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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC19AF it is the complementary color #53E650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC19AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC19AF shade: #B119AA, #C22BBD, #D33DD0, #E44FE3 and #F561F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC19AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC19AF shade: #AC19AF, #9B079C, #8A0089, #790076 and #680063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC19AF shade: #AB19AE, #AE1989, #AE1961, #AE1938 and #AE1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC19AF shade: #AB19AE, #8319AE, #5B19AE, #3219AE and #1919AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC19AF shade matches the following richer shades: #AB19AE and #BB09BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC19AF shade: #AB19AE, #9C299E, #8C398E, #7D497E and #6D596E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC19AF shade: #5A19AE, #8119AE, #A919AE, #AE198B and #AE1963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC19AF shade: #640F66, #88148A, #AB19AE, #CF1ED2 and #DF37E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC19AF shade: #AC19AF, #AE3219 and #19AE6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC19AF shade: #AC19AF, #AEA919 and #19AEA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC19AF shade: #AC19AF, #AE3219, #1EAE19 and #1995AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC19AF shade: #AC19AF, #AE5E19, #1EAE19 and #1968AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

Complementary color

CMYK 64 / 0 / 65 / 10

HEX #53E650

RGB 83 230 80

HSL 118.8, 0.75%, 0.61%

LAB 81.3, -66.86, 59.59

 

CMYK 0 / 86 / 4 / 31

HEX #B119AA

RGB 177 25 170

HSL 302.76, 0.75%, 0.4%

LAB 42.68, 70.54, -41.07

 

CMYK 0 / 78 / 3 / 24

HEX #C22BBD

RGB 194 43 189

HSL 301.99, 0.64%, 0.46%

LAB 48.1, 72.63, -43.48

 

CMYK 0 / 71 / 1 / 17

HEX #D33DD0

RGB 211 61 208

HSL 301.2, 0.63%, 0.53%

LAB 53.75, 73.79, -45.3

 

CMYK 0 / 65 / 0 / 11

HEX #E44FE3

RGB 228 79 227

HSL 300.4, 0.73%, 0.6%

LAB 59.55, 74.31, -46.71

 

CMYK 0 / 61 / 0 / 4

HEX #F561F6

RGB 245 97 246

HSL 299.6, 0.89%, 0.67%

LAB 65.45, 74.4, -47.81

 

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

CMYK 1 / 96 / 0 / 39

HEX #9B079C

RGB 155 7 156

HSL 299.6, 0.91%, 0.32%

LAB 36.97, 67.06, -42

 

CMYK 0 / 100 / 1 / 46

HEX #8A0089

RGB 138 0 137

HSL 300.43, 1%, 0.27%

LAB 32.28, 62.08, -38.02

 

CMYK 0 / 100 / 2 / 53

HEX #790076

RGB 121 0 118

HSL 301.49, 1%, 0.24%

LAB 27.77, 56.13, -33.45

 

CMYK 0 / 100 / 5 / 59

HEX #680063

RGB 104 0 99

HSL 302.88, 1%, 0.2%

LAB 23.15, 50.02, -28.73

 

CMYK 2 / 86 / 0 / 32

HEX #AB19AE

RGB 171 25 174

HSL 298.79, 0.75%, 0.39%

LAB 41.86, 70.03, -44.82

 

CMYK 0 / 86 / 21 / 32

HEX #AE1989

RGB 174 25 137

HSL 314.9, 0.75%, 0.39%

LAB 40.41, 65.32, -24.73

 

CMYK 0 / 86 / 44 / 32

HEX #AE1961

RGB 174 25 97

HSL 331.01, 0.75%, 0.39%

LAB 38.82, 60.89, -2.14

 

CMYK 0 / 86 / 68 / 32

HEX #AE1938

RGB 174 25 56

HSL 347.52, 0.75%, 0.39%

LAB 37.81, 57.93, 22.65

 

CMYK 0 / 86 / 86 / 32

HEX #AE1919

RGB 174 25 25

HSL 0, 0.75%, 0.39%

LAB 37.42, 56.78, 40.62

 

CMYK 2 / 86 / 0 / 32

HEX #AB19AE

RGB 171 25 174

HSL 298.79, 0.75%, 0.39%

LAB 41.86, 70.03, -44.82

 

CMYK 25 / 86 / 0 / 32

HEX #8319AE

RGB 131 25 174

HSL 282.68, 0.75%, 0.39%

LAB 35.16, 63.12, -55.97

 

CMYK 48 / 86 / 0 / 32

HEX #5B19AE

RGB 91 25 174

HSL 266.58, 0.75%, 0.39%

LAB 29.35, 57.44, -65.7

 

CMYK 71 / 86 / 0 / 32

HEX #3219AE

RGB 50 25 174

HSL 250.07, 0.75%, 0.39%

LAB 25.04, 53.52, -72.96

 

CMYK 86 / 86 / 0 / 32

HEX #1919AE

RGB 25 25 174

HSL 240, 0.75%, 0.39%

LAB 23.53, 52.22, -75.52

 

CMYK 2 / 86 / 0 / 32

HEX #AB19AE

RGB 171 25 174

HSL 298.79, 0.75%, 0.39%

LAB 41.86, 70.03, -44.82

 

CMYK 2 / 95 / 0 / 25

HEX #BB09BE

RGB 187 9 190

HSL 299.01, 0.91%, 0.39%

LAB 44.91, 77.45, -49.21

 

