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Color name
HEX #AC158E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC158E it is the complementary color #53EA71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC158E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC158E shade: #B11589, #C2279C, #D339AF, #E44BC2 and #F55DD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC158E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC158E shade: #AC158E, #9B037B, #8A0068, #790055 and #680042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC158E shade: #AC158E, #AC1566, #AC153D and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC158E shade: #AC158E, #A215AC, #7915AC, #5015AC and #2715AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC158E shade matches the following richer shades: #AC158E and #BC0698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC158E shade: #AC158E, #9D2585, #8D357C, #7D4472 and #6E5469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC158E shade: #7815AC, #A015AC, #AC1591, #AC1568 and #AC1540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC158E shade: #630C52, #881170, #AC158E, #D11AAD and #E52FC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC158E shade: #AC158E, #AC4F15 and #15AC8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC158E shade: #AC158E, #91AC15 and #1591AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC158E shade: #AC158E, #AC4F15, #15AC31 and #1573AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC158E shade: #AC158E, #AC7D15, #15AC31 and #1545AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

Complementary color

CMYK 65 / 0 / 52 / 8

HEX #53EA71

RGB 83 234 113

HSL 131.92, 0.78%, 0.62%

LAB 82.85, -64.4, 46.87

 

CMYK 0 / 88 / 23 / 31

HEX #B11589

RGB 177 21 137

HSL 315.38, 0.79%, 0.39%

LAB 40.72, 66.72, -24.21

 

CMYK 0 / 80 / 20 / 24

HEX #C2279C

RGB 194 39 156

HSL 314.71, 0.67%, 0.46%

LAB 46.07, 68.96, -27.17

 

CMYK 0 / 73 / 17 / 17

HEX #D339AF

RGB 211 57 175

HSL 314.03, 0.64%, 0.53%

LAB 51.69, 70.21, -29.45

 

CMYK 0 / 67 / 15 / 11

HEX #E44BC2

RGB 228 75 194

HSL 313.33, 0.74%, 0.59%

LAB 57.48, 70.78, -31.24

 

CMYK 0 / 62 / 13 / 4

HEX #F55DD5

RGB 245 93 213

HSL 312.63, 0.88%, 0.66%

LAB 63.38, 70.88, -32.67

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 98 / 21 / 39

HEX #9B037B

RGB 155 3 123

HSL 312.63, 0.96%, 0.31%

LAB 34.93, 62.87, -24.86

 

CMYK 0 / 100 / 25 / 46

HEX #8A0068

RGB 138 0 104

HSL 314.78, 1%, 0.27%

LAB 30.41, 57.45, -20.08

 

CMYK 0 / 100 / 30 / 53

HEX #790055

RGB 121 0 85

HSL 317.85, 1%, 0.24%

LAB 25.92, 51.54, -14.85

 

CMYK 0 / 100 / 37 / 59

HEX #680042

RGB 104 0 66

HSL 321.92, 1%, 0.2%

LAB 21.34, 45.5, -9.3

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 88 / 41 / 33

HEX #AC1566

RGB 172 21 102

HSL 327.81, 0.78%, 0.38%

LAB 38.32, 61.68, -6.12

 

CMYK 0 / 88 / 65 / 33

HEX #AC153D

RGB 172 21 61

HSL 344.11, 0.78%, 0.38%

LAB 37.2, 58.5, 18.6

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 6 / 88 / 0 / 33

HEX #A215AC

RGB 162 21 172

HSL 296.03, 0.78%, 0.38%

LAB 39.91, 68.84, -46.84

 

CMYK 30 / 88 / 0 / 33

HEX #7915AC

RGB 121 21 172

HSL 279.74, 0.78%, 0.38%

LAB 33.09, 62.15, -58.2

 

CMYK 53 / 88 / 0 / 33

HEX #5015AC

RGB 80 21 172

HSL 263.44, 0.78%, 0.38%

LAB 27.35, 56.96, -67.84

 

CMYK 77 / 88 / 0 / 33

HEX #2715AC

RGB 39 21 172

HSL 247.15, 0.78%, 0.38%

LAB 23.49, 53.82, -74.36

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 97 / 19 / 26

HEX #BC0698

RGB 188 6 152

HSL 311.87, 0.94%, 0.38%

LAB 42.9, 72.66, -29.8

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 76 / 15 / 38

HEX #9D2585

RGB 157 37 133

HSL 312, 0.62%, 0.38%

LAB 38.17, 57.82, -26

 

