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Color name
HEX #ABF7A9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF7A9 it is the complementary color #540856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF7A9 shade: #B0F7A4, #C1FFB7, #D2FFCA, #E3FFDD and #F4FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF7A9 shade: #ABF7A9, #9AE596, #89D383, #78C170 and #67AF5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF7A9 shade: #ADF7AB, #C2F7AB, #D6F7AB, #EBF7AB and #F7EFAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF7A9 shade: #ADF7AB, #ABF7BE, #ABF7D2, #ABF7E7 and #ABF3F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF7A9 shade matches the following richer shades: #ADF7AB and #A6FFA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF7A9 shade: #ADF7AB, #B4F0B2, #BBE8BA, #C2E1C1 and #C9D9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF7A9 shade: #D6F7AB, #C2F7AB, #AEF7AB, #ABF7BD and #ABF7D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF7A9 shade: #63F05F, #88F485, #ADF7AB, #D2FBD1 and #F7FEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF7A9 shade: #ABF7A9, #ABEAF7 and #F7ABCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF7A9 shade: #ABF7A9, #ABAEF7 and #F7ABAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF7A9 shade: #ABF7A9, #ABEAF7, #F5ABF7 and #F7B8AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF7A9 shade: #ABF7A9, #ABD4F7, #F5ABF7 and #F7CFAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

Complementary color

CMYK 2 / 91 / 0 / 66

HEX #540856

RGB 84 8 86

HSL 298.46, 0.83%, 0.18%

LAB 18.93, 41.92, -27.04

 

CMYK 29 / 0 / 34 / 3

HEX #B0F7A4

RGB 176 247 164

HSL 111.33, 0.84%, 0.81%

LAB 90.98, -37.33, 33.07

 

CMYK 24 / 0 / 28 / 0

HEX #C1FFB7

RGB 193 255 183

HSL 111.67, 1%, 0.86%

LAB 94.43, -32.56, 28.31

 

CMYK 18 / 0 / 21 / 0

HEX #D2FFCA

RGB 210 255 202

HSL 110.94, 1%, 0.9%

LAB 95.78, -23.93, 20.69

 

CMYK 11 / 0 / 13 / 0

HEX #E3FFDD

RGB 227 255 221

HSL 109.41, 1%, 0.93%

LAB 97.26, -15.13, 13.21

 

CMYK 4 / 0 / 6 / 0

HEX #F4FFF0

RGB 244 255 240

HSL 104, 1%, 0.97%

LAB 98.85, -6.23, 5.91

 

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

CMYK 33 / 0 / 34 / 10

HEX #9AE596

RGB 154 229 150

HSL 116.96, 0.6%, 0.74%

LAB 84.54, -38.4, 31.37

 

CMYK 35 / 0 / 38 / 17

HEX #89D383

RGB 137 211 131

HSL 115.5, 0.48%, 0.67%

LAB 78.2, -38.62, 32.52

 

CMYK 38 / 0 / 42 / 24

HEX #78C170

RGB 120 193 112

HSL 114.07, 0.4%, 0.6%

LAB 71.76, -38.83, 33.74

 

CMYK 41 / 0 / 47 / 31

HEX #67AF5D

RGB 103 175 93

HSL 112.68, 0.34%, 0.53%

LAB 65.23, -38.99, 35

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 21 / 0 / 31 / 3

HEX #C2F7AB

RGB 194 247 171

HSL 101.84, 0.83%, 0.82%

LAB 92.1, -30.33, 31.23

 

CMYK 13 / 0 / 31 / 3

HEX #D6F7AB

RGB 214 247 171

HSL 86.05, 0.83%, 0.82%

LAB 93.35, -23.37, 33.11

 

CMYK 5 / 0 / 31 / 3

HEX #EBF7AB

RGB 235 247 171

HSL 69.47, 0.83%, 0.82%

LAB 94.79, -15.77, 35.29

 

CMYK 0 / 3 / 31 / 3

HEX #F7EFAB

RGB 247 239 171

HSL 53.68, 0.83%, 0.82%

LAB 93.64, -7.36, 33.93

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 31 / 0 / 23 / 3

HEX #ABF7BE

RGB 171 247 190

HSL 135, 0.83%, 0.82%

LAB 91.19, -34.65, 20.1

 

CMYK 31 / 0 / 15 / 3

HEX #ABF7D2

RGB 171 247 210

HSL 150.79, 0.83%, 0.82%

LAB 91.61, -30.93, 10.38

 

CMYK 31 / 0 / 6 / 3

HEX #ABF7E7

RGB 171 247 231

HSL 167.37, 0.83%, 0.82%

LAB 92.11, -26.65, 0.22

 