CMYK 2 / 86 / 0 / 32

HEX #AB19AE

RGB 171 25 174

HSL 298.79, 0.75%, 0.39%

LAB 41.86, 70.03, -44.82

 

CMYK 1 / 74 / 0 / 38

HEX #9C299E

RGB 156 41 158

HSL 298.97, 0.59%, 0.39%

LAB 39.79, 60.25, -38.71

 

CMYK 1 / 60 / 0 / 44

HEX #8C398E

RGB 140 57 142

HSL 298.59, 0.43%, 0.39%

LAB 38.65, 47.05, -30.97

 

CMYK 1 / 42 / 0 / 51

HEX #7D497E

RGB 125 73 126

HSL 298.87, 0.27%, 0.39%

LAB 38.95, 30.95, -20.85

 

CMYK 1 / 19 / 0 / 57

HEX #6D596E

RGB 109 89 110

HSL 297.14, 0.11%, 0.39%

LAB 40.45, 12.27, -8.89

 

CMYK 48 / 86 / 0 / 32

HEX #5A19AE

RGB 90 25 174

HSL 266.17, 0.75%, 0.39%

LAB 29.22, 57.32, -65.92

 

CMYK 26 / 86 / 0 / 32

HEX #8119AE

RGB 129 25 174

HSL 281.88, 0.75%, 0.39%

LAB 34.84, 62.8, -56.5

 

CMYK 3 / 86 / 0 / 32

HEX #A919AE

RGB 169 25 174

HSL 297.99, 0.75%, 0.39%

LAB 41.51, 69.67, -45.4

 

CMYK 0 / 86 / 20 / 32

HEX #AE198B

RGB 174 25 139

HSL 314.09, 0.75%, 0.39%

LAB 40.5, 65.58, -25.81

 

CMYK 0 / 86 / 43 / 32

HEX #AE1963

RGB 174 25 99

HSL 330.2, 0.75%, 0.39%

LAB 38.89, 61.08, -3.32

 

CMYK 2 / 85 / 0 / 60

HEX #640F66

RGB 100 15 102

HSL 298.62, 0.74%, 0.23%

LAB 23.71, 46.37, -29.85

 

CMYK 1 / 86 / 0 / 46

HEX #88148A

RGB 136 20 138

HSL 298.98, 0.75%, 0.31%

LAB 33.07, 58.64, -37.4

 

CMYK 2 / 86 / 0 / 32

HEX #AB19AE

RGB 171 25 174

HSL 298.79, 0.75%, 0.39%

LAB 41.86, 70.03, -44.82

 

CMYK 1 / 86 / 0 / 18

HEX #CF1ED2

RGB 207 30 210

HSL 299, 0.75%, 0.47%

LAB 50.51, 81.12, -51.65

 

CMYK 1 / 76 / 0 / 11

HEX #DF37E2

RGB 223 55 226

HSL 298.95, 0.75%, 0.55%

LAB 56, 80.87, -51.84

 

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

CMYK 0 / 71 / 86 / 32

HEX #AE3219

RGB 174 50 25

HSL 10.07, 0.75%, 0.39%

LAB 40.16, 49.09, 43.02

 

CMYK 86 / 0 / 37 / 32

HEX #19AE6D

RGB 25 174 109

HSL 153.83, 0.75%, 0.39%

LAB 63, -51.8, 23.28

 

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

CMYK 0 / 3 / 86 / 32

HEX #AEA919

RGB 174 169 25

HSL 57.99, 0.75%, 0.39%

LAB 67.61, -13.21, 66.11

 

CMYK 86 / 0 / 3 / 32

HEX #19AEA9

RGB 25 174 169

HSL 177.99, 0.75%, 0.39%

LAB 64.44, -36.51, -7.79

 

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

CMYK 0 / 71 / 86 / 32

HEX #AE3219

RGB 174 50 25

HSL 10.07, 0.75%, 0.39%

LAB 40.16, 49.09, 43.02

 

CMYK 83 / 0 / 86 / 32

HEX #1EAE19

RGB 30 174 25

HSL 117.99, 0.75%, 0.39%

LAB 62.18, -61.81, 58.72

 

CMYK 86 / 14 / 0 / 32

HEX #1995AE

RGB 25 149 174

HSL 190.07, 0.75%, 0.39%

LAB 56.84, -22.69, -22.09

 

CMYK 2 / 86 / 0 / 31

HEX #AC19AF

RGB 172 25 175

HSL 298.8, 0.75%, 0.39%

LAB 42.09, 70.37, -45.03

 

CMYK 0 / 46 / 86 / 32

HEX #AE5E19

RGB 174 94 25

HSL 27.79, 0.75%, 0.39%

LAB 48.35, 27.9, 50.05

 

CMYK 83 / 0 / 86 / 32

HEX #1EAE19

RGB 30 174 25

HSL 117.99, 0.75%, 0.39%

LAB 62.18, -61.81, 58.72

 

CMYK 86 / 40 / 0 / 32

HEX #1968AE

RGB 25 104 174

HSL 208.19, 0.75%, 0.39%

LAB 43.01, 3.21, -43.73

 

Description

Color code: HEX #AC19AF | qconv.com Color code: HEX #AC19AF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 25 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 25 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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