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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF009 it is the complementary color #540FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF009 shade: #B0F004, #C1FF17, #D2FF2A, #E3FF3D and #F4FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF009 shade: #ABF009, #9ADE00, #89CC00, #78BA00 and #67A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF009 shade: #ACF109, #EAF109, #F1B909, #F17B09 and #F13C09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF009 shade: #ACF109, #6DF109, #2EF109, #09F122 and #09F160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF009 shade matches the following richer shades: #ACF109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF009 shade: #ACF109, #A4DD1D, #9BC931, #93B545 and #8BA05A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF009 shade: #F1B709, #EDF109, #AFF109, #71F109 and #33F109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF009 shade: #73A206, #8FC907, #ACF109, #BBF72C and #C7F954

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF009 shade: #ABF009, #09F179 and #D609F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF009 shade: #ABF009, #09AFF1 and #F109AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF009 shade: #ABF009, #09F179, #4B09F1 and #F10981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF009 shade: #ABF009, #09F1BF, #4B09F1 and #F1093B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

Complementary color

CMYK 66 / 94 / 0 / 4

HEX #540FF6

RGB 84 15 246

HSL 257.92, 0.93%, 0.51%

LAB 35.75, 76.59, -96.94

 

CMYK 27 / 0 / 98 / 6

HEX #B0F004

RGB 176 240 4

HSL 76.27, 0.97%, 0.48%

LAB 87.76, -46.07, 84.79

 

CMYK 24 / 0 / 91 / 0

HEX #C1FF17

RGB 193 255 23

HSL 76.03, 1%, 0.55%

LAB 92.98, -45.87, 87.52

 

CMYK 18 / 0 / 84 / 0

HEX #D2FF2A

RGB 210 255 42

HSL 72.68, 1%, 0.58%

LAB 94.05, -38.97, 85.62

 

CMYK 11 / 0 / 76 / 0

HEX #E3FF3D

RGB 227 255 61

HSL 68.66, 1%, 0.62%

LAB 95.24, -31.68, 82.36

 

CMYK 4 / 0 / 69 / 0

HEX #F4FF50

RGB 244 255 80

HSL 63.77, 1%, 0.66%

LAB 96.55, -24.07, 77.96

 

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

CMYK 31 / 0 / 100 / 13

HEX #9ADE00

RGB 154 222 0

HSL 78.38, 1%, 0.44%

LAB 81.35, -46.67, 79.68

 

CMYK 33 / 0 / 100 / 20

HEX #89CC00

RGB 137 204 0

HSL 79.71, 1%, 0.4%

LAB 75.14, -45.35, 74.5

 

CMYK 35 / 0 / 100 / 27

HEX #78BA00

RGB 120 186 0

HSL 81.29, 1%, 0.36%

LAB 68.83, -44, 69.25

 

CMYK 39 / 0 / 100 / 34

HEX #67A800

RGB 103 168 0

HSL 83.21, 1%, 0.33%

LAB 62.41, -42.61, 63.92

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 3 / 0 / 96 / 5

HEX #EAF109

RGB 234 241 9

HSL 61.81, 0.93%, 0.49%

LAB 91.87, -23.48, 89.22

 

CMYK 0 / 23 / 96 / 5

HEX #F1B909

RGB 241 185 9

HSL 45.52, 0.93%, 0.49%

LAB 78.12, 7.58, 79.43

 

CMYK 0 / 49 / 96 / 5

HEX #F17B09

RGB 241 123 9

HSL 29.48, 0.93%, 0.49%

LAB 64.07, 39.92, 69.84

 

CMYK 0 / 75 / 96 / 5

HEX #F13C09

RGB 241 60 9

HSL 13.19, 0.93%, 0.49%

LAB 53.98, 66.53, 63.83

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 55 / 0 / 96 / 5

HEX #6DF109

RGB 109 241 9

HSL 94.14, 0.93%, 0.49%

LAB 85.09, -68, 81.03

 

CMYK 81 / 0 / 96 / 5

HEX #2EF109

RGB 46 241 9

HSL 110.43, 0.93%, 0.49%

LAB 83.71, -79.68, 79.34

 

CMYK 96 / 0 / 86 / 5

HEX #09F122

RGB 9 241 34

HSL 126.47, 0.93%, 0.49%

LAB 83.49, -81.51, 75.61

 

CMYK 96 / 0 / 60 / 5

HEX #09F160

RGB 9 241 96

HSL 142.5, 0.93%, 0.49%

LAB 83.87, -76.65, 55.53

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 26 / 0 / 87 / 13

HEX #A4DD1D

RGB 164 221 29

HSL 77.81, 0.77%, 0.49%

LAB 81.67, -42.02, 76.68

 

