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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF0DD it is the complementary color #540F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF0DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF0DD shade: #B0F0D8, #C1FFEB, #D2FFFE, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF0DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF0DD shade: #ABF0DD, #9ADECA, #89CCB7, #78BAA4 and #67A891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF0DD shade: #ADF0DE, #ADF0CB, #ADF0B9, #B2F0AD and #C5F0AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF0DD shade: #ADF0DE, #ADF0F0, #ADDFF0, #ADCCF0 and #ADBAF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF0DD shade matches the following richer shades: #ADF0DE and #A5F8E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF0DD shade: #ADF0DE, #B4E9DA, #BCE1D7, #C4D9D3 and #CCD1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF0DD shade: #ADF0B9, #ADF0CB, #ADF0DD, #ADF0EF and #ADE0F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF0DD shade: #66E4C2, #8AEAD0, #ADF0DE, #D0F7EC and #F3FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF0DD shade: #ABF0DD, #ADB2F0 and #F0C2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF0DD shade: #ABF0DD, #DDADF0 and #F0DDAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF0DD shade: #ABF0DD, #ADB2F0, #F0ADC0 and #F0EBAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF0DD shade: #ABF0DD, #BBADF0, #F0ADC0 and #E2F0AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

Complementary color

CMYK 0 / 82 / 60 / 67

HEX #540F22

RGB 84 15 34

HSL 343.48, 0.7%, 0.19%

LAB 17.19, 32.53, 6.76

 

CMYK 27 / 0 / 10 / 6

HEX #B0F0D8

RGB 176 240 216

HSL 157.5, 0.68%, 0.82%

LAB 90.09, -24.94, 5.13

 

CMYK 24 / 0 / 8 / 0

HEX #C1FFEB

RGB 193 255 235

HSL 160.65, 1%, 0.88%

LAB 95.52, -23.32, 3.26

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFE

RGB 210 255 254

HSL 178.67, 1%, 0.91%

LAB 96.97, -14.43, -4.28

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

CMYK 31 / 0 / 9 / 13

HEX #9ADECA

RGB 154 222 202

HSL 162.35, 0.51%, 0.74%

LAB 83.64, -25.57, 2.99

 

CMYK 33 / 0 / 10 / 20

HEX #89CCB7

RGB 137 204 183

HSL 161.19, 0.4%, 0.67%

LAB 77.23, -25.76, 3.73

 

CMYK 35 / 0 / 12 / 27

HEX #78BAA4

RGB 120 186 164

HSL 160, 0.32%, 0.6%

LAB 70.73, -25.97, 4.52

 

CMYK 39 / 0 / 14 / 34

HEX #67A891

RGB 103 168 145

HSL 158.77, 0.27%, 0.53%

LAB 64.11, -26.19, 5.36

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DE

RGB 173 240 222

HSL 163.88, 0.69%, 0.81%

LAB 90.08, -24.6, 1.96

 

CMYK 28 / 0 / 15 / 6

HEX #ADF0CB

RGB 173 240 203

HSL 146.87, 0.69%, 0.81%

LAB 89.63, -28.38, 11.21

 

CMYK 28 / 0 / 23 / 6

HEX #ADF0B9

RGB 173 240 185

HSL 130.75, 0.69%, 0.81%

LAB 89.26, -31.67, 20

 

CMYK 26 / 0 / 28 / 6

HEX #B2F0AD

RGB 178 240 173

HSL 115.52, 0.69%, 0.81%

LAB 89.3, -32.08, 26.26

 

CMYK 18 / 0 / 28 / 6

HEX #C5F0AD

RGB 197 240 173

HSL 98.51, 0.69%, 0.81%

LAB 90.42, -25.7, 27.97

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DE

RGB 173 240 222

HSL 163.88, 0.69%, 0.81%

LAB 90.08, -24.6, 1.96

 

CMYK 28 / 0 / 0 / 6

HEX #ADF0F0

RGB 173 240 240

HSL 180, 0.69%, 0.81%

LAB 90.55, -20.74, -6.74

 

CMYK 28 / 7 / 0 / 6

HEX #ADDFF0

RGB 173 223 240

HSL 195.22, 0.69%, 0.81%

LAB 85.98, -12.21, -13.54

 

CMYK 28 / 15 / 0 / 6

HEX #ADCCF0

RGB 173 204 240

HSL 212.24, 0.69%, 0.81%

LAB 80.94, -2.31, -21.13

 

CMYK 28 / 23 / 0 / 6

HEX #ADBAF0

RGB 173 186 240

HSL 228.36, 0.69%, 0.81%

LAB 76.25, 7.4, -28.29

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DE

RGB 173 240 222

HSL 163.88, 0.69%, 0.81%

LAB 90.08, -24.6, 1.96

 

CMYK 33 / 0 / 9 / 3

HEX #A5F8E1

RGB 165 248 225

HSL 163.37, 0.86%, 0.81%

LAB 91.94, -30.06, 3.05

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DE

RGB 173 240 222

HSL 163.88, 0.69%, 0.81%

LAB 90.08, -24.6, 1.96

 

