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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE4AA it is the complementary color #541B55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE4AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE4AA shade: #B0E4A5, #C1F6B8, #D2FFCB, #E3FFDE and #F4FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE4AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE4AA shade: #ABE4AA, #9AD297, #89C084, #78AE71 and #679C5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE4AA shade: #ABE4AA, #BAE4AA, #CAE4AA, #DAE4AA and #E4DEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE4AA shade: #ABE4AA, #AAE4B8, #AAE4C8, #AAE4D8 and #AAE0E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE4AA shade matches the following richer shades: #ABE4AA, #A2EDA1 and #99F698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE4AA shade: #ABE4AA, #B3DBB3, #BCD2BC, #C5C9C5 and #CEC0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE4AA shade: #CBE4AA, #BBE4AA, #ACE4AA, #AAE4B7 and #AAE4C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE4AA shade: #6DD06B, #8CDA8A, #ABE4AA, #CAEEC9 and #E9F8E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE4AA shade: #ABE4AA, #AADAE4 and #E4AAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE4AA shade: #ABE4AA, #AAACE4 and #E4AAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE4AA shade: #ABE4AA, #AADAE4, #E2AAE4 and #E4B3AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE4AA shade: #ABE4AA, #AAC9E4, #E2AAE4 and #E4C5AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

Complementary color

CMYK 1 / 68 / 0 / 67

HEX #541B55

RGB 84 27 85

HSL 298.97, 0.52%, 0.22%

LAB 21.3, 34.8, -22.61

 

CMYK 23 / 0 / 28 / 11

HEX #B0E4A5

RGB 176 228 165

HSL 109.52, 0.54%, 0.77%

LAB 85.72, -28.37, 25.48

 

CMYK 22 / 0 / 25 / 4

HEX #C1F6B8

RGB 193 246 184

HSL 111.29, 0.78%, 0.84%

LAB 92, -28.2, 24.48

 

CMYK 18 / 0 / 20 / 0

HEX #D2FFCB

RGB 210 255 203

HSL 111.92, 1%, 0.9%

LAB 95.8, -23.77, 20.21

 

CMYK 11 / 0 / 13 / 0

HEX #E3FFDE

RGB 227 255 222

HSL 110.91, 1%, 0.94%

LAB 97.28, -14.96, 12.73

 

CMYK 4 / 0 / 5 / 0

HEX #F4FFF1

RGB 244 255 241

HSL 107.14, 1%, 0.97%

LAB 98.87, -6.06, 5.43

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 27 / 0 / 28 / 18

HEX #9AD297

RGB 154 210 151

HSL 116.95, 0.4%, 0.71%

LAB 79.15, -29.44, 23.59

 

CMYK 29 / 0 / 31 / 25

HEX #89C084

RGB 137 192 132

HSL 115, 0.32%, 0.64%

LAB 72.68, -29.66, 24.67

 

CMYK 31 / 0 / 35 / 32

HEX #78AE71

RGB 120 174 113

HSL 113.11, 0.27%, 0.56%

LAB 66.1, -29.89, 25.81

 

CMYK 34 / 0 / 40 / 39

HEX #679C5E

RGB 103 156 94

HSL 111.29, 0.25%, 0.49%

LAB 59.41, -30.12, 27.03

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 18 / 0 / 25 / 11

HEX #BAE4AA

RGB 186 228 170

HSL 103.45, 0.52%, 0.78%

LAB 86.42, -24.18, 23.94

 

CMYK 11 / 0 / 25 / 11

HEX #CAE4AA

RGB 202 228 170

HSL 86.9, 0.52%, 0.78%

LAB 87.46, -18.56, 25.53

 

CMYK 4 / 0 / 25 / 11

HEX #DAE4AA

RGB 218 228 170

HSL 70.34, 0.52%, 0.78%

LAB 88.59, -12.76, 27.26

 

CMYK 0 / 3 / 25 / 11

HEX #E4DEAA

RGB 228 222 170

HSL 53.79, 0.52%, 0.78%

LAB 87.79, -6.04, 26.31

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 25 / 0 / 19 / 11

HEX #AAE4B8

RGB 170 228 184

HSL 134.48, 0.52%, 0.78%

LAB 85.75, -27.12, 15.59

 

CMYK 25 / 0 / 12 / 11

HEX #AAE4C8

RGB 170 228 200

HSL 151.03, 0.52%, 0.78%

LAB 86.11, -24.11, 7.71

 

CMYK 25 / 0 / 5 / 11

HEX #AAE4D8

RGB 170 228 216

HSL 167.59, 0.52%, 0.78%

LAB 86.5, -20.86, -0.14

 

CMYK 25 / 2 / 0 / 11

HEX #AAE0E4

RGB 170 224 228

HSL 184.14, 0.52%, 0.78%

LAB 85.74, -16.28, -7.59

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 32 / 0 / 32 / 7

HEX #A2EDA1

RGB 162 237 161

HSL 119.21, 0.68%, 0.78%

LAB 87.4, -37.75, 29.67

 

