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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1B5E it is the complementary color #53E4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1B5E shade: #B11B59, #C22D6C, #D33F7F, #E45192 and #F563A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1B5E shade: #AC1B5E, #9B094B, #8A0038, #790025 and #680012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1B5E shade: #AC1B5E, #AC1B37 and #AC1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1B5E shade: #AC1B5E, #AC1B85, #AC1BAC, #851BAC and #5E1BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1B5E shade matches the following richer shades: #AC1B5E and #BC0B5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1B5E shade: #AC1B5E, #9C2B5F, #8C3B60, #7C4B62 and #6C5B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1B5E shade: #AC1BAC, #AC1B85, #AC1B5F, #AC1B38 and #AC251B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1B5E shade: #651037, #88154A, #AC1B5E, #D02071 and #E03986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1B5E shade: #AC1B5E, #AC851B and #1B99AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1B5E shade: #AC1B5E, #5FAC1B and #1B5FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1B5E shade: #AC1B5E, #AC851B, #1BAC68 and #1B42AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1B5E shade: #AC1B5E, #A7AC1B, #1BAC68 and #201BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

Complementary color

CMYK 64 / 0 / 29 / 11

HEX #53E4A1

RGB 83 228 161

HSL 152.28, 0.73%, 0.61%

LAB 81.78, -53.97, 21.53

 

CMYK 0 / 85 / 50 / 31

HEX #B11B59

RGB 177 27 89

HSL 335.2, 0.74%, 0.4%

LAB 39.33, 60.51, 3.76

 

CMYK 0 / 77 / 44 / 24

HEX #C22D6C

RGB 194 45 108

HSL 334.63, 0.62%, 0.47%

LAB 44.84, 61.88, 0.23

 

CMYK 0 / 70 / 40 / 17

HEX #D33F7F

RGB 211 63 127

HSL 334.05, 0.63%, 0.54%

LAB 50.61, 62.42, -2.55

 

CMYK 0 / 64 / 36 / 11

HEX #E45192

RGB 228 81 146

HSL 333.47, 0.73%, 0.61%

LAB 56.54, 62.42, -4.78

 

CMYK 0 / 60 / 33 / 4

HEX #F563A5

RGB 245 99 165

HSL 332.88, 0.88%, 0.67%

LAB 62.55, 62.08, -6.62

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 94 / 52 / 39

HEX #9B094B

RGB 155 9 75

HSL 332.88, 0.89%, 0.32%

LAB 33.29, 57.05, 3.54

 

CMYK 0 / 100 / 59 / 46

HEX #8A0038

RGB 138 0 56

HSL 335.65, 1%, 0.27%

LAB 28.61, 52.79, 9.08

 

CMYK 0 / 100 / 69 / 53

HEX #790025

RGB 121 0 37

HSL 341.65, 1%, 0.24%

LAB 24.32, 47.32, 15.64

 

CMYK 0 / 100 / 83 / 59

HEX #680012

RGB 104 0 18

HSL 349.62, 1%, 0.2%

LAB 19.99, 41.92, 22.42

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 84 / 68 / 33

HEX #AC1B37

RGB 172 27 55

HSL 348.41, 0.73%, 0.39%

LAB 37.54, 56.88, 22.86

 

CMYK 0 / 84 / 84 / 33

HEX #AC1B1B

RGB 172 27 27

HSL 0, 0.73%, 0.39%

LAB 37.18, 55.8, 39.19

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 84 / 23 / 33

HEX #AC1B85

RGB 172 27 133

HSL 316.14, 0.73%, 0.39%

LAB 40, 63.95, -22.95

 

CMYK 0 / 84 / 0 / 33

HEX #AC1BAC

RGB 172 27 172

HSL 300, 0.73%, 0.39%

LAB 42.05, 69.5, -43.32

 

CMYK 23 / 84 / 0 / 33

HEX #851BAC

RGB 133 27 172

HSL 283.86, 0.73%, 0.39%

LAB 35.5, 62.54, -54.21

 

CMYK 45 / 84 / 0 / 33

HEX #5E1BAC

RGB 94 27 172

HSL 267.72, 0.73%, 0.39%

LAB 29.77, 56.68, -63.8

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 94 / 51 / 26

HEX #BC0B5D

RGB 188 11 93

HSL 332.2, 0.89%, 0.39%

LAB 40.77, 66.13, 3.57

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 72 / 39 / 39

HEX #9C2B5F

RGB 156 43 95

HSL 332.39, 0.57%, 0.39%

LAB 37.16, 50.59, -3.72

 