CMYK 31 / 2 / 0 / 3

HEX #ABF3F7

RGB 171 243 247

HSL 183.16, 0.83%, 0.82%

LAB 91.45, -21.2, -9.07

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA4

RGB 166 255 164

HSL 118.68, 1%, 0.82%

LAB 92.71, -44.03, 35.28

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 25 / 0 / 26 / 6

HEX #B4F0B2

RGB 180 240 178

HSL 118.06, 0.67%, 0.82%

LAB 89.5, -30.62, 24

 

CMYK 19 / 0 / 20 / 9

HEX #BBE8BA

RGB 187 232 186

HSL 118.7, 0.5%, 0.82%

LAB 87.88, -23.16, 17.69

 

CMYK 14 / 0 / 14 / 12

HEX #C2E1C1

RGB 194 225 193

HSL 118.13, 0.35%, 0.82%

LAB 86.59, -16.15, 12.27

 

CMYK 7 / 0 / 7 / 15

HEX #C9D9C9

RGB 201 217 201

HSL 120, 0.17%, 0.82%

LAB 85.13, -8.31, 6.03

 

CMYK 13 / 0 / 31 / 3

HEX #D6F7AB

RGB 214 247 171

HSL 86.05, 0.83%, 0.82%

LAB 93.35, -23.37, 33.11

 

CMYK 21 / 0 / 31 / 3

HEX #C2F7AB

RGB 194 247 171

HSL 101.84, 0.83%, 0.82%

LAB 92.1, -30.33, 31.23

 

CMYK 30 / 0 / 31 / 3

HEX #AEF7AB

RGB 174 247 171

HSL 117.63, 0.83%, 0.82%

LAB 90.99, -36.9, 29.54

 

CMYK 31 / 0 / 23 / 3

HEX #ABF7BD

RGB 171 247 189

HSL 134.21, 0.83%, 0.82%

LAB 91.17, -34.83, 20.58

 

CMYK 31 / 0 / 15 / 3

HEX #ABF7D1

RGB 171 247 209

HSL 150, 0.83%, 0.82%

LAB 91.59, -31.13, 10.87

 

CMYK 59 / 0 / 60 / 6

HEX #63F05F

RGB 99 240 95

HSL 118.34, 0.83%, 0.66%

LAB 84.89, -65.35, 57.48

 

CMYK 44 / 0 / 45 / 4

HEX #88F485

RGB 136 244 133

HSL 118.38, 0.83%, 0.74%

LAB 87.79, -52.72, 43.86

 

CMYK 30 / 0 / 31 / 3

HEX #ADF7AB

RGB 173 247 171

HSL 118.42, 0.83%, 0.82%

LAB 90.94, -37.22, 29.46

 

CMYK 16 / 0 / 17 / 2

HEX #D2FBD1

RGB 210 251 209

HSL 118.57, 0.84%, 0.9%

LAB 94.87, -20.84, 15.82

 

CMYK 3 / 0 / 3 / 0

HEX #F7FEF7

RGB 247 254 247

HSL 120, 0.78%, 0.98%

LAB 98.98, -3.53, 2.53

 

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

CMYK 31 / 5 / 0 / 3

HEX #ABEAF7

RGB 171 234 247

HSL 190.26, 0.83%, 0.82%

LAB 89.03, -16.73, -12.68

 

CMYK 0 / 31 / 17 / 3

HEX #F7ABCC

RGB 247 171 204

HSL 333.95, 0.83%, 0.82%

LAB 78.03, 32.54, -5.45

 

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

CMYK 31 / 30 / 0 / 3

HEX #ABAEF7

RGB 171 174 247

HSL 237.63, 0.83%, 0.82%

LAB 73.31, 15.17, -36.61

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAE

RGB 247 171 174

HSL 357.63, 0.83%, 0.82%

LAB 77.25, 28.29, 9.76

 

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

CMYK 31 / 5 / 0 / 3

HEX #ABEAF7

RGB 171 234 247

HSL 190.26, 0.83%, 0.82%

LAB 89.03, -16.73, -12.68

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 0 / 26 / 31 / 3

HEX #F7B8AB

RGB 247 184 171

HSL 10.26, 0.83%, 0.82%

LAB 80.18, 21.05, 15.52

 

CMYK 31 / 0 / 32 / 3

HEX #ABF7A9

RGB 171 247 169

HSL 118.46, 0.83%, 0.82%

LAB 90.8, -38.16, 30.27

 

CMYK 31 / 14 / 0 / 3

HEX #ABD4F7

RGB 171 212 247

HSL 207.63, 0.83%, 0.82%

LAB 83.16, -5.44, -21.51

 

CMYK 1 / 31 / 0 / 3

HEX #F5ABF7

RGB 245 171 247

HSL 298.42, 0.83%, 0.82%

LAB 79.19, 39.1, -27.01

 

CMYK 0 / 16 / 31 / 3

HEX #F7CFAB

RGB 247 207 171

HSL 28.42, 0.83%, 0.82%

LAB 85.68, 8.98, 23.15

 

Description

Color code: HEX #ABF7A9 | qconv.com Color code: HEX #ABF7A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 247 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 247 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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