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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1964 it is the complementary color #53E69B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1964 shade: #B1195F, #C22B72, #D33D85, #E44F98 and #F561AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1964 shade: #AC1964, #9B0751, #8A003E, #79002B and #680018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1964 shade: #AE1965, #AE193D and #AE1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1964 shade: #AE1965, #AE198D, #A719AE, #7E19AE and #5619AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1964 shade matches the following richer shades: #AE1965 and #BE0965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1964 shade: #AE1965, #9E2965, #8E3964, #7E4964 and #6E5964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1964 shade: #A719AE, #AE198E, #AE1966, #AE193E and #AE1B19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1964 shade: #660F3B, #8A1450, #AE1965, #D21E7A and #E2378E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1964 shade: #AC1964, #AE7F19 and #19A2AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1964 shade: #AC1964, #66AE19 and #1966AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1964 shade: #AC1964, #AE7F19, #19AE61 and #1948AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1964 shade: #AC1964, #AEAC19, #19AE61 and #191BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

Complementary color

CMYK 64 / 0 / 33 / 10

HEX #53E69B

RGB 83 230 155

HSL 149.39, 0.75%, 0.61%

LAB 82.27, -55.95, 25.3

 

CMYK 0 / 86 / 46 / 31

HEX #B1195F

RGB 177 25 95

HSL 332.37, 0.75%, 0.4%

LAB 39.36, 61.46, -0.02

 

CMYK 0 / 78 / 41 / 24

HEX #C22B72

RGB 194 43 114

HSL 331.79, 0.64%, 0.46%

LAB 44.82, 63.05, -3.51

 

CMYK 0 / 71 / 37 / 17

HEX #D33D85

RGB 211 61 133

HSL 331.2, 0.63%, 0.53%

LAB 50.55, 63.75, -6.26

 

CMYK 0 / 65 / 33 / 11

HEX #E44F98

RGB 228 79 152

HSL 330.6, 0.73%, 0.6%

LAB 56.44, 63.88, -8.45

 

CMYK 0 / 60 / 30 / 4

HEX #F561AB

RGB 245 97 171

HSL 330, 0.88%, 0.67%

LAB 62.42, 63.65, -10.25

 

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

CMYK 0 / 95 / 48 / 39

HEX #9B0751

RGB 155 7 81

HSL 330, 0.91%, 0.32%

LAB 33.38, 57.82, -0.27

 

CMYK 0 / 100 / 55 / 46

HEX #8A003E

RGB 138 0 62

HSL 333.04, 1%, 0.27%

LAB 28.78, 53.23, 5.25

 

CMYK 0 / 100 / 64 / 53

HEX #79002B

RGB 121 0 43

HSL 338.68, 1%, 0.24%

LAB 24.45, 47.67, 11.67

 

CMYK 0 / 100 / 77 / 59

HEX #680018

RGB 104 0 24

HSL 346.15, 1%, 0.2%

LAB 20.08, 42.16, 18.51

 

CMYK 0 / 86 / 42 / 32

HEX #AE1965

RGB 174 25 101

HSL 329.4, 0.75%, 0.39%

LAB 38.96, 61.27, -4.49

 

CMYK 0 / 86 / 65 / 32

HEX #AE193D

RGB 174 25 61

HSL 345.5, 0.75%, 0.39%

LAB 37.9, 58.21, 19.59

 

CMYK 0 / 86 / 86 / 32

HEX #AE1919

RGB 174 25 25

HSL 0, 0.75%, 0.39%

LAB 37.42, 56.78, 40.62

 

CMYK 0 / 86 / 42 / 32

HEX #AE1965

RGB 174 25 101

HSL 329.4, 0.75%, 0.39%

LAB 38.96, 61.27, -4.49

 

CMYK 0 / 86 / 19 / 32

HEX #AE198D

RGB 174 25 141

HSL 313.29, 0.75%, 0.39%

LAB 40.6, 65.84, -26.89

 

CMYK 4 / 86 / 0 / 32

HEX #A719AE

RGB 167 25 174

HSL 297.18, 0.75%, 0.39%

LAB 41.16, 69.3, -45.98

 

CMYK 28 / 86 / 0 / 32

HEX #7E19AE

RGB 126 25 174

HSL 280.67, 0.75%, 0.39%

LAB 34.37, 62.33, -57.29

 

CMYK 51 / 86 / 0 / 32

HEX #5619AE

RGB 86 25 174

HSL 264.56, 0.75%, 0.39%

LAB 28.72, 56.85, -66.76

 

CMYK 0 / 86 / 42 / 32

HEX #AE1965

RGB 174 25 101

HSL 329.4, 0.75%, 0.39%

LAB 38.96, 61.27, -4.49

 

CMYK 0 / 95 / 47 / 25

HEX #BE0965

RGB 190 9 101

HSL 329.5, 0.91%, 0.39%

LAB 41.35, 67.44, -0.6

 

CMYK 0 / 86 / 42 / 32

HEX #AE1965

RGB 174 25 101

HSL 329.4, 0.75%, 0.39%

LAB 38.96, 61.27, -4.49

 