CMYK 0 / 58 / 31 / 45

HEX #8C3B60

RGB 140 59 96

HSL 332.59, 0.41%, 0.39%

LAB 37.02, 38.58, -4.86

 

CMYK 0 / 40 / 21 / 51

HEX #7C4B62

RGB 124 75 98

HSL 331.84, 0.25%, 0.39%

LAB 38.2, 24.22, -4.63

 

CMYK 0 / 16 / 8 / 58

HEX #6C5B63

RGB 108 91 99

HSL 331.76, 0.09%, 0.39%

LAB 40.53, 8.42, -2.01

 

CMYK 0 / 84 / 0 / 33

HEX #AC1BAC

RGB 172 27 172

HSL 300, 0.73%, 0.39%

LAB 42.05, 69.5, -43.32

 

CMYK 0 / 84 / 23 / 33

HEX #AC1B85

RGB 172 27 133

HSL 316.14, 0.73%, 0.39%

LAB 40, 63.95, -22.95

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5F

RGB 172 27 95

HSL 331.86, 0.73%, 0.39%

LAB 38.52, 59.76, -1.37

 

CMYK 0 / 84 / 67 / 33

HEX #AC1B38

RGB 172 27 56

HSL 348, 0.73%, 0.39%

LAB 37.55, 56.93, 22.25

 

CMYK 0 / 78 / 84 / 33

HEX #AC251B

RGB 172 37 27

HSL 4.14, 0.73%, 0.39%

LAB 38.15, 53.04, 40.08

 

CMYK 0 / 84 / 46 / 60

HEX #651037

RGB 101 16 55

HSL 332.47, 0.73%, 0.23%

LAB 21.63, 39.54, -1.3

 

CMYK 0 / 85 / 46 / 47

HEX #88154A

RGB 136 21 74

HSL 332.35, 0.73%, 0.31%

LAB 30.07, 49.84, -0.97

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 85 / 46 / 18

HEX #D02071

RGB 208 32 113

HSL 332.39, 0.73%, 0.47%

LAB 46.49, 69.2, -0.13

 

CMYK 0 / 75 / 40 / 12

HEX #E03986

RGB 224 57 134

HSL 332.34, 0.73%, 0.55%

LAB 52.39, 68.66, -3.87

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 23 / 84 / 33

HEX #AC851B

RGB 172 133 27

HSL 43.86, 0.73%, 0.39%

LAB 57.68, 5.31, 57.21

 

CMYK 84 / 11 / 0 / 33

HEX #1B99AC

RGB 27 153 172

HSL 187.86, 0.73%, 0.39%

LAB 58.03, -25.27, -19.13

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 45 / 0 / 84 / 33

HEX #5FAC1B

RGB 95 172 27

HSL 91.86, 0.73%, 0.39%

LAB 63.36, -46.31, 59.96

 

CMYK 84 / 45 / 0 / 33

HEX #1B5FAC

RGB 27 95 172

HSL 211.86, 0.73%, 0.39%

LAB 40.24, 8.36, -46.98

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 0 / 23 / 84 / 33

HEX #AC851B

RGB 172 133 27

HSL 43.86, 0.73%, 0.39%

LAB 57.68, 5.31, 57.21

 

CMYK 84 / 0 / 40 / 33

HEX #1BAC68

RGB 27 172 104

HSL 151.86, 0.73%, 0.39%

LAB 62.29, -51.89, 25.01

 

CMYK 84 / 62 / 0 / 33

HEX #1B42AC

RGB 27 66 172

HSL 223.86, 0.73%, 0.39%

LAB 32.05, 27.71, -60.25

 

CMYK 0 / 84 / 45 / 33

HEX #AC1B5E

RGB 172 27 94

HSL 332.28, 0.73%, 0.39%

LAB 38.49, 59.67, -0.78

 

CMYK 3 / 0 / 84 / 33

HEX #A7AC1B

RGB 167 172 27

HSL 62.07, 0.73%, 0.39%

LAB 67.87, -17.77, 65.63

 

CMYK 84 / 0 / 40 / 33

HEX #1BAC68

RGB 27 172 104

HSL 151.86, 0.73%, 0.39%

LAB 62.29, -51.89, 25.01

 

CMYK 81 / 84 / 0 / 33

HEX #201BAC

RGB 32 27 172

HSL 242.07, 0.73%, 0.39%

LAB 23.9, 51.03, -73.69

 

Description

Color code: HEX #AC1B5E | qconv.com Color code: HEX #AC1B5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 27 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 27 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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