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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFB7E it is the complementary color #540481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFB7E shade: #B0FB79, #C1FF8C, #D2FF9F, #E3FFB2 and #F4FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFB7E shade: #ABFB7E, #9AE96B, #89D758, #78C545 and #67B332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFB7E shade: #ABFB7E, #CCFB7E, #EEFB7E, #FBE57E and #FBC47E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFB7E shade: #ABFB7E, #89FB7E, #7EFB94, #7EFBB6 and #7EFBD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFB7E shade matches the following richer shades: #ABFB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFB7E shade: #ABFB7E, #AEF089, #B1E593, #B4DA9E and #B7D0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFB7E shade: #EEFB7E, #CDFB7E, #ACFB7E, #8AFB7E and #7EFB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFB7E shade: #77F82E, #91F956, #ABFB7E, #C5FCA6 and #DFFDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFB7E shade: #ABFB7E, #7EFBE6 and #FB7EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFB7E shade: #ABFB7E, #7EACFB and #FB7EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFB7E shade: #ABFB7E, #7EFBE6, #CD7EFB and #FB7E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFB7E shade: #ABFB7E, #7EEAFB, #CD7EFB and #FB8E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

Complementary color

CMYK 35 / 97 / 0 / 49

HEX #540481

RGB 84 4 129

HSL 278.4, 0.94%, 0.26%

LAB 22.15, 51.56, -49.88

 

CMYK 30 / 0 / 52 / 2

HEX #B0FB79

RGB 176 251 121

HSL 94.62, 0.94%, 0.73%

LAB 91.51, -44.59, 54.48

 

CMYK 24 / 0 / 45 / 0

HEX #C1FF8C

RGB 193 255 140

HSL 92.35, 1%, 0.77%

LAB 93.78, -38.41, 48.61

 

CMYK 18 / 0 / 38 / 0

HEX #D2FF9F

RGB 210 255 159

HSL 88.13, 1%, 0.81%

LAB 95.04, -30.15, 41.26

 

CMYK 11 / 0 / 30 / 0

HEX #E3FFB2

RGB 227 255 178

HSL 81.82, 1%, 0.85%

LAB 96.44, -21.63, 33.88

 

CMYK 4 / 0 / 23 / 0

HEX #F4FFC5

RGB 244 255 197

HSL 71.38, 1%, 0.89%

LAB 97.95, -12.96, 26.57

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 34 / 0 / 54 / 9

HEX #9AE96B

RGB 154 233 107

HSL 97.62, 0.74%, 0.67%

LAB 85.1, -45.75, 52.98

 

CMYK 36 / 0 / 59 / 16

HEX #89D758

RGB 137 215 88

HSL 96.85, 0.61%, 0.59%

LAB 78.82, -45.7, 54.01

 

CMYK 39 / 0 / 65 / 23

HEX #78C545

RGB 120 197 69

HSL 96.09, 0.52%, 0.52%

LAB 72.47, -45.54, 54.87

 

CMYK 42 / 0 / 72 / 30

HEX #67B332

RGB 103 179 50

HSL 95.35, 0.56%, 0.45%

LAB 66.02, -45.21, 55.39

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 19 / 0 / 50 / 2

HEX #CCFB7E

RGB 204 251 126

HSL 82.56, 0.94%, 0.74%

LAB 93.16, -34.2, 54.56

 

CMYK 5 / 0 / 50 / 2

HEX #EEFB7E

RGB 238 251 126

HSL 66.24, 0.94%, 0.74%

LAB 95.45, -21.38, 57.83

 

CMYK 0 / 9 / 50 / 2

HEX #FBE57E

RGB 251 229 126

HSL 49.44, 0.94%, 0.74%

LAB 90.8, -5.48, 52.53

 

CMYK 0 / 22 / 50 / 2

HEX #FBC47E

RGB 251 196 126

HSL 33.6, 0.94%, 0.74%

LAB 82.64, 11.43, 42.48

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 45 / 0 / 50 / 2

HEX #89FB7E

RGB 137 251 126

HSL 114.72, 0.94%, 0.74%

LAB 89.78, -56.16, 49.66

 

CMYK 50 / 0 / 41 / 2

HEX #7EFB94

RGB 126 251 148

HSL 130.56, 0.94%, 0.74%

LAB 89.66, -56.02, 38.87

 

CMYK 50 / 0 / 27 / 2

HEX #7EFBB6

RGB 126 251 182

HSL 146.88, 0.94%, 0.74%

LAB 90.23, -50.16, 22.57

 

CMYK 50 / 0 / 14 / 2

HEX #7EFBD7

RGB 126 251 215

HSL 162.72, 0.94%, 0.74%

LAB 90.93, -43.34, 6.57

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 28 / 0 / 43 / 6

HEX #AEF089

RGB 174 240 137

HSL 98.45, 0.77%, 0.74%

LAB 88.51, -38.58, 43.21

 

