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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFB1B it is the complementary color #5404E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFB1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFB1B shade: #B0FB16, #C1FF29, #D2FF3C, #E3FF4F and #F4FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFB1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFB1B shade: #ABFB1B, #9AE908, #89D700, #78C500 and #67B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFB1B shade: #ACFC1D, #E8FC1D, #FCD31D, #FC971D and #FC5B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFB1B shade: #ACFC1D, #70FC1D, #34FC1D, #1DFC42 and #1DFC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFB1B shade matches the following richer shades: #ACFC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFB1B shade: #ACFC1D, #A7E930, #A1D642, #9CC455 and #97B167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFB1B shade: #FCD31D, #E9FC1D, #AEFC1D, #72FC1D and #37FC1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFB1B shade: #7EC303, #99EC04, #ACFC1D, #BBFC46 and #CAFD6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFB1B shade: #ABFB1B, #1DFC97 and #F01DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFB1B shade: #ABFB1B, #1DAEFC and #FC1DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFB1B shade: #ABFB1B, #1DFC97, #6B1DFC and #FC1D81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFB1B shade: #ABFB1B, #1DFCDA, #6B1DFC and #FC1D3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

Complementary color

CMYK 63 / 98 / 0 / 11

HEX #5404E4

RGB 84 4 228

HSL 261.43, 0.97%, 0.45%

LAB 33.08, 74, -91.17

 

CMYK 30 / 0 / 91 / 2

HEX #B0FB16

RGB 176 251 22

HSL 79.65, 0.97%, 0.54%

LAB 90.91, -50.45, 85.59

 

CMYK 24 / 0 / 84 / 0

HEX #C1FF29

RGB 193 255 41

HSL 77.38, 1%, 0.58%

LAB 93.02, -45.45, 84.55

 

CMYK 18 / 0 / 76 / 0

HEX #D2FF3C

RGB 210 255 60

HSL 73.85, 1%, 0.62%

LAB 94.12, -38.34, 81.21

 

CMYK 11 / 0 / 69 / 0

HEX #E3FF4F

RGB 227 255 79

HSL 69.55, 1%, 0.65%

LAB 95.34, -30.85, 76.71

 

CMYK 4 / 0 / 62 / 0

HEX #F4FF62

RGB 244 255 98

HSL 64.2, 1%, 0.69%

LAB 96.67, -23.05, 71.34

 

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

CMYK 34 / 0 / 97 / 9

HEX #9AE908

RGB 154 233 8

HSL 81.07, 0.93%, 0.47%

LAB 84.57, -51.12, 81.48

 

CMYK 36 / 0 / 100 / 16

HEX #89D700

RGB 137 215 0

HSL 81.77, 1%, 0.42%

LAB 78.41, -49.89, 77.03

 

CMYK 39 / 0 / 100 / 23

HEX #78C500

RGB 120 197 0

HSL 83.45, 1%, 0.39%

LAB 72.18, -48.53, 71.84

 

CMYK 42 / 0 / 100 / 30

HEX #67B300

RGB 103 179 0

HSL 85.47, 1%, 0.35%

LAB 65.84, -47.12, 66.58

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 8 / 0 / 88 / 1

HEX #E8FC1D

RGB 232 252 29

HSL 65.38, 0.97%, 0.55%

LAB 94.68, -29.2, 89.1

 

CMYK 0 / 16 / 88 / 1

HEX #FCD31D

RGB 252 211 29

HSL 48.97, 0.97%, 0.55%

LAB 85.69, -0.86, 82.72

 

CMYK 0 / 40 / 88 / 1

HEX #FC971D

RGB 252 151 29

HSL 32.83, 0.97%, 0.55%

LAB 71.5, 30.3, 71.76

 

CMYK 0 / 64 / 88 / 1

HEX #FC5B1D

RGB 252 91 29

HSL 16.68, 0.97%, 0.55%

LAB 60.13, 58.96, 63.18

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 56 / 0 / 88 / 1

HEX #70FC1D

RGB 112 252 29

HSL 97.67, 0.97%, 0.55%

LAB 88.52, -70.55, 81.52

 

CMYK 79 / 0 / 88 / 1

HEX #34FC1D

RGB 52 252 29

HSL 113.81, 0.97%, 0.55%

LAB 87.21, -81.62, 79.88

 

CMYK 88 / 0 / 74 / 1

HEX #1DFC42

RGB 29 252 66

HSL 129.96, 0.97%, 0.55%

LAB 87.13, -81.77, 70.53

 

CMYK 88 / 0 / 50 / 1

HEX #1DFC7E

RGB 29 252 126

HSL 146.1, 0.97%, 0.55%

LAB 87.67, -75.06, 46.53

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 28 / 0 / 79 / 9

HEX #A7E930

RGB 167 233 48

HSL 81.41, 0.81%, 0.55%

LAB 85.36, -45.43, 75.6

 

