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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC18E8 it is the complementary color #53E717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC18E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC18E8 shade: #B118E3, #C22AF6, #D33CFF, #E44EFF and #F560FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC18E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC18E8 shade: #AC18E8, #9B06D5, #8A00C2, #7900AF and #68009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC18E8 shade: #AC17E8, #E417E8, #E817B4, #E8177B and #E81743

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC18E8 shade: #AC17E8, #7317E8, #3B17E8 and #1717E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC18E8 shade matches the following richer shades: #AC17E8 and #B402FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC18E8 shade: #AC17E8, #A32CD3, #9A40BF, #9255AA and #896996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC18E8 shade: #3A17E8, #7217E8, #A917E8, #E117E8 and #E817B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC18E8 shade: #74109D, #9013C3, #AC17E8, #B93CEC and #C762EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC18E8 shade: #AC18E8, #E8172C and #17E856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC18E8 shade: #AC18E8, #E8A917 and #17E8A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC18E8 shade: #AC18E8, #E8172C, #56E817 and #17E8D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC18E8 shade: #AC18E8, #E84117, #56E817 and #17BEE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

Complementary color

CMYK 64 / 0 / 90 / 9

HEX #53E717

RGB 83 231 23

HSL 102.69, 0.82%, 0.5%

LAB 81.32, -70.57, 76.06

 

CMYK 22 / 89 / 0 / 11

HEX #B118E3

RGB 177 24 227

HSL 285.22, 0.81%, 0.49%

LAB 46.37, 80.15, -68.28

 

CMYK 21 / 83 / 0 / 4

HEX #C22AF6

RGB 194 42 246

HSL 284.71, 0.92%, 0.56%

LAB 51.59, 82.47, -70.41

 

CMYK 17 / 76 / 0 / 0

HEX #D33CFF

RGB 211 60 255

HSL 286.46, 1%, 0.62%

LAB 56.39, 82.05, -67.53

 

CMYK 11 / 69 / 0 / 0

HEX #E44EFF

RGB 228 78 255

HSL 290.85, 1%, 0.65%

LAB 60.93, 79.37, -60.11

 

CMYK 4 / 62 / 0 / 0

HEX #F560FF

RGB 245 96 255

HSL 296.23, 1%, 0.69%

LAB 65.75, 76.29, -52.29

 

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

CMYK 27 / 97 / 0 / 16

HEX #9B06D5

RGB 155 6 213

HSL 283.19, 0.95%, 0.43%

LAB 41.06, 76.92, -69.06

 

CMYK 29 / 100 / 0 / 24

HEX #8A00C2

RGB 138 0 194

HSL 282.68, 1%, 0.38%

LAB 36.55, 71.96, -65.49

 

CMYK 31 / 100 / 0 / 31

HEX #7900AF

RGB 121 0 175

HSL 281.49, 1%, 0.34%

LAB 32.17, 66.27, -61.51

 

CMYK 33 / 100 / 0 / 39

HEX #68009C

RGB 104 0 156

HSL 280, 1%, 0.31%

LAB 27.69, 60.47, -57.46

 

CMYK 26 / 90 / 0 / 9

HEX #AC17E8

RGB 172 23 232

HSL 282.78, 0.82%, 0.5%

LAB 45.92, 80.52, -71.89

 

CMYK 2 / 90 / 0 / 9

HEX #E417E8

RGB 228 23 232

HSL 298.85, 0.82%, 0.5%

LAB 55, 88.97, -56.76

 

CMYK 0 / 90 / 22 / 9

HEX #E817B4

RGB 232 23 180

HSL 314.93, 0.82%, 0.5%

LAB 53.02, 82.81, -30.02

 

CMYK 0 / 90 / 47 / 9

HEX #E8177B

RGB 232 23 123

HSL 331.29, 0.82%, 0.5%

LAB 50.92, 77.17, 0.77

 

CMYK 0 / 90 / 71 / 9

HEX #E81743

RGB 232 23 67

HSL 347.37, 0.82%, 0.5%

LAB 49.71, 73.79, 33.19

 

CMYK 26 / 90 / 0 / 9

HEX #AC17E8

RGB 172 23 232

HSL 282.78, 0.82%, 0.5%

LAB 45.92, 80.52, -71.89

 

CMYK 50 / 90 / 0 / 9

HEX #7317E8

RGB 115 23 232

HSL 266.41, 0.82%, 0.5%

LAB 37.99, 74, -85.2

 

CMYK 75 / 90 / 0 / 9

HEX #3B17E8

RGB 59 23 232

HSL 250.33, 0.82%, 0.5%

LAB 32.63, 70.29, -94.25

 

CMYK 90 / 90 / 0 / 9

HEX #1717E8

RGB 23 23 232

HSL 240, 0.82%, 0.5%

LAB 30.93, 69.27, -97.14

 

CMYK 26 / 90 / 0 / 9

HEX #AC17E8

RGB 172 23 232

HSL 282.78, 0.82%, 0.5%

LAB 45.92, 80.52, -71.89

 

CMYK 29 / 99 / 0 / 1

HEX #B402FD

RGB 180 2 253

HSL 282.55, 0.98%, 0.5%

LAB 48.06, 87.57, -80.17

 

