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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABEC8C it is the complementary color #541373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABEC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABEC8C shade: #B0EC87, #C1FE9A, #D2FFAD, #E3FFC0 and #F4FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABEC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABEC8C shade: #ABEC8C, #9ADA79, #89C866, #78B653 and #67A440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABEC8C shade: #ABEC8C, #C5EC8C, #DFEC8C, #ECDF8C and #ECC68C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABEC8C shade: #ABEC8C, #92EC8C, #8CECA1, #8CECBB and #8CECD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABEC8C shade matches the following richer shades: #ABEC8C and #A7F782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABEC8C shade: #ABEC8C, #AFE197, #B3D6A2, #B7CCAD and #BAC1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABEC8C shade: #DFEC8C, #C6EC8C, #ACEC8C, #93EC8C and #8CECA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABEC8C shade: #78E045, #91E669, #ABEC8C, #C5F2B0 and #DFF7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABEC8C shade: #ABEC8C, #8CECDF and #EC8CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABEC8C shade: #ABEC8C, #8CACEC and #EC8CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABEC8C shade: #ABEC8C, #8CECDF, #CC8CEC and #EC8C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABEC8C shade: #ABEC8C, #8CDCEC, #CC8CEC and #EC9C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

Complementary color

CMYK 27 / 83 / 0 / 55

HEX #541373

RGB 84 19 115

HSL 280.63, 0.72%, 0.26%

LAB 22.26, 44.5, -40.76

 

CMYK 25 / 0 / 43 / 7

HEX #B0EC87

RGB 176 236 135

HSL 95.64, 0.73%, 0.73%

LAB 87.47, -36.34, 42.89

 

CMYK 24 / 0 / 39 / 0

HEX #C1FE9A

RGB 193 254 154

HSL 96.6, 0.98%, 0.8%

LAB 93.69, -36.24, 41.76

 

CMYK 18 / 0 / 32 / 0

HEX #D2FFAD

RGB 210 255 173

HSL 92.93, 1%, 0.84%

LAB 95.26, -28.3, 34.62

 

CMYK 11 / 0 / 25 / 0

HEX #E3FFC0

RGB 227 255 192

HSL 86.67, 1%, 0.88%

LAB 96.68, -19.67, 27.17

 

CMYK 4 / 0 / 17 / 0

HEX #F4FFD3

RGB 244 255 211

HSL 75, 1%, 0.91%

LAB 98.22, -10.92, 19.84

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 29 / 0 / 44 / 15

HEX #9ADA79

RGB 154 218 121

HSL 99.59, 0.57%, 0.66%

LAB 80.96, -37.54, 41.28

 

CMYK 32 / 0 / 49 / 22

HEX #89C866

RGB 137 200 102

HSL 98.57, 0.47%, 0.59%

LAB 74.56, -37.63, 42.46

 

CMYK 34 / 0 / 54 / 29

HEX #78B653

RGB 120 182 83

HSL 97.58, 0.4%, 0.52%

LAB 68.07, -37.67, 43.63

 

CMYK 37 / 0 / 61 / 36

HEX #67A440

RGB 103 164 64

HSL 96.6, 0.44%, 0.45%

LAB 61.49, -37.62, 44.7

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 17 / 0 / 41 / 7

HEX #C5EC8C

RGB 197 236 140

HSL 84.38, 0.72%, 0.74%

LAB 88.81, -28.25, 42.4

 

CMYK 6 / 0 / 41 / 7

HEX #DFEC8C

RGB 223 236 140

HSL 68.13, 0.72%, 0.74%

LAB 90.58, -18.54, 45.02

 

CMYK 0 / 6 / 41 / 7

HEX #ECDF8C

RGB 236 223 140

HSL 51.88, 0.72%, 0.74%

LAB 88.21, -7.06, 42.22

 

CMYK 0 / 16 / 41 / 7

HEX #ECC68C

RGB 236 198 140

HSL 36.25, 0.72%, 0.74%

LAB 81.9, 5.79, 34.08

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 38 / 0 / 41 / 7

HEX #92EC8C

RGB 146 236 140

HSL 116.25, 0.72%, 0.74%

LAB 86, -45.46, 38.24

 

CMYK 41 / 0 / 32 / 7

HEX #8CECA1

RGB 140 236 161

HSL 133.13, 0.72%, 0.74%

LAB 86.08, -43.91, 27.71

 

CMYK 41 / 0 / 21 / 7

HEX #8CECBB

RGB 140 236 187

HSL 149.38, 0.72%, 0.74%

LAB 86.58, -39.12, 14.98

 

CMYK 41 / 0 / 10 / 7

HEX #8CECD5

RGB 140 236 213

HSL 165.63, 0.72%, 0.74%

LAB 87.18, -33.65, 2.25

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 32 / 0 / 47 / 3

HEX #A7F782

RGB 167 247 130

HSL 101.03, 0.88%, 0.74%

LAB 90.02, -44.86, 48.38

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 22 / 0 / 33 / 12

HEX #AFE197

RGB 175 225 151

HSL 100.54, 0.55%, 0.74%

LAB 84.59, -29.42, 31.12

 