CMYK 25 / 0 / 69 / 16

HEX #A1D642

RGB 161 214 66

HSL 81.49, 0.64%, 0.55%

LAB 79.65, -38.44, 64.25

 

CMYK 20 / 0 / 57 / 23

HEX #9CC455

RGB 156 196 85

HSL 81.62, 0.48%, 0.55%

LAB 74.32, -30.62, 50.5

 

CMYK 15 / 0 / 42 / 31

HEX #97B167

RGB 151 177 103

HSL 81.08, 0.32%, 0.55%

LAB 68.75, -21.39, 34.9

 

CMYK 0 / 16 / 88 / 1

HEX #FCD31D

RGB 252 211 29

HSL 48.97, 0.97%, 0.55%

LAB 85.69, -0.86, 82.72

 

CMYK 8 / 0 / 88 / 1

HEX #E9FC1D

RGB 233 252 29

HSL 65.11, 0.97%, 0.55%

LAB 94.75, -28.8, 89.19

 

CMYK 31 / 0 / 88 / 1

HEX #AEFC1D

RGB 174 252 29

HSL 80.99, 0.97%, 0.55%

LAB 91.1, -51.43, 84.71

 

CMYK 55 / 0 / 88 / 1

HEX #72FC1D

RGB 114 252 29

HSL 97.13, 0.97%, 0.55%

LAB 88.58, -70.04, 81.59

 

CMYK 78 / 0 / 88 / 1

HEX #37FC1D

RGB 55 252 29

HSL 113, 0.97%, 0.55%

LAB 87.25, -81.26, 79.93

 

CMYK 35 / 0 / 98 / 24

HEX #7EC303

RGB 126 195 3

HSL 81.56, 0.97%, 0.39%

LAB 71.87, -45.54, 71.41

 

CMYK 35 / 0 / 98 / 7

HEX #99EC04

RGB 153 236 4

HSL 81.47, 0.97%, 0.47%

LAB 85.39, -52.72, 82.43

 

CMYK 32 / 0 / 88 / 1

HEX #ACFC1D

RGB 172 252 29

HSL 81.52, 0.97%, 0.55%

LAB 91, -52.14, 84.59

 

CMYK 26 / 0 / 72 / 1

HEX #BBFC46

RGB 187 252 70

HSL 81.43, 0.97%, 0.63%

LAB 91.97, -45.18, 75.61

 

CMYK 20 / 0 / 57 / 1

HEX #CAFD6E

RGB 202 253 110

HSL 81.4, 0.97%, 0.71%

LAB 93.42, -37.32, 61.98

 

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

CMYK 88 / 0 / 40 / 1

HEX #1DFC97

RGB 29 252 151

HSL 152.83, 0.97%, 0.55%

LAB 88.02, -70.89, 34.88

 

CMYK 5 / 88 / 0 / 1

HEX #F01DFC

RGB 240 29 252

HSL 296.77, 0.97%, 0.55%

LAB 58.45, 93.09, -62.32

 

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

CMYK 88 / 31 / 0 / 1

HEX #1DAEFC

RGB 29 174 252

HSL 200.99, 0.97%, 0.55%

LAB 67.7, -8.58, -48.53

 

CMYK 0 / 88 / 31 / 1

HEX #FC1DAE

RGB 252 29 174

HSL 320.99, 0.97%, 0.55%

LAB 56.71, 85.37, -20.52

 

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

CMYK 88 / 0 / 40 / 1

HEX #1DFC97

RGB 29 252 151

HSL 152.83, 0.97%, 0.55%

LAB 88.02, -70.89, 34.88

 

CMYK 58 / 88 / 0 / 1

HEX #6B1DFC

RGB 107 29 252

HSL 260.99, 0.97%, 0.55%

LAB 39.64, 76.54, -93.81

 

CMYK 0 / 88 / 49 / 1

HEX #FC1D81

RGB 252 29 129

HSL 333.09, 0.97%, 0.55%

LAB 55.24, 81.33, 3.9

 

CMYK 32 / 0 / 89 / 2

HEX #ABFB1B

RGB 171 251 27

HSL 81.43, 0.97%, 0.55%

LAB 90.66, -52.13, 84.59

 

CMYK 88 / 0 / 13 / 1

HEX #1DFCDA

RGB 29 252 218

HSL 170.85, 0.97%, 0.55%

LAB 89.37, -56.07, 2.51

 

CMYK 58 / 88 / 0 / 1

HEX #6B1DFC

RGB 107 29 252

HSL 260.99, 0.97%, 0.55%

LAB 39.64, 76.54, -93.81

 

CMYK 0 / 88 / 75 / 1

HEX #FC1D3E

RGB 252 29 62

HSL 351.12, 0.97%, 0.55%

LAB 53.94, 77.7, 42.01

 

Description

Color code: HEX #ABFB1B | qconv.com Color code: HEX #ABFB1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 251 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 251 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 89 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 89% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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