CMYK 23 / 0 / 36 / 10

HEX #B1E593

RGB 177 229 147

HSL 98.05, 0.61%, 0.74%

LAB 85.75, -31.18, 34.72

 

CMYK 17 / 0 / 28 / 15

HEX #B4DA9E

RGB 180 218 158

HSL 98, 0.45%, 0.74%

LAB 83.08, -23.27, 25.54

 

CMYK 12 / 0 / 19 / 18

HEX #B7D0A9

RGB 183 208 169

HSL 98.46, 0.29%, 0.74%

LAB 80.76, -15.49, 16.61

 

CMYK 5 / 0 / 50 / 2

HEX #EEFB7E

RGB 238 251 126

HSL 66.24, 0.94%, 0.74%

LAB 95.45, -21.38, 57.83

 

CMYK 18 / 0 / 50 / 2

HEX #CDFB7E

RGB 205 251 126

HSL 82.08, 0.94%, 0.74%

LAB 93.22, -33.83, 54.65

 

CMYK 31 / 0 / 50 / 2

HEX #ACFB7E

RGB 172 251 126

HSL 97.92, 0.94%, 0.74%

LAB 91.36, -45.39, 51.95

 

CMYK 45 / 0 / 50 / 2

HEX #8AFB7E

RGB 138 251 126

HSL 114.24, 0.94%, 0.74%

LAB 89.81, -55.88, 49.72

 

CMYK 50 / 0 / 41 / 2

HEX #7EFB93

RGB 126 251 147

HSL 130.08, 0.94%, 0.74%

LAB 89.64, -56.17, 39.34

 

CMYK 52 / 0 / 81 / 3

HEX #77F82E

RGB 119 248 46

HSL 98.32, 0.94%, 0.58%

LAB 87.61, -66.75, 77.35

 

CMYK 42 / 0 / 65 / 2

HEX #91F956

RGB 145 249 86

HSL 98.28, 0.93%, 0.66%

LAB 89.13, -57.11, 66.29

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 22 / 0 / 34 / 1

HEX #C5FCA6

RGB 197 252 166

HSL 98.37, 0.93%, 0.82%

LAB 93.56, -32.35, 35.7

 

CMYK 12 / 0 / 19 / 1

HEX #DFFDCE

RGB 223 253 206

HSL 98.3, 0.92%, 0.9%

LAB 96.16, -17.95, 19.3

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 50 / 0 / 8 / 2

HEX #7EFBE6

RGB 126 251 230

HSL 169.92, 0.94%, 0.74%

LAB 91.3, -39.9, -0.67

 

CMYK 0 / 50 / 12 / 2

HEX #FB7EDD

RGB 251 126 221

HSL 314.4, 0.94%, 0.74%

LAB 69.93, 59.23, -26.95

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 50 / 31 / 0 / 2

HEX #7EACFB

RGB 126 172 251

HSL 217.92, 0.94%, 0.74%

LAB 70.11, 5.92, -43.99

 

CMYK 0 / 50 / 31 / 2

HEX #FB7EAC

RGB 251 126 172

HSL 337.92, 0.94%, 0.74%

LAB 68.32, 52.42, -1.99

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 50 / 0 / 8 / 2

HEX #7EFBE6

RGB 126 251 230

HSL 169.92, 0.94%, 0.74%

LAB 91.3, -39.9, -0.67

 

CMYK 18 / 50 / 0 / 2

HEX #CD7EFB

RGB 205 126 251

HSL 277.92, 0.94%, 0.74%

LAB 65.64, 51.85, -50.58

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E93

RGB 251 126 147

HSL 349.92, 0.94%, 0.74%

LAB 67.68, 49.59, 11.19

 

CMYK 32 / 0 / 50 / 2

HEX #ABFB7E

RGB 171 251 126

HSL 98.4, 0.94%, 0.74%

LAB 91.31, -45.72, 51.88

 

CMYK 50 / 7 / 0 / 2

HEX #7EEAFB

RGB 126 234 251

HSL 188.16, 0.94%, 0.74%

LAB 87.12, -26.71, -17.84

 

CMYK 18 / 50 / 0 / 2

HEX #CD7EFB

RGB 205 126 251

HSL 277.92, 0.94%, 0.74%

LAB 65.64, 51.85, -50.58

 

CMYK 0 / 43 / 50 / 2

HEX #FB8E7E

RGB 251 142 126

HSL 7.68, 0.94%, 0.74%

LAB 70.43, 39.58, 26.68

 

Description

Color code: HEX #ABFB7E | qconv.com Color code: HEX #ABFB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 251 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 251 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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