CMYK 38 / 0 / 38 / 4

HEX #99F698

RGB 153 246 152

HSL 119.36, 0.84%, 0.78%

LAB 89.37, -45.87, 36.73

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 18 / 0 / 18 / 14

HEX #B3DBB3

RGB 179 219 179

HSL 120, 0.36%, 0.78%

LAB 83.71, -20.67, 15.41

 

CMYK 10 / 0 / 10 / 18

HEX #BCD2BC

RGB 188 210 188

HSL 120, 0.2%, 0.78%

LAB 82.06, -11.5, 8.4

 

CMYK 2 / 0 / 2 / 21

HEX #C5C9C5

RGB 197 201 197

HSL 120, 0.04%, 0.78%

LAB 80.56, -2.1, 1.51

 

CMYK 0 / 7 / 0 / 19

HEX #CEC0CE

RGB 206 192 206

HSL 300, 0.13%, 0.78%

LAB 79.2, 7.43, -5.24

 

CMYK 11 / 0 / 25 / 11

HEX #CBE4AA

RGB 203 228 170

HSL 85.86, 0.52%, 0.78%

LAB 87.53, -18.21, 25.64

 

CMYK 18 / 0 / 25 / 11

HEX #BBE4AA

RGB 187 228 170

HSL 102.41, 0.52%, 0.78%

LAB 86.48, -23.83, 24.04

 

CMYK 25 / 0 / 25 / 11

HEX #ACE4AA

RGB 172 228 170

HSL 117.93, 0.52%, 0.78%

LAB 85.58, -28.89, 22.67

 

CMYK 25 / 0 / 20 / 11

HEX #AAE4B7

RGB 170 228 183

HSL 133.45, 0.52%, 0.78%

LAB 85.73, -27.3, 16.09

 

CMYK 25 / 0 / 13 / 11

HEX #AAE4C7

RGB 170 228 199

HSL 150, 0.52%, 0.78%

LAB 86.08, -24.3, 8.2

 

CMYK 48 / 0 / 49 / 18

HEX #6DD06B

RGB 109 208 107

HSL 118.81, 0.52%, 0.62%

LAB 75.71, -49.25, 41.15

 

CMYK 36 / 0 / 37 / 15

HEX #8CDA8A

RGB 140 218 138

HSL 118.5, 0.52%, 0.7%

LAB 80.49, -39.74, 31.99

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 15 / 0 / 16 / 7

HEX #CAEEC9

RGB 202 238 201

HSL 118.38, 0.52%, 0.86%

LAB 90.74, -18.52, 14.06

 

CMYK 6 / 0 / 6 / 3

HEX #E9F8E8

RGB 233 248 232

HSL 116.25, 0.53%, 0.94%

LAB 96.11, -7.78, 5.98

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 25 / 4 / 0 / 11

HEX #AADAE4

RGB 170 218 228

HSL 190.34, 0.52%, 0.78%

LAB 84.12, -13.24, -9.99

 

CMYK 0 / 25 / 14 / 11

HEX #E4AAC3

RGB 228 170 195

HSL 334.14, 0.52%, 0.78%

LAB 75.57, 25.04, -4.4

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 25 / 25 / 0 / 11

HEX #AAACE4

RGB 170 172 228

HSL 237.93, 0.52%, 0.78%

LAB 72, 11.37, -28.33

 

CMYK 0 / 25 / 25 / 11

HEX #E4AAAC

RGB 228 170 172

HSL 357.93, 0.52%, 0.78%

LAB 74.96, 21.56, 7.31

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 25 / 4 / 0 / 11

HEX #AADAE4

RGB 170 218 228

HSL 190.34, 0.52%, 0.78%

LAB 84.12, -13.24, -9.99

 

CMYK 1 / 25 / 0 / 11

HEX #E2AAE4

RGB 226 170 228

HSL 297.93, 0.52%, 0.78%

LAB 76.39, 30.08, -21.18

 

CMYK 0 / 21 / 25 / 11

HEX #E4B3AA

RGB 228 179 170

HSL 9.31, 0.52%, 0.78%

LAB 77.06, 16.46, 11.39

 

CMYK 25 / 0 / 25 / 11

HEX #ABE4AA

RGB 171 228 170

HSL 118.97, 0.52%, 0.78%

LAB 85.53, -29.22, 22.58

 

CMYK 25 / 12 / 0 / 11

HEX #AAC9E4

RGB 170 201 228

HSL 207.93, 0.52%, 0.78%

LAB 79.57, -4.4, -16.8

 

CMYK 1 / 25 / 0 / 11

HEX #E2AAE4

RGB 226 170 228

HSL 297.93, 0.52%, 0.78%

LAB 76.39, 30.08, -21.18

 

CMYK 0 / 14 / 25 / 11

HEX #E4C5AA

RGB 228 197 170

HSL 27.93, 0.52%, 0.78%

LAB 81.47, 6.91, 17.59

 

Description

Color code: HEX #ABE4AA | qconv.com Color code: HEX #ABE4AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 228 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 228 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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