CMYK 0 / 74 / 36 / 38

HEX #9E2965

RGB 158 41 101

HSL 329.23, 0.59%, 0.39%

LAB 37.47, 52.57, -7.03

 

CMYK 0 / 60 / 30 / 44

HEX #8E3964

RGB 142 57 100

HSL 329.65, 0.43%, 0.39%

LAB 37.11, 40.79, -7.22

 

CMYK 0 / 42 / 21 / 51

HEX #7E4964

RGB 126 73 100

HSL 329.43, 0.27%, 0.39%

LAB 38.06, 26.49, -6.05

 

CMYK 0 / 19 / 9 / 57

HEX #6E5964

RGB 110 89 100

HSL 328.57, 0.11%, 0.39%

LAB 40.21, 10.63, -3.07

 

CMYK 4 / 86 / 0 / 32

HEX #A719AE

RGB 167 25 174

HSL 297.18, 0.75%, 0.39%

LAB 41.16, 69.3, -45.98

 

CMYK 0 / 86 / 18 / 32

HEX #AE198E

RGB 174 25 142

HSL 312.89, 0.75%, 0.39%

LAB 40.65, 65.97, -27.42

 

CMYK 0 / 86 / 41 / 32

HEX #AE1966

RGB 174 25 102

HSL 328.99, 0.75%, 0.39%

LAB 38.99, 61.36, -5.07

 

CMYK 0 / 86 / 64 / 32

HEX #AE193E

RGB 174 25 62

HSL 345.1, 0.75%, 0.39%

LAB 37.92, 58.26, 18.98

 

CMYK 0 / 84 / 86 / 32

HEX #AE1B19

RGB 174 27 25

HSL 0.81, 0.75%, 0.39%

LAB 37.58, 56.32, 40.76

 

CMYK 0 / 85 / 42 / 60

HEX #660F3B

RGB 102 15 59

HSL 329.66, 0.74%, 0.23%

LAB 21.88, 40.56, -3.69

 

CMYK 0 / 86 / 42 / 46

HEX #8A1450

RGB 138 20 80

HSL 329.49, 0.75%, 0.31%

LAB 30.6, 51.22, -4.11

 

CMYK 0 / 86 / 42 / 32

HEX #AE1965

RGB 174 25 101

HSL 329.4, 0.75%, 0.39%

LAB 38.96, 61.27, -4.49

 

CMYK 0 / 86 / 42 / 18

HEX #D21E7A

RGB 210 30 122

HSL 329.33, 0.75%, 0.47%

LAB 47.02, 70.88, -4.84

 

CMYK 0 / 76 / 37 / 11

HEX #E2378E

RGB 226 55 142

HSL 329.47, 0.75%, 0.55%

LAB 52.79, 70.58, -8.02

 

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

CMYK 0 / 27 / 86 / 32

HEX #AE7F19

RGB 174 127 25

HSL 41.07, 0.75%, 0.39%

LAB 56.33, 9.51, 56.76

 

CMYK 86 / 7 / 0 / 32

HEX #19A2AE

RGB 25 162 174

HSL 184.83, 0.75%, 0.39%

LAB 60.87, -29.26, -15.95

 

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

CMYK 41 / 0 / 86 / 32

HEX #66AE19

RGB 102 174 25

HSL 88.99, 0.75%, 0.39%

LAB 64.3, -44.84, 61.39

 

CMYK 86 / 41 / 0 / 32

HEX #1966AE

RGB 25 102 174

HSL 208.99, 0.75%, 0.39%

LAB 42.41, 4.48, -44.69

 

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

CMYK 0 / 27 / 86 / 32

HEX #AE7F19

RGB 174 127 25

HSL 41.07, 0.75%, 0.39%

LAB 56.33, 9.51, 56.76

 

CMYK 86 / 0 / 44 / 32

HEX #19AE61

RGB 25 174 97

HSL 148.99, 0.75%, 0.39%

LAB 62.8, -54.14, 29.38

 

CMYK 86 / 59 / 0 / 32

HEX #1948AE

RGB 25 72 174

HSL 221.07, 0.75%, 0.39%

LAB 33.77, 24.31, -58.64

 

CMYK 0 / 85 / 42 / 33

HEX #AC1964

RGB 172 25 100

HSL 329.39, 0.75%, 0.39%

LAB 38.53, 60.68, -4.53

 

CMYK 0 / 1 / 86 / 32

HEX #AEAC19

RGB 174 172 25

HSL 59.19, 0.75%, 0.39%

LAB 68.44, -14.75, 66.79

 

CMYK 86 / 0 / 44 / 32

HEX #19AE61

RGB 25 174 97

HSL 148.99, 0.75%, 0.39%

LAB 62.8, -54.14, 29.38

 

CMYK 86 / 84 / 0 / 32

HEX #191BAE

RGB 25 27 174

HSL 239.19, 0.75%, 0.39%

LAB 23.82, 51.35, -75.03

 

Description

Color code: HEX #AC1964 | qconv.com Color code: HEX #AC1964 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 25 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 25 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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