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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE748 it is the complementary color #5418B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE748 shade: #B0E743, #C1F956, #D2FF69, #E3FF7C and #F4FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE748 shade: #ABE748, #9AD535, #89C322, #78B10F and #679F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE748 shade: #AAE746, #D6E746, #E7CD46, #E7A146 and #E77646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE748 shade: #AAE746, #7FE746, #53E746, #46E764 and #46E78F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE748 shade matches the following richer shades: #AAE746 and #AEF835

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE748 shade: #AAE746, #A6D657, #A2C568, #9EB479 and #9AA38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE748 shade: #E7CC46, #D7E746, #ACE746, #81E746 and #56E746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE748 shade: #82C119, #99E221, #AAE746, #BBEC6A and #CCF08F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE748 shade: #ABE748, #46E7A1 and #E246E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE748 shade: #ABE748, #46ACE7 and #E746AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE748 shade: #ABE748, #46E7A1, #8146E7 and #E7468C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE748 shade: #ABE748, #46E7D1, #8146E7 and #E7465B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

Complementary color

CMYK 54 / 87 / 0 / 28

HEX #5418B7

RGB 84 24 183

HSL 262.64, 0.77%, 0.41%

LAB 29.3, 59.2, -71.18

 

CMYK 24 / 0 / 71 / 9

HEX #B0E743

RGB 176 231 67

HSL 80.12, 0.77%, 0.58%

LAB 85.4, -40.29, 69.95

 

CMYK 22 / 0 / 65 / 2

HEX #C1F956

RGB 193 249 86

HSL 80.61, 0.93%, 0.66%

LAB 91.58, -40.7, 69.62

 

CMYK 18 / 0 / 59 / 0

HEX #D2FF69

RGB 210 255 105

HSL 78, 1%, 0.71%

LAB 94.42, -35.67, 65.36

 

CMYK 11 / 0 / 51 / 0

HEX #E3FF7C

RGB 227 255 124

HSL 72.82, 1%, 0.74%

LAB 95.71, -27.66, 58.86

 

CMYK 4 / 0 / 44 / 0

HEX #F4FF8F

RGB 244 255 143

HSL 65.89, 1%, 0.78%

LAB 97.12, -19.42, 52.07

 

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

CMYK 28 / 0 / 75 / 16

HEX #9AD535

RGB 154 213 53

HSL 82.13, 0.66%, 0.52%

LAB 78.88, -41.38, 67.85

 

CMYK 30 / 0 / 83 / 24

HEX #89C322

RGB 137 195 34

HSL 81.61, 0.7%, 0.45%

LAB 72.54, -40.74, 67.15

 

CMYK 32 / 0 / 92 / 31

HEX #78B10F

RGB 120 177 15

HSL 81.11, 0.84%, 0.38%

LAB 66.11, -39.88, 65.23

 

CMYK 35 / 0 / 100 / 38

HEX #679F00

RGB 103 159 0

HSL 81.13, 1%, 0.31%

LAB 59.6, -38.77, 61.74

 

CMYK 26 / 0 / 70 / 9

HEX #AAE746

RGB 170 231 70

HSL 82.73, 0.77%, 0.59%

LAB 85.07, -42.34, 68.45

 

CMYK 7 / 0 / 70 / 9

HEX #D6E746

RGB 214 231 70

HSL 66.34, 0.77%, 0.59%

LAB 87.92, -25.25, 72.23

 

CMYK 0 / 11 / 70 / 9

HEX #E7CD46

RGB 231 205 70

HSL 50.31, 0.77%, 0.59%

LAB 82.43, -5.37, 67.24

 

CMYK 0 / 30 / 70 / 9

HEX #E7A146

RGB 231 161 70

HSL 33.91, 0.77%, 0.59%

LAB 71.5, 17.68, 56.02

 

CMYK 0 / 49 / 70 / 9

HEX #E77646

RGB 231 118 70

HSL 17.89, 0.77%, 0.59%

LAB 61.99, 40.22, 45.68

 

CMYK 26 / 0 / 70 / 9

HEX #AAE746

RGB 170 231 70

HSL 82.73, 0.77%, 0.59%

LAB 85.07, -42.34, 68.45

 

CMYK 45 / 0 / 70 / 9

HEX #7FE746

RGB 127 231 70

HSL 98.76, 0.77%, 0.59%

LAB 82.97, -56.86, 65.64

 

CMYK 64 / 0 / 70 / 9

HEX #53E746

RGB 83 231 70

HSL 115.16, 0.77%, 0.59%

LAB 81.53, -68.08, 63.69

 

CMYK 70 / 0 / 57 / 9

HEX #46E764

RGB 70 231 100

HSL 131.18, 0.77%, 0.59%

LAB 81.5, -67.4, 51.17

 

CMYK 70 / 0 / 38 / 9

HEX #46E78F

RGB 70 231 143

HSL 147.2, 0.77%, 0.59%

LAB 82.08, -60.77, 31.12

 

CMYK 26 / 0 / 70 / 9

HEX #AAE746

RGB 170 231 70

HSL 82.73, 0.77%, 0.59%

LAB 85.07, -42.34, 68.45

 

CMYK 30 / 0 / 79 / 3

HEX #AEF835

RGB 174 248 53

HSL 82.77, 0.93%, 0.59%

LAB 90.04, -49.01, 78.65

 

