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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC0E82 it is the complementary color #53F17D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC0E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC0E82 shade: #B10E7D, #C22090, #D332A3, #E444B6 and #F556C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC0E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC0E82 shade: #AC0E82, #9B006F, #8A005C, #790049 and #680036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC0E82 shade: #AA0E80, #AA0E56, #AA0E2C and #AA0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC0E82 shade: #AA0E80, #A90EAA, #7F0EAA, #550EAA and #2B0EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC0E82 shade matches the following richer shades: #AA0E80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC0E82 shade: #AA0E80, #9B1D79, #8C2B72, #7D3A6B and #6E4965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC0E82 shade: #7E0EAA, #A70EAA, #AA0E83, #AA0E59 and #AA0E30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC0E82 shade: #5E0847, #840B64, #AA0E80, #D0119D and #ED1DB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC0E82 shade: #AC0E82, #AA540E and #0EAA92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC0E82 shade: #AC0E82, #83AA0E and #0E83AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC0E82 shade: #AC0E82, #AA540E, #0EAA35 and #0E64AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC0E82 shade: #AC0E82, #AA830E, #0EAA35 and #0E35AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

Complementary color

CMYK 66 / 0 / 48 / 5

HEX #53F17D

RGB 83 241 125

HSL 135.95, 0.85%, 0.64%

LAB 85.11, -65.17, 43.98

 

CMYK 0 / 92 / 29 / 31

HEX #B10E7D

RGB 177 14 125

HSL 319.14, 0.85%, 0.37%

LAB 39.82, 66.35, -18.19

 

CMYK 0 / 84 / 26 / 24

HEX #C22090

RGB 194 32 144

HSL 318.52, 0.72%, 0.44%

LAB 44.96, 69.12, -21.65

 

CMYK 0 / 76 / 23 / 17

HEX #D332A3

RGB 211 50 163

HSL 317.89, 0.65%, 0.51%

LAB 50.42, 70.76, -24.35

 

CMYK 0 / 70 / 20 / 11

HEX #E444B6

RGB 228 68 182

HSL 317.25, 0.75%, 0.58%

LAB 56.09, 71.61, -26.47

 

CMYK 0 / 65 / 18 / 4

HEX #F556C9

RGB 245 86 201

HSL 316.6, 0.89%, 0.65%

LAB 61.9, 71.92, -28.18

 

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

CMYK 0 / 100 / 28 / 39

HEX #9B006F

RGB 155 0 111

HSL 317.03, 1%, 0.3%

LAB 34.22, 61.8, -18.38

 

CMYK 0 / 100 / 33 / 46

HEX #8A005C

RGB 138 0 92

HSL 320, 1%, 0.27%

LAB 29.85, 56.04, -13.13

 

CMYK 0 / 100 / 40 / 53

HEX #790049

RGB 121 0 73

HSL 323.8, 1%, 0.24%

LAB 25.4, 50.19, -7.59

 

CMYK 0 / 100 / 48 / 59

HEX #680036

RGB 104 0 54

HSL 328.85, 1%, 0.2%

LAB 20.86, 44.25, -1.65

 

CMYK 0 / 92 / 25 / 33

HEX #AA0E80

RGB 170 14 128

HSL 316.15, 0.85%, 0.36%

LAB 38.58, 65.22, -22.07

 

CMYK 0 / 92 / 49 / 33

HEX #AA0E56

RGB 170 14 86

HSL 332.31, 0.85%, 0.36%

LAB 36.99, 60.92, 2.12

 

CMYK 0 / 92 / 74 / 33

HEX #AA0E2C

RGB 170 14 44

HSL 348.46, 0.85%, 0.36%

LAB 36.06, 58.34, 27.9

 

CMYK 0 / 92 / 92 / 33

HEX #AA0E0E

RGB 170 14 14

HSL 0, 0.85%, 0.36%

LAB 35.78, 57.51, 44.2

 

CMYK 0 / 92 / 25 / 33

HEX #AA0E80

RGB 170 14 128

HSL 316.15, 0.85%, 0.36%

LAB 38.58, 65.22, -22.07

 

CMYK 1 / 92 / 0 / 33

HEX #A90EAA

RGB 169 14 170

HSL 299.62, 0.85%, 0.36%

LAB 40.66, 70.83, -44.38

 

CMYK 25 / 92 / 0 / 33

HEX #7F0EAA

RGB 127 14 170

HSL 283.46, 0.85%, 0.36%

LAB 33.41, 64.05, -56.44

 

CMYK 50 / 92 / 0 / 33

HEX #550EAA

RGB 85 14 170

HSL 267.31, 0.85%, 0.36%

LAB 27.15, 58.83, -66.95

 

CMYK 75 / 92 / 0 / 33

HEX #2B0EAA

RGB 43 14 170

HSL 251.15, 0.85%, 0.36%

LAB 22.76, 55.74, -74.37

 

CMYK 0 / 92 / 25 / 33

HEX #AA0E80

RGB 170 14 128

HSL 316.15, 0.85%, 0.36%

LAB 38.58, 65.22, -22.07

 