CMYK 23 / 0 / 76 / 21

HEX #9BC931

RGB 155 201 49

HSL 78.16, 0.61%, 0.49%

LAB 75.43, -35.85, 65.88

 

CMYK 19 / 0 / 62 / 29

HEX #93B545

RGB 147 181 69

HSL 78.21, 0.45%, 0.49%

LAB 69.24, -28.39, 51.81

 

CMYK 13 / 0 / 44 / 37

HEX #8BA05A

RGB 139 160 90

HSL 78, 0.28%, 0.49%

LAB 62.82, -19.1, 33.98

 

CMYK 0 / 24 / 96 / 5

HEX #F1B709

RGB 241 183 9

HSL 45, 0.93%, 0.49%

LAB 77.63, 8.63, 79.08

 

CMYK 2 / 0 / 96 / 5

HEX #EDF109

RGB 237 241 9

HSL 61.03, 0.93%, 0.49%

LAB 92.1, -22.24, 89.49

 

CMYK 27 / 0 / 96 / 5

HEX #AFF109

RGB 175 241 9

HSL 77.07, 0.93%, 0.49%

LAB 87.99, -46.81, 84.56

 

CMYK 53 / 0 / 96 / 5

HEX #71F109

RGB 113 241 9

HSL 93.1, 0.93%, 0.49%

LAB 85.22, -66.94, 81.19

 

CMYK 79 / 0 / 96 / 5

HEX #33F109

RGB 51 241 9

HSL 109.14, 0.93%, 0.49%

LAB 83.77, -79.11, 79.42

 

CMYK 29 / 0 / 96 / 36

HEX #73A206

RGB 115 162 6

HSL 78.08, 0.93%, 0.33%

LAB 61.22, -35.33, 62.43

 

CMYK 29 / 0 / 97 / 21

HEX #8FC907

RGB 143 201 7

HSL 77.94, 0.93%, 0.41%

LAB 74.59, -41.72, 73.5

 

CMYK 29 / 0 / 96 / 5

HEX #ACF109

RGB 172 241 9

HSL 77.84, 0.93%, 0.49%

LAB 87.82, -47.92, 84.36

 

CMYK 24 / 0 / 82 / 3

HEX #BBF72C

RGB 187 247 44

HSL 77.73, 0.93%, 0.57%

LAB 90.44, -44.17, 81.53

 

CMYK 20 / 0 / 66 / 2

HEX #C7F954

RGB 199 249 84

HSL 78.18, 0.93%, 0.65%

LAB 91.92, -38.6, 70.85

 

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

CMYK 96 / 0 / 50 / 5

HEX #09F179

RGB 9 241 121

HSL 148.97, 0.93%, 0.49%

LAB 84.15, -73.22, 44.49

 

CMYK 11 / 96 / 0 / 5

HEX #D609F1

RGB 214 9 241

HSL 293.02, 0.93%, 0.49%

LAB 52.78, 89.48, -65.53

 

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

CMYK 96 / 27 / 0 / 5

HEX #09AFF1

RGB 9 175 241

HSL 197.07, 0.93%, 0.49%

LAB 67.33, -13.82, -43.14

 

CMYK 0 / 96 / 27 / 5

HEX #F109AF

RGB 241 9 175

HSL 317.07, 0.93%, 0.49%

LAB 54.02, 85.31, -25.42

 

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

CMYK 96 / 0 / 50 / 5

HEX #09F179

RGB 9 241 121

HSL 148.97, 0.93%, 0.49%

LAB 84.15, -73.22, 44.49

 

CMYK 69 / 96 / 0 / 5

HEX #4B09F1

RGB 75 9 241

HSL 257.07, 0.93%, 0.49%

LAB 34.07, 75.9, -96.94

 

CMYK 0 / 96 / 46 / 5

HEX #F10981

RGB 241 9 129

HSL 328.97, 0.93%, 0.49%

LAB 52.38, 81.01, -0.52

 

CMYK 29 / 0 / 96 / 6

HEX #ABF009

RGB 171 240 9

HSL 77.92, 0.93%, 0.49%

LAB 87.48, -47.87, 84.07

 

CMYK 96 / 0 / 21 / 5

HEX #09F1BF

RGB 9 241 191

HSL 167.07, 0.93%, 0.49%

LAB 85.37, -59.22, 10.79

 

CMYK 69 / 96 / 0 / 5

HEX #4B09F1

RGB 75 9 241

HSL 257.07, 0.93%, 0.49%

LAB 34.07, 75.9, -96.94

 

CMYK 0 / 96 / 76 / 5

HEX #F1093B

RGB 241 9 59

HSL 347.07, 0.93%, 0.49%

LAB 50.93, 77.11, 39.78

 

Description

Color code: HEX #ABF009 | qconv.com Color code: HEX #ABF009 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 240 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 240 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 96 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 96% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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