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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFE54 it is the complementary color #5401AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFE54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFE54 shade: #B0FE4F, #C1FF62, #D2FF75, #E3FF88 and #F4FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFE54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFE54 shade: #ABFE54, #9AEC41, #89DA2E, #78C81B and #67B608

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFE54 shade: #AAFE52, #D9FE52, #FEF552, #FEC752 and #FE9952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFE54 shade: #AAFE52, #7CFE52, #52FE57, #52FE85 and #52FEB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFE54 shade matches the following richer shades: #AAFE52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFE54 shade: #AAFE52, #AAF060, #AAE26F, #A9D47D and #A9C68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFE54 shade: #FEF652, #D9FE52, #ABFE52, #7DFE52 and #52FE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFE54 shade: #82FD01, #96FE29, #AAFE52, #BEFE7C and #D3FFA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFE54 shade: #ABFE54, #52FEC8 and #FE52F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFE54 shade: #ABFE54, #52ABFE and #FE52AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFE54 shade: #ABFE54, #52FEC8, #A552FE and #FE5289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFE54 shade: #ABFE54, #52FEFB, #A552FE and #FE5255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

Complementary color

CMYK 51 / 99 / 0 / 33

HEX #5401AB

RGB 84 1 171

HSL 269.29, 0.99%, 0.34%

LAB 26.29, 61.49, -68.97

 

CMYK 31 / 0 / 69 / 0

HEX #B0FE4F

RGB 176 254 79

HSL 86.74, 0.99%, 0.65%

LAB 91.99, -49.42, 72.34

 

CMYK 24 / 0 / 62 / 0

HEX #C1FF62

RGB 193 255 98

HSL 83.69, 1%, 0.69%

LAB 93.34, -42.47, 66.77

 

CMYK 18 / 0 / 54 / 0

HEX #D2FF75

RGB 210 255 117

HSL 79.57, 1%, 0.73%

LAB 94.53, -34.66, 60.32

 

CMYK 11 / 0 / 47 / 0

HEX #E3FF88

RGB 227 255 136

HSL 74.12, 1%, 0.77%

LAB 95.84, -26.53, 53.51

 

CMYK 4 / 0 / 39 / 0

HEX #F4FF9B

RGB 244 255 155

HSL 66.6, 1%, 0.8%

LAB 97.28, -18.18, 46.53

 

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

CMYK 35 / 0 / 72 / 7

HEX #9AEC41

RGB 154 236 65

HSL 88.77, 0.82%, 0.59%

LAB 85.63, -50.45, 70.46

 

CMYK 37 / 0 / 79 / 15

HEX #89DA2E

RGB 137 218 46

HSL 88.26, 0.7%, 0.52%

LAB 79.42, -49.92, 70.15

 

CMYK 40 / 0 / 87 / 22

HEX #78C81B

RGB 120 200 27

HSL 87.75, 0.76%, 0.45%

LAB 73.14, -49.19, 68.93

 

CMYK 43 / 0 / 96 / 29

HEX #67B608

RGB 103 182 8

HSL 87.24, 0.92%, 0.37%

LAB 66.79, -48.18, 66.35

 

CMYK 33 / 0 / 68 / 0

HEX #AAFE52

RGB 170 254 82

HSL 89.3, 0.99%, 0.66%

LAB 91.7, -51.29, 70.86

 

CMYK 15 / 0 / 68 / 0

HEX #D9FE52

RGB 217 254 82

HSL 72.91, 0.99%, 0.66%

LAB 94.42, -34.11, 74.5

 

CMYK 0 / 4 / 68 / 0

HEX #FEF552

RGB 254 245 82

HSL 56.86, 0.99%, 0.66%

LAB 94.73, -15.16, 75.7

 

CMYK 0 / 22 / 68 / 0

HEX #FEC752

RGB 254 199 82

HSL 40.81, 0.99%, 0.66%

LAB 83.19, 7.98, 63.88

 

CMYK 0 / 40 / 68 / 0

HEX #FE9952

RGB 254 153 82

HSL 24.77, 0.99%, 0.66%

LAB 72.54, 31.95, 52.36

 

CMYK 33 / 0 / 68 / 0

HEX #AAFE52

RGB 170 254 82

HSL 89.3, 0.99%, 0.66%

LAB 91.7, -51.29, 70.86

 

CMYK 51 / 0 / 68 / 0

HEX #7CFE52

RGB 124 254 82

HSL 105.35, 0.99%, 0.66%

LAB 89.76, -65.35, 68.23

 

CMYK 68 / 0 / 66 / 0

HEX #52FE57

RGB 82 254 87

HSL 121.74, 0.99%, 0.66%

LAB 88.62, -74.27, 64.76

 

CMYK 68 / 0 / 48 / 0

HEX #52FE85

RGB 82 254 133

HSL 137.79, 0.99%, 0.66%

LAB 89.1, -68.71, 45.16

 

CMYK 68 / 0 / 29 / 0

HEX #52FEB4

RGB 82 254 180

HSL 154.19, 0.99%, 0.66%

LAB 89.85, -60.4, 22.87

 

CMYK 33 / 0 / 68 / 0

HEX #AAFE52

RGB 170 254 82

HSL 89.3, 0.99%, 0.66%

LAB 91.7, -51.29, 70.86

 