CMYK 26 / 90 / 0 / 9

HEX #AC17E8

RGB 172 23 232

HSL 282.78, 0.82%, 0.5%

LAB 45.92, 80.52, -71.89

 

CMYK 23 / 79 / 0 / 17

HEX #A32CD3

RGB 163 44 211

HSL 282.75, 0.65%, 0.5%

LAB 44.65, 70.34, -62.02

 

CMYK 19 / 66 / 0 / 25

HEX #9A40BF

RGB 154 64 191

HSL 282.52, 0.5%, 0.5%

LAB 44.66, 57.03, -50.49

 

CMYK 14 / 50 / 0 / 33

HEX #9255AA

RGB 146 85 170

HSL 283.06, 0.33%, 0.5%

LAB 46.33, 40.01, -35.6

 

CMYK 9 / 30 / 0 / 41

HEX #896996

RGB 137 105 150

HSL 282.67, 0.18%, 0.5%

LAB 49.04, 21.33, -19.66

 

CMYK 75 / 90 / 0 / 9

HEX #3A17E8

RGB 58 23 232

HSL 250.05, 0.82%, 0.5%

LAB 32.57, 70.25, -94.36

 

CMYK 51 / 90 / 0 / 9

HEX #7217E8

RGB 114 23 232

HSL 266.12, 0.82%, 0.5%

LAB 37.87, 73.91, -85.4

 

CMYK 27 / 90 / 0 / 9

HEX #A917E8

RGB 169 23 232

HSL 281.91, 0.82%, 0.5%

LAB 45.46, 80.12, -72.66

 

CMYK 3 / 90 / 0 / 9

HEX #E117E8

RGB 225 23 232

HSL 297.99, 0.82%, 0.5%

LAB 54.5, 88.48, -57.6

 

CMYK 0 / 90 / 21 / 9

HEX #E817B7

RGB 232 23 183

HSL 314.07, 0.82%, 0.5%

LAB 53.15, 83.16, -31.56

 

CMYK 26 / 90 / 0 / 38

HEX #74109D

RGB 116 16 157

HSL 282.55, 0.82%, 0.34%

LAB 30.68, 59.49, -53.1

 

CMYK 26 / 90 / 0 / 24

HEX #9013C3

RGB 144 19 195

HSL 282.61, 0.82%, 0.42%

LAB 38.44, 70.41, -62.96

 

CMYK 26 / 90 / 0 / 9

HEX #AC17E8

RGB 172 23 232

HSL 282.78, 0.82%, 0.5%

LAB 45.92, 80.52, -71.89

 

CMYK 22 / 75 / 0 / 7

HEX #B93CEC

RGB 185 60 236

HSL 282.61, 0.82%, 0.58%

LAB 51.38, 73.85, -65.19

 

CMYK 17 / 59 / 0 / 6

HEX #C762EF

RGB 199 98 239

HSL 282.98, 0.82%, 0.66%

LAB 59.08, 61.72, -54.43

 

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

CMYK 0 / 90 / 81 / 9

HEX #E8172C

RGB 232 23 44

HSL 353.97, 0.82%, 0.5%

LAB 49.44, 73.02, 46.04

 

CMYK 90 / 0 / 63 / 9

HEX #17E856

RGB 23 232 86

HSL 138.09, 0.82%, 0.5%

LAB 81.05, -74.57, 56.6

 

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

CMYK 0 / 27 / 90 / 9

HEX #E8A917

RGB 232 169 23

HSL 41.91, 0.82%, 0.5%

LAB 73.28, 12.29, 73.43

 

CMYK 90 / 0 / 27 / 9

HEX #17E8A9

RGB 23 232 169

HSL 161.91, 0.82%, 0.5%

LAB 82.25, -60.49, 17.87

 

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

CMYK 0 / 90 / 81 / 9

HEX #E8172C

RGB 232 23 44

HSL 353.97, 0.82%, 0.5%

LAB 49.44, 73.02, 46.04

 

CMYK 63 / 0 / 90 / 9

HEX #56E817

RGB 86 232 23

HSL 101.91, 0.82%, 0.5%

LAB 81.7, -70.25, 76.41

 

CMYK 90 / 0 / 9 / 9

HEX #17E8D3

RGB 23 232 211

HSL 173.97, 0.82%, 0.5%

LAB 83.23, -50.03, -2.79

 

CMYK 26 / 90 / 0 / 9

HEX #AC18E8

RGB 172 24 232

HSL 282.69, 0.82%, 0.5%

LAB 45.97, 80.36, -71.8

 

CMYK 0 / 72 / 90 / 9

HEX #E84117

RGB 232 65 23

HSL 12.06, 0.82%, 0.5%

LAB 52.95, 62.3, 58.46

 

CMYK 63 / 0 / 90 / 9

HEX #56E817

RGB 86 232 23

HSL 101.91, 0.82%, 0.5%

LAB 81.7, -70.25, 76.41

 

CMYK 90 / 18 / 0 / 9

HEX #17BEE8

RGB 23 190 232

HSL 192.06, 0.82%, 0.5%

LAB 71.44, -24.31, -31.83

 

Description

Color code: HEX #AC18E8 | qconv.com Color code: HEX #AC18E8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 24 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 24 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 90 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 90% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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