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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1BEA it is the complementary color #53E415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1BEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1BEA shade: #B11BE5, #C22DF8, #D33FFF, #E451FF and #F563FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1BEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1BEA shade: #AC1BEA, #9B09D7, #8A00C4, #7900B1 and #68009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1BEA shade: #AC1AEA, #E41AEA, #EA1AB8, #EA1A80 and #EA1A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1BEA shade: #AC1AEA, #741AEA, #3C1AEA and #1A1AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1BEA shade matches the following richer shades: #AC1AEA and #B406FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1BEA shade: #AC1AEA, #A42FD6, #9B43C1, #9357AD and #8B6B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1BEA shade: #3D1AEA, #741AEA, #AC1AEA, #E31AEA and #EA1AB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1BEA shade: #760FA2, #9213C8, #AC1AEA, #B940ED and #C766F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1BEA shade: #AC1BEA, #EA1A2F and #1AEA59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1BEA shade: #AC1BEA, #EAAC1A and #1AEAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1BEA shade: #AC1BEA, #EA1A2F, #59EA1A and #1AEAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1BEA shade: #AC1BEA, #EA441A, #59EA1A and #1AC0EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

Complementary color

CMYK 64 / 0 / 91 / 11

HEX #53E415

RGB 83 228 21

HSL 102.03, 0.83%, 0.49%

LAB 80.39, -69.67, 75.58

 

CMYK 23 / 88 / 0 / 10

HEX #B11BE5

RGB 177 27 229

HSL 284.55, 0.8%, 0.5%

LAB 46.7, 79.99, -68.89

 

CMYK 22 / 82 / 0 / 3

HEX #C22DF8

RGB 194 45 248

HSL 284.04, 0.94%, 0.57%

LAB 51.98, 82.1, -70.9

 

CMYK 17 / 75 / 0 / 0

HEX #D33FFF

RGB 211 63 255

HSL 286.25, 1%, 0.62%

LAB 56.71, 81.13, -67.02

 

CMYK 11 / 68 / 0 / 0

HEX #E451FF

RGB 228 81 255

HSL 290.69, 1%, 0.66%

LAB 61.31, 78.29, -59.5

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

CMYK 28 / 96 / 0 / 16

HEX #9B09D7

RGB 155 9 215

HSL 282.52, 0.92%, 0.44%

LAB 41.33, 76.98, -69.78

 

CMYK 30 / 100 / 0 / 23

HEX #8A00C4

RGB 138 0 196

HSL 282.24, 1%, 0.38%

LAB 36.72, 72.33, -66.39

 

CMYK 32 / 100 / 0 / 31

HEX #7900B1

RGB 121 0 177

HSL 281.02, 1%, 0.35%

LAB 32.35, 66.66, -62.42

 

CMYK 34 / 100 / 0 / 38

HEX #68009E

RGB 104 0 158

HSL 279.49, 1%, 0.31%

LAB 27.88, 60.87, -58.38

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 0 / 89 / 21 / 8

HEX #EA1AB8

RGB 234 26 184

HSL 314.42, 0.83%, 0.51%

LAB 53.7, 83.27, -31.27

 

CMYK 0 / 89 / 45 / 8

HEX #EA1A80

RGB 234 26 128

HSL 330.58, 0.83%, 0.51%

LAB 51.6, 77.61, -1.22

 

CMYK 0 / 89 / 69 / 8

HEX #EA1A48

RGB 234 26 72

HSL 346.73, 0.83%, 0.51%

LAB 50.33, 74.06, 31.05

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 50 / 89 / 0 / 8

HEX #741AEA

RGB 116 26 234

HSL 265.96, 0.83%, 0.51%

LAB 38.54, 73.88, -85.43

 

CMYK 74 / 89 / 0 / 8

HEX #3C1AEA

RGB 60 26 234

HSL 249.81, 0.83%, 0.51%

LAB 33.22, 70.02, -94.41

 

CMYK 89 / 89 / 0 / 8

HEX #1A1AEA

RGB 26 26 234

HSL 240, 0.83%, 0.51%

LAB 31.58, 68.96, -97.19

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 29 / 98 / 0 / 0

HEX #B406FE

RGB 180 6 254

HSL 282.1, 0.99%, 0.51%

LAB 48.25, 87.42, -80.41

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 23 / 78 / 0 / 16

HEX #A42FD6

RGB 164 47 214

HSL 282.04, 0.67%, 0.51%

LAB 45.33, 70.16, -62.63

 

