / 31 / 33

HEX #1DAA76

RGB 29 170 118

HSL 157.87, 0.71%, 0.39%

LAB 61.93, -47.96, 16.94

 

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

CMYK 3 / 0 / 83 / 33

HEX #A5AA1D

RGB 165 170 29

HSL 62.13, 0.71%, 0.39%

LAB 67.15, -17.57, 64.47

 

CMYK 83 / 3 / 0 / 33

HEX #1DA5AA

RGB 29 165 170

HSL 182.13, 0.71%, 0.39%

LAB 61.72, -31.68, -12.42

 

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

CMYK 0 / 64 / 83 / 33

HEX #AA3E1D

RGB 170 62 29

HSL 14.04, 0.71%, 0.39%

LAB 41.34, 42.71, 41.89

 

CMYK 83 / 0 / 80 / 33

HEX #1DAA22

RGB 29 170 34

HSL 122.13, 0.71%, 0.39%

LAB 60.89, -60.22, 55.07

 

CMYK 83 / 19 / 0 / 33

HEX #1D89AA

RGB 29 137 170

HSL 194.04, 0.71%, 0.39%

LAB 53.01, -17.36, -25.69

 

CMYK 0 / 83 / 3 / 33

HEX #AC1DA7

RGB 172 29 167

HSL 302.1, 0.71%, 0.39%

LAB 41.91, 68.3, -40.57

 

CMYK 0 / 39 / 83 / 33

HEX #AA681D

RGB 170 104 29

HSL 31.91, 0.71%, 0.39%

LAB 50.14, 20.74, 49.88

 

CMYK 83 / 0 / 80 / 33

HEX #1DAA22

RGB 29 170 34

HSL 122.13, 0.71%, 0.39%

LAB 60.89, -60.22, 55.07

 

CMYK 83 / 44 / 0 / 33

HEX #1D5FAA

RGB 29 95 170

HSL 211.91, 0.71%, 0.39%

LAB 40.16, 7.75, -45.93

 

Description

Color code: HEX #AC1DA7 | qconv.com Color code: HEX #AC1DA7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 29 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 29 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 3 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 3% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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