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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF943 it is the complementary color #5406BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF943 shade: #B0F93E, #C1FF51, #D2FF64, #E3FF77 and #F4FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF943 shade: #ABF943, #9AE730, #89D51D, #78C30A and #67B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF943 shade: #ABF943, #DCF943, #F9E543, #F9B443 and #F98343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF943 shade: #ABF943, #7AF943, #49F943, #43F96E and #43F99F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF943 shade matches the following richer shades: #ABF943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF943 shade: #ABF943, #A9EA53, #A7DA62, #A4CA72 and #A2BA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF943 shade: #F9E443, #DEF943, #ADF943, #7DF943 and #4CF943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF943 shade: #85E307, #99F81B, #ABF943, #BDFA6B and #CFFC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF943 shade: #ABF943, #43F9B3 and #F943F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF943 shade: #ABF943, #43ADF9 and #F943AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF943 shade: #ABF943, #43F9B3, #8F43F9 and #F94389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF943 shade: #ABF943, #43F9EA, #8F43F9 and #F94352

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

Complementary color

CMYK 55 / 97 / 0 / 26

HEX #5406BC

RGB 84 6 188

HSL 265.71, 0.94%, 0.38%

LAB 28.5, 64.46, -75.48

 

CMYK 29 / 0 / 75 / 2

HEX #B0F93E

RGB 176 249 62

HSL 83.42, 0.94%, 0.61%

LAB 90.47, -48.3, 76.5

 

CMYK 24 / 0 / 68 / 0

HEX #C1FF51

RGB 193 255 81

HSL 81.38, 1%, 0.66%

LAB 93.21, -43.65, 73.17

 

CMYK 18 / 0 / 61 / 0

HEX #D2FF64

RGB 210 255 100

HSL 77.42, 1%, 0.7%

LAB 94.37, -36.05, 67.38

 

CMYK 11 / 0 / 53 / 0

HEX #E3FF77

RGB 227 255 119

HSL 72.35, 1%, 0.73%

LAB 95.66, -28.1, 61.03

 

CMYK 4 / 0 / 46 / 0

HEX #F4FF8A

RGB 244 255 138

HSL 65.64, 1%, 0.77%

LAB 97.06, -19.9, 54.34

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 33 / 0 / 79 / 9

HEX #9AE730

RGB 154 231 48

HSL 85.25, 0.79%, 0.55%

LAB 84.09, -49.26, 74.19

 

CMYK 36 / 0 / 86 / 16

HEX #89D51D

RGB 137 213 29

HSL 84.78, 0.76%, 0.47%

LAB 77.87, -48.53, 72.89

 

CMYK 38 / 0 / 95 / 24

HEX #78C30A

RGB 120 195 10

HSL 84.32, 0.9%, 0.4%

LAB 71.59, -47.56, 70.3

 

CMYK 42 / 0 / 100 / 31

HEX #67B100

RGB 103 177 0

HSL 85.08, 1%, 0.35%

LAB 65.22, -46.32, 66.1

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 12 / 0 / 73 / 2

HEX #DCF943

RGB 220 249 67

HSL 69.56, 0.94%, 0.62%

LAB 93.18, -31.43, 78.45

 

CMYK 0 / 8 / 73 / 2

HEX #F9E543

RGB 249 229 67

HSL 53.41, 0.94%, 0.62%

LAB 90.13, -10.05, 76.35

 

CMYK 0 / 28 / 73 / 2

HEX #F9B443

RGB 249 180 67

HSL 37.25, 0.94%, 0.62%

LAB 77.99, 15.06, 64.57

 

CMYK 0 / 47 / 73 / 2

HEX #F98343

RGB 249 131 67

HSL 21.1, 0.94%, 0.62%

LAB 67.11, 40.48, 53.45

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 51 / 0 / 73 / 2

HEX #7AF943

RGB 122 249 67

HSL 101.87, 0.94%, 0.62%

LAB 88.11, -65.17, 71.8

 

CMYK 71 / 0 / 73 / 2

HEX #49F943

RGB 73 249 67

HSL 118.02, 0.94%, 0.62%

LAB 86.79, -75.88, 70.04

 

CMYK 73 / 0 / 56 / 2

HEX #43F96E

RGB 67 249 110

HSL 134.18, 0.94%, 0.62%

LAB 87.03, -72.54, 53.21

 