CMYK 16 / 0 / 24 / 16

HEX #B3D6A2

RGB 179 214 162

HSL 100.38, 0.39%, 0.74%

LAB 81.99, -21.03, 21.96

 

CMYK 10 / 0 / 15 / 20

HEX #B7CCAD

RGB 183 204 173

HSL 100.65, 0.23%, 0.74%

LAB 79.77, -12.79, 13.08

 

CMYK 4 / 0 / 5 / 24

HEX #BAC1B7

RGB 186 193 183

HSL 102, 0.07%, 0.74%

LAB 77.28, -4.26, 4.18

 

CMYK 6 / 0 / 41 / 7

HEX #DFEC8C

RGB 223 236 140

HSL 68.13, 0.72%, 0.74%

LAB 90.58, -18.54, 45.02

 

CMYK 16 / 0 / 41 / 7

HEX #C6EC8C

RGB 198 236 140

HSL 83.75, 0.72%, 0.74%

LAB 88.87, -27.89, 42.5

 

CMYK 27 / 0 / 41 / 7

HEX #ACEC8C

RGB 172 236 140

HSL 100, 0.72%, 0.74%

LAB 87.32, -37.07, 40.19

 

CMYK 38 / 0 / 41 / 7

HEX #93EC8C

RGB 147 236 140

HSL 115.63, 0.72%, 0.74%

LAB 86.05, -45.15, 38.31

 

CMYK 41 / 0 / 32 / 7

HEX #8CECA0

RGB 140 236 160

HSL 132.5, 0.72%, 0.74%

LAB 86.06, -44.08, 28.19

 

CMYK 46 / 0 / 69 / 12

HEX #78E045

RGB 120 224 69

HSL 100.26, 0.71%, 0.57%

LAB 80.59, -56.34, 63.46

 

CMYK 37 / 0 / 54 / 10

HEX #91E669

RGB 145 230 105

HSL 100.8, 0.71%, 0.66%

LAB 83.77, -47.65, 52.22

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 19 / 0 / 27 / 5

HEX #C5F2B0

RGB 197 242 176

HSL 100.91, 0.72%, 0.82%

LAB 91.01, -26.2, 27.25

 

CMYK 10 / 0 / 15 / 3

HEX #DFF7D3

RGB 223 247 211

HSL 100, 0.69%, 0.9%

LAB 94.7, -14.2, 14.69

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 41 / 0 / 6 / 7

HEX #8CECDF

RGB 140 236 223

HSL 171.88, 0.72%, 0.74%

LAB 87.43, -31.39, -2.62

 

CMYK 0 / 41 / 11 / 7

HEX #EC8CD2

RGB 236 140 210

HSL 316.25, 0.72%, 0.74%

LAB 70.35, 46, -20.39

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 41 / 27 / 0 / 7

HEX #8CACEC

RGB 140 172 236

HSL 220, 0.72%, 0.74%

LAB 70.27, 5.03, -35.52

 

CMYK 0 / 41 / 27 / 7

HEX #EC8CAC

RGB 236 140 172

HSL 340, 0.72%, 0.74%

LAB 69.16, 40.33, -0.99

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 41 / 0 / 6 / 7

HEX #8CECDF

RGB 140 236 223

HSL 171.88, 0.72%, 0.74%

LAB 87.43, -31.39, -2.62

 

CMYK 14 / 41 / 0 / 7

HEX #CC8CEC

RGB 204 140 236

HSL 280, 0.72%, 0.74%

LAB 67.76, 41.02, -39.03

 

CMYK 0 / 41 / 35 / 7

HEX #EC8C99

RGB 236 140 153

HSL 351.88, 0.72%, 0.74%

LAB 68.67, 37.91, 8.95

 

CMYK 28 / 0 / 41 / 7

HEX #ABEC8C

RGB 171 236 140

HSL 100.63, 0.72%, 0.74%

LAB 87.26, -37.41, 40.11

 

CMYK 41 / 7 / 0 / 7

HEX #8CDCEC

RGB 140 220 236

HSL 190, 0.72%, 0.74%

LAB 83.35, -20.47, -15.55

 

CMYK 14 / 41 / 0 / 7

HEX #CC8CEC

RGB 204 140 236

HSL 280, 0.72%, 0.74%

LAB 67.76, 41.02, -39.03

 

CMYK 0 / 34 / 41 / 7

HEX #EC9C8C

RGB 236 156 140

HSL 10, 0.72%, 0.74%

LAB 71.9, 28.01, 20.67

 

Description

Color code: HEX #ABEC8C | qconv.com Color code: HEX #ABEC8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 236 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 236 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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