CMYK 26 / 0 / 70 / 9

HEX #AAE746

RGB 170 231 70

HSL 82.73, 0.77%, 0.59%

LAB 85.07, -42.34, 68.45

 

CMYK 22 / 0 / 59 / 16

HEX #A6D657

RGB 166 214 87

HSL 82.68, 0.61%, 0.59%

LAB 80.12, -35, 56.34

 

CMYK 18 / 0 / 47 / 23

HEX #A2C568

RGB 162 197 104

HSL 82.58, 0.44%, 0.59%

LAB 75.21, -26.87, 42.61

 

CMYK 12 / 0 / 33 / 29

HEX #9EB479

RGB 158 180 121

HSL 82.37, 0.28%, 0.59%

LAB 70.38, -17.83, 27.66

 

CMYK 6 / 0 / 15 / 36

HEX #9AA38A

RGB 154 163 138

HSL 81.6, 0.12%, 0.59%

LAB 65.67, -7.81, 11.91

 

CMYK 0 / 12 / 70 / 9

HEX #E7CC46

RGB 231 204 70

HSL 49.94, 0.77%, 0.59%

LAB 82.17, -4.86, 66.99

 

CMYK 7 / 0 / 70 / 9

HEX #D7E746

RGB 215 231 70

HSL 65.96, 0.77%, 0.59%

LAB 87.99, -24.85, 72.32

 

CMYK 26 / 0 / 70 / 9

HEX #ACE746

RGB 172 231 70

HSL 81.99, 0.77%, 0.59%

LAB 85.18, -41.6, 68.6

 

CMYK 44 / 0 / 70 / 9

HEX #81E746

RGB 129 231 70

HSL 98.01, 0.77%, 0.59%

LAB 83.05, -56.25, 65.75

 

CMYK 63 / 0 / 70 / 9

HEX #56E746

RGB 86 231 70

HSL 114.04, 0.77%, 0.59%

LAB 81.61, -67.46, 63.8

 

CMYK 33 / 0 / 87 / 24

HEX #82C119

RGB 130 193 25

HSL 82.5, 0.77%, 0.43%

LAB 71.53, -42.79, 68.16

 

CMYK 32 / 0 / 85 / 11

HEX #99E221

RGB 153 226 33

HSL 82.69, 0.77%, 0.51%

LAB 82.53, -48.1, 76.37

 

CMYK 26 / 0 / 70 / 9

HEX #AAE746

RGB 170 231 70

HSL 82.73, 0.77%, 0.59%

LAB 85.07, -42.34, 68.45

 

CMYK 21 / 0 / 55 / 7

HEX #BBEC6A

RGB 187 236 106

HSL 82.62, 0.77%, 0.67%

LAB 87.77, -35.52, 57.02

 

CMYK 15 / 0 / 40 / 6

HEX #CCF08F

RGB 204 240 143

HSL 82.27, 0.76%, 0.75%

LAB 90.39, -27.23, 43.03

 

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

CMYK 70 / 0 / 30 / 9

HEX #46E7A1

RGB 70 231 161

HSL 153.91, 0.77%, 0.59%

LAB 82.39, -57.28, 22.32

 

CMYK 2 / 70 / 0 / 9

HEX #E246E7

RGB 226 70 231

HSL 298.14, 0.77%, 0.59%

LAB 58.34, 77.69, -50.9

 

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

CMYK 70 / 26 / 0 / 9

HEX #46ACE7

RGB 70 172 231

HSL 201.99, 0.77%, 0.59%

LAB 66.96, -10.83, -38.18

 

CMYK 0 / 70 / 26 / 9

HEX #E746AC

RGB 231 70 172

HSL 321.99, 0.77%, 0.59%

LAB 56.43, 70.4, -20.1

 

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

CMYK 70 / 0 / 30 / 9

HEX #46E7A1

RGB 70 231 161

HSL 153.91, 0.77%, 0.59%

LAB 82.39, -57.28, 22.32

 

CMYK 44 / 70 / 0 / 9

HEX #8146E7

RGB 129 70 231

HSL 261.99, 0.77%, 0.59%

LAB 45.38, 58.6, -72.44

 

CMYK 0 / 70 / 39 / 9

HEX #E7468C

RGB 231 70 140

HSL 333.91, 0.77%, 0.59%

LAB 55.34, 66.81, -2.96

 

CMYK 26 / 0 / 69 / 9

HEX #ABE748

RGB 171 231 72

HSL 82.64, 0.77%, 0.59%

LAB 85.14, -41.84, 67.81

 

CMYK 70 / 0 / 10 / 9

HEX #46E7D1

RGB 70 231 209

HSL 171.8, 0.77%, 0.59%

LAB 83.47, -46.09, -1.31

 

CMYK 44 / 70 / 0 / 9

HEX #8146E7

RGB 129 70 231

HSL 261.99, 0.77%, 0.59%

LAB 45.38, 58.6, -72.44

 

CMYK 0 / 70 / 61 / 9

HEX #E7465B

RGB 231 70 91

HSL 352.17, 0.77%, 0.59%

LAB 54.16, 62.78, 24.5

 

Description

Color code: HEX #ABE748 | qconv.com Color code: HEX #ABE748 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 231 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 231 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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