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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF3B6 it is the complementary color #540C49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF3B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF3B6 shade: #B0F3B1, #C1FFC4, #D2FFD7, #E3FFEA and #F4FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF3B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF3B6 shade: #ABF3B6, #9AE1A3, #89CF90, #78BD7D and #67AB6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF3B6 shade: #AAF3B5, #B3F3AA, #C6F3AA, #DAF3AA and #EDF3AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF3B6 shade: #AAF3B5, #AAF3C9, #AAF3DD, #AAF3F0 and #AAE2F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF3B6 shade matches the following richer shades: #AAF3B5 and #A2FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF3B6 shade: #AAF3B5, #B2EBBB, #BAE3C0, #C2DBC6 and #CAD4CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF3B6 shade: #C6F3AA, #B3F3AA, #AAF3B5, #AAF3C8 and #AAF3DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF3B6 shade: #62E977, #86EE96, #AAF3B5, #CEF8D5 and #F2FDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF3B6 shade: #ABF3B6, #AAD9F3 and #F3AABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF3B6 shade: #ABF3B6, #B5AAF3 and #F3B5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF3B6 shade: #ABF3B6, #AAD9F3, #F3AAE8 and #F3C4AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF3B6 shade: #ABF3B6, #AAC4F3, #F3AAE8 and #F3D9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

Complementary color

CMYK 0 / 86 / 13 / 67

HEX #540C49

RGB 84 12 73

HSL 309.17, 0.75%, 0.19%

LAB 18.49, 38.56, -18.89

 

CMYK 28 / 0 / 27 / 5

HEX #B0F3B1

RGB 176 243 177

HSL 120.9, 0.74%, 0.82%

LAB 90.09, -33.47, 25.29

 

CMYK 24 / 0 / 23 / 0

HEX #C1FFC4

RGB 193 255 196

HSL 122.9, 1%, 0.88%

LAB 94.67, -30.46, 22.05

 

CMYK 18 / 0 / 16 / 0

HEX #D2FFD7

RGB 210 255 215

HSL 126.67, 1%, 0.91%

LAB 96.05, -21.75, 14.42

 

CMYK 11 / 0 / 8 / 0

HEX #E3FFEA

RGB 227 255 234

HSL 135, 1%, 0.95%

LAB 97.55, -12.88, 6.96

 

CMYK 4 / 0 / 1 / 0

HEX #F4FFFD

RGB 244 255 253

HSL 169.09, 1%, 0.98%

LAB 99.16, -3.95, -0.31

 

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

CMYK 32 / 0 / 28 / 12

HEX #9AE1A3

RGB 154 225 163

HSL 127.61, 0.54%, 0.74%

LAB 83.63, -34.45, 23.46

 

CMYK 34 / 0 / 30 / 19

HEX #89CF90

RGB 137 207 144

HSL 126, 0.42%, 0.67%

LAB 77.26, -34.71, 24.53

 

CMYK 37 / 0 / 34 / 26

HEX #78BD7D

RGB 120 189 125

HSL 124.35, 0.34%, 0.61%

LAB 70.78, -34.97, 25.67

 

CMYK 40 / 0 / 38 / 33

HEX #67AB6A

RGB 103 171 106

HSL 122.65, 0.29%, 0.54%

LAB 64.2, -35.21, 26.88

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 26 / 0 / 30 / 5

HEX #B3F3AA

RGB 179 243 170

HSL 112.6, 0.75%, 0.81%

LAB 90.13, -33.62, 28.93

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AA

RGB 198 243 170

HSL 96.99, 0.75%, 0.81%

LAB 91.24, -27.22, 30.61

 

CMYK 10 / 0 / 30 / 5

HEX #DAF3AA

RGB 218 243 170

HSL 80.55, 0.75%, 0.81%

LAB 92.53, -20.15, 32.58

 

CMYK 2 / 0 / 30 / 5

HEX #EDF3AA

RGB 237 243 170

HSL 64.93, 0.75%, 0.81%

LAB 93.89, -13.19, 34.62

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 30 / 0 / 17 / 5

HEX #AAF3C9

RGB 170 243 201

HSL 145.48, 0.75%, 0.81%

LAB 90.26, -31.08, 13.11

 

CMYK 30 / 0 / 9 / 5

HEX #AAF3DD

RGB 170 243 221

HSL 161.92, 0.75%, 0.81%

LAB 90.72, -27.11, 3.39

 

CMYK 30 / 0 / 1 / 5

HEX #AAF3F0

RGB 170 243 240

HSL 177.53, 0.75%, 0.81%

LAB 91.21, -23.04, -5.79

 

