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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC06AD it is the complementary color #53F952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC06AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC06AD shade: #B106A8, #C218BB, #D32ACE, #E43CE1 and #F54EF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC06AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC06AD shade: #AC06AD, #9B009A, #8A0087, #790074 and #680061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC06AD shade: #AB06AC, #AC0680, #AC0654, #AC0627 and #AC0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC06AD shade: #AB06AC, #7E06AC, #5206AC, #2506AC and #0606AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC06AD shade matches the following richer shades: #AB06AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC06AD shade: #AB06AC, #9D159E, #8F238F, #803281 and #724072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC06AD shade: #5106AC, #7D06AC, #A906AC, #AC0683 and #AC0656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC06AD shade: #5C035D, #840584, #AB06AC, #D308D4 and #F50FF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC06AD shade: #AC06AD, #AC2506 and #06AC67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC06AD shade: #AC06AD, #ACA906 and #06ACA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC06AD shade: #AC06AD, #AC2506, #09AC06 and #068EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC06AD shade: #AC06AD, #AC5606, #09AC06 and #065CAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

Complementary color

CMYK 67 / 0 / 67 / 2

HEX #53F952

RGB 83 249 82

HSL 119.64, 0.93%, 0.65%

LAB 87.09, -72.94, 65.06

 

CMYK 0 / 97 / 5 / 31

HEX #B106A8

RGB 177 6 168

HSL 303.16, 0.93%, 0.36%

LAB 41.7, 72.8, -41.45

 

CMYK 0 / 88 / 4 / 24

HEX #C218BB

RGB 194 24 187

HSL 302.47, 0.78%, 0.43%

LAB 46.59, 76.38, -44.7

 

CMYK 0 / 80 / 2 / 17

HEX #D32ACE

RGB 211 42 206

HSL 301.78, 0.67%, 0.5%

LAB 51.79, 78.8, -47.26

 

CMYK 0 / 74 / 1 / 11

HEX #E43CE1

RGB 228 60 225

HSL 301.07, 0.76%, 0.56%

LAB 57.23, 80.29, -49.26

 

CMYK 0 / 68 / 0 / 4

HEX #F54EF4

RGB 245 78 244

HSL 300.36, 0.89%, 0.63%

LAB 62.84, 81.11, -50.83

 

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

CMYK 0 / 100 / 1 / 39

HEX #9B009A

RGB 155 0 154

HSL 300.39, 1%, 0.3%

LAB 36.56, 67.59, -41.44

 

CMYK 0 / 100 / 2 / 46

HEX #8A0087

RGB 138 0 135

HSL 301.3, 1%, 0.27%

LAB 32.15, 61.77, -36.98

 

CMYK 0 / 100 / 4 / 53

HEX #790074

RGB 121 0 116

HSL 302.48, 1%, 0.24%

LAB 27.64, 55.82, -32.38

 

CMYK 0 / 100 / 7 / 59

HEX #680061

RGB 104 0 97

HSL 304.04, 1%, 0.2%

LAB 23.02, 49.71, -27.62

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 0 / 97 / 26 / 33

HEX #AC0680

RGB 172 6 128

HSL 315.9, 0.93%, 0.35%

LAB 38.65, 66.57, -21.93

 

CMYK 0 / 97 / 51 / 33

HEX #AC0654

RGB 172 6 84

HSL 331.81, 0.93%, 0.35%

LAB 37.01, 62.22, 3.49

 

CMYK 0 / 97 / 77 / 33

HEX #AC0627

RGB 172 6 39

HSL 348.07, 0.93%, 0.35%

LAB 36.08, 59.68, 31.13

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 27 / 97 / 0 / 33

HEX #7E06AC

RGB 126 6 172

HSL 283.37, 0.93%, 0.35%

LAB 33.02, 65.47, -58.3

 

CMYK 52 / 97 / 0 / 33

HEX #5206AC

RGB 82 6 172

HSL 267.47, 0.93%, 0.35%

LAB 26.46, 60.6, -69.32

 

CMYK 78 / 97 / 0 / 33

HEX #2506AC

RGB 37 6 172

HSL 251.2, 0.93%, 0.35%

LAB 21.95, 58.01, -76.93

 

CMYK 97 / 97 / 0 / 33

HEX #0606AC

RGB 6 6 172

HSL 240, 0.93%, 0.35%

LAB 20.63, 57.41, -79.18

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 1 / 87 / 0 / 38

HEX #9D159E

RGB 157 21 158

HSL 299.56, 0.77%, 0.35%

LAB 38.15, 65.68, -41.3

 