CMYK 0 / 62 / 12 / 45

HEX #8D357C

RGB 141 53 124

HSL 311.59, 0.45%, 0.38%

LAB 37.23, 46.02, -22.09

 

CMYK 0 / 46 / 9 / 51

HEX #7D4472

RGB 125 68 114

HSL 311.58, 0.3%, 0.38%

LAB 37.32, 31.47, -15.94

 

CMYK 0 / 24 / 5 / 57

HEX #6E5469

RGB 110 84 105

HSL 311.54, 0.13%, 0.38%

LAB 39.03, 14.69, -7.92

 

CMYK 30 / 88 / 0 / 33

HEX #7815AC

RGB 120 21 172

HSL 279.34, 0.78%, 0.38%

LAB 32.94, 62, -58.46

 

CMYK 7 / 88 / 0 / 33

HEX #A015AC

RGB 160 21 172

HSL 295.23, 0.78%, 0.38%

LAB 39.56, 68.49, -47.42

 

CMYK 0 / 88 / 16 / 33

HEX #AC1591

RGB 172 21 145

HSL 310.73, 0.78%, 0.38%

LAB 40.17, 66.71, -30.04

 

CMYK 0 / 88 / 40 / 33

HEX #AC1568

RGB 172 21 104

HSL 327.02, 0.78%, 0.38%

LAB 38.39, 61.87, -7.28

 

CMYK 0 / 88 / 63 / 33

HEX #AC1540

RGB 172 21 64

HSL 342.91, 0.78%, 0.38%

LAB 37.26, 58.67, 16.75

 

CMYK 0 / 88 / 17 / 61

HEX #630C52

RGB 99 12 82

HSL 311.72, 0.78%, 0.22%

LAB 22.03, 43.63, -19.24

 

CMYK 0 / 88 / 18 / 47

HEX #881170

RGB 136 17 112

HSL 312.1, 0.78%, 0.3%

LAB 31.36, 55.31, -23.76

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 88 / 17 / 18

HEX #D11AAD

RGB 209 26 173

HSL 311.8, 0.78%, 0.46%

LAB 48.65, 76.99, -33.04

 

CMYK 0 / 79 / 16 / 10

HEX #E52FC1

RGB 229 47 193

HSL 311.87, 0.78%, 0.54%

LAB 54.6, 79.41, -35.15

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 54 / 88 / 33

HEX #AC4F15

RGB 172 79 21

HSL 23.05, 0.78%, 0.38%

LAB 44.82, 34.94, 48.48

 

CMYK 88 / 0 / 19 / 33

HEX #15AC8C

RGB 21 172 140

HSL 167.28, 0.78%, 0.38%

LAB 62.98, -44.04, 6.23

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 16 / 0 / 88 / 33

HEX #91AC15

RGB 145 172 21

HSL 70.73, 0.78%, 0.38%

LAB 66.2, -27.39, 64.87

 

CMYK 88 / 16 / 0 / 33

HEX #1591AC

RGB 21 145 172

HSL 190.73, 0.78%, 0.38%

LAB 55.47, -21.56, -23.06

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 54 / 88 / 33

HEX #AC4F15

RGB 172 79 21

HSL 23.05, 0.78%, 0.38%

LAB 44.82, 34.94, 48.48

 

CMYK 88 / 0 / 72 / 33

HEX #15AC31

RGB 21 172 49

HSL 131.13, 0.78%, 0.38%

LAB 61.56, -60.44, 50.47

 

CMYK 88 / 33 / 0 / 33

HEX #1573AC

RGB 21 115 172

HSL 202.65, 0.78%, 0.38%

LAB 46.18, -4.66, -37.54

 

CMYK 0 / 88 / 17 / 33

HEX #AC158E

RGB 172 21 142

HSL 311.92, 0.78%, 0.38%

LAB 40.01, 66.31, -28.44

 

CMYK 0 / 27 / 88 / 33

HEX #AC7D15

RGB 172 125 21

HSL 41.32, 0.78%, 0.38%

LAB 55.58, 9.62, 57.18

 

CMYK 88 / 0 / 72 / 33

HEX #15AC31

RGB 21 172 49

HSL 131.13, 0.78%, 0.38%

LAB 61.56, -60.44, 50.47

 

CMYK 88 / 60 / 0 / 33

HEX #1545AC

RGB 21 69 172

HSL 220.93, 0.78%, 0.38%

LAB 32.69, 25.26, -59.22

 

Description

Color code: HEX #AC158E | qconv.com Color code: HEX #AC158E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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