CMYK 0 / 92 / 25 / 33

HEX #AA0E80

RGB 170 14 128

HSL 316.15, 0.85%, 0.36%

LAB 38.58, 65.22, -22.07

 

CMYK 0 / 81 / 22 / 39

HEX #9B1D79

RGB 155 29 121

HSL 316.19, 0.68%, 0.36%

LAB 36.42, 58, -21.29

 

CMYK 0 / 69 / 19 / 45

HEX #8C2B72

RGB 140 43 114

HSL 316.08, 0.53%, 0.36%

LAB 35.04, 48.49, -19.25

 

CMYK 0 / 54 / 14 / 51

HEX #7D3A6B

RGB 125 58 107

HSL 316.12, 0.37%, 0.36%

LAB 34.9, 35.72, -15.25

 

CMYK 0 / 34 / 8 / 57

HEX #6E4965

RGB 110 73 101

HSL 314.59, 0.2%, 0.36%

LAB 36.02, 20.62, -9.95

 

CMYK 26 / 92 / 0 / 33

HEX #7E0EAA

RGB 126 14 170

HSL 283.08, 0.85%, 0.36%

LAB 33.25, 63.9, -56.72

 

CMYK 2 / 92 / 0 / 33

HEX #A70EAA

RGB 167 14 170

HSL 298.85, 0.85%, 0.36%

LAB 40.3, 70.48, -44.98

 

CMYK 0 / 92 / 23 / 33

HEX #AA0E83

RGB 170 14 131

HSL 315, 0.85%, 0.36%

LAB 38.72, 65.58, -23.72

 

CMYK 0 / 92 / 48 / 33

HEX #AA0E59

RGB 170 14 89

HSL 331.15, 0.85%, 0.36%

LAB 37.08, 61.17, 0.32

 

CMYK 0 / 92 / 72 / 33

HEX #AA0E30

RGB 170 14 48

HSL 346.92, 0.85%, 0.36%

LAB 36.13, 58.51, 25.46

 

CMYK 0 / 91 / 24 / 63

HEX #5E0847

RGB 94 8 71

HSL 316.05, 0.84%, 0.2%

LAB 20.08, 41.8, -14.88

 

CMYK 0 / 92 / 24 / 48

HEX #840B64

RGB 132 11 100

HSL 315.87, 0.85%, 0.28%

LAB 29.58, 53.94, -18.88

 

CMYK 0 / 92 / 25 / 33

HEX #AA0E80

RGB 170 14 128

HSL 316.15, 0.85%, 0.36%

LAB 38.58, 65.22, -22.07

 

CMYK 0 / 92 / 25 / 18

HEX #D0119D

RGB 208 17 157

HSL 316.02, 0.85%, 0.44%

LAB 47.29, 76.09, -25.66

 

CMYK 0 / 88 / 23 / 7

HEX #ED1DB6

RGB 237 29 182

HSL 315.87, 0.85%, 0.52%

LAB 54.3, 83.2, -29.12

 

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

CMYK 0 / 51 / 92 / 33

HEX #AA540E

RGB 170 84 14

HSL 26.92, 0.85%, 0.36%

LAB 45.52, 31.35, 51.19

 

CMYK 92 / 0 / 14 / 33

HEX #0EAA92

RGB 14 170 146

HSL 170.77, 0.85%, 0.36%

LAB 62.44, -41.98, 2.1

 

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

CMYK 23 / 0 / 92 / 33

HEX #83AA0E

RGB 131 170 14

HSL 75, 0.85%, 0.36%

LAB 64.65, -32.41, 64.47

 

CMYK 92 / 23 / 0 / 33

HEX #0E83AA

RGB 14 131 170

HSL 195, 0.85%, 0.36%

LAB 50.95, -15.11, -28.9

 

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

CMYK 0 / 51 / 92 / 33

HEX #AA540E

RGB 170 84 14

HSL 26.92, 0.85%, 0.36%

LAB 45.52, 31.35, 51.19

 

CMYK 92 / 0 / 69 / 33

HEX #0EAA35

RGB 14 170 53

HSL 135, 0.85%, 0.36%

LAB 60.87, -59.95, 48.13

 

CMYK 92 / 41 / 0 / 33

HEX #0E64AA

RGB 14 100 170

HSL 206.92, 0.85%, 0.36%

LAB 41.39, 3.42, -43.97

 

CMYK 0 / 92 / 24 / 33

HEX #AC0E82

RGB 172 14 130

HSL 315.95, 0.85%, 0.36%

LAB 39.06, 65.88, -22.54

 

CMYK 0 / 23 / 92 / 33

HEX #AA830E

RGB 170 131 14

HSL 45, 0.85%, 0.36%

LAB 56.89, 5.21, 59.75

 

CMYK 92 / 0 / 69 / 33

HEX #0EAA35

RGB 14 170 53

HSL 135, 0.85%, 0.36%

LAB 60.87, -59.95, 48.13

 

CMYK 92 / 69 / 0 / 33

HEX #0E35AA

RGB 14 53 170

HSL 225, 0.85%, 0.36%

LAB 28.23, 34.79, -65.35

 

Description

Color code: HEX #AC0E82 | qconv.com Color code: HEX #AC0E82 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 14 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 14 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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