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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFC5E it is the complementary color #5403A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFC5E shade: #B0FC59, #C1FF6C, #D2FF7F, #E3FF92 and #F4FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFC5E shade: #ABFC5E, #9AEA4B, #89D838, #78C625 and #67B412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFC5E shade: #ABFC5F, #D6FC5F, #FCF85F, #FCCD5F and #FCA35F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFC5E shade: #ABFC5F, #81FC5F, #5FFC67, #5FFC91 and #5FFCBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFC5E shade matches the following richer shades: #ABFC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFC5E shade: #ABFC5F, #ACEF6C, #ACE179, #ACD487 and #ADC794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFC5E shade: #FCF75F, #D7FC5F, #ADFC5F, #84FC5F and #5FFC64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFC5E shade: #81FA0E, #96FB37, #ABFC5F, #C1FD87 and #D6FDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFC5E shade: #ABFC5E, #5FFCCD and #FC5FEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFC5E shade: #ABFC5E, #5FADFC and #FC5FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFC5E shade: #ABFC5E, #5FFCCD, #AD5FFC and #FC5F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFC5E shade: #ABFC5E, #5FFCFC, #AD5FFC and #FC5F5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

Complementary color

CMYK 48 / 98 / 0 / 37

HEX #5403A1

RGB 84 3 161

HSL 270.76, 0.96%, 0.32%

LAB 25.33, 58.85, -64.5

 

CMYK 30 / 0 / 65 / 1

HEX #B0FC59

RGB 176 252 89

HSL 87.98, 0.96%, 0.67%

LAB 91.49, -47.89, 68.09

 

CMYK 24 / 0 / 58 / 0

HEX #C1FF6C

RGB 193 255 108

HSL 85.31, 1%, 0.71%

LAB 93.42, -41.65, 62.7

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 11 / 0 / 43 / 0

HEX #E3FF92

RGB 227 255 146

HSL 75.41, 1%, 0.79%

LAB 95.97, -25.5, 48.95

 

CMYK 4 / 0 / 35 / 0

HEX #F4FFA5

RGB 244 255 165

HSL 67.33, 1%, 0.82%

LAB 97.42, -17.06, 41.84

 

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

CMYK 34 / 0 / 68 / 8

HEX #9AEA4B

RGB 154 234 75

HSL 90.19, 0.79%, 0.61%

LAB 85.11, -48.97, 66.38

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 39 / 0 / 81 / 22

HEX #78C625

RGB 120 198 37

HSL 89.07, 0.69%, 0.46%

LAB 72.57, -48, 66.07

 

CMYK 43 / 0 / 90 / 29

HEX #67B412

RGB 103 180 18

HSL 88.52, 0.82%, 0.39%

LAB 66.19, -47.16, 64.45

 

CMYK 32 / 0 / 62 / 1

HEX #ABFC5F

RGB 171 252 95

HSL 90.96, 0.96%, 0.68%

LAB 91.28, -49.15, 65.4

 

CMYK 15 / 0 / 62 / 1

HEX #D6FC5F

RGB 214 252 95

HSL 74.52, 0.96%, 0.68%

LAB 93.77, -33.53, 68.82

 

CMYK 0 / 2 / 62 / 1

HEX #FCF85F

RGB 252 248 95

HSL 58.47, 0.96%, 0.68%

LAB 95.44, -16.7, 71.41

 

CMYK 0 / 19 / 62 / 1

HEX #FCCD5F

RGB 252 205 95

HSL 42.04, 0.96%, 0.68%

LAB 84.58, 4.81, 59.66

 

CMYK 0 / 35 / 62 / 1

HEX #FCA35F

RGB 252 163 95

HSL 25.99, 0.96%, 0.68%

LAB 74.65, 26.72, 48.33

 

CMYK 32 / 0 / 62 / 1

HEX #ABFC5F

RGB 171 252 95

HSL 90.96, 0.96%, 0.68%

LAB 91.28, -49.15, 65.4

 

CMYK 49 / 0 / 62 / 1

HEX #81FC5F

RGB 129 252 95

HSL 107.01, 0.96%, 0.68%

LAB 89.45, -62.15, 62.86

 

CMYK 62 / 0 / 59 / 1

HEX #5FFC67

RGB 95 252 103

HSL 123.06, 0.96%, 0.68%

LAB 88.46, -69.5, 58.11

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 62 / 0 / 25 / 1

HEX #5FFCBC

RGB 95 252 188

HSL 155.54, 0.96%, 0.68%

LAB 89.71, -55.81, 18.64

 

CMYK 32 / 0 / 62 / 1

HEX #ABFC5F

RGB 171 252 95

HSL 90.96, 0.96%, 0.68%

LAB 91.28, -49.15, 65.4

 

CMYK 32 / 0 / 62 / 1

HEX #ABFC5F

RGB 171 252 95

HSL 90.96, 0.96%, 0.68%

LAB 91.28, -49.15, 65.4

 

