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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC049C it is the complementary color #53FB63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC049C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC049C shade: #B10497, #C216AA, #D328BD, #E43AD0 and #F54CE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC049C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC049C shade: #AC049C, #9B0089, #8A0076, #790063 and #680050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC049C shade: #AE049E, #AE0470, #AE0442, #AE0415 and #AE0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC049C shade: #AE049E, #9004AE, #6304AE, #3504AE and #0704AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC049C shade matches the following richer shades: #AE049E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC049C shade: #AE049E, #A01392, #912187, #83307B and #743E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC049C shade: #6204AE, #8F04AE, #AE04A0, #AE0473 and #AE0445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC049C shade: #5E0255, #860379, #AE049E, #D605C2 and #F90CE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC049C shade: #AC049C, #AE3504 and #04AE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC049C shade: #AC049C, #A0AE04 and #04A0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC049C shade: #AC049C, #AE3504, #04AE13 and #047EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC049C shade: #AC049C, #AE6704, #04AE13 and #044BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

Complementary color

CMYK 67 / 0 / 61 / 2

HEX #53FB63

RGB 83 251 99

HSL 125.71, 0.95%, 0.65%

LAB 87.84, -71.91, 59.02

 

CMYK 0 / 98 / 15 / 31

HEX #B10497

RGB 177 4 151

HSL 309.02, 0.96%, 0.35%

LAB 40.68, 70.65, -32.81

 

CMYK 0 / 89 / 12 / 24

HEX #C216AA

RGB 194 22 170

HSL 308.37, 0.8%, 0.42%

LAB 45.56, 74.3, -36.32

 

CMYK 0 / 81 / 10 / 17

HEX #D328BD

RGB 211 40 189

HSL 307.72, 0.68%, 0.49%

LAB 50.73, 76.8, -39.12

 

CMYK 0 / 75 / 9 / 11

HEX #E43AD0

RGB 228 58 208

HSL 307.06, 0.76%, 0.56%

LAB 56.16, 78.35, -41.31

 

CMYK 0 / 69 / 7 / 4

HEX #F54CE3

RGB 245 76 227

HSL 306.39, 0.89%, 0.63%

LAB 61.76, 79.2, -43.05

 

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

CMYK 0 / 100 / 12 / 39

HEX #9B0089

RGB 155 0 137

HSL 306.97, 1%, 0.3%

LAB 35.55, 65.12, -32.62

 

CMYK 0 / 100 / 14 / 46

HEX #8A0076

RGB 138 0 118

HSL 308.7, 1%, 0.27%

LAB 31.14, 59.29, -27.9

 

CMYK 0 / 100 / 18 / 53

HEX #790063

RGB 121 0 99

HSL 310.91, 1%, 0.24%

LAB 26.64, 53.34, -22.98

 

CMYK 0 / 100 / 23 / 59

HEX #680050

RGB 104 0 80

HSL 313.85, 1%, 0.2%

LAB 22.02, 47.24, -17.83

 

CMYK 0 / 98 / 9 / 32

HEX #AE049E

RGB 174 4 158

HSL 305.65, 0.96%, 0.35%

LAB 40.5, 71.05, -37.38

 

CMYK 0 / 98 / 36 / 32

HEX #AE0470

RGB 174 4 112

HSL 321.88, 0.96%, 0.35%

LAB 38.3, 65.44, -12.43

 

CMYK 0 / 98 / 62 / 32

HEX #AE0442

RGB 174 4 66

HSL 338.12, 0.96%, 0.35%

LAB 36.89, 61.7, 15.04

 

CMYK 0 / 98 / 88 / 32

HEX #AE0415

RGB 174 4 21

HSL 354, 0.96%, 0.35%

LAB 36.25, 59.95, 41.68

 

CMYK 0 / 98 / 98 / 32

HEX #AE0404

RGB 174 4 4

HSL 0, 0.96%, 0.35%

LAB 36.17, 59.71, 48.81

 

CMYK 0 / 98 / 9 / 32

HEX #AE049E

RGB 174 4 158

HSL 305.65, 0.96%, 0.35%

LAB 40.5, 71.05, -37.38

 

CMYK 17 / 98 / 0 / 32

HEX #9004AE

RGB 144 4 174

HSL 289.41, 0.96%, 0.35%

LAB 36.12, 68.63, -54.3

 

CMYK 43 / 98 / 0 / 32

HEX #6304AE

RGB 99 4 174

HSL 273.53, 0.96%, 0.35%

LAB 28.89, 62.99, -66.42

 

CMYK 70 / 98 / 0 / 32

HEX #3504AE

RGB 53 4 174

HSL 257.29, 0.96%, 0.35%

LAB 23.34, 59.61, -75.79

 

CMYK 96 / 98 / 0 / 32

HEX #0704AE

RGB 7 4 174

HSL 241.06, 0.96%, 0.35%

LAB 20.78, 58.47, -80.12

 

CMYK 0 / 98 / 9 / 32

HEX #AE049E

RGB 174 4 158

HSL 305.65, 0.96%, 0.35%

LAB 40.5, 71.05, -37.38

 