CMYK 73 / 0 / 36 / 2

HEX #43F99F

RGB 67 249 159

HSL 150.33, 0.94%, 0.62%

LAB 87.7, -64.8, 30.54

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 28 / 0 / 65 / 8

HEX #A9EA53

RGB 169 234 83

HSL 85.83, 0.78%, 0.62%

LAB 85.96, -43.12, 64.43

 

CMYK 23 / 0 / 55 / 15

HEX #A7DA62

RGB 167 218 98

HSL 85.5, 0.62%, 0.62%

LAB 81.42, -35.46, 52.95

 

CMYK 19 / 0 / 44 / 21

HEX #A4CA72

RGB 164 202 114

HSL 85.91, 0.45%, 0.62%

LAB 76.89, -27.36, 39.76

 

CMYK 13 / 0 / 30 / 27

HEX #A2BA82

RGB 162 186 130

HSL 85.71, 0.29%, 0.62%

LAB 72.5, -18.08, 25.76

 

CMYK 0 / 8 / 73 / 2

HEX #F9E443

RGB 249 228 67

HSL 53.08, 0.94%, 0.62%

LAB 89.87, -9.55, 76.11

 

CMYK 11 / 0 / 73 / 2

HEX #DEF943

RGB 222 249 67

HSL 68.9, 0.94%, 0.62%

LAB 93.31, -30.64, 78.63

 

CMYK 31 / 0 / 73 / 2

HEX #ADF943

RGB 173 249 67

HSL 85.05, 0.94%, 0.62%

LAB 90.34, -49.1, 74.74

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 69 / 0 / 73 / 2

HEX #4CF943

RGB 76 249 67

HSL 117.03, 0.94%, 0.62%

LAB 86.85, -75.38, 70.12

 

CMYK 41 / 0 / 97 / 11

HEX #85E307

RGB 133 227 7

HSL 85.64, 0.94%, 0.46%

LAB 81.81, -55.9, 78.97

 

CMYK 38 / 0 / 89 / 3

HEX #99F81B

RGB 153 248 27

HSL 85.79, 0.94%, 0.54%

LAB 88.92, -57.11, 82.8

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 24 / 0 / 57 / 2

HEX #BDFA6B

RGB 189 250 107

HSL 85.59, 0.93%, 0.7%

LAB 91.8, -40.97, 61.22

 

CMYK 18 / 0 / 42 / 1

HEX #CFFC93

RGB 207 252 147

HSL 85.71, 0.95%, 0.78%

LAB 93.88, -31.28, 45.57

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 73 / 0 / 28 / 2

HEX #43F9B3

RGB 67 249 179

HSL 156.92, 0.94%, 0.62%

LAB 88.06, -60.81, 20.87

 

CMYK 0 / 73 / 1 / 2

HEX #F943F6

RGB 249 67 246

HSL 300.99, 0.94%, 0.62%

LAB 62.35, 85.69, -52.68

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 73 / 31 / 0 / 2

HEX #43ADF9

RGB 67 173 249

HSL 205.05, 0.94%, 0.62%

LAB 67.96, -5.73, -46.44

 

CMYK 0 / 73 / 31 / 2

HEX #F943AD

RGB 249 67 173

HSL 325.05, 0.94%, 0.62%

LAB 59.13, 76.02, -16.3

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 73 / 0 / 28 / 2

HEX #43F9B3

RGB 67 249 179

HSL 156.92, 0.94%, 0.62%

LAB 88.06, -60.81, 20.87

 

CMYK 43 / 73 / 0 / 2

HEX #8F43F9

RGB 143 67 249

HSL 265.05, 0.94%, 0.62%

LAB 47.87, 66.76, -78.43

 

CMYK 0 / 73 / 45 / 2

HEX #F94389

RGB 249 67 137

HSL 336.92, 0.94%, 0.62%

LAB 58, 72.43, 3.07

 

CMYK 31 / 0 / 73 / 2

HEX #ABF943

RGB 171 249 67

HSL 85.71, 0.94%, 0.62%

LAB 90.24, -49.81, 74.61

 

CMYK 73 / 0 / 6 / 2

HEX #43F9EA

RGB 67 249 234

HSL 175.05, 0.94%, 0.62%

LAB 89.34, -47.64, -5.8

 

CMYK 43 / 73 / 0 / 2

HEX #8F43F9

RGB 143 67 249

HSL 265.05, 0.94%, 0.62%

LAB 47.87, 66.76, -78.43

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

Description

Color code: HEX #ABF943 | qconv.com Color code: HEX #ABF943 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 249 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 249 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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