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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABEEA7 it is the complementary color #541158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABEEA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABEEA7 shade: #B0EEA2, #C1FFB5, #D2FFC8, #E3FFDB and #F4FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABEEA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABEEA7 shade: #ABEEA7, #9ADC94, #89CA81, #78B86E and #67A65B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABEEA7 shade: #A9EEA5, #BDEEA5, #D0EEA5, #E4EEA5 and #EEE4A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABEEA7 shade: #A9EEA5, #A5EEB5, #A5EEC8, #A5EEDC and #A5ECEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABEEA7 shade matches the following richer shades: #A9EEA5 and #A1F79C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABEEA7 shade: #A9EEA5, #B1E5AE, #B9DDB6, #C0D4BF and #C8CBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABEEA7 shade: #D1EEA5, #BDEEA5, #AAEEA5, #A5EEB4 and #A5EEC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABEEA7 shade: #67E160, #88E782, #A9EEA5, #CAF4C8 and #EBFBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABEEA7 shade: #ABEEA7, #A5E4EE and #EEA5C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABEEA7 shade: #ABEEA7, #A5AAEE and #EEA5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABEEA7 shade: #ABEEA7, #A5E4EE, #E9A5EE and #EEAFA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABEEA7 shade: #ABEEA7, #A5CEEE, #E9A5EE and #EEC5A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

Complementary color

CMYK 5 / 81 / 0 / 65

HEX #541158

RGB 84 17 88

HSL 296.62, 0.68%, 0.21%

LAB 20, 39.57, -26.67

 

CMYK 26 / 0 / 32 / 7

HEX #B0EEA2

RGB 176 238 162

HSL 108.95, 0.69%, 0.78%

LAB 88.44, -33.52, 30.69

 

CMYK 24 / 0 / 29 / 0

HEX #C1FFB5

RGB 193 255 181

HSL 110.27, 1%, 0.85%

LAB 94.4, -32.87, 29.27

 

CMYK 18 / 0 / 22 / 0

HEX #D2FFC8

RGB 210 255 200

HSL 109.09, 1%, 0.89%

LAB 95.74, -24.26, 21.66

 

CMYK 11 / 0 / 14 / 0

HEX #E3FFDB

RGB 227 255 219

HSL 106.67, 1%, 0.93%

LAB 97.21, -15.46, 14.18

 

CMYK 4 / 0 / 7 / 0

HEX #F4FFEE

RGB 244 255 238

HSL 98.82, 1%, 0.97%

LAB 98.8, -6.58, 6.86

 

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

CMYK 30 / 0 / 33 / 14

HEX #9ADC94

RGB 154 220 148

HSL 115, 0.51%, 0.72%

LAB 81.94, -34.61, 28.92

 

CMYK 32 / 0 / 36 / 21

HEX #89CA81

RGB 137 202 129

HSL 113.42, 0.41%, 0.65%

LAB 75.54, -34.83, 30.06

 

CMYK 35 / 0 / 40 / 28

HEX #78B86E

RGB 120 184 110

HSL 111.89, 0.34%, 0.58%

LAB 69.04, -35.05, 31.26

 

CMYK 38 / 0 / 45 / 35

HEX #67A65B

RGB 103 166 91

HSL 110.4, 0.3%, 0.5%

LAB 62.43, -35.24, 32.51

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA5

RGB 169 238 165

HSL 116.71, 0.68%, 0.79%

LAB 88.11, -35.34, 28.65

 

CMYK 21 / 0 / 31 / 7

HEX #BDEEA5

RGB 189 238 165

HSL 100.27, 0.68%, 0.79%

LAB 89.25, -28.69, 30.37

 

CMYK 13 / 0 / 31 / 7

HEX #D0EEA5

RGB 208 238 165

HSL 84.66, 0.68%, 0.79%

LAB 90.45, -22.01, 32.2

 

CMYK 4 / 0 / 31 / 7

HEX #E4EEA5

RGB 228 238 165

HSL 68.22, 0.68%, 0.79%

LAB 91.85, -14.7, 34.31

 

CMYK 0 / 4 / 31 / 7

HEX #EEE4A5

RGB 238 228 165

HSL 51.78, 0.68%, 0.79%

LAB 90.04, -5.96, 32.03

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA5

RGB 169 238 165

HSL 116.71, 0.68%, 0.79%

LAB 88.11, -35.34, 28.65

 

CMYK 31 / 0 / 24 / 7

HEX #A5EEB5

RGB 165 238 181

HSL 133.15, 0.68%, 0.79%

LAB 88.2, -33.93, 20.53

 

CMYK 31 / 0 / 16 / 7

HEX #A5EEC8

RGB 165 238 200

HSL 148.77, 0.68%, 0.79%

LAB 88.6, -30.41, 11.24

 

CMYK 31 / 0 / 8 / 7

HEX #A5EEDC

RGB 165 238 220

HSL 165.21, 0.68%, 0.79%

LAB 89.07, -26.35, 1.48

 

CMYK 31 / 1 / 0 / 7

HEX #A5ECEE

RGB 165 236 238

HSL 181.64, 0.68%, 0.79%

LAB 89, -21.43, -8.04

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA5

RGB 169 238 165

HSL 116.71, 0.68%, 0.79%

LAB 88.11, -35.34, 28.65

 