CMYK 33 / 0 / 68 / 0

HEX #AAFE52

RGB 170 254 82

HSL 89.3, 0.99%, 0.66%

LAB 91.7, -51.29, 70.86

 

CMYK 29 / 0 / 60 / 6

HEX #AAF060

RGB 170 240 96

HSL 89.17, 0.83%, 0.66%

LAB 87.83, -44.32, 61.16

 

CMYK 25 / 0 / 51 / 11

HEX #AAE26F

RGB 170 226 111

HSL 89.22, 0.66%, 0.66%

LAB 84.01, -36.7, 50.05

 

CMYK 20 / 0 / 41 / 17

HEX #A9D47D

RGB 169 212 125

HSL 89.66, 0.5%, 0.66%

LAB 80.18, -28.94, 38.49

 

CMYK 15 / 0 / 30 / 22

HEX #A9C68B

RGB 169 198 139

HSL 89.49, 0.34%, 0.66%

LAB 76.49, -20.21, 26.44

 

CMYK 0 / 3 / 68 / 0

HEX #FEF652

RGB 254 246 82

HSL 57.21, 0.99%, 0.66%

LAB 94.99, -15.64, 75.96

 

CMYK 15 / 0 / 68 / 0

HEX #D9FE52

RGB 217 254 82

HSL 72.91, 0.99%, 0.66%

LAB 94.42, -34.11, 74.5

 

CMYK 33 / 0 / 68 / 0

HEX #ABFE52

RGB 171 254 82

HSL 88.95, 0.99%, 0.66%

LAB 91.75, -50.95, 70.93

 

CMYK 51 / 0 / 68 / 0

HEX #7DFE52

RGB 125 254 82

HSL 105, 0.99%, 0.66%

LAB 89.79, -65.08, 68.28

 

CMYK 68 / 0 / 67 / 0

HEX #52FE55

RGB 82 254 85

HSL 121.05, 0.99%, 0.66%

LAB 88.61, -74.45, 65.52

 

CMYK 49 / 0 / 100 / 1

HEX #82FD01

RGB 130 253 1

HSL 89.29, 0.99%, 0.5%

LAB 89.39, -66.5, 85.38

 

CMYK 41 / 0 / 84 / 0

HEX #96FE29

RGB 150 254 41

HSL 89.3, 0.99%, 0.58%

LAB 90.56, -60, 81.57

 

CMYK 33 / 0 / 68 / 0

HEX #AAFE52

RGB 170 254 82

HSL 89.3, 0.99%, 0.66%

LAB 91.7, -51.29, 70.86

 

CMYK 25 / 0 / 51 / 0

HEX #BEFE7C

RGB 190 254 124

HSL 89.54, 0.98%, 0.74%

LAB 93.14, -40.76, 55.25

 

CMYK 17 / 0 / 35 / 0

HEX #D3FFA5

RGB 211 255 165

HSL 89.33, 1%, 0.82%

LAB 95.2, -29.02, 38.52

 

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

CMYK 68 / 0 / 21 / 0

HEX #52FEC8

RGB 82 254 200

HSL 161.16, 0.99%, 0.66%

LAB 90.25, -56.12, 13.19

 

CMYK 0 / 68 / 6 / 0

HEX #FE52F0

RGB 254 82 240

HSL 304.88, 0.99%, 0.66%

LAB 64.48, 81.11, -45.93

 

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

CMYK 68 / 33 / 0 / 0

HEX #52ABFE

RGB 82 171 254

HSL 208.95, 0.99%, 0.66%

LAB 68.08, -0.86, -48.94

 

CMYK 0 / 68 / 33 / 0

HEX #FE52AB

RGB 254 82 171

HSL 328.95, 0.99%, 0.66%

LAB 61.69, 72.05, -11.2

 

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

CMYK 68 / 0 / 21 / 0

HEX #52FEC8

RGB 82 254 200

HSL 161.16, 0.99%, 0.66%

LAB 90.25, -56.12, 13.19

 

CMYK 35 / 68 / 0 / 0

HEX #A552FE

RGB 165 82 254

HSL 268.95, 0.99%, 0.66%

LAB 53.16, 65.09, -72.5

 

CMYK 0 / 68 / 46 / 0

HEX #FE5289

RGB 254 82 137

HSL 340.81, 0.99%, 0.66%

LAB 60.7, 68.67, 7.07

 

CMYK 33 / 0 / 67 / 0

HEX #ABFE54

RGB 171 254 84

HSL 89.29, 0.99%, 0.66%

LAB 91.77, -50.81, 70.2

 

CMYK 68 / 0 / 1 / 0

HEX #52FEFB

RGB 82 254 251

HSL 178.95, 0.99%, 0.66%

LAB 91.52, -43.47, -11.37

 

CMYK 35 / 68 / 0 / 0

HEX #A552FE

RGB 165 82 254

HSL 268.95, 0.99%, 0.66%

LAB 53.16, 65.09, -72.5

 

CMYK 0 / 68 / 67 / 0

HEX #FE5255

RGB 254 82 85

HSL 358.95, 0.99%, 0.66%

LAB 59.67, 65.05, 35.79

 

Description

Color code: HEX #ABFE54 | qconv.com Color code: HEX #ABFE54 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 254 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 254 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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