CMYK 28 / 0 / 55 / 6

HEX #ACEF6C

RGB 172 239 108

HSL 90.69, 0.8%, 0.68%

LAB 87.77, -42.08, 55.89

 

CMYK 24 / 0 / 46 / 12

HEX #ACE179

RGB 172 225 121

HSL 90.58, 0.63%, 0.68%

LAB 83.97, -34.41, 45.26

 

CMYK 19 / 0 / 36 / 17

HEX #ACD487

RGB 172 212 135

HSL 91.17, 0.47%, 0.68%

LAB 80.52, -26.54, 33.9

 

CMYK 13 / 0 / 26 / 22

HEX #ADC794

RGB 173 199 148

HSL 90.59, 0.31%, 0.68%

LAB 77.2, -17.89, 22.7

 

CMYK 0 / 2 / 62 / 1

HEX #FCF75F

RGB 252 247 95

HSL 58.09, 0.96%, 0.68%

LAB 95.18, -16.22, 71.14

 

CMYK 15 / 0 / 62 / 1

HEX #D7FC5F

RGB 215 252 95

HSL 74.14, 0.96%, 0.68%

LAB 93.84, -33.15, 68.91

 

CMYK 31 / 0 / 62 / 1

HEX #ADFC5F

RGB 173 252 95

HSL 90.19, 0.96%, 0.68%

LAB 91.38, -48.47, 65.54

 

CMYK 48 / 0 / 62 / 1

HEX #84FC5F

RGB 132 252 95

HSL 105.86, 0.96%, 0.68%

LAB 89.56, -61.32, 63.01

 

CMYK 62 / 0 / 60 / 1

HEX #5FFC64

RGB 95 252 100

HSL 121.91, 0.96%, 0.68%

LAB 88.44, -69.83, 59.35

 

CMYK 48 / 0 / 94 / 2

HEX #81FA0E

RGB 129 250 14

HSL 90.76, 0.96%, 0.52%

LAB 88.48, -65.57, 83.63

 

CMYK 40 / 0 / 78 / 2

HEX #96FB37

RGB 150 251 55

HSL 90.92, 0.96%, 0.6%

LAB 89.75, -58.28, 77.4

 

CMYK 32 / 0 / 62 / 1

HEX #ABFC5F

RGB 171 252 95

HSL 90.96, 0.96%, 0.68%

LAB 91.28, -49.15, 65.4

 

CMYK 24 / 0 / 47 / 1

HEX #C1FD87

RGB 193 253 135

HSL 90.51, 0.97%, 0.76%

LAB 93.16, -38.08, 50.21

 

CMYK 15 / 0 / 30 / 1

HEX #D6FDB0

RGB 214 253 176

HSL 90.39, 0.95%, 0.84%

LAB 95.03, -25.54, 32.85

 

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

CMYK 62 / 0 / 19 / 1

HEX #5FFCCD

RGB 95 252 205

HSL 162.04, 0.96%, 0.68%

LAB 90.07, -52.11, 10.39

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

CMYK 62 / 31 / 0 / 1

HEX #5FADFC

RGB 95 173 252

HSL 210.19, 0.96%, 0.68%

LAB 69, -0.54, -46.37

 

CMYK 0 / 62 / 31 / 1

HEX #FC5FAD

RGB 252 95 173

HSL 330.19, 0.96%, 0.68%

LAB 63.26, 66.73, -10.04

 

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

CMYK 62 / 0 / 19 / 1

HEX #5FFCCD

RGB 95 252 205

HSL 162.04, 0.96%, 0.68%

LAB 90.07, -52.11, 10.39

 

CMYK 31 / 62 / 0 / 1

HEX #AD5FFC

RGB 173 95 252

HSL 269.81, 0.96%, 0.68%

LAB 56.18, 60.08, -66.45

 

CMYK 0 / 62 / 44 / 1

HEX #FC5F8E

RGB 252 95 142

HSL 342.04, 0.96%, 0.68%

LAB 62.37, 63.46, 6.5

 

CMYK 32 / 0 / 63 / 1

HEX #ABFC5E

RGB 171 252 94

HSL 90.76, 0.96%, 0.68%

LAB 91.27, -49.23, 65.79

 

CMYK 62 / 0 / 0 / 1

HEX #5FFCFC

RGB 95 252 252

HSL 180, 0.96%, 0.68%

LAB 91.27, -40.48, -12.23

 

CMYK 31 / 62 / 0 / 1

HEX #AD5FFC

RGB 173 95 252

HSL 269.81, 0.96%, 0.68%

LAB 56.18, 60.08, -66.45

 

CMYK 0 / 62 / 62 / 1

HEX #FC5F5F

RGB 252 95 95

HSL 0, 0.96%, 0.68%

LAB 61.4, 59.8, 32.22

 

Description

Color code: HEX #ABFC5E | qconv.com Color code: HEX #ABFC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 252 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 252 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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