CMYK 0 / 76 / 0 / 44

HEX #8F238F

RGB 143 35 143

HSL 300, 0.61%, 0.35%

LAB 36.03, 56.81, -35.69

 

CMYK 1 / 61 / 0 / 49

HEX #803281

RGB 128 50 129

HSL 299.24, 0.44%, 0.35%

LAB 34.91, 44.63, -28.97

 

CMYK 0 / 44 / 0 / 55

HEX #724072

RGB 114 64 114

HSL 300, 0.28%, 0.35%

LAB 34.92, 30.01, -19.75

 

CMYK 53 / 97 / 0 / 33

HEX #5106AC

RGB 81 6 172

HSL 267.11, 0.93%, 0.35%

LAB 26.33, 60.51, -69.53

 

CMYK 27 / 97 / 0 / 33

HEX #7D06AC

RGB 125 6 172

HSL 283.01, 0.93%, 0.35%

LAB 32.85, 65.33, -58.57

 

CMYK 2 / 97 / 0 / 33

HEX #A906AC

RGB 169 6 172

HSL 298.92, 0.93%, 0.35%

LAB 40.48, 72.02, -45.86

 

CMYK 0 / 97 / 24 / 33

HEX #AC0683

RGB 172 6 131

HSL 314.82, 0.93%, 0.35%

LAB 38.79, 66.93, -23.58

 

CMYK 0 / 97 / 50 / 33

HEX #AC0656

RGB 172 6 86

HSL 331.08, 0.93%, 0.35%

LAB 37.06, 62.38, 2.28

 

CMYK 1 / 97 / 0 / 64

HEX #5C035D

RGB 92 3 93

HSL 299.33, 0.94%, 0.19%

LAB 20.56, 46.06, -29.03

 

CMYK 0 / 96 / 0 / 48

HEX #840584

RGB 132 5 132

HSL 300, 0.93%, 0.27%

LAB 31.07, 59.51, -36.91

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 0 / 96 / 0 / 17

HEX #D308D4

RGB 211 8 212

HSL 299.71, 0.93%, 0.43%

LAB 50.42, 84.71, -52.89

 

CMYK 0 / 94 / 0 / 4

HEX #F50FF6

RGB 245 15 246

HSL 299.74, 0.93%, 0.51%

LAB 58.42, 94.51, -58.98

 

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

CMYK 0 / 78 / 97 / 33

HEX #AC2506

RGB 172 37 6

HSL 11.2, 0.93%, 0.35%

LAB 38.03, 52.67, 48.78

 

CMYK 97 / 0 / 40 / 33

HEX #06AC67

RGB 6 172 103

HSL 155.06, 0.93%, 0.35%

LAB 62.1, -53.42, 25.28

 

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

CMYK 0 / 2 / 97 / 33

HEX #ACA906

RGB 172 169 6

HSL 58.92, 0.93%, 0.35%

LAB 67.4, -14.43, 68.98

 

CMYK 97 / 0 / 2 / 33

HEX #06ACA9

RGB 6 172 169

HSL 178.92, 0.93%, 0.35%

LAB 63.68, -36.5, -8.94

 

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

CMYK 0 / 78 / 97 / 33

HEX #AC2506

RGB 172 37 6

HSL 11.2, 0.93%, 0.35%

LAB 38.03, 52.67, 48.78

 

CMYK 95 / 0 / 97 / 33

HEX #09AC06

RGB 9 172 6

HSL 118.92, 0.93%, 0.35%

LAB 61.29, -63.55, 61.18

 

CMYK 97 / 17 / 0 / 33

HEX #068EAC

RGB 6 142 172

HSL 190.84, 0.93%, 0.35%

LAB 54.41, -20.71, -24.7

 

CMYK 1 / 97 / 0 / 32

HEX #AC06AD

RGB 172 6 173

HSL 299.64, 0.93%, 0.35%

LAB 41.09, 72.67, -45.46

 

CMYK 0 / 50 / 97 / 33

HEX #AC5606

RGB 172 86 6

HSL 28.92, 0.93%, 0.35%

LAB 46.23, 31, 53.84

 

CMYK 95 / 0 / 97 / 33

HEX #09AC06

RGB 9 172 6

HSL 118.92, 0.93%, 0.35%

LAB 61.29, -63.55, 61.18

 

CMYK 97 / 47 / 0 / 33

HEX #065CAC

RGB 6 92 172

HSL 208.92, 0.93%, 0.35%

LAB 39.02, 9.05, -48.96

 

Description

Color code: HEX #AC06AD | qconv.com Color code: HEX #AC06AD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 6 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 6 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 97 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 97% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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