CMYK 23 / 0 / 6 / 9

HEX #B4E9DA

RGB 180 233 218

HSL 163.02, 0.55%, 0.81%

LAB 88.47, -19.91, 1.75

 

CMYK 16 / 0 / 4 / 12

HEX #BCE1D7

RGB 188 225 215

HSL 163.78, 0.38%, 0.81%

LAB 86.73, -14.03, 0.85

 

CMYK 10 / 0 / 3 / 15

HEX #C4D9D3

RGB 196 217 211

HSL 162.86, 0.22%, 0.81%

LAB 85.03, -8.14, 0.55

 

CMYK 2 / 0 / 0 / 18

HEX #CCD1D0

RGB 204 209 208

HSL 168, 0.05%, 0.81%

LAB 83.44, -1.88, -0.11

 

CMYK 28 / 0 / 23 / 6

HEX #ADF0B9

RGB 173 240 185

HSL 130.75, 0.69%, 0.81%

LAB 89.26, -31.67, 20

 

CMYK 28 / 0 / 15 / 6

HEX #ADF0CB

RGB 173 240 203

HSL 146.87, 0.69%, 0.81%

LAB 89.63, -28.38, 11.21

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DD

RGB 173 240 221

HSL 162.99, 0.69%, 0.81%

LAB 90.06, -24.81, 2.45

 

CMYK 28 / 0 / 0 / 6

HEX #ADF0EF

RGB 173 240 239

HSL 179.1, 0.69%, 0.81%

LAB 90.52, -20.96, -6.26

 

CMYK 28 / 7 / 0 / 6

HEX #ADE0F0

RGB 173 224 240

HSL 194.33, 0.69%, 0.81%

LAB 86.25, -12.73, -13.14

 

CMYK 55 / 0 / 15 / 11

HEX #66E4C2

RGB 102 228 194

HSL 163.81, 0.7%, 0.65%

LAB 83.02, -43.1, 6.05

 

CMYK 41 / 0 / 11 / 8

HEX #8AEAD0

RGB 138 234 208

HSL 163.75, 0.7%, 0.73%

LAB 86.41, -34.34, 3.74

 

CMYK 28 / 0 / 8 / 6

HEX #ADF0DE

RGB 173 240 222

HSL 163.88, 0.69%, 0.81%

LAB 90.08, -24.6, 1.96

 

CMYK 16 / 0 / 4 / 3

HEX #D0F7EC

RGB 208 247 236

HSL 163.08, 0.71%, 0.89%

LAB 94.31, -14.63, 1.09

 

CMYK 4 / 0 / 1 / 1

HEX #F3FDFA

RGB 243 253 250

HSL 162, 0.71%, 0.97%

LAB 98.51, -3.81, 0.28

 

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

CMYK 28 / 26 / 0 / 6

HEX #ADB2F0

RGB 173 178 240

HSL 235.52, 0.69%, 0.81%

LAB 74.2, 11.8, -31.44

 

CMYK 0 / 19 / 28 / 6

HEX #F0C2AD

RGB 240 194 173

HSL 18.81, 0.69%, 0.81%

LAB 81.91, 13.41, 16.77

 

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

CMYK 8 / 28 / 0 / 6

HEX #DDADF0

RGB 221 173 240

HSL 282.99, 0.69%, 0.81%

LAB 77.01, 29.17, -26.78

 

CMYK 0 / 8 / 28 / 6

HEX #F0DDAD

RGB 240 221 173

HSL 42.99, 0.69%, 0.81%

LAB 88.57, -0.63, 25.97

 

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

CMYK 28 / 26 / 0 / 6

HEX #ADB2F0

RGB 173 178 240

HSL 235.52, 0.69%, 0.81%

LAB 74.2, 11.8, -31.44

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC0

RGB 240 173 192

HSL 342.99, 0.69%, 0.81%

LAB 77.41, 27.22, 0.09

 

CMYK 0 / 2 / 28 / 6

HEX #F0EBAD

RGB 240 235 173

HSL 55.52, 0.69%, 0.81%

LAB 92.11, -7.72, 30.77

 

CMYK 29 / 0 / 8 / 6

HEX #ABF0DD

RGB 171 240 221

HSL 163.48, 0.7%, 0.81%

LAB 89.95, -25.39, 2.28

 

CMYK 22 / 28 / 0 / 6

HEX #BBADF0

RGB 187 173 240

HSL 252.54, 0.69%, 0.81%

LAB 74.03, 18.7, -31.62

 

CMYK 0 / 28 / 20 / 6

HEX #F0ADC0

RGB 240 173 192

HSL 342.99, 0.69%, 0.81%

LAB 77.41, 27.22, 0.09

 

CMYK 6 / 0 / 28 / 6

HEX #E2F0AD

RGB 226 240 173

HSL 72.54, 0.69%, 0.81%

LAB 92.36, -15.38, 30.92

 

Description

Color code: HEX #ABF0DD | qconv.com Color code: HEX #ABF0DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 240 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 240 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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