CMYK 30 / 7 / 0 / 5

HEX #AAE2F3

RGB 170 226 243

HSL 193.97, 0.75%, 0.81%

LAB 86.71, -13.9, -14.05

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 35 / 0 / 30 / 2

HEX #A2FBB0

RGB 162 251 176

HSL 129.44, 0.92%, 0.81%

LAB 91.6, -41.57, 27.73

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 24 / 0 / 20 / 8

HEX #B2EBBB

RGB 178 235 187

HSL 129.47, 0.59%, 0.81%

LAB 88.19, -27.37, 17.52

 

CMYK 18 / 0 / 15 / 11

HEX #BAE3C0

RGB 186 227 192

HSL 128.78, 0.42%, 0.81%

LAB 86.59, -20, 12.73

 

CMYK 11 / 0 / 10 / 14

HEX #C2DBC6

RGB 194 219 198

HSL 129.6, 0.26%, 0.81%

LAB 85.1, -12.25, 7.52

 

CMYK 5 / 0 / 4 / 17

HEX #CAD4CB

RGB 202 212 203

HSL 126, 0.1%, 0.81%

LAB 83.94, -5.04, 3.27

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AA

RGB 198 243 170

HSL 96.99, 0.75%, 0.81%

LAB 91.24, -27.22, 30.61

 

CMYK 26 / 0 / 30 / 5

HEX #B3F3AA

RGB 179 243 170

HSL 112.6, 0.75%, 0.81%

LAB 90.13, -33.62, 28.93

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 30 / 0 / 18 / 5

HEX #AAF3C8

RGB 170 243 200

HSL 144.66, 0.75%, 0.81%

LAB 90.24, -31.27, 13.6

 

CMYK 30 / 0 / 9 / 5

HEX #AAF3DC

RGB 170 243 220

HSL 161.1, 0.75%, 0.81%

LAB 90.7, -27.32, 3.87

 

CMYK 58 / 0 / 49 / 9

HEX #62E977

RGB 98 233 119

HSL 129.33, 0.75%, 0.65%

LAB 83.02, -60.09, 44.33

 

CMYK 44 / 0 / 37 / 7

HEX #86EE96

RGB 134 238 150

HSL 129.23, 0.75%, 0.73%

LAB 86.22, -48.27, 33.42

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 17 / 0 / 14 / 3

HEX #CEF8D5

RGB 206 248 213

HSL 130, 0.75%, 0.89%

LAB 93.91, -20.01, 12.38

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF4

RGB 242 253 244

HSL 130.91, 0.73%, 0.97%

LAB 98.3, -5.2, 3.04

 

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

CMYK 30 / 11 / 0 / 5

HEX #AAD9F3

RGB 170 217 243

HSL 201.37, 0.75%, 0.81%

LAB 84.3, -9.28, -17.67

 

CMYK 0 / 30 / 23 / 5

HEX #F3AABC

RGB 243 170 188

HSL 345.21, 0.75%, 0.81%

LAB 76.94, 29.29, 1.62

 

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

CMYK 26 / 30 / 0 / 5

HEX #B5AAF3

RGB 181 170 243

HSL 249.04, 0.75%, 0.81%

LAB 72.92, 19.29, -34.99

 

CMYK 0 / 26 / 30 / 5

HEX #F3B5AA

RGB 243 181 170

HSL 9.04, 0.75%, 0.81%

LAB 79.04, 21.01, 14.4

 

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

CMYK 30 / 11 / 0 / 5

HEX #AAD9F3

RGB 170 217 243

HSL 201.37, 0.75%, 0.81%

LAB 84.3, -9.28, -17.67

 

CMYK 0 / 30 / 5 / 5

HEX #F3AAE8

RGB 243 170 232

HSL 309.04, 0.75%, 0.81%

LAB 78.25, 36.31, -20.37

 

CMYK 0 / 19 / 30 / 5

HEX #F3C4AA

RGB 243 196 170

HSL 21.37, 0.75%, 0.81%

LAB 82.61, 13.09, 19.39

 

CMYK 30 / 0 / 25 / 5

HEX #ABF3B6

RGB 171 243 182

HSL 129.17, 0.75%, 0.81%

LAB 89.92, -34.21, 22.45

 

CMYK 30 / 19 / 0 / 5

HEX #AAC4F3

RGB 170 196 243

HSL 218.63, 0.75%, 0.81%

LAB 78.75, 1.82, -26.09

 

CMYK 0 / 30 / 5 / 5

HEX #F3AAE8

RGB 243 170 232

HSL 309.04, 0.75%, 0.81%

LAB 78.25, 36.31, -20.37

 

CMYK 0 / 11 / 30 / 5

HEX #F3D9AA

RGB 243 217 170

HSL 38.63, 0.75%, 0.81%

LAB 87.77, 2.17, 26.47

 

Description

Color code: HEX #ABF3B6 | qconv.com Color code: HEX #ABF3B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 243 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 243 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 25 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 25% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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