CMYK 20 / 65 / 0 / 24

HEX #9B43C1

RGB 155 67 193

HSL 281.9, 0.5%, 0.51%

LAB 45.4, 56.32, -50.45

 

CMYK 15 / 50 / 0 / 32

HEX #9357AD

RGB 147 87 173

HSL 281.86, 0.34%, 0.51%

LAB 47.02, 39.86, -36.25

 

CMYK 9 / 30 / 0 / 40

HEX #8B6B99

RGB 139 107 153

HSL 281.74, 0.18%, 0.51%

LAB 49.86, 21.49, -20.14

 

CMYK 74 / 89 / 0 / 8

HEX #3D1AEA

RGB 61 26 234

HSL 250.1, 0.83%, 0.51%

LAB 33.29, 70.06, -94.29

 

CMYK 50 / 89 / 0 / 8

HEX #741AEA

RGB 116 26 234

HSL 265.96, 0.83%, 0.51%

LAB 38.54, 73.88, -85.43

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 3 / 89 / 0 / 8

HEX #E31AEA

RGB 227 26 234

HSL 297.98, 0.83%, 0.51%

LAB 55.08, 88.71, -57.77

 

CMYK 0 / 89 / 21 / 8

HEX #EA1AB9

RGB 234 26 185

HSL 314.13, 0.83%, 0.51%

LAB 53.74, 83.39, -31.78

 

CMYK 27 / 91 / 0 / 36

HEX #760FA2

RGB 118 15 162

HSL 282.04, 0.83%, 0.35%

LAB 31.35, 60.98, -55.03

 

CMYK 27 / 91 / 0 / 22

HEX #9213C8

RGB 146 19 200

HSL 282.1, 0.83%, 0.43%

LAB 39.15, 71.64, -64.7

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 22 / 73 / 0 / 7

HEX #B940ED

RGB 185 64 237

HSL 281.97, 0.83%, 0.59%

LAB 51.95, 72.63, -64.85

 

CMYK 17 / 58 / 0 / 5

HEX #C766F1

RGB 199 102 241

HSL 281.87, 0.83%, 0.67%

LAB 59.88, 60.23, -54.25

 

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

CMYK 0 / 89 / 80 / 8

HEX #EA1A2F

RGB 234 26 47

HSL 353.94, 0.83%, 0.51%

LAB 50.02, 73.17, 45.13

 

CMYK 89 / 0 / 62 / 8

HEX #1AEA59

RGB 26 234 89

HSL 138.17, 0.83%, 0.51%

LAB 81.72, -74.65, 56.09

 

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

CMYK 0 / 26 / 89 / 8

HEX #EAAC1A

RGB 234 172 26

HSL 42.12, 0.83%, 0.51%

LAB 74.24, 11.62, 73.64

 

CMYK 89 / 0 / 26 / 8

HEX #1AEAAC

RGB 26 234 172

HSL 162.12, 0.83%, 0.51%

LAB 82.94, -60.4, 17.27

 

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

CMYK 0 / 89 / 80 / 8

HEX #EA1A2F

RGB 234 26 47

HSL 353.94, 0.83%, 0.51%

LAB 50.02, 73.17, 45.13

 

CMYK 62 / 0 / 89 / 8

HEX #59EA1A

RGB 89 234 26

HSL 101.83, 0.83%, 0.51%

LAB 82.4, -70.16, 76.56

 

CMYK 89 / 0 / 9 / 8

HEX #1AEAD5

RGB 26 234 213

HSL 173.94, 0.83%, 0.51%

LAB 83.9, -50.18, -2.87

 

CMYK 26 / 88 / 0 / 8

HEX #AC1BEA

RGB 172 27 234

HSL 282.03, 0.83%, 0.51%

LAB 46.3, 80.21, -72.39

 

CMYK 0 / 71 / 89 / 8

HEX #EA441A

RGB 234 68 26

HSL 12.12, 0.83%, 0.51%

LAB 53.71, 61.91, 58.09

 

CMYK 62 / 0 / 89 / 8

HEX #59EA1A

RGB 89 234 26

HSL 101.83, 0.83%, 0.51%

LAB 82.4, -70.16, 76.56

 

CMYK 89 / 18 / 0 / 8

HEX #1AC0EA

RGB 26 192 234

HSL 192.12, 0.83%, 0.51%

LAB 72.13, -24.51, -31.84

 

Description

Color code: HEX #AC1BEA | qconv.com Color code: HEX #AC1BEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 27 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 27 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 88 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 88% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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