CMYK 35 / 0 / 37 / 3

HEX #A1F79C

RGB 161 247 156

HSL 116.7, 0.85%, 0.79%

LAB 90.09, -43.27, 35.76

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA5

RGB 169 238 165

HSL 116.71, 0.68%, 0.79%

LAB 88.11, -35.34, 28.65

 

CMYK 23 / 0 / 24 / 10

HEX #B1E5AE

RGB 177 229 174

HSL 116.73, 0.51%, 0.79%

LAB 86.23, -27.05, 21.52

 

CMYK 16 / 0 / 18 / 13

HEX #B9DDB6

RGB 185 221 182

HSL 115.38, 0.36%, 0.79%

LAB 84.69, -19.12, 15.28

 

CMYK 9 / 0 / 10 / 17

HEX #C0D4BF

RGB 192 212 191

HSL 117.14, 0.2%, 0.79%

LAB 82.94, -10.62, 8.11

 

CMYK 1 / 0 / 1 / 20

HEX #C8CBC8

RGB 200 203 200

HSL 120, 0.03%, 0.79%

LAB 81.38, -1.57, 1.12

 

CMYK 12 / 0 / 31 / 7

HEX #D1EEA5

RGB 209 238 165

HSL 83.84, 0.68%, 0.79%

LAB 90.52, -21.65, 32.3

 

CMYK 21 / 0 / 31 / 7

HEX #BDEEA5

RGB 189 238 165

HSL 100.27, 0.68%, 0.79%

LAB 89.25, -28.69, 30.37

 

CMYK 29 / 0 / 31 / 7

HEX #AAEEA5

RGB 170 238 165

HSL 115.89, 0.68%, 0.79%

LAB 88.17, -35.02, 28.74

 

CMYK 31 / 0 / 24 / 7

HEX #A5EEB4

RGB 165 238 180

HSL 132.33, 0.68%, 0.79%

LAB 88.18, -34.1, 21.02

 

CMYK 31 / 0 / 16 / 7

HEX #A5EEC7

RGB 165 238 199

HSL 147.95, 0.68%, 0.79%

LAB 88.58, -30.6, 11.73

 

CMYK 54 / 0 / 57 / 12

HEX #67E160

RGB 103 225 96

HSL 116.74, 0.68%, 0.63%

LAB 80.5, -58.85, 52.03

 

CMYK 41 / 0 / 44 / 9

HEX #88E782

RGB 136 231 130

HSL 116.44, 0.68%, 0.71%

LAB 83.96, -47.76, 40.47

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA5

RGB 169 238 165

HSL 116.71, 0.68%, 0.79%

LAB 88.11, -35.34, 28.65

 

CMYK 17 / 0 / 18 / 4

HEX #CAF4C8

RGB 202 244 200

HSL 117.27, 0.67%, 0.87%

LAB 92.32, -21.62, 16.8

 

CMYK 6 / 0 / 7 / 2

HEX #EBFBEA

RGB 235 251 234

HSL 116.47, 0.68%, 0.95%

LAB 97.06, -8.26, 6.34

 

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

CMYK 31 / 4 / 0 / 7

HEX #A5E4EE

RGB 165 228 238

HSL 188.22, 0.68%, 0.79%

LAB 86.83, -17.45, -11.26

 

CMYK 0 / 31 / 16 / 7

HEX #EEA5C7

RGB 238 165 199

HSL 332.05, 0.68%, 0.79%

LAB 75.58, 31.83, -6.45

 

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

CMYK 31 / 29 / 0 / 7

HEX #A5AAEE

RGB 165 170 238

HSL 235.89, 0.68%, 0.79%

LAB 71.5, 13.47, -34.57

 

CMYK 0 / 31 / 29 / 7

HEX #EEA5AA

RGB 238 165 170

HSL 355.89, 0.68%, 0.79%

LAB 74.82, 27.63, 8.34

 

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

CMYK 31 / 4 / 0 / 7

HEX #A5E4EE

RGB 165 228 238

HSL 188.22, 0.68%, 0.79%

LAB 86.83, -17.45, -11.26

 

CMYK 2 / 31 / 0 / 7

HEX #E9A5EE

RGB 233 165 238

HSL 295.89, 0.68%, 0.79%

LAB 76.32, 36.85, -26.65

 

CMYK 0 / 26 / 31 / 7

HEX #EEAFA5

RGB 238 175 165

HSL 8.22, 0.68%, 0.79%

LAB 77.01, 21.67, 14.18

 

CMYK 28 / 0 / 30 / 7

HEX #ABEEA7

RGB 171 238 167

HSL 116.62, 0.68%, 0.79%

LAB 88.26, -34.38, 27.85

 

CMYK 31 / 13 / 0 / 7

HEX #A5CEEE

RGB 165 206 238

HSL 206.3, 0.68%, 0.79%

LAB 80.91, -6.13, -20.15

 

CMYK 2 / 31 / 0 / 7

HEX #E9A5EE

RGB 233 165 238

HSL 295.89, 0.68%, 0.79%

LAB 76.32, 36.85, -26.65

 

CMYK 0 / 17 / 31 / 7

HEX #EEC5A5

RGB 238 197 165

HSL 26.3, 0.68%, 0.79%

LAB 82.29, 10.03, 21.52

 

Description

Color code: HEX #ABEEA7 | qconv.com Color code: HEX #ABEEA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 238 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 238 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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