CMYK 0 / 98 / 9 / 32

HEX #AE049E

RGB 174 4 158

HSL 305.65, 0.96%, 0.35%

LAB 40.5, 71.05, -37.38

 

CMYK 0 / 88 / 9 / 37

HEX #A01392

RGB 160 19 146

HSL 305.96, 0.79%, 0.35%

LAB 37.87, 64.8, -34.42

 

CMYK 0 / 77 / 7 / 43

HEX #912187

RGB 145 33 135

HSL 305.36, 0.63%, 0.35%

LAB 35.71, 56.58, -31.25

 

CMYK 0 / 63 / 6 / 49

HEX #83307B

RGB 131 48 123

HSL 305.78, 0.46%, 0.35%

LAB 34.74, 45.3, -25.48

 

CMYK 0 / 47 / 4 / 55

HEX #743E6F

RGB 116 62 111

HSL 305.56, 0.3%, 0.35%

LAB 34.61, 31.24, -18.32

 

CMYK 44 / 98 / 0 / 32

HEX #6204AE

RGB 98 4 174

HSL 273.18, 0.96%, 0.35%

LAB 28.75, 62.89, -66.67

 

CMYK 18 / 98 / 0 / 32

HEX #8F04AE

RGB 143 4 174

HSL 289.06, 0.96%, 0.35%

LAB 35.95, 68.49, -54.59

 

CMYK 0 / 98 / 8 / 32

HEX #AE04A0

RGB 174 4 160

HSL 304.94, 0.96%, 0.35%

LAB 40.61, 71.33, -38.4

 

CMYK 0 / 98 / 34 / 32

HEX #AE0473

RGB 174 4 115

HSL 320.82, 0.96%, 0.35%

LAB 38.42, 65.75, -14.14

 

CMYK 0 / 98 / 60 / 32

HEX #AE0445

RGB 174 4 69

HSL 337.06, 0.96%, 0.35%

LAB 36.96, 61.88, 13.19

 

CMYK 0 / 98 / 10 / 63

HEX #5E0255

RGB 94 2 85

HSL 305.87, 0.96%, 0.19%

LAB 20.36, 45.4, -23.97

 

CMYK 0 / 98 / 10 / 47

HEX #860379

RGB 134 3 121

HSL 305.95, 0.96%, 0.27%

LAB 30.67, 58.5, -30.59

 

CMYK 0 / 98 / 9 / 32

HEX #AE049E

RGB 174 4 158

HSL 305.65, 0.96%, 0.35%

LAB 40.5, 71.05, -37.38

 

CMYK 0 / 98 / 9 / 16

HEX #D605C2

RGB 214 5 194

HSL 305.74, 0.95%, 0.43%

LAB 49.86, 82.93, -43.38

 

CMYK 0 / 95 / 9 / 2

HEX #F90CE2

RGB 249 12 226

HSL 305.82, 0.95%, 0.51%

LAB 57.94, 92.66, -48.49

 

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

CMYK 0 / 70 / 98 / 32

HEX #AE3504

RGB 174 53 4

HSL 17.29, 0.96%, 0.35%

LAB 40.5, 47.54, 51.04

 

CMYK 98 / 0 / 31 / 32

HEX #04AE78

RGB 4 174 120

HSL 160.94, 0.96%, 0.35%

LAB 63.06, -50.59, 17.36

 

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

CMYK 8 / 0 / 98 / 32

HEX #A0AE04

RGB 160 174 4

HSL 64.94, 0.96%, 0.35%

LAB 67.84, -22.25, 69.13

 

CMYK 98 / 8 / 0 / 32

HEX #04A0AE

RGB 4 160 174

HSL 184.94, 0.96%, 0.35%

LAB 60.09, -29.29, -17.15

 

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

CMYK 0 / 70 / 98 / 32

HEX #AE3504

RGB 174 53 4

HSL 17.29, 0.96%, 0.35%

LAB 40.5, 47.54, 51.04

 

CMYK 98 / 0 / 89 / 32

HEX #04AE13

RGB 4 174 19

HSL 125.29, 0.96%, 0.35%

LAB 61.95, -63.98, 59.73

 

CMYK 98 / 28 / 0 / 32

HEX #047EAE

RGB 4 126 174

HSL 196.94, 0.96%, 0.35%

LAB 49.5, -11.22, -33.48

 

CMYK 0 / 98 / 9 / 33

HEX #AC049C

RGB 172 4 156

HSL 305.71, 0.95%, 0.35%

LAB 40.01, 70.41, -36.97

 

CMYK 0 / 41 / 98 / 32

HEX #AE6704

RGB 174 103 4

HSL 34.94, 0.96%, 0.35%

LAB 50.34, 22.55, 57.17

 

CMYK 98 / 0 / 89 / 32

HEX #04AE13

RGB 4 174 19

HSL 125.29, 0.96%, 0.35%

LAB 61.95, -63.98, 59.73

 

CMYK 98 / 57 / 0 / 32

HEX #044BAE

RGB 4 75 174

HSL 214.94, 0.96%, 0.35%

LAB 34.22, 21.19, -57.92

 

Description

Color code: HEX #AC049C | qconv.com Color code: HEX #AC049C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 